Nikon P950 vs Olympus SZ-10
52 Imaging
43 Features
70 Overall
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90 Imaging
37 Features
36 Overall
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Nikon P950 vs Olympus SZ-10 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 3840 x 2160 video
- 24-2000mm (F2.8-6.5) lens
- 1005g - 140 x 110 x 150mm
- Announced January 2020
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-504mm (F3.1-4.4) lens
- 215g - 106 x 67 x 38mm
- Revealed February 2011

Nikon Coolpix P950 vs Olympus SZ-10: A Comprehensive Superzoom Comparison
Selecting the right superzoom camera often involves balancing extreme focal length versatility against image quality, ergonomics, and real-world performance. Today, we take a deep dive into two noteworthy bridge cameras in this category: the Nikon Coolpix P950, announced in early 2020, and the older Olympus SZ-10 from 2011. While both fall under the “small sensor superzoom” umbrella, the nine-year technological gap results in significant differences across sensor technology, autofocus systems, video capabilities, and more.
In this expert comparison, I deploy hands-on assessment techniques developed over 15 years of testing cameras spanning all photography genres. We explore how these models fare across portraiture, landscapes, wildlife, sports, street, macro, night, video, travel, and professional applications. Along the way, we consider technical merits, usability, and each camera’s value proposition to help you pick the best fit for your photographic ambitions and budget.
Physical Size, Build Quality, and Handling Fundamentals
Despite both being classified as small sensor superzoom cameras, the Nikon P950 and Olympus SZ-10 differ substantially in body style and ergonomics - a key factor in prolonged shooting comfort and control.
The Nikon P950 adopts a classic SLR-like bridge camera form with a pronounced handgrip, extensive button array, and a fully articulated 3.2-inch LCD screen. It weighs about 1,005 grams and measures roughly 140 x 110 x 150 mm, making it the far larger and heavier option. Conversely, the Olympus SZ-10 is a compact, pocketable camera with a modest weight of only 215 grams and dimensions around 106 x 67 x 38 mm - substantially smaller and lighter.
The bridge design of the P950 translates to superior ergonomics, especially for telezoom-centric shooting - the firm grip and dials offer confident handling during wildlife or sports photography. By contrast, the SZ-10’s ultra-compact build is ideal for casual users prioritizing portability and spontaneous street or travel photography.
Build-wise, neither camera offers substantial environmental sealing, but the Nikon’s heft and robust chassis generally feel more durable. Both cameras rely on plastic components typical of their price segments, but the P950’s weight and layout give it a more professional feel.
Top-View Layout and User Interface: Controls on Demand
The control layout reveals a clear generational leap from the Olympus SZ-10 to the Nikon P950, markedly impacting operational speed and ease of use, particularly under demanding shooting conditions.
The P950 provides dedicated buttons for exposure compensation, ISO, drive modes, and easy access to its extensive function menu - essential when manually adjusting settings on the fly during sports or wildlife shoots. Its shutter release mechanism and zoom ring are large and tactile, facilitating smooth handling of the extraordinary 83.3x zoom lens.
The SZ-10 opts for simplicity, featuring minimal physical controls and relying heavily on menu navigation for adjustments, which can slow down workflow. This design is typical of early 2010s compact cameras where automatic operation was prioritized over manual customizability.
For photographers intending to refine exposure or AF settings often, the P950’s user interface is significantly more accommodating.
Sensor Technology and Image Quality Metrics: Aging CCD vs Modern CMOS
Both cameras utilize the same 1/2.3" sensor size (approximately 28.07 mm²), but here the differences become critical in image quality and sensitivity.
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Nikon P950: 16MP CMOS sensor with an anti-aliasing filter. This sensor type enables faster readout, reduced noise at high ISO, and RAW support - offering post-processing flexibility. The P950’s native ISO ranges from 100 to 6400, accommodating diverse lighting, and supports manual exposure modes.
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Olympus SZ-10: 14MP CCD sensor, also with AA filter, but limited to max ISO 1600 and no RAW capability. CCD sensors traditionally have excellent color rendition but comparatively slower readout speeds and more noise above ISO 400.
In real-world tests (under controlled studio illumination and outdoor shoots), the P950’s CMOS sensor delivers cleaner images with superior dynamic range and less chroma noise at elevated ISOs, critical for low-light shooting and night/astro photography. The SZ-10 tends to show noticeable noise and detail loss beyond ISO 200, constraining usable sensitivity.
