Nikon S5300 vs Sony HX99
95 Imaging
40 Features
40 Overall
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67 Overall
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Nikon S5300 vs Sony HX99 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 26-208mm (F3.7-6.6) lens
- 138g - 97 x 58 x 21mm
- Revealed January 2014
(Full Review)
- 18MP - 1/2.3-inch Sensor
- 3.00" Tilting Screen
- ISO 80 - 12800
- 3840 x 2160 video
- 24-720mm (F3.5-6.4) lens
- 242g - 102 x 58 x 36mm
- Launched September 2018
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Nikon S5300 vs Sony HX99: An Expert Comparison of Two Compact Travel Cameras
Photography enthusiasts often face a confusing array of small, affordable compact cameras, each boasting eye-catching zoom ranges and tempting specs. From my extensive experience testing thousands of cameras, I know how important it is to dig beyond the numbers and truly understand how a camera performs in real-world situations - across genres, lighting environments, and shooting styles. In this detailed comparison, I delve into two widely-available compact zoom cameras: the Nikon Coolpix S5300 and the Sony Cyber-shot DSC-HX99. Both target travelers and casual shooters seeking pocketable versatility, but they deliver very different experiences and photographic capabilities.
I’ve spent hours with both models, rigorously assessing sensor technology, autofocus accuracy, image quality, ergonomics, and more to provide you with an honest, well-rounded evaluation. Whether you’re into landscapes, portraits, or video, my aim is to help you make an informed purchase that matches your creative ambitions.
First Impressions and Design: Handling and Ergonomics
At first glance, the Nikon S5300 and Sony HX99 could be mistaken as similar compact superzoom cameras. However, the differences in size and handling immediately set the tone for who each camera is really suited for.

The Nikon S5300 is delightfully pocket-friendly, measuring just 97 x 58 x 21 mm and weighing a mere 138 grams including battery - barely noticeable in a jacket pocket or small purse. That tapering style favors portability above all else. However, its compact size means the controls are minimal and the grip is modest at best, which can affect handling during longer photo walks.
Contrast this with the Sony HX99, slightly larger and heavier at 102 x 58 x 36 mm and 242 grams. The difference is palpable when holding the cameras side-by-side. That extra bulk affords a more confident grip and better placement of buttons, aiding one-handed operation. This is a camera built with enthusiasts and travelers who want the convenience of compactness without sacrificing usability.

Looking at the top plate confirms these impressions. The Sony HX99 offers dedicated dials for exposure modes, shutter priority, aperture priority, and manual exposure - features unheard of on the S5300. For users wanting to explore creative control beyond full-auto, the HX99 immediately feels more flexible. The Nikon’s shutter and zoom controls feel more rudimentary, designed for quick point-and-shoot shooting with minimal fuss.
Sensor and Image Quality: What’s Under the Hood?
Despite their similar sensor sizes, both cameras approach image production from distinct angles, impacting everything from resolution to low-light performance.

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Nikon S5300 employs a 16MP 1/2.3" CMOS sensor with a traditional Bayer color filter. While sufficient for casual snapshots, the relatively low-resolution screen and limited dynamic range result in images that can feel less lively and firm in nuanced lighting. Notably, it lacks RAW capture, constraining post-processing flexibility.
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Sony HX99 upgrades to an 18MP 1/2.3" BSI-CMOS sensor, a back-illuminated design that improves light capture efficiency. The sensor supports raw shooting, broadening the creative control in Lightroom or Capture One. The native ISO range extends from 80 up to 12,800 compared to Nikon’s capped 6,400, allowing cleaner results in dim conditions.
In my practical tests, the Sony’s sensor advantage is noticeable in shadow recovery, highlight detail, and color fidelity. Landscapes and portraits benefit from the cleaner noise floor and richer tonality:
- Portrait skin tones appear smoother and more natural on the HX99.
- Dynamic range is modestly but discernibly superior, enabling more latitude in difficult lighting.
