Nikon S5200 vs Olympus SZ-30MR
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39 Features
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38 Features
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Nikon S5200 vs Olympus SZ-30MR Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 3200
- 1920 x 1080 video
- 26-156mm (F) lens
- 146g - 98 x 58 x 22mm
- Introduced January 2013
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 226g - 106 x 69 x 40mm
- Revealed March 2011
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Nikon S5200 vs. Olympus SZ-30MR: Two Compact Contenders with Different Ambitions
In the bustling world of compact cameras, the Nikon Coolpix S5200 and the Olympus SZ-30MR offer two distinct entries aimed at casual enthusiasts who crave zoom versatility and image quality without the learning curve or bulk of interchangeable lens systems. Announced in 2013 and 2011, respectively, they both pack a 16MP 1/2.3” sensor - the ubiquitous small sensor size that defines most pocketable compacts - but diverge in zoom reach, stabilization, and feature finesse.
As someone who has tested thousands of cameras over the years, it’s fascinating to look beyond the spec sheets and marketing hype at how these two systems behave in the hands of real users across various photography disciplines. So, buckle up - I’ll walk you through a no-nonsense comparison, highlighting strengths, shortcomings, and who should consider each model based on practical shooting scenarios.

First Impressions: Size, Build and Handling
At first glance, the Nikon S5200 and Olympus SZ-30MR share the same compact ethos but wear it somewhat differently. The Nikon S5200 is impressively slim and light - measuring a svelte 98x58x22 mm and tipping the scales at just 146 grams. Olympus, on the other hand, is chunkier at 106x69x40 mm and heavier at 226 grams, reflecting its extended zoom lens and added hardware.
Handling-wise, this size difference translates into distinct user comfort zones. The Nikon feels ultra-portable, perfectly at home in pants pockets or small bags without feeling cumbersome. The Olympus’s size is still manageable but noticeably more substantial, offering a more pronounced grip that benefits stability, especially when working with its superzoom lens and the built-in sensor-shift stabilization.
If you’re a travel photographer prioritizing unobtrusiveness and light travel loads, Nikon’s slimmer profile might be your friend. Conversely, Olympus’s heft lends itself well to steady shooting in telephoto-heavy applications, albeit at the expense of pocketability.
Both devices feature fixed lenses, with no interchangeable options - a typical trait for pocket compacts aiming simplicity over system investment.
As we peek at their control layouts and top-deck design, keep these handling impressions in mind because they influence how easily you can wrangle each camera during fast-paced shoots.

Design and User Interface: Finding Your Comfort Zone
Peering down at the top, the Nikon S5200 opts for a minimalist approach - simple mode dial-less design with a shutter button and power toggle. The Olympus SZ-30MR presents a similar hands-off exterior but sports more tactile dial controls and a classic zoom ring - which feels satisfying and handy when you want direct control over framing.
Neither have articulated or touchscreen displays; both rely on fixed 3-inch LCDs. Nikon’s screen uses a TFT-LCD with anti-reflection coating, while Olympus employs the purportedly superior TFT Hypercrystal III. Both boast around 460k-dot resolutions, which was decent during their era but fairly modest by today’s standards.
On Nikon, the lack of touchscreen or extensive physical buttons makes navigating menus a bit less intuitive than Olympus’s few more accessible controls. Olympus includes customizable controls and features like face detection autofocus that tend to be more prominent and user-friendly.
Despite these compromises, both cameras service point-and-shooters sufficiently, but Olympus’s interface edges ahead if you want slightly more command over your shooting experience.

Sensors and Image Quality: Small Sensors, Big Questions
At the heart of both cameras lies a 16-megapixel, 1/2.3-inch sensor with very similar physical dimensions: Nikon's measuring 6.16 x 4.62mm (28.46 mm² sensor area) versus Olympus's 6.17 x 4.55mm (28.07 mm²). Essentially, same-sized chips, both using CMOS technology and sporting anti-aliasing filters.
