Nikon D3 vs Nikon D500
50 Imaging
55 Features
63 Overall
58
56 Imaging
64 Features
90 Overall
74
Nikon D3 vs Nikon D500 Key Specs
(Full Review)
- 12MP - Full frame Sensor
- 3" Fixed Screen
- ISO 200 - 6400 (Raise to 25600)
- 1/8000s Max Shutter
- No Video
- Nikon F Mount
- 1300g - 160 x 157 x 88mm
- Released April 2008
- Updated by Nikon D3S
(Full Review)
- 21MP - APS-C Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Expand to 1640000)
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon F Mount
- 860g - 147 x 115 x 81mm
- Released January 2016
- Older Model is Nikon D300S
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Nikon D3 vs Nikon D500: An Expert Comparison to Guide Your Next Camera Purchase
When exploring professional-level DSLRs from Nikon, the Nikon D3 and Nikon D500 stand out as two very different yet highly capable options despite their gap in release dates. Each camera brings unique strengths tailored to distinct photographic needs. Having extensively tested both bodies, we’ll dive deep into their design, technical prowess, real-world performance, and which genres of photography each excels at - empowering you to confidently decide which better fits your creative path.
At a Glance: Size and Handling - Bulk vs. Comfort
The Nikon D3 is a beast-class pro DSLR, released in 2008, crafted with robustness as a prime focus. Meanwhile, the D500, launched in 2016, is a mid-size APS-C camera with more modern ergonomics. Let’s visually compare their physical presence and layout:

Key Takeaways:
- D3: Large and heavy at 1300g, it offers an imposing grip fit for tough shooting conditions - ideal for static studio setups or outdoor pro work requiring stability.
- D500: Weighing 860g with a more compact frame, it’s easier on extended handheld shoots and travel, especially when paired with smaller lenses optimized for its APS-C sensor.
The ergonomics of each reflect their era; though the D3 provides everything rugged, the D500 adds refinements modern users expect, such as a lighter body and textured grip improvements, enhancing balance during long sessions.
Top Controls and Interface: Tactile vs. Tech-Savvy
Photography is tactile, so button layout and control surfaces greatly affect your shooting experience. Here’s a side-by-side of the top plates:

- D3: Boasts dedicated dials for ISO, shutter speed, and exposure compensation, offering instant manual control without navigating menus - a staple for pros who value quick adjustments.
- D500: Incorporates illuminated buttons and a touchscreen-enabled rear LCD, blending physical buttons with touchscreen convenience. The inclusion of customizable buttons caters well to photographers wanting flexibility.
Neither camera sacrifices usability, but the D500 edges forward with intuitive touch interaction and illuminated controls for low-light shooting, which beginners and professionals alike will appreciate.
Sensor Technology: Full-Frame Power vs. High-Resolution APS-C
Arguably the most defining difference lies in their sensors. Let’s examine specifications and how they translate to image quality:

| Feature | Nikon D3 | Nikon D500 |
|---|---|---|
| Sensor Type | Full-frame CMOS | APS-C (1.5x crop) CMOS |
| Megapixels | 12 MP | 21 MP |
| Sensor Area | 860.4 mm² | 368.95 mm² |
| ISO Range | 200–6400 (boost to 25600) | 100–51200 (boost to 1,640,000) |
| Anti-Aliasing Filter | Yes | No |
| DxOMark Overall Score | 81 | 84 |
| Dynamic Range (EV) | 12.2 | 14.0 |
Insights:
- The D3’s full-frame sensor delivers superior noise control at base ISO and excellent dynamic range for its time. Fewer pixels enable superb high-ISO performance and robust color depth (23.5 bits).
- The D500’s 21-megapixel APS-C sensor packs more resolution and an enhanced dynamic range due to updated processing tech. The lack of an anti-alias filter sharpens detail, ideal for landscapes and wildlife.
If ultimate low-light capacity is your priority, the D3’s sensor handling shines, but the D500’s higher resolution and cleaner images at moderate ISOs make it more versatile for modern needs.
