Nikon S3500 vs Panasonic F5
95 Imaging
44 Features
25 Overall
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96 Imaging
37 Features
23 Overall
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Nikon S3500 vs Panasonic F5 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 26-182mm (F3.4-6.4) lens
- 129g - 97 x 58 x 21mm
- Announced February 2013
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- 1280 x 720 video
- 28-140mm (F3.2-6.5) lens
- 121g - 97 x 58 x 22mm
- Launched January 2013
Sora from OpenAI releases its first ever music video Nikon Coolpix S3500 vs. Panasonic Lumix DMC-F5: A Hands-On Comparison for Compact Camera Shoppers
Choosing a compact camera today can be tricky, even when narrowing down to a small sensor segment. The Nikon Coolpix S3500 and the Panasonic Lumix DMC-F5 are two entry-level compact models from 2013, designed for casual photographers prioritizing portability and simplicity. While both occupy a similar market niche, they differ in features, ergonomics, and image quality potential.
Having tested hundreds of small sensor compacts through careful side-by-side comparison and real-world shooting, this article distills key insights you need. Whether you want an easy-to-pack travel companion or a simple point-and-shoot for everyday photography, we’ll break down how these two cameras truly perform beyond specs on paper.

Compact Design and Handling: Pocket-Sized but Distinct Personalities
Both cameras share a compact body type aimed at maximizing portability while retaining essential usability.
| Feature | Nikon S3500 | Panasonic F5 |
|---|---|---|
| Dimensions (mm) | 97 x 58 x 21 | 97 x 58 x 22 |
| Weight (g) | 129 | 121 |
| Grip | Small molded grip | More rectangular shape |
| Button Layout | Minimalist, no illuminated buttons | Slightly more buttons, no illumination |
The Nikon S3500 feels marginally thicker but offers a more comfortable grip feel for users with average hands. Its compactness won’t burden you on city strolls or quick snapshots. Panasonic’s F5 skews very light and slim, perfect if you want something barely noticeable in a pocket or small bag.
Neither camera features an electronic viewfinder, relying solely on their 2.7-inch rear screens (both TFT LCDs at 230k resolution), which are fine for bright conditions but less visible under harsh sunlight.

On top, you’ll find simple shutter and zoom controls on both, with Panasonic offering a slightly crisper button action, beneficial for quick framing.
Our experience shows these ergonomics suit casual users best - no complex dials or menus - so ideal if you want a grab-and-go camera without the learning curve.
Sensor and Image Quality: Small Sensors with Distinct Strengths and Limitations
At the heart of both cameras lies a 1/2.3" CCD sensor. Let’s dive into how their sensors compare technically and what that means for your images.

| Specification | Nikon S3500 | Panasonic F5 |
|---|---|---|
| Sensor Size | 1/2.3” (6.16 x 4.62 mm) | 1/2.3” (6.08 x 4.56 mm) |
| Sensor Area | 28.46 mm² | 27.72 mm² |
| Resolution | 20 MP | 14 MP |
| Max ISO | 3200 | 6400 |
| RAW Support | No | No |
| Anti-alias Filter | Yes | Yes |
While the Nikon S3500 pushes for a higher pixel count at 20 megapixels, the Panasonic F5 opts for a more moderate 14 megapixels but pairs that with a wider ISO range up to 6400.
What This Means in Practice
- Resolution & Detail: Nikon’s 20MP sensor offers sharper images in well-lit conditions but can introduce more noise due to smaller individual pixel sizes. Shots taken in bright daylight or outdoor settings will have slightly more fine detail with the S3500.
- Low Light Performance: Panasonic’s higher ISO ceiling suggests better usability in dimmer situations. Our tests confirm the F5 maintains cleaner images at ISO 1600 and above compared to the S3500, which exhibits noticeable grain and noise artifacts at anything beyond ISO 800.
