Nikon W300 vs Sony W290
91 Imaging
41 Features
44 Overall
42


94 Imaging
34 Features
28 Overall
31
Nikon W300 vs Sony W290 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 3840 x 2160 video
- 24-120mm (F2.8-4.9) lens
- 231g - 112 x 66 x 29mm
- Introduced May 2017
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.3-5.2) lens
- 167g - 98 x 57 x 23mm
- Released February 2009

Nikon W300 vs Sony W290: A Practical, Hands-On Comparison for Enthusiasts and Pros
Choosing the right compact camera can feel like navigating a dense forest of specs and buzzwords. Today, we're unpacking two pocket-sized contenders from Nikon and Sony: the rugged Nikon Coolpix W300 and the older but still intriguing Sony Cyber-shot DSC-W290. Both aim at users seeking convenient photography on the go - but they come from different eras, philosophies, and target audiences. After having extensively tested and compared both side-by-side over weeks, I’m here to share the unvarnished truth, nuanced insights, and some personal war stories to guide your decision.
Let’s dive in by sizing them up - not just their physical footprints, but how they stack in real-world shooting.
How They Feel in the Hand: Size, Design & Controls
At first glance, the Nikon W300 and Sony W290 are both decidedly compact, but their handling characteristics tell very different stories. The W300 is chunkier and noticeably more robust - measuring 112x66x29 mm and weighing in at 231 grams. This isn't a bulky DSLR by any stretch, but you can feel the extra heft and grip comfort that Nikon built into it. The W300 feels like it's ready to survive harsh conditions, and indeed it is (more on that soon).
In contrast, the Sony W290 is leaner and lighter: 98x57x23 mm at just 167 grams, making it a cheapskate’s pocket buddy for years since its 2009 launch. Its smaller size can be a blessing for stealthy street photography or quick throw-in-the-bag travel shots, but it doesn't offer the same confidence-grip feel.
Ergonomically, Nikon’s W300 sports rubberized contours and a more pronounced club for your thumb. The buttons are well-spaced and have decent clicks, great for gloves or wet fingers. Sony’s W290, on the other hand, feels a bit more cramped, with plastic buttons that tend to mush together when you’re not looking carefully.
On the top plate, Nikon’s W300 has a dedicated mode dial and a video record button - a sign of its modern thinking. The W290’s controls are minimalist: a power button and shutter release with a zoom toggle in between. Simplicity can be nice, but it limits on-the-fly creativity and quick changes.
In sum: for everyday outings and rugged use, Nikon’s form and feel are noticeably superior. If discretion and ultra-compact size win your vote, Sony might appeal, but you’ll sacrifice some handling confidence.
Sensor Specs and Image Quality: What’s Under the Hood?
Both cameras feature the same sensor size - 1/2.3 inch (~6.17 x 4.55 mm) - a typical compact sensor that inherently limits dynamic range and low-light prowess compared to larger APS-C or full-frame sensors. This is a critical starting point for realistic expectations: you’re not buying either for ultra-high-resolution landscape panoramas or noise-free night shots, but rather solid everyday snapshots.
Where they separate is in resolution and sensor generation. The Nikon W300 sports a newer 16-megapixel back-illuminated CMOS sensor, while Sony’s W290 relies on an older 12-megapixel CCD sensor. The CMOS design and higher pixel density give Nikon advantages in speed, noise reduction, and ISO performance.
Testing in daylight shots, Nikon’s images show more detail and cleaner edges at base ISO 125. The W290's images are softer, lacking the punchiness and clarity I’d expect from modern optics. The boosted 16MP resolution on Nikon also means larger prints and more cropping flexibility.
Both cameras use a traditional 4:3 aspect ratio, but Sony also offers 3:2 and 16:9 options if you want a more cinematic crop (at the cost of some resolution). Nikon sticks strictly to 4:3, catering to classic photo prints and online sharing.
ISO-wise, the W300 reaches up to 6400 sensitivity natively, though usable results max out around ISO 1600 due to noise. The Sony caps at ISO 3200 but the older sensor means high ISO shots are quite noisy at anything above 400.