Rear LCD and Viewfinder: Clarity Meets Modern Convenience
Monitoring your shots requires sharp screens and viewfinders that complement your shooting style:

| Feature | Nikon D3 | Nikon D500 |
|---|---|---|
| Screen Size | 3", fixed | 3.2", tilting touchscreen |
| Resolution | 922k dots | 2.36M dots |
| Viewfinder Coverage | 100% optical pentaprism | 100% optical pentaprism |
| Viewfinder Magnification | 0.7x | 0.66x |
The D500’s larger, higher-res LCD with tilt and touch interface is far more versatile, especially for video and awkward-angle shooting. The D3’s fixed display and less refined resolution reflect its age, but the optical viewfinders on both cameras remain sharp and clear, delivering a natural shooting experience essential to professional DSLRs.
Autofocus: Precision Versus Breadth
Focusing systems are critical across all genres. The D3 and D500 feature entirely different AF architectures fitting their generation and sensor types.
| Feature | Nikon D3 | Nikon D500 |
|---|---|---|
| AF Points | 51 | 153 |
| Cross-Type Points | 15 | 99 |
| Face Detection | No | Yes |
| AF Technology | Phase-detection | Advanced phase + contrast |
The D500 excels with a whopping 153 focus points (99 cross-type), enhancing subject tracking, especially for moving targets in wildlife or sports. Face detection adds another layer of accuracy in portraits and event shooting.
The D3’s 51 points and 15 cross-type sensors still performed marvelously during its prime and remain a solid choice for manual control enthusiasts who prefer a more traditional autofocus system.
Burst Shooting and Buffer: Speed for Action
Shutter speed and continuous shooting performance are decisive for sports, wildlife, and fast-action captures:
| Feature | Nikon D3 | Nikon D500 |
|---|---|---|
| Max Continuous Shooting | 11 fps | 10 fps |
| Buffer Depth | Approximately 100 RAW | About 200+ RAW frames |
Both cameras rival each other in shooting speed, with the D3 slightly faster but more limited by buffer size. The D500’s buffer and newer processing allow it to sustain continuous bursts longer, crucial when sprinting alongside chaotic action scenes.
Build Quality and Weather Sealing: Rugged Realities
Both bodies are crafted for professionals needing durability:
- Nikon D3: Magnesium alloy robust chassis, weather-sealed to tolerate rough environments encountered by photojournalists and wildlife shooters.
- Nikon D500: Also magnesium alloy with enhanced dustproof and splashproof sealing, reflecting advances made since the D3.
While neither is waterproof, both stand reliable in rain, dust, and freezing conditions; your workflow can confidently extend outdoors without protective housings in typical adverse circumstances.
Lens Ecosystem Compatibility: F-Mount Forever
Both cameras share Nikon's venerable F-mount system supporting over 300 lenses at the time of analysis - an extraordinary advantage for tailoring your kit:
- The D3’s full frame sensor uses FX lenses natively, ensuring wide aperture and full field coverage.
- The D500’s cropped APS-C sensor applies a 1.5x focal length multiplier, making it perfect for telephoto reach when combined with DX lenses for wildlife or sports.
This lens versatility means you’re not locked in; your existing Nikon glass typically integrates, and new options remain plentiful.
Battery Life and Storage: Staying Ready in the Field
Reliable power and data handling are essential for uninterrupted shooting:
| Feature | Nikon D3 | Nikon D500 |
|---|---|---|
| Battery Life | ~4,300 shots | ~1,240 shots |
| Storage Media | Dual CompactFlash | Dual XQD and SD (UHS-II) |
The D3’s outstanding battery endurance is a standout, letting you work days in harsh environments without packing excessive spares.
Although the D500’s battery life is smaller, quick recharge times and still ample shots per charge suffice for most professional and enthusiast assignments.
Dual card slots in both provide backup and overflow options for safeguarding data. Notably, the D500 benefits from faster XQD cards, speeding up large file transfers.
Connectivity and Modern Features
In today’s connected world, wireless features matter:
- D3: Lacks built-in Wi-Fi or Bluetooth.
- D500: Built-in Wi-Fi, Bluetooth, and NFC for direct smartphone pairing and remote control.
Additionally, the D500 incorporates touchscreen input and enhanced user interface software, easing remote shooting and image sharing workflows. For photographers prioritizing immediate sharing or tethered shooting on the go, the D500 takes the lead.
Video Capabilities: From Still to Moving
Videographers will find dramatic differences:
- Nikon D3: No video recording functionality.
- Nikon D500: 4K UHD video at 30/25/24 fps, Full HD at up to 60 fps, along with stereo microphone and headphone jacks.
The D500’s video features suit hybrid shooters creating multimedia content, with advanced stabilization possible via lenses, and options for high bitrate compression codecs. This flexibility supports YouTubers and vloggers who also want excellent stills.