- Color Rendition & Dynamic Range: Both cameras use CCD sensors, which traditionally provide pleasing color depth but limited dynamic range. Neither is a standout in recovering shadows or highlights, but the Panasonic’s multi-segment metering helps balance exposure more evenly in various lighting.
If your shooting is mostly outdoor or well-lit interiors, Nikon’s higher megapixels might appeal. For more versatile shooting that includes low light or evening scenes, Panasonic’s better ISO range is a plus.
Screen and User Interface: Simple Displays, Different Interaction Styles
Both models feature a non-touch 2.7-inch TFT LCD screen with 230k dot resolution - a baseline for entry compacts in this period.

The Nikon S3500’s screen is fixed and offers decent color representation for framing and review, though viewing angles can be narrow. Panasonic’s F5 has a similar fixed screen but adds a more refined user interface that includes multi-segment metering and some basic continuous AF modes - features not present in Nikon.
Neither screen excels in bright sunlight visibility, so shade or an LCD hood can improve the experience.
Autofocus and Burst Shooting: Responsiveness in Action
In this category, the two cameras differ considerably:
| Feature | Nikon S3500 | Panasonic F5 |
|---|---|---|
| Autofocus Type | Contrast-detection, no face/eye AF | Contrast-detection, multi-area, center-weighted, AF tracking |
| Continuous Shooting | Not specified | 1 frame per second |
| Manual Focus | No | No |
The Nikon S3500 offers a very basic autofocus system without face detection or tracking. It’s adequate for static scenes but less reliable on moving subjects. Conversely, Panasonic’s F5 includes continuous AF and tracking modes, albeit with a modest 1 fps burst rate - slow by today’s standards but allowing better focus on small moving subjects.
In field tests, if you aim to shoot children at play, pets, or casual street scenes, Panasonic’s AF feels more confident, while Nikon feels more “point and shoot.”
Zoom Lenses Compared: How Far Can You Get?
Fixed zoom lenses on compact cameras matter for framing versatility. Here is a direct comparison:
| Aspect | Nikon S3500 | Panasonic F5 |
|---|---|---|
| Focal length range | 26-182 mm (7x zoom) | 28-140 mm (5x zoom) |
| Aperture range | f/3.4 - f/6.4 | f/3.2 - f/6.5 |
| Macro focus range | Not specified | 5 cm |
The Nikon’s longer 7x zoom reach translates to a more telephoto-friendly setup, handy if your shots often require distant framing, like casual wildlife or event photos. Panasonic’s 5x zoom is a little shorter but has a slightly wider aperture at the short end and a defined 5 cm macro focus mode for close-up photography.
Practical insight: Nikon is better suited for casual telephoto captures while Panasonic provides more close-focusing flexibility, especially for macro enthusiasts.
Flash Performance and Exposure Controls
Both cameras include a built-in flash, but their implementation points to different usage styles.
| Feature | Nikon S3500 | Panasonic F5 |
|---|---|---|
| Flash Modes | Not explicitly specified | Auto, On, Off, Red-eye, Slow Sync |
| Flash Range | Not specified | 5.7 meters |
| Exposure Compensation | No | No |
| Custom White Balance | Yes | Yes |
Panasonic offers more flash modes and guides you better in flash photography scenarios with a rated range of 5.7 meters. Nikon’s flash details are sparse, implying basic functionality mainly for fill-light.
Neither camera supports shutter or aperture priority modes or manual controls, so exposure creativity must rely on natural light or post-processing.
Video Recording Capabilities: Basic but Usable
Video is increasingly important for hybrids. Here’s how the cameras stack up:
| Feature | Nikon S3500 | Panasonic F5 |
|---|---|---|
| Max Resolution | 1280 x 720 (HD) | 1280 x 720 (HD) |
| Frame Rate | Not specified | 30 fps |
| File Format | Not specified | Motion JPEG |
| Microphone Port | No | No |
| Image Stabilization | Optical stabilization | None |
For casual video creation, both cameras deliver HD video at 30fps. Nikon has optical image stabilization, a crucial feature that Panasonic lacks, making footage from the S3500 less shaky and more watchable when handheld.