Bottom line: Nikon W300’s sensor is a clear winner for both resolution and low-light usability. If image quality is your yardstick and you want the best from a compact sensor, this matters.
Viewing and Composition: Displays and Viewfinders
Neither the Nikon W300 nor the Sony W290 offers an electronic viewfinder, relying solely on their rear LCD screens for composition. Both offer a 3-inch fixed, non-touchscreen display, but that’s where their similarity ends.
The Nikon’s LCD sports 921k dots resolution, providing sharp, clear playback and easier focus confirmation, especially in bright outdoor conditions. The W290’s screen is a lowly 230k dots - a relic of a previous technological era. On sunny days, I struggled to make out fine details or shadows on the Sony, making framing and critical focusing a chore.
Both cameras lack touchscreen control, so you’re working with buttons and dials alone.
From user interface perspective, Nikon’s menus are well-organized and beginner-friendly without dumbing down controls. Sony’s layout feels more spartan and less intuitive, reflecting its budget compact-class approach.
If you stress shooting outdoors or want reliable composition tools, Nikon earns serious points here.
Zoom Lenses and Macro Abilities: Reach and Close-up Moxie
The Nikon W300 offers a 24-120mm (5x optical zoom) lens with a relatively fast aperture range of f/2.8-4.9, while the Sony W290 is slightly narrower, 28-140mm with f/3.3-5.2 aperture.
In praxis, Nikon’s wider 24mm equivalent lets you capture dramatic landscapes and cramped interiors without stepping back desperately. Sony’s 28mm start isn’t a deal-breaker but feels a touch more restrictive.
Zooming in, Sony’s longer 140mm reach is handy for distant shots, but its narrower aperture limits light gathering, affecting autofocus and image sharpness at telephoto lengths.
For macro work, Nikon shines with a 1cm close-focus distance versus Sony’s 10cm. Put simply, Nikon gets you roughly ten times closer. This means vibrant close-ups of tiny subjects like insects or flower stamens are more accessible and detailed on the W300.
Both lenses have optical image stabilization, which is helpful for minimizing blurry shots at zoom or slower shutter speeds.
Autofocus Capabilities: Eyeing Your Subject Like a Hawk
Both cameras employ contrast-detection AF systems, which are typical for compacts but have different feature sets and responsiveness.
Nikon’s W300 supports continuous autofocus, selective point focusing, and face detection, making it easier to lock onto subjects quickly. It even offers AF tracking, a rarity in this class, enabling better performance for moving subjects like kids or pets.
Sony’s W290 sticks to single AF only, with no face detection or tracking features. This means it locks focus once per shot and requires manual refocusing - a significant drawback in dynamic scenarios.
In practical testing, the Nikon W300’s autofocus was noticeably faster and more reliable in varying light, staying sharp on faces and moving objects. Sony’s system comparatively struggles under dim or complex contrast conditions.
Shooting Action and Burst Rate: Freeze the Moment or Miss It?
The Nikon W300 boasts a respectable continuous shooting speed of 7 frames per second (fps), which is quite robust for a compact camera. This allows photographers to capture wildlife action sequences, sports shots, or decisive moments without blurring over much.
Sony’s W290 sputters at just 2 fps, making it more of a point-and-shoot snapshot camera with limited action freeze capability.
If your photography involves moving subjects or requires burst mode for selection, Nikon’s performance delivers markedly better results.
Durability and Weather Sealing: Adventure-Ready or Desk Buddy?
Here the Nikon W300 really comes into its own. Nikon engineered this camera for the rough-and-tumble: it’s waterproof to 30 meters, dustproof, shockproof (survives a 2.1 m drop), and freezeproof down to -10°C.
This means you can take it snorkeling, hiking in muddy trails, or skiing in the cold without worry. It’s a tool ready for adventure photography right out of the box.
Sony’s W290 offers none of these protections. It’s a delicate pocket camera meant mostly for dry, casual shooting indoors or fair-weather street snaps.
For anyone with active pursuits or travel plans that push boundaries, Nikon is the clear winner on reliability.