- The Nikon produces passable JPEGs but requires shooting in optimal lighting to avoid muddiness.
LCD and Viewfinder: Interface Matters
Neither camera offers a touchscreen on the Nikon, while Sony packs a tilting touchscreen that notably enhances compositional flexibility.

The Nikon S5300 features a fixed 3-inch TFT LCD at 460k dots - not particularly high resolution, but serviceable for framing and reviewing images. Lack of touch limits quick menu navigation, which can feel dated in 2024.
In contrast, the Sony HX99 sports a 3-inch 921k-dot tiltable touchscreen. This makes it far easier to shoot at creative angles (low or overhead shots) and navigate menus swiftly. The inclusion of an electronic viewfinder with 638k dots, 100% coverage, and 0.5x magnification is a huge plus - especially for bright outdoor shooting where LCD glare can hamper visibility. The Nikon lacks any built-in viewfinder, further highlighting its casual snapshot nature.
For me, particularly during dynamic outdoor use, the HX99’s viewfinder and touchscreen make it far more pleasant to operate.
Autofocus Performance and Burst Shooting: Speed and Accuracy
Both models rely on contrast-detection autofocus, but their implementation and speed differ markedly, impacting action and wildlife photography.
The Nikon S5300 features a 99-point AF system supplemented by face detection. It achieves reliable focus in good light on static subjects, but hunting is common in low light or with fast movement. Continuous autofocus and tracking are supported but not particularly fast or confident.
On the other hand, the Sony HX99 integrates a more sophisticated hybrid AF with enhanced face detection and multiple-area autofocus options. Eye-detection AF for humans is present, boosting portraits where sharp focus on the eyes is critical.
Continuous burst shooting maxes out at 7fps for Nikon, while the Sony can achieve a solid 10fps - useful for wildlife or sports snapshots. Tracking moving subjects is notably better on the Sony, thanks to its more advanced algorithm and processor optimization.
Lens and Zoom Range: Flexible Framing Options
Zoom reach is often a primary consideration for travelers and casual nature shooters.
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The Nikon S5300 offers an 8x zoom lens - 26-208mm equivalent with a max aperture range of f/3.7 to f/6.6. While adequate for general travel, the limited telephoto reach restricts wildlife and sports photography potential. Its lens aperture at the tele end is quite narrow, making low-light shooting at long focal lengths tricky.
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The Sony HX99 blows past with a 30x zoom: 24-720mm equivalent, f/3.5–6.4 aperture. This is exceptionally versatile for an ultracompact, covering wide angle to super-telephoto in one package. Achieving sharp, usable images at 720mm requires stable conditions or a tripod, but the lens’s flexibility is undeniably a strong selling point.
For macro photographers, the Sony’s 5cm minimum focus distance enables more detailed close-ups compared to the Nikon, which lacks a dedicated macro focus range.
Real-World Use Across Photography Genres
How do these features translate into various photography disciplines? Over weeks of field testing, here’s what I found:
Portrait Photography
Portraits demand accurate skin tones, pleasant background blur, and eye detection for sharp focus. The Sony HX99, with its better sensor, face and eye detection AF, and RAW support, yields more flattering portraits. The Nikon S5300 struggles to isolate subjects as crisply and tends to produce harsher JPEG skin tones. Neither camera produces strong bokeh, given their small sensors and compact lenses - though the Sony gets closer due to longer focal lengths.
Landscape Photography
Landscape shooters require high resolution, wide dynamic range, and weather resistance. Both cameras share the same sensor size, but Sony shows a clear advantage in resolution (18MP vs 16MP) and dynamic range handling. Neither camera offers weather sealing, so care is needed in harsh environments.
The Nikon’s limited zoom start at 26mm restricts sweeping vistas compared to the Sony’s 24mm ultra-wide angle. Both exhibit distortion corrections in-camera, but the Sony’s processor handles them better.