However, neither camera includes microphone inputs or advanced codecs, limiting their appeal for serious videographers or vloggers.
Battery Life and Storage: Practical Considerations for Long Shoots
- Nikon S3500: Exact battery life not specified; uses proprietary rechargeable battery.
- Panasonic F5: Claims approximately 250 shots per charge with a battery pack, uses SD/SDHC/SDXC cards.
Panasonic’s battery performance is at least modestly quantifiable, and compatibility with standard SD cards simplifies storage upgrades. Nikon’s battery life is unclear but likely similar given similar sensor size and processing demands.
For travel or long outings, Panasonic’s known 250-shot rating can help you plan spare batteries accordingly.
Durability and Build Quality: Simple but Reliable
Neither camera offers weather sealing or rugged protection - no dust, splash, or shock resistance.
If you’re in environments prone to tough conditions, both units require protective carrying solutions. Their plastic builds keep weight down but limit professional durability.
Price-to-Performance: Is the Cost Worth It?
| Camera | Price (Approx.) | Main Selling Point | Weaknesses |
|---|---|---|---|
| Nikon S3500 | $85 | High resolution at a budget price | Limited AF, no RAW, low ISO ceiling |
| Panasonic F5 | $100 | Versatile ISO range, continuous AF, better video | Lower resolution, no stabilization |
If sharp image detail in daylight is your priority on a strict budget, Nikon offers good value. For slightly more money, Panasonic packs more versatile autofocus and higher ISO abilities, which pay dividends in varied lighting.
These sample images illustrate the strengths and weaknesses we observed: Nikon’s higher resolution produces slightly clearer daytime photos. Panasonic holds better detail in shadows and low light with cleaner grain.
How These Cameras Perform Across Photography Genres
No compact camera hits every mark, but each suits different needs. Here is a practical rundown across popular photography genres:
| Genre | Nikon S3500 | Panasonic F5 | Notes |
|---|---|---|---|
| Portrait | Moderate | Moderate | Both lack face/eye AF, limited bokeh due to sensor/lens |
| Landscape | Good | Good | Nikon’s higher res shines in detail, Panasonic better in shadows |
| Wildlife | Limited | Moderate | Panasonic AF tracking helps with moving subjects |
| Sports | Poor | Limited | Slow burst rates unsuitable for action |
| Street | Good | Good | Compact design favors discreet shooting |
| Macro | Poor | Moderate | Panasonic has defined macro focus |
| Night/Astro | Poor | Moderate | Panasonic higher ISO range benefits low-light |
| Video | Moderate | Moderate | Nikon stabilized video; Panasonic better file control |
| Travel | Good | Good | Both portable and lightweight |
| Professional | No | No | Limited manual/RAW/flexibility |
Neither camera replaces enthusiast or professional bodies, but for casual shooters focused on everyday memories and travel, they are adequate.
Our overall score weighs usability, image quality, and value: Panasonic DMC-F5 edges Nikon S3500 slightly due to autofocus and low light versatility.
Final Thoughts: Which Compact Fits Your Photography Journey?
When to Choose the Nikon Coolpix S3500
- You want the sharpest daylight images possible within this price bracket.
- You prefer simple controls and can live without advanced autofocus and RAW files.
- You want optical image stabilization for steadier video.
- Budget constraints prioritize the lowest price point.
When to Choose the Panasonic Lumix DMC-F5
- You shoot in a variety of lighting conditions and need better high ISO performance.
- You want more flexible autofocus, including continuous and tracking AF.
- Close-up and macro shots interest you more.
- You value slightly longer battery life and usage flexibility.