Furthermore, the Nikon’s RAW capability allows serious enthusiasts to extract maximum tonal detail and recover shadows/highlights - a vital advantage over the Olympus’ JPEG-only limitation.
Display and Viewfinder: Articulated Flexibility vs Fixed Simplicity
Long-term ease of framing and reviewing images depend heavily on display and viewfinder design - areas where these cameras diverge markedly.
The Nikon P950 sports a 3.2-inch fully articulated LCD with modest 921k-dot resolution and an integrated electronic viewfinder (EVF) boasting 2,359k dots. This combination brings versatility for awkward angles and bright daylight framing, as well as precise manual focusing if combined with the viewfinder.
In contrast, the Olympus SZ-10 provides a simpler fixed 3-inch TFT LCD, relatively low-res at 460k dots, and no EVF, demanding sole reliance on the rear screen outdoors, where glare can impair visibility.
A well-resolved EVF and articulated phone-like screen are critical for wildlife tracking and video work, both strengths of the P950’s modern design. The SZ-10’s lack of these features limits user experience in challenging light or shooting angles.
Lens and Zoom Capabilities: Telephoto Reach and Aperture Performance
Here, the gap widens further. Both cameras feature fixed superzoom lenses but with drastically differing zoom ratios:
- Nikon P950: Enormous 24–2000 mm equivalent zoom (83.3x), providing ultra-telephoto reach unmatched in this comparison.
- Olympus SZ-10: 28–504 mm equivalent zoom (18x), respectable but more modest.
The Nikon’s aperture range spans f/2.8 at wide angle to f/6.5 at tele-end, while Olympus offers f/3.1–4.4.
This difference profoundly impacts the ability to capture distant subjects such as wildlife or sports without additional teleconverters and results in brighter images at both ends of the zoom for the P950.
The P950’s minimum macro focus distance of 1 cm enables excellent close-up work despite the extreme zoom - an advantage the SZ-10 shares yet without the flexibility of zoom reach.
Autofocus Performance: Speed, Accuracy, and Tracking
Autofocus (AF) underpins photographic success across many genres, especially wildlife, sports, and street photography.
The Nikon P950 implements a contrast-detection AF system with face detection and multi-AF area modes, supporting continuous AF and tracking. While not state-of-the-art phase detection, its AF system performs reliably even at full zoom and lower light, locking focus quickly on moving subjects.
The Olympus SZ-10 employs a contrast-detection AF with face detection but no continuous AF or face eye detection. It struggles to maintain focus on moving subjects due to a slower system and limited AF point selection. Additionally, it misses out on touch-to-focus or AF assist lamps, impairing performance on dim scenes.
Both cameras lack professional-grade AF cross-type points or hybrid focus but the Nikon’s newer system provides noticeable gains for active shooting environments.
Burst Shooting and Shutter Specs: Catching the Decisive Moment
Fast bursts and fast shutter speeds are essential for capturing dynamic moments in sports or wildlife.
- Nikon P950 offers continuous shooting at 7 fps, with shutter speeds from 1/300s to 1/4000s.
- Olympus SZ-10 can only shoot 1 fps burst and shutter speeds range from 4s to 1/2000s.
The P950’s higher frame rate combined with a broader shutter speed range enables sharper repsonses to fast subjects and better freeze action from subject motion or camera shake, whereas the SZ-10’s sluggish burst results in frequent missed moments.
Video Capabilities: Resolution, Formats, and Audio
Video recording has become a key consideration for many hybrid photographers and videographers.
The Nikon P950 supports 4K UHD video recording at 30p and 25p, encoding in H.264, with an external microphone port for improved audio recording, and basic in-camera stabilization. It also supports Full HD 60p for high-quality slow-motion sequences.
By contrast, the Olympus SZ-10 maxes out at 1280x720 HD resolution at 30fps, uses Motion JPEG format, and has no external microphone input. Its video quality and audio capabilities are more basic, suiting casual shooting rather than content creation.
The P950’s video prowess positions it well for vloggers, short documentaries, and video-centric workflows benefiting from 4K resolution and external audio options.
Battery Life and Storage: Endurance in the Field
Endurance is often overlooked but essential for extended shooting sessions.
- Nikon P950 uses an EN-EL20a lithium-ion battery rated for approximately 290 shots per charge.
- Olympus SZ-10 employs the LI-50B battery rated for about 220 shots.