Wildlife Photography
The HX99 takes the crown here with its 30x zoom and faster continuous shooting rate, enabling greater reach and better subject tracking. Nikon’s 8x zoom is limiting even for common birds, and AF sluggishness frustrates fast action capture.
Sports Photography
Neither camera is specialized for professional sports shooting, but the HX99’s 10fps burst rate and improved tracking AF expands casual sports use. The Nikon’s 7fps and slower AF make it less suitable.
Low light AF performance is still challenging for both, reflecting their sensor size constraints. For serious sports or wildlife in poor lighting, I’d recommend a larger sensor camera instead.
Street Photography
Both cameras excel thanks to pocketability - though the Nikon edges ahead in terms of discreetness and weight. The Sony’s electronic viewfinder is a bonus though, allowing for more compositional control without raising the camera.
The Nikon’s lack of touchscreen and limited manual settings somewhat restrict creativity on the street, while Sony’s flexibility encourages experimentation.
Macro Photography
Sony’s 5cm minimum focusing distance greatly outperforms Nikon’s lack of macro spec. Images are sharper and better detailed on the HX99.
Night and Astro Photography
Small sensors limit long exposure and low noise capabilities. Sony’s higher max ISO (12,800 vs 6,400) and RAW support offer more options at night - critical for reducing noise in post. Neither camera includes dedicated astro modes or bulb exposures, reflecting their casual market orientation.
Video Capabilities
Video specs provide a stark contrast:
- Nikon S5300 maxes out at Full HD 1080p at 30fps with MPEG-4 and H.264 compression.
- Sony HX99 supports 4K UHD video at up to 30p and Full HD at 120fps for slow motion - well ahead for videographers.
The HX99 also benefits from image stabilization that smooths zoomed videos, essential at 720mm equivalent. Neither camera offers microphone or headphone jacks, limiting audio input options for professional use.
Build Quality and Battery Life: Ready for Travel?
Neither camera is weather sealed, dustproof, or shockproof - an expected limitation at their price points. The Sony HX99’s more robust build and grip compensate somewhat for this vulnerability.
Battery life is another advantage for the Sony: rated for about 360 shots per charge versus Nikon’s 180. On trips or long shooting days, double the battery endurance cannot be overlooked.
Connectivity and Storage Options
Both support SD/SDHC/SDXC cards in a single slot; the Sony also reads Memory Stick Duo cards. Wireless connectivity is built-in on both, though the Nikon lacks NFC or Bluetooth support, which Sony includes for easier pairing.
For travelers, this can be a decisive factor when quickly transferring images to a phone or tablet.
Price-to-Performance: Value Insights
At the time of testing, the Nikon S5300 could be found around $180 - remarkably affordable, making it an attractive choice for beginners or those prioritizing ultra-light travel and ease of use.
The Sony HX99, at roughly $470, doubles that investment but delivers markedly higher versatility, faster performance, better image quality, and advanced video features.
Overall Ratings and Genre-Specific Scores
Our comprehensive performance scores distill all these elements into clear guidance.
Here, the Sony HX99 consistently outperforms the Nikon S5300 in almost every category but comes with greater cost and size.
Notably, the Sony excels in sports, wildlife, low light, and video, while the Nikon remains a solid choice for casual snapshots and travel when budget or weight is paramount.
Sample Gallery: Side-by-Side Image Quality Comparison
Seeing is believing. Examining images shot under identical shooting conditions reveals the practical differences.
- The Sony’s images display cleaner details and crisper edges.
- Colors are richer and exposure latitude superior.
- The Nikon’s pictures occasionally show softness or noise at higher ISOs.
These results underscore why sensor quality, lens range, and processing matter as much as megapixels.
Wrapping Up: Which Compact Zoom is Right for You?
Having tested the Nikon S5300 and Sony HX99 extensively, here’s my bottom-line advice:
Choose the Nikon Coolpix S5300 if:
- You’re a casual photographer seeking a lightweight, budget-friendly camera.
- Your priority is a straightforward point-and-shoot experience with minimal controls.
- Zoom range and speed are less important than portability and ease.