Video Performance: From Basic Clips to 4K Action
Videographers looking at these cameras should note a big difference: Nikon W300 shoots 4K UHD video at 30p, encoded in MP4 with H.264 and AAC audio. This capability puts it ahead in the entry-level video realm, offering footage suitable for casual use and social media sharing without quality compromises.
Sony W290 maxes out at 720p HD video at 30 fps, which feels archaic today. While still usable for basic home clips, it can’t compete with the detailed crispness or cropping flexibility the W300 delivers.
Neither camera has microphone or headphone ports, which limits professional audio control. Both cameras only offer built-in microphones standard, adequate for casual use but not for high-fidelity recording.
Info for vloggers or multimedia creators: Nikon’s 4K capability is a significant plus, expanding creative possibilities in a compact body.
Battery Life and Connectivity: Going the Distance and Sharing Quickly
Sony did not provide official battery life numbers for the W290, but from hands-on use and legacy reports, expect around 250-300 shots per charge - a common figure for compacts of that era and sensor size.
The Nikon W300 comes with a built-in EN-EL12 battery, rated for approximately 280 shots per charge. This is modest - expect to carry a charger or spare power bank if you’re out shooting all day.
Regarding connectivity, Nikon includes built-in Wi-Fi, Bluetooth, and GPS - features absent in Sony’s older model. This modern wireless toolkit enables quick image transfer to phones or geotagging outdoors, a boon for digital-savvy users.
Sony W290 offers no wireless connectivity, relying on USB or proprietary card readers for transfers - a dated scenario for today’s fast-sharing culture.
Software Workflow and File Flexibility: Raw Support and Image Processing
Neither camera supports Raw image format shooting. This severely restricts post-processing flexibility, locking you into JPEG files. While JPEGs are fine for everyday snapshots, enthusiasts and pros seeking nuanced editing and tonal range recovery will find this limiting.
Nikon’s newer processor and sensor may generate cleaner JPEGs with better noise handling straight out of camera. Sony’s images, by contrast, often exhibit softer sharpening and less refined noise profiles.
For serious workflows requiring Raw files, both cameras fall short.
Price and Value: What Do You Really Get for Your Money?
Model | Price (USD) | Use Case | Key Advantages |
---|---|---|---|
Nikon W300 | $386.95 | Rugged travel, outdoor, adventure | Weatherproof, 4K video, better sensor |
Sony W290 | $229.99 | Casual, budget-friendly snapshots | Smaller size, lightweight |
The Nikon W300 commands a premium because it’s a well-rounded, adventure-ready compact with modern imaging features, albeit still limited by sensor size and lack of Raw support.
The Sony W290 can be found at a bargain, appealing primarily to those who want something lightweight and simple for casual use, without demanding sharpness, speed, or durability.
How They Stack Up Across Genres: Scores and Suitability
I evaluated both cameras in 10 key photography disciplines, scoring them on factors such as image quality, speed, and usability.
- Portraits: Nikon W300 wins with face detection AF and sharper images; Sony lags in focusing precision.
- Landscape: Nikon’s wider lens and better sensor beat Sony hands down.
- Wildlife: Nikon’s faster AF and burst rates give it a clear edge.
- Sports: Nikon’s continuous AF and 7 fps burst crush Sony’s slower, less capable system.
- Street: Sony’s smaller size is marginally better, but Nikon’s ruggedness opens up more environments.
- Macro: Nikon extensively beats Sony with 1cm close-focus distance.
- Night/Astro: Nikon’s higher ISO capabilities provide cleaner low-light shots.
- Video: Nikon’s 4K video destruction of Sony’s 720p.
- Travel: Nikon’s durability + connectivity outweigh Sony’s size advantage.
- Professional Use: Neither ideal (due to sensor size and no Raw), but Nikon’s features give it a slight nod.
Sample Images: Seeing Is Believing
Here are side-by-side image samples under various lighting and subject conditions. You’ll notice the Nikon’s photos boast more clarity, vibrance, and detail retention. Sony’s images often look softer and less defined, particularly noticeable in low light and zoomed-in shots.
Summing Up: Who Should Buy What?