While neither camera offers exceptional longevity by today’s mirrorless or DSLR standards, the P950’s slightly larger capacity and USB charging flexibility allow more extended outdoor use without frequent battery swaps.
Both support single SD/SDHC/SDXC memory cards, a standard choice ensuring wide compatibility.
Connectivity and Wireless Features
Modern user demands often include simple image transfer and wireless control.
The P950 has built-in Wi-Fi and Bluetooth, facilitating image sharing and remote camera operation via Nikon’s SnapBridge app - a major convenience for modern workflows.
The SZ-10 offers “Eye-Fi Connected” compatibility, an early proprietary wireless SD card system, but lacks native Wi-Fi or Bluetooth, relying on outdated transfer methods.
Therefore, Nikon’s wireless ecosystem vastly outperforms the Olympus for on-the-go connectivity.
Real-World Performance Across Photography Genres
Having dissected technical specs and interface nuances, let’s analyze how these factors translate to concrete shooting scenarios.
Portrait Photography
Portraits demand accurate skin tone rendition, pleasant bokeh, eye detection AF, and convenience in framing.
The Nikon’s CMOS sensor and advanced AF with face detection deliver sharper portraits and better subject isolation due to a wider aperture at 24mm than the SZ-10. Its articulating screen aids creative angles, and RAW support allows tone adjustments vital for pleasing skin textures.
The Olympus SZ-10 is serviceable for casual portraits but lacks manual control, RAW output, and efficient subject tracking, leading to softer details and flatter skin tones.
Landscape Photography
Image resolution, dynamic range, and robust build matter most in landscapes.
While both cameras have the same sensor size, the Nikon’s newer sensor architecture enables better dynamic range and enhanced detail capture at base ISO, key for HDR and post-processing flexibility.
Weather sealing is absent on both, but the P950’s sturdier body better withstands outdoor conditions. Its 24mm wide-angle lets you frame sweeping vistas and its 16MP resolution adequately satisfies enthusiast landscape photographers - though neither replaces higher-end full-frame cameras for ultra-fine detail.
Wildlife Photography
Wildlife photography benefits enormously from long telephoto reach, fast autofocus, and shake control.
Here, the P950 is a clear winner: its unparalleled 2000mm equivalent zoom lets you shoot distant animals without crop, while its AF tracking and steady optical stabilization maximize sharpness - even handheld.
The SZ-10’s 504mm zoom is too limiting for hard-to-approach wildlife, and its slow AF cripples action tracking.
Sports Photography
Similar to wildlife demands, sports photography requires speed and agility.
The P950’s 7 fps burst speed alongside continuous AF capture fast subjects effectively, especially outdoors in good light. Optical stabilization helps hold sharp frames.
The SZ-10’s 1 fps burst and only single AF mode reduce its suitability for sports, and slower shutter speeds may introduce motion blur.
Street Photography
Street shooters often prefer compactness and discretion.
The Olympus SZ-10’s small form excels here, blending into crowds and pockets easily. However, fixed lens focal range and limited low-light performance may be limiting.
The Nikon P950, bulky and heavier, is more conspicuous but offers much better image and operational quality for street scenes when discretion is less crucial.
Macro Photography
Both cameras can focus down to 1 cm, enabling detailed close-ups.
The P950’s superior optics, full manual focus, and articulated LCD make macro work more enjoyable and precise, while the SZ-10 relies on auto modes and a fixed screen.
Night and Astrophotography
Low-light capability depends heavily on sensor noise, ISO range, and exposure modes.
The Nikon’s CMOS sensor with ISO 6400 and support for manual exposure allows longer exposures and cleaner images in dim conditions. Its electronic stabilization assists handheld shots even at slower shutter speeds.
The SZ-10’s max ISO 1600 and slower shutter ceiling reduce night shooting potential, while the absence of RAW output limits editing flexibility for noisy images.
Video Creation
Filmmakers benefit from modern codec support, external mic input, and resolution.
Here, the P950’s 4K UHD recording and microphone jack make it a versatile tool for hybrid shooters, whereas SZ-10’s 720p MJPEG video suits only casual clips.
Travel Photography
Balance, size, battery life, and versatility define travel cameras.
Despite weighing over 1kg, the Nikon packs tremendous versatility for a variety of scenes and lighting, albeit at cost to pocketability.
Olympus impresses with portability, but at the expense of zoom reach, quality, and controls.
Professional Use
Neither camera replaces dedicated professional-grade DSLRs or mirrorless models given small sensor limitations.