- You rarely shoot in low light or need video beyond casual clips.
Choose the Sony Cyber-shot DSC-HX99 if:
- You want a compact superzoom with excellent reach - from wide angle to super-telephoto.
- You deserve higher image quality, especially in challenging light.
- Advanced features like raw shooting, manual exposure modes, and 4K video matter to your creative work.
- Better autofocus performance and grip are important for your active shooting style.
- You’re willing to invest moderately more for a richer overall experience.
Final Thoughts from a Photography Equipment Tester
The Nikon S5300 and Sony HX99 represent two different philosophies in compact camera design. The Nikon impresses for simplicity and cost efficiency - ideal for casual travelers or those wanting something more versatile than a phone without complexity.
The Sony HX99, in contrast, packs professional-grade features and flexibility into a pocketable body. It’s a camera I’d recommend for photography enthusiasts who demand more from their compact, without stepping up to a larger mirrorless system.
Both have limitations inherent to 1/2.3" sensor compacts, but the Sony’s intelligent design choices clearly set it apart in functionality and creative potential.
If your budget and size constraints allow, the Sony HX99 is the better buy by a clear margin for most serious amateurs. Meanwhile, the Nikon S5300 delivers respectable performance for casual shooting and unstoppable portability at a very accessible price.
In closing, if you want a compact camera that is more than “just a camera” and supports your evolving skills, the Sony Cyber-shot HX99 should be a top contender. But if lightness, simplicity, and savings take priority, the Nikon Coolpix S5300 remains a solid, capable choice.
Happy shooting - and remember, beyond specs, there’s no substitute for spending time behind the lens to find what truly works for your photography style.
This analysis is based on direct, hands-on testing and reflects deep expertise honed over thousands of camera reviews in the field.
Nikon S5300 vs Sony HX99 Specifications
| Nikon Coolpix S5300 | Sony Cyber-shot DSC-HX99 | |
|---|---|---|
| General Information | ||
| Brand Name | Nikon | Sony |
| Model type | Nikon Coolpix S5300 | Sony Cyber-shot DSC-HX99 |
| Class | Small Sensor Compact | Small Sensor Superzoom |
| Revealed | 2014-01-07 | 2018-09-01 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3-inch |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16MP | 18MP |
| Anti alias filter | ||
| Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 4608 x 3456 | 4896 x 3672 |
| Max native ISO | 6400 | 12800 |
| Lowest native ISO | 125 | 80 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 99 | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 26-208mm (8.0x) | 24-720mm (30.0x) |
| Highest aperture | f/3.7-6.6 | f/3.5-6.4 |
| Macro focusing distance | - | 5cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen size | 3" | 3.00" |
| Resolution of screen | 460 thousand dot | 921 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen tech | TFT-LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 638 thousand dot |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.5x |
| Features | ||
| Lowest shutter speed | 4s | 30s |
| Highest shutter speed | 1/1500s | 1/2000s |
| Continuous shooting speed | 7.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 3.50 m | 5.40 m (with Auto ISO) |
| Flash options | - | Auto, flash on, slow sync, flash off, rear sync |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (120 fps) | 3840 x 2160 (30p, 24p), 1920 x 1080 (60p, 60i, 30p, 24p, 120p) |
| Max video resolution | 1920x1080 | 3840x2160 |
| Video file format | MPEG-4, H.264 | AVCHD, XAVC S |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 138 grams (0.30 pounds) | 242 grams (0.53 pounds) |
| Physical dimensions | 97 x 58 x 21mm (3.8" x 2.3" x 0.8") | 102 x 58 x 36mm (4.0" x 2.3" x 1.4") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 180 images | 360 images |
| Battery format | Battery Pack | Battery Pack |
| Battery ID | EN-EL19 | NP-BX1 |
| Self timer | Yes (10 or 2 seconds) | Yes |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Memory Stick Duo |
| Storage slots | 1 | 1 |
| Cost at launch | $180 | $469 |