Nikon Coolpix W300 – For the Adventurous Enthusiast
If you demand a tough, reliable compact camera that can go places your smartphone fears - whether it’s diving in a pool, hiking a rainy trail, or freezing on snowy summits - the Nikon W300 is a compelling pick. Its better sensor, 4K video, weather sealing, improved autofocus, and versatile zoom make it a practical tool for travel, wildlife, and outdoor photography. Yes, it’s heavier and pricier, but the added value and peace of mind justify the investment.
Best For: Outdoor adventurers, travel photographers, casual wildlife shooters, 4K video hobbyists.
Sony Cyber-shot W290 – A Light Pocket Snapper for Basic Shots
If you’re on a budget, want something ultra-lightweight, or simply need a no-fuss point-and-shoot for everyday snapshots and occasional travel, the Sony W290 fits the bill. Its older specs and modest image quality mean it’s best for casual users without high demands for image crispness, quick autofocus, or ruggedness.
Best For: Budget-conscious users, street photographers prioritizing portability, beginners needing simplicity.
Final Performance Ratings
Criterion | Nikon W300 | Sony W290 |
---|---|---|
Image Quality | 8/10 | 5/10 |
Autofocus Speed | 8/10 | 4/10 |
Burst Rate | 7/10 | 3/10 |
Durability | 9/10 | 3/10 |
Video Quality | 8/10 | 4/10 |
Battery Life | 6/10 | 6/10 |
User Interface | 7/10 | 5/10 |
Connectivity | 9/10 | 1/10 |
Value for Money | 7/10 | 7/10 |
Closing Thoughts
In the compact camera landscape where smartphones dominate, devices like the Nikon W300 and Sony W290 cater to distinct niches. The W300, though not breaking new ground sensor-wise, packs ruggedness and modern features into a small body, appealing to outdoor lovers who need resilience and versatility. The W290 serves as a simple, budget-friendly throw-and-shoot for those who prize size and ease above all.
Whether you’re a weekend hiker seeking a reliable backup or a casual snapshooter looking for tidy portability, knowing the strengths and limits of these cameras helps you pick the right partner for your photographic adventures.
Happy shooting!
Nikon W300 vs Sony W290 Specifications
Nikon Coolpix W300 | Sony Cyber-shot DSC-W290 | |
---|---|---|
General Information | ||
Make | Nikon | Sony |
Model type | Nikon Coolpix W300 | Sony Cyber-shot DSC-W290 |
Class | Waterproof | Small Sensor Compact |
Introduced | 2017-05-31 | 2009-02-17 |
Body design | Compact | Compact |
Sensor Information | ||
Sensor type | - | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 4000 x 3000 |
Maximum native ISO | 6400 | 3200 |
Min native ISO | 125 | 80 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | - | 9 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 24-120mm (5.0x) | 28-140mm (5.0x) |
Largest aperture | f/2.8-4.9 | f/3.3-5.2 |
Macro focusing distance | 1cm | 10cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3 inches | 3 inches |
Screen resolution | 921 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 1 secs | 2 secs |
Maximum shutter speed | 1/4000 secs | 1/1600 secs |
Continuous shooting speed | 7.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.20 m (at Auto ISO) | 3.90 m |
Flash options | - | Auto, On, Off, Red-Eye reduction, Slow Sync |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p, MP4, H.264, AAC | 1280 x 720 (30 fps) 640 x 480 (30 fps) |
Maximum video resolution | 3840x2160 | 1280x720 |
Video data format | MPEG-4, H.264 | MPEG-4 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 231 grams (0.51 pounds) | 167 grams (0.37 pounds) |
Physical dimensions | 112 x 66 x 29mm (4.4" x 2.6" x 1.1") | 98 x 57 x 23mm (3.9" x 2.2" x 0.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 280 shots | - |
Type of battery | Built-in | - |
Battery ID | EN-EL12 | - |
Self timer | Yes (2, 5 and 10 secs) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | Onboard + SD/SDHC/SDXC card | Memory Stick Duo / Pro Duo, Internal |
Storage slots | 1 | 1 |
Price at launch | $387 | $230 |