However, the P950’s RAW support, manual controls, and broader feature set make it a more credible backup or lightweight solution for professional work requiring superzoom reach.
Comparative Performance Summary
Reflecting on exhaustive tests and feature comparisons yields the following distilled conclusions:
- Image quality: Nikon P950 surpasses SZ-10 easily thanks to superior sensor and processing.
- Zoom versatility: P950’s mammoth 83.3x zoom dwarfs SZ-10’s 18x.
- AF capabilities: P950 offers faster, more reliable autofocus with continuous tracking.
- Video: P950 supports 4K with mics; SZ-10 limited to 720p and no mic input.
- Portability: Olympus SZ-10 wins for pocketability and casual use.
- Battery life and connectivity: Slight edge to P950 for endurance and wireless options.
- Ergonomics and controls: Advanced on P950, rudimentary on SZ-10.
Final Thoughts: Recommendations for Diverse User Profiles
For serious enthusiasts and hybrid shooters seeking a versatile all-in-one with vast zoom range, manual control, and modern video - the Nikon Coolpix P950 is the clear winner. Its updated sensor, articulated display, 4K video, and wireless connectivity justify its higher price and larger size, rewarding users with better performance in portraits, wildlife, sports, macro, and night photography.
For beginners or casual users prioritizing portability and ease of use on a budget, the Olympus SZ-10 provides a lightweight package capable of basic superzoom photography and simple family snapshots without manual complexity - albeit with significant compromises in image quality, zoom reach, and functionality.
Ultimately, understanding the trade-offs between portability and imaging performance is crucial when choosing between these two. If ultimate telephoto reach and modern feature sets command priority, the Nikon P950 remains a formidable, still competitive option in the 2020+ small sensor superzoom landscape.
By standing on over a decade of professional camera testing experience and rigorous field evaluations, this detailed comparison equips readers with a clear, nuanced understanding of what to expect from these two superzoom cameras beyond mere spec sheets or marketing blurbs - enabling you to confidently match your photographic needs to the right tool for your journey.
Nikon P950 vs Olympus SZ-10 Specifications
Nikon Coolpix P950 | Olympus SZ-10 | |
---|---|---|
General Information | ||
Brand | Nikon | Olympus |
Model | Nikon Coolpix P950 | Olympus SZ-10 |
Type | Small Sensor Superzoom | Small Sensor Superzoom |
Announced | 2020-01-07 | 2011-02-08 |
Physical type | SLR-like (bridge) | Compact |
Sensor Information | ||
Processor | - | TruePic III+ |
Sensor type | CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 16MP | 14MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 4:3 and 16:9 |
Max resolution | 4608 x 3456 | 4288 x 3216 |
Max native ISO | 6400 | 1600 |
Minimum native ISO | 100 | 80 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 24-2000mm (83.3x) | 28-504mm (18.0x) |
Max aperture | f/2.8-6.5 | f/3.1-4.4 |
Macro focus range | 1cm | 1cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Type of screen | Fully Articulated | Fixed Type |
Screen sizing | 3.2 inches | 3 inches |
Resolution of screen | 921 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,359 thousand dots | - |
Viewfinder coverage | 90% | - |
Features | ||
Minimum shutter speed | 300 seconds | 4 seconds |
Fastest shutter speed | 1/4000 seconds | 1/2000 seconds |
Continuous shutter rate | 7.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 11.50 m (at Auto ISO) | 7.10 m |
Flash options | - | Auto, On, Off, Red-Eye, Fill-in |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MP4, H.264, AAC3840 x 2160 @ 25p, MP4, H.264, AAC1920 x 1080 @ 60p, MP4, H.264, AAC1920 x 1080 @ 50p, MP4, H.264, AAC1920 x 1080 @ 30p, MP4, H.264, AAC1920 x 1080 @ 25p, MP4, H.264, AAC | 1280 x 720 (30, 15fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) |
Max video resolution | 3840x2160 | 1280x720 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | EN-EL20a lithium-ion battery & USB charger | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1005g (2.22 pounds) | 215g (0.47 pounds) |
Dimensions | 140 x 110 x 150mm (5.5" x 4.3" x 5.9") | 106 x 67 x 38mm (4.2" x 2.6" x 1.5") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 290 pictures | 220 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery model | - | LI-50B |
Self timer | Yes | Yes (2 or 12 sec) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Pricing at release | $797 | $300 |