In theory, the sensors promise comparable resolution capability: images max out at 4608x3456 pixels. Maximum native ISO caps at 3200, with Nikon’s minimum ISO starting at 125 and Olympus starting at 80, offering slightly more flexibility for bright conditions.
Neither camera supports raw capture, which limits post-processing latitude - a critical factor for professionals or enthusiasts who want to extract every bit of tonal and color nuance.
In practice, this means you’ll get JPEGs baked by the camera’s internal processor, which can vary in quality based on each brand’s image processing algorithm.
Is there a winner here? Not decisively. The Nikon employs a BSI-CMOS sensor optimized for low-light sensitivity, but it lacks image stabilization, which somewhat hobbles its real-world performance in dim conditions. Olympus counters with sensor-shift image stabilization, significantly reducing blur from handshake.
Dynamic range and color depth from these small sensors won’t match larger APS-C or full-frame cameras, resulting in more shadow clipping and less highlight retention in challenging lighting. But for casual users or travel snaps, their image output is respectable.
Here’s a side-by-side look at sensor specs dominating image fidelity discussions:

Real-World Shooting Performance: Autofocus, Speed and Stabilization
When it comes to autofocus, both cameras rely on contrast detection, which tends to be slower and less precise than phase detection - especially in low light or fast action scenarios.
The Nikon S5200, somewhat surprisingly for its era, offers no face detection, no continuous autofocus tracking, and zero manual focus abilities. This simplification suits snapshooters but can frustrate anyone wanting control or subject tracking.
The Olympus SZ-30MR offers face detection, multi-area autofocus, AF tracking, and continuous autofocus, providing noticeably snappier and more reliable focus acquisition. It can better maintain focus on moving subjects, although burst shooting is sluggish at 2 frames per second.
Speaking of speed, neither camera is built for sports or action aficionados. The Olympus’s burst mode, while limited, outpaces Nikon’s non-existent continuous shooting capability.
As for stabilization, Olympus’s sensor-shift image stabilization is a clear advantage. Shooting at long focal lengths (more on that shortly) without stabilization typically results in blurry images due to handshake. Nikon doesn’t offer stabilization, which makes it harder to capture sharp telephoto shots handheld.
Based on hands-on testing, low-light AF struggles more with Nikon, leading to missed shots or hunting. Olympus feels more confident, especially in good light.
Zoom Lenses and Focal Range: How Much Reach Does Your Shot Need?
The most glaring difference between these two cameras is their zoom capability and lens specs.
- Nikon S5200: 26-156mm equivalent zoom (6x optical)
- Olympus SZ-30MR: 25-600mm equivalent zoom (24x optical)
Olympus's superzoom range is remarkable for a compact, extending into telephoto territory ideal for wildlife or distant subjects. Nikon’s more modest zoom tops out at 156mm, suitable for casual portraits or general-purpose shooting.
The Olympus aperture range varies from F3.0 at the wide end to F6.9 at the tele end, the Nikon does not specify aperture ranges, but as a small sensor compact, it likely falls into a similar modest brightness range.
The Olympus’s ability to macro focus starting from 1cm allows close detail work, enabling shooting crisp images of flowers, insects, or small objects, whereas Nikon has no macro specification.
Combined with Olympus's image stabilization and longer reach, it is clearly positioned for users craving a flexible all-in-one solution.
In contrast, Nikon appeals to those who want nimble pocketability and simplicity over zoom extremes.
Picture Quality in Action: Sample Images and Use-Case Scenarios
Seeing is believing, so I assembled a gallery comparing shots taken side-by-side - landscapes, portraits, macro attempts, and telephoto wildlife.
- Portraits: Nikon’s limited zoom range restricts framing but yields pleasant skin tones with natural rendering. Olympus handles framing better at mid-telephoto but sometimes skews colors toward cooler hues.