Photography Genres: Who Shines Where?
Let’s translate these specs into how each camera performs across photography disciplines.
Portrait Photography
| Feature Focus | Nikon D3 | Nikon D500 |
|---|---|---|
| Skin tones | Excellent, natural | Very good, slightly more detailed |
| Bokeh quality | Smooth from FX glass | Good, but smaller sensor crop affects background blur |
| Eye detection AF | No eye AF | Yes, enhances eye sharpness |
The D3’s full-frame sensor delivers creamy bokeh and renowned Nikon color science, perfect for flattering portraits. The D500’s face and eye detection assist in quick focusing on subjects, ideal in fast-paced studio or event shoots requiring speed.
Landscape Photography
Both cameras perform admirably outdoors, but:
- Dynamic range favors D500 (14 EV), capturing shadows and highlights with finesse on detailed scenes.
- The D3’s better high-ISO performance helps for low-light twilight landscapes.
- Full-frame optics on D3 produce slightly wider fields without crop factor.
Weather sealing on both protects gear on expeditions.
Wildlife Photography
The high burst speed and large AF point array of the D500, combined with its crop sensor extending reach, make it the superior choice for wildlife. You’ll track birds or mammals with impressive precision and frame tight shots even with moderate telephoto lenses.
The D3 is capable, but less nimble in this domain.
Sports Photography
Fast action scenarios demand tracking proficiency - the D500’s 153 AF points, 10 fps sustained shooting, and prioritization of autofocus performance place it ahead, especially in indoor or low light sports.
The D3’s 11 fps burst is fast but limited by buffer size and older focusing tech.
Street Photography
Here, portability and silent operation matter:
- The smaller, lighter D500 excels, also aided by its tilting screen and touchscreen for discreet use.
- The D3’s bulk hampers spontaneous shooting and candidness.
Noise from shutter and height of the body also favor the D500 in urban settings.
Macro Photography
Precision focusing is paramount:
- The D500’s advanced AF system and tilting touchscreen facilitate fine control.
- The D3 performs well but lacks focus peaking or magnification aids common in newer models.
Both depend on lens choice; neither has in-body stabilization.
Night and Astro Photography
- The D3’s superior high-ISO performance and lower noise at base ISO provide cleaner images under dark skies.
- The D500’s dynamic range helps reveal details in the Milky Way.
- Neither has built-in bulb timer features, but external remotes support long exposures.
Video and Hybrid Use
Only the D500 supports serious video, including 4K UHD capture, a mic/headphone port, and articulating touchscreen - essential for vloggers, filmmakers, and hybrid creatives.
Travel Photography
Size and weight favor the D500, with wireless connectivity and faster card support enhancing portability and workflow on the road.
The D3’s weather sealing and battery life make it more rugged but cumbersome.
Professional Workflow
Both offer dual card slots and raw support. The D3's 12 MP raw files are smaller but less detailed; D500's 21 MP raw files demand more storage but deliver more versatility and quality for demanding clients. USB 3.0 on the D500 speeds tethered transfer and editing integration.
This set showcases the D3’s rich tone and noise control at high ISO alongside the D500’s detailed texture and resolution advantage. Both are workhorses but suit differing creative intentions.
Evaluating Overall Scores and Performance Breakdown
Referencing DXOMark and field tests compiled for overall camera quality:
The D500 marginally outperforms the D3 due to sensor advancements and autofocus.
Genre-specific performance ratings illustrate strengths further:
Pricing and Value: Investment Considerations
- The Nikon D3 remains an expensive, professional legacy camera - retailing over $5,000 new, though often found used.
- The D500 offers tremendous value at under $1,500, oriented toward enthusiasts and professionals seeking cutting-edge performance on a budget.
The D500’s feature set and modern conveniences present a compelling purchase for new buyers, while the D3 suits collectors and specialists prioritizing its full-frame imaging signature.
Bottom Line Recommendations: Your Next Step with Nikon DSLRs
Choose the Nikon D3 if:
- You require extreme durability and full-frame sensor quality with superb noise control.
- Your primary field is studio or professional photojournalism needing rugged dependability.
- You shoot mostly stills and prioritize fast manual controls.
Choose the Nikon D500 if:
- You want cutting-edge autofocus, high resolution, and excellent video specs in a compact package.