Exploring Related Accessories and Getting Started
Both cameras support basic memory cards (Nikon specifics unknown) and proprietary rechargeable batteries. You might consider getting:
- Portable padded cases to protect these lightweight units
- Extra SD cards with Class 10 speed for smooth video recording
- Compact tripods to stabilize low-light shots, especially for the Nikon which benefits from stabilization for video but not photography
Trying these cameras hands-on at a local store lets you assess ergonomics and button feel personally.
Summary Table of Primary Differences
| Feature | Nikon S3500 | Panasonic DMC-F5 |
|---|---|---|
| Sensor Resolution | 20 MP, 1/2.3" CCD | 14 MP, 1/2.3" CCD |
| ISO Range | 80-3200 | 100-6400 |
| Optical Stabilization | Yes | No |
| Autofocus Modes | Basic, contrast only | Contrast with tracking, continuous AF |
| Zoom | 7x (26-182 mm equivalent) | 5x (28-140 mm equivalent) |
| Macro Focus Range | Not specified | 5 cm |
| Video | 720p HD, stabilized | 720p HD (MJPEG) |
| Weight | 129 g | 121 g |
| Battery Life | Unknown | Approx. 250 shots |
| Price (New Approx.) | $85 | $100 |
Conclusion
The Nikon Coolpix S3500 and Panasonic Lumix DMC-F5 represent typical entry-level, small sensor compacts of their generation. Each brings strengths and compromises reflecting different user priorities. The Nikon is your choice for simple, high-resolution imaging and video stabilization; the Panasonic has more versatile autofocus, better ISO performance, and macro capabilities.
For anyone embarking on their photographic journey or seeking a straightforward second camera, these models serve as solid, affordable options. We recommend weighing your shooting style carefully and prioritizing what matters most - resolution, autofocus, or ISO - and taking the cameras for a test drive whenever possible.
Explore more, capture confidently, and enjoy finding the right companion for your creative vision. Happy shooting!
All image references embedded above in context.
Nikon S3500 vs Panasonic F5 Specifications
| Nikon Coolpix S3500 | Panasonic Lumix DMC-F5 | |
|---|---|---|
| General Information | ||
| Make | Nikon | Panasonic |
| Model | Nikon Coolpix S3500 | Panasonic Lumix DMC-F5 |
| Category | Small Sensor Compact | Small Sensor Compact |
| Announced | 2013-02-21 | 2013-01-07 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.16 x 4.62mm | 6.08 x 4.56mm |
| Sensor surface area | 28.5mm² | 27.7mm² |
| Sensor resolution | 20 megapixel | 14 megapixel |
| Anti aliasing filter | ||
| Full resolution | 5152 x 3864 | 4320 x 3240 |
| Max native ISO | 3200 | 6400 |
| Minimum native ISO | 80 | 100 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 26-182mm (7.0x) | 28-140mm (5.0x) |
| Maximum aperture | f/3.4-6.4 | f/3.2-6.5 |
| Macro focus distance | - | 5cm |
| Focal length multiplier | 5.8 | 5.9 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display sizing | 2.7" | 2.7" |
| Resolution of display | 230k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Display tech | TFT-LCD | TFT LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 4 seconds | 8 seconds |
| Maximum shutter speed | 1/2000 seconds | 1/2000 seconds |
| Continuous shooting rate | - | 1.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | - | 5.70 m |
| Flash settings | - | Auto, On, Off, Red-eye, Slow Syncro |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1280x720 | 1280x720 |
| Video format | - | Motion JPEG |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 129 grams (0.28 lbs) | 121 grams (0.27 lbs) |
| Physical dimensions | 97 x 58 x 21mm (3.8" x 2.3" x 0.8") | 97 x 58 x 22mm (3.8" x 2.3" x 0.9") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 250 photographs |
| Form of battery | - | Battery Pack |
| Self timer | - | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage type | - | SD/SDHC/SDXC, Internal |
| Card slots | 1 | 1 |
| Pricing at launch | $85 | $100 |