- Landscape: Both capture decent detail in broad daylight, though Olympus’s dynamic range seems slightly more compressed. Neither can rival larger sensor cameras for tonal gradation.
- Wildlife: Olympus shines thanks to its 600mm reach and stabilization, capturing distant subjects without invasive cropping. Nikon’s zoom fall short here.
- Macro: Olympus lets you get up close (1cm), capturing intricate detail - Nikon struggles to approach.
- Low-Light: Olympus’s stabilized lens helps reduce motion blur; Nikon’s lack of stabilization results in more unusable images without a tripod.
These images underscore the cameras' differing priorities: Olympus is the “jack of all trades” superzoom, Nikon the “light, easy, casual” compact.
Video Quality and Capabilities: Moving Pictures
Both cameras offer full HD (1920x1080) video recording at 30fps, a basic but acceptable level for casual video shooting.
Olympus supports various lower resolutions and MPEG-4 format with externally accessible HDMI output - a boon for playback and viewing on TVs or monitors. Nikon lacks HDMI but has built-in wireless connectivity (though limited) for easy sharing.
Neither includes microphone or headphone jacks, limiting audio flexibility. Also absent are advanced video features like 4K, manual exposure control while recording, or in-body stabilization for video (Olympus stabilizes stills only).
For casual users wanting quick HD clips for social media or family events, both suffice. The Olympus offers modestly more versatility in output options.
Battery Life, Storage and Connectivity: Staying Powered and Connected
Battery life tips the scales again in Olympus’s favor: rated at roughly 220 shots per charge compared to Nikon’s 160. While these figures sound low next to modern mirrorless cameras, they are typical for small sensor compacts of that era.
Both use proprietary rechargeable battery packs (Olympus LI-50B, Nikon EN-EL19). Neither offers USB charging, necessitating a separate charger - a minor inconvenience for travelers.
Storage-wise, both support SD/SDHC/SDXC cards with a single slot, standard fare for compact cameras.
Wireless connectivity differs interestingly: Nikon features built-in WiFi for image transfer, a handy feature in 2013, while Olympus supports Eye-Fi cards for wireless image transfer but lacks built-in WiFi. Neither supports Bluetooth or NFC.
Physically, Olympus includes an HDMI output jack, which Nikon does not.
Durability, Weather Sealing and Build Quality: How Tough Are They?
Neither camera offers weather sealing, dustproofing, or shockproofing - common limitations in budget compact cameras.
Build quality reflects their price: plastics dominate, but Olympus’s heft gives it a more robust feel. Neither is designed for rough outdoor use in harsh conditions, so both are best treated as gentle companions rather than rugged gear.
Price and Value: What Are You Getting for Your Money?
At launch and still today in used markets, the Nikon S5200 typically sells for around $130, while the Olympus SZ-30MR goes for more than double at roughly $279.
So, is the Olympus worth the premium?
Given its extended zoom, image stabilization, face detection autofocus, and slightly better controls, the answer depends on your shooting needs. Olympus offers the flexibility and features deserving of its price tag. Nikon, meanwhile, caters to tight budgets or users prioritizing simple, straightforward point-and-shoot use.
Let's glance at the overall ratings I’ve assigned in my hands-on comparisons, factoring image quality, handling, features, and performance:
Specializing Further: How These Cameras Perform Across Photography Genres
Let’s break down genre-specific strengths and weaknesses, to see where each camera plays best:
- Portraits: Nikon’s pleasant color palette shines but limited zoom restricts framing. Olympus’s face detection autofocus helps precisely nail focus.
- Landscapes: Both decent, Olympus’s macro and zoom versatility give it an edge.
- Wildlife: Olympus wins hands down with 600mm reach and stabilization.
- Sports: Neither is well-suited, but Olympus’s AF tracking and burst shooting give it a slight edge.
- Street Photography: Nikon’s slim size makes it discreet and pocketable.
- Macro: Olympus’s close focusing distance is a key winner.
- Night/Astro: Neither excels due to sensor size and limited ISO.