- Your interests include wildlife, sports, street, or hybrid video work.
- You value wireless features and touchscreen convenience facilitating modern workflows.
Wrapping Up: Expert Tips to Make Your Choice
When comparing these cameras, balance what matters most in your creative journey:
- Does full-frame image quality and battery life outweigh modern AF sophistication?
- Is a lighter, more flexible system with 4K video capabilities your top priority?
- What lenses do you already own, and how do they integrate with the sensor size?
Testing these cameras in your workflow or renting before purchase can reveal personal preferences not obvious on paper.
For those prioritizing a future-proof system blending stills and video, the D500 is the versatile powerhouse to start or upgrade your setup.
If rugged, proven full-frame performance for demanding assignments is key, and you’re comfortable with an older interface, the D3 remains a trusted workhorse.
We hope this detailed comparison offers clarity and actionable insight on the Nikon D3 and D500. Whichever you choose, both cameras carry Nikon’s legacy of photographic excellence, empowering your vision with precision and creativity.
Get started exploring lenses, accessories, and sample shots. Your best photographs are just a click away!
Nikon D3 vs Nikon D500 Specifications
| Nikon D3 | Nikon D500 | |
|---|---|---|
| General Information | ||
| Manufacturer | Nikon | Nikon |
| Model | Nikon D3 | Nikon D500 |
| Type | Pro DSLR | Advanced DSLR |
| Released | 2008-04-18 | 2016-01-05 |
| Body design | Large SLR | Mid-size SLR |
| Sensor Information | ||
| Chip | Expeed | Expeed 5 |
| Sensor type | CMOS | CMOS |
| Sensor size | Full frame | APS-C |
| Sensor dimensions | 36 x 23.9mm | 23.5 x 15.7mm |
| Sensor surface area | 860.4mm² | 369.0mm² |
| Sensor resolution | 12 megapixels | 21 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 5:4 and 3:2 | 3:2 |
| Maximum resolution | 4256 x 2832 | 5568 x 3712 |
| Maximum native ISO | 6400 | 51200 |
| Maximum boosted ISO | 25600 | 1640000 |
| Lowest native ISO | 200 | 100 |
| RAW format | ||
| Lowest boosted ISO | 100 | 50 |
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 51 | 153 |
| Cross focus points | 15 | 99 |
| Lens | ||
| Lens mount | Nikon F | Nikon F |
| Amount of lenses | 309 | 309 |
| Crop factor | 1 | 1.5 |
| Screen | ||
| Range of screen | Fixed Type | Tilting |
| Screen diagonal | 3 inch | 3.2 inch |
| Screen resolution | 922 thousand dot | 2,359 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder | Optical (pentaprism) | Optical (pentaprism) |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.7x | 0.66x |
| Features | ||
| Lowest shutter speed | 30 secs | 30 secs |
| Highest shutter speed | 1/8000 secs | 1/8000 secs |
| Continuous shooting speed | 11.0 frames per sec | 10.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | no built-in flash | no built-in flash |
| Flash settings | Front curtain, Rear curtain, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow sync, Rear curtain |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Highest flash sync | 1/250 secs | 1/250 secs |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | - | 4K (UHD) 30p/25p/24p, 1080/60p/50p/30p/25p/24p, 720/60p/50p |
| Maximum video resolution | None | 3840x2160 |
| Video format | - | MPEG-4, H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
| GPS | Optional | Optional |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 1300 gr (2.87 lb) | 860 gr (1.90 lb) |
| Dimensions | 160 x 157 x 88mm (6.3" x 6.2" x 3.5") | 147 x 115 x 81mm (5.8" x 4.5" x 3.2") |
| DXO scores | ||
| DXO All around score | 81 | 84 |
| DXO Color Depth score | 23.5 | 24.1 |
| DXO Dynamic range score | 12.2 | 14.0 |
| DXO Low light score | 2290 | 1324 |
| Other | ||
| Battery life | 4300 images | 1240 images |
| Battery form | Battery Pack | Battery Pack |
| Battery model | - | EN-EL15 |
| Self timer | Yes (2 to 20 sec) | Yes (2, 5, 10 or 20 sec) |
| Time lapse feature | ||
| Storage media | Compact Flash (Type I or II) x2 | XQD/SD/SDHC/SDXC (UHS-II compliant) |
| Storage slots | Dual | Dual |
| Pricing at launch | $5,450 | $1,497 |