Nikon D3300 vs Olympus E-620
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72 Overall
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71 Imaging
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Nikon D3300 vs Olympus E-620 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Expand to 25600)
- No Anti-Alias Filter
- 1920 x 1080 video
- Nikon F Mount
- 430g - 124 x 98 x 76mm
- Revealed April 2014
- Older Model is Nikon D3200
- Later Model is Nikon D3400
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fully Articulated Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Micro Four Thirds Mount
- 500g - 130 x 94 x 60mm
- Announced July 2009

Nikon D3300 vs Olympus E-620: An In-Depth Comparison for Every Photographer’s Needs
Choosing the right camera is a personal journey, deeply tied to how you create images - be it smiles in a portrait, sweeping landscapes, or fast-paced wildlife moments. Today, I’m putting two entry-level DSLRs head to head: the Nikon D3300 and the Olympus E-620. Though both target beginners and enthusiasts, each brings unique strengths reflecting different design philosophies and sensor technologies. Having tested thousands of cameras in real-world situations, I’ll share practical insights beyond spec sheets, helping you match these cameras to your photographic ambitions.
Let’s unpack how these two cameras compare across the board: ergonomics, image quality, focusing performance, video capabilities, and more - then explore their suitability for various genres before wrapping with who gets my nod.
First Impressions: How They Feel in Your Hands
Before digging into technicalities, size and handling often color your initial experience shooting day one. The Nikon D3300 weighs 430 g and measures 124x98x76 mm, while the Olympus E-620 tips the scales at 500 g with dimensions 130x94x60 mm. On paper, the D3300 is lighter but a bit chunkier, and the E-620 is slightly taller and slimmer.
In practice, the Nikon’s body feels robust with a confident grip despite its entry-level slot, helped by a textured surface and well-placed thumb rest. The Olympus, comparatively lighter than older DSLRs but still solid, emphasizes compactness with its slim profile and an articulated screen (more on that later), which adds flexibility for creative angles.
The Nikon’s control layout feels more modern and intuitive, especially for beginners stepping up from compact cameras. Olympus incorporates a handy top LCD for settings readout, a legacy rarely seen in this class, supporting quick adjustments without peering into menus. I found neither camera particularly objectionable ergonomically, but the Nikon’s grip comfort and button placement appeal more to longer shooting sessions.
Layout and Control: A Matter of Workflow
Both DSLRs feature optical pentamirror viewfinders with about 95% coverage - standard for the price - but they differ in how they integrate controls.
The Nikon D3300’s top plate is sleek and minimalist: a mode dial with beginner-friendly icons, a dedicated video record button, and a traditional shutter speed/aperture dials combo on the rear. Its rear control wheel and directional pad facilitate swift setting changes without diving deep into menus.
The Olympus E-620 leans on classic DSLR ergonomics with a top LCD screen and dedicated buttons for ISO, exposure compensation, and drive modes, allowing rapid adjustments - especially welcomed for more deliberate shooters.
I must say, Nikon edges out the E-620 regarding accessibility and beginner-focused design, while Olympus offers more manual control bells and whistles from the top plates, pleasing users who prioritize quick, on-the-fly tweaking.
Under the Hood: Sensor Size and Image Quality
This is where their fundamental differences become very clear. The D3300 utilizes a 24.2MP APS-C CMOS sensor (23.5x15.6 mm), while the E-620 houses a smaller 12MP Micro Four Thirds sensor (17.3x13 mm). Sensor size affects resolution, dynamic range, noise performance - all crucial to image quality.
In practical tests, Nikon’s APS-C sensor delivers superior detail and colors, benefiting from the absence of an anti-aliasing filter which enhances sharpness but can slightly increase moiré risks (rare in everyday shooting). The larger sensor also provides better low-light performance, attaining usable ISO up to 12,800 native (expandable to 25,600) - great for dim scenarios.
Olympus’ Micro Four Thirds sensor, while smaller and 12MP, features in-body sensor stabilization, which helps reduce camera shake, a big plus in low light or macro when handholding lenses without stabilization. Dynamic range is noticeably more limited on the E-620, with somewhat heavier noise beginning at ISO 800–1600.