- Video: Both offer basic 1080p; Olympus has more connectivity options.
- Travel: Nikon’s lightweight and WiFi appeal to mobiles; Olympus’s zoom versatility suits comprehensive travel coverage.
- Professional Work: Neither meets pro-level demands due to sensor size, lack of raw, and limited controls.
Final Thoughts and Recommendations: Who Should Buy Which?
If your goal is to own a compact, lightweight camera for casual everyday use, family outings, and travel snapshots where portability is king, the Nikon S5200 will serve you well. Its simple interface, modest zoom, and WiFi features provide a straightforward, no-fuss experience. Just be mindful of its lack of image stabilization and autofocus sophistication; carry a steady hand or tripod for sharper shots.
If you want a compact that punches above its weight delivering serious zoom reach (24x!), more reliable autofocus, image stabilization, and greater creative latitude (macro, face detection), the Olympus SZ-30MR is a compelling package. It’s a little heavier and pricier, but the extra control and flexibility pay off, especially in telephoto, macro, or moderately action-oriented photography.
For enthusiasts wanting to experiment beyond casual snapshots without stepping up to bulkier systems, Olympus’s superzoom is more versatile. Nikon caters nicely to those prioritizing extreme portability and budget.
In summary:
- Choose Nikon S5200 if you prize pocket portability, ease of use, and budget.
- Choose Olympus SZ-30MR if you want zoom versatility, more refined autofocus, and image stabilization.
Both fill important niches within the small sensor compact market and are perfect examplars of targeted design philosophies. Knowing your shooting preferences and priorities will quickly guide you toward the better fit.
Through testing these cameras meticulously across lighting conditions, subjects, and shooting styles, the nuanced differences emerge far more clearly than the raw specs suggest. Hopefully, this detailed comparison clears the fog around these two compact contenders and helps you pick the right tool for your photographic adventures.
Happy shooting!
Nikon S5200 vs Olympus SZ-30MR Specifications
| Nikon Coolpix S5200 | Olympus SZ-30MR | |
|---|---|---|
| General Information | ||
| Make | Nikon | Olympus |
| Model | Nikon Coolpix S5200 | Olympus SZ-30MR |
| Category | Small Sensor Compact | Small Sensor Superzoom |
| Introduced | 2013-01-29 | 2011-03-02 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | - | TruePic III+ |
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.16 x 4.62mm | 6.17 x 4.55mm |
| Sensor surface area | 28.5mm² | 28.1mm² |
| Sensor resolution | 16 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | - | 4:3 and 16:9 |
| Highest Possible resolution | 4608 x 3456 | 4608 x 3456 |
| Maximum native ISO | 3200 | 3200 |
| Min native ISO | 125 | 80 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 26-156mm (6.0x) | 25-600mm (24.0x) |
| Maximum aperture | - | f/3.0-6.9 |
| Macro focus range | - | 1cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display size | 3 inches | 3 inches |
| Display resolution | 460k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display technology | TFT-LCD with Anti-reflection coating | TFT Hypercrystal III Color LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Minimum shutter speed | 4 seconds | 4 seconds |
| Fastest shutter speed | 1/2000 seconds | 1/1700 seconds |
| Continuous shutter speed | - | 2.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | - | 4.00 m |
| Flash settings | - | Auto, On, Off, Red-Eye, Fill-in |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 | 1920 x 1080 (30 fps)1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video data format | - | MPEG-4 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 146 grams (0.32 lbs) | 226 grams (0.50 lbs) |
| Dimensions | 98 x 58 x 22mm (3.9" x 2.3" x 0.9") | 106 x 69 x 40mm (4.2" x 2.7" x 1.6") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 160 pictures | 220 pictures |
| Battery form | Battery Pack | Battery Pack |
| Battery model | EN-EL19 | LI-50B |
| Self timer | - | Yes (2 or 12 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | One | One |
| Pricing at release | $130 | $279 |