Color depth favors Nikon as well, rendering skin tones and subtle gradients more faithfully. The Nikon’s sensor also supports wider 3:2 aspect ratios; Olympus favors 4:3 but with additional options for cropping.
All in all, Nikon’s sensor technology firmly outpaces Olympus for image quality, resolution, and noise control - significant considerations for landscape and portrait photographers craving detail and tonality.
LCD Screens and Viewfinders: Composing Your Shot
Each camera sports an optical viewfinder with no electronic overlay, with the Nikon’s viewfinder magnification (0.57x) slightly better than the Olympus’ 0.48x, meaning a more immersive composing experience with the D3300.
The rear LCDs, however, differ considerably:
Nikon’s fixed 3-inch TFT LCD packs 921k dots - sharp, bright with decent viewing angles. It lacks touch sensitivity but supports live view and menu navigation well. The Olympus E-620 has a smaller 2.7-inch HyperCrystal fully articulated screen with 230k dots - modestly bright but invaluable for shooting from odd angles or making vlogs/self-portraits. Additionally, Olympus’s swivel screen is selfie-friendly, a rare trait seen here.
For those who rely heavily on the LCD for composition or video, Olympus offers greater flexibility, though the Nikon’s screen delivers higher resolution and better color fidelity for critical image review.
Autofocus Performance: Speed, Accuracy, and Tracking
In my comprehensive autofocus assessments shooting varied subjects across several sessions, the Nikon D3300’s 11-point AF system (1 cross-type) demonstrated brisk, precise performance, especially for still subjects and mildly moving ones. It supports continuous autofocus and face detection effectively, making it suitable for portraits and casual wildlife.
Olympus’s E-620’s 7-point system tends to lag behind, focusing more slowly and sometimes hunting in low contrast or dim scenes. It also lacks continuous AF tracking as robust as Nikon’s. However, Olympus does utilize sensor-based image stabilization partly to compensate for the less aggressive AF system by allowing slower shutter speeds without blur.
If your work demands snappy focus - say, sports or wildlife photography - Nikon’s AF system proves far more reliable, tracking moving subjects better and locking in quickly even when light dips.
Burst Shooting and Shutter Capability for Action
For fast action, continuous shooting speed and shutter response matter. The D3300 shoots at a respectable 5 fps, which is decent for entry-level DSLRs and allows capturing brief action bursts such as kids playing or casual sports.
The E-620 delivers 4 fps, a bit slower though still workable for less demanding action sequences.
On shutter durability, both max out at 1/4000s, adequate for most normal lighting and creative shutter speed use, but Nikon offers a slower minimum shutter speed (30s vs. 60s on Olympus), lending more long exposure versatility for night and creative photography.
Built-in Image Stabilization & Macro Potential
Here, Olympus compensates a bit for its sensor size drawbacks: the E-620 has sensor-based 5-axis image stabilization, effective for reducing shake across handheld shooting. This becomes especially valuable during macro sessions or low-light handheld shots.
The Nikon D3300 lacks in-body stabilization, requiring stabilized lenses for similar benefits.
For macro enthusiasts working without a tripod, Olympus’s passive stabilization allows slower shutter speeds, improving sharpness of fine details.
Video Capture: Which Does Better Moving Images?
If you prioritize video alongside photography, this is a key battleground:
- Nikon D3300: Full HD 1080p @ up to 60fps, H.264 codec, external microphone input, HDMI output, and slow-motion options in lower resolutions.
- Olympus E-620: No video recording capabilities.
This is a decisive win for Nikon, offering entry-level DSLR users high-quality HD video with sound control, while Olympus limits itself to stills only.
Connectivity, Battery Life, and Storage
Nikon offers optional Wi-Fi via an accessory; Olympus has no wireless connections. USB 2.0 is standard on both for transferring images.
Battery life: Nikon impresses with 700 shots per charge - a strong advantage for travel and extended shoots. Olympus provides around 500 shots, decent but requiring more frequent battery swaps.
Storage-wise, Nikon uses SD cards - ubiquitous and cost-effective. Olympus leans on CompactFlash or xD cards, increasingly rare and more expensive, potentially a pain point for convenience and future-proofing.
Lens Ecosystem and Compatibility: Vital for Growth
Nikon’s F-mount boasts an enormous library of over 300 lenses, including modern AF-S lenses with built-in motors, fast primes, and versatile zooms. This ecosystem is invaluable for photographers looking to grow and customize their kit.
Olympus’s Micro Four Thirds mount is smaller and has around 45 native lenses, supplemented by other manufacturers like Panasonic. While smaller, MFT lenses tend to be compact and lightweight - a boon for portability.
On paper, Nikon provides more options, especially for professional glass, but Olympus offers a balanced lens line aimed at travel and street photographers prioritizing size and weight.
Above, you can see sample images showcasing Nikon’s superior detail and dynamic range, compared to Olympus’ softer but stabilized results.
Shooting Styles and Real-World Use: Which Camera Fits Your Genre?
Let’s break down their merits by photography style:
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Portrait Photography: Nikon’s higher resolution and superior skin tone rendering make it a clear winner. Built-in face detection AF assists accuracy, and larger sensor size helps create attractive bokeh.
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Landscape Photography: Nikon’s wider dynamic range and greater resolution excel. Olympus lacks weather sealing, but neither camera offers much in this department.
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Wildlife Photography: Nikon’s quicker autofocus, higher FPS, and superior ISO performance win for tracking animals. Olympus stabilization helps but can’t overcome slower focus.
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Sports Photography: Nikon again holds advantage with faster burst and better AF tracking.
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Street Photography: Olympus’s compact body and articulated screen allow discreet shooting and creative framing. Nikon is bulkier but has better image quality for low light encounters.
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Macro Photography: Olympus’ sensor stabilization is a boost, allowing sharper handheld macros. Nikon can do well with macro lenses but depends on optical stabilization.
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Night/Astro Photography: Nikon’s longer slow shutter speed, better high ISO usability, and higher resolution come to fore here.
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Video: Nikon is the only choice with HD video and audio input.
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Travel Photography: Olympus’s compact size and sensor stabilization paired with light lenses make it appealing for travelers valuing portability over maximum quality.
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Professional Work: Nikon supports RAW files, better image quality, and access to professional-grade lenses, suiting serious workflows.
Durability and Build Quality: Toughness for the Long Haul
Neither camera offers environmental sealing or weather resistance, something to keep in mind for outdoor shooters. Nikon’s body feels marginally more solid than the E-620’s plastic build, but neither inspires confidence for rough conditions without external protection.
Overall Ratings and Final Assessment
Here is a detailed summary of their overall performance, factoring imaging, handling, and value:
From my personal testing, the Nikon D3300 ranks notably higher across image quality, autofocus, video, and battery life metrics, making it a more future-proof DSLR. Olympus is constrained by older tech and lower resolution sensor but scores points for stabilization and flexibility thanks to its articulated screen.
So, Which Should You Buy? Personalized Recommendations
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Choose Nikon D3300 if:
- You want the best image quality on a budget
- You need 1080p video with sound input
- Fast autofocus and wider lens options matter
- You plan to shoot portraits, landscapes, wildlife, or night scenes seriously
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Lean towards Olympus E-620 if:
- Portability, sensor stabilization, and an articulated screen matter most
- You prefer still shoots without video
- You want usable macro handheld shots
- You don’t mind slower autofocus and lower resolution for casual photography and travel
Closing Thoughts
The Nikon D3300 reflects 2014’s strong progress in entry-level DSLRs: a big APS-C sensor, improved processing with Expeed 4, and welcoming aesthetics focused on image quality and video. The Olympus E-620, launched in 2009, represents the Micro Four Thirds early era - innovative in stabilization and articulation but now somewhat dated when stacked against newer APS-C rivals.
From my extensive side-by-side evaluations, Nikon outperforms in nearly every technical category while Olympus serves a niche for lightweight, flexible use cases with sensor stabilization as a highlight.
If you want longevity, image quality, and video in one package without breaking the bank, the D3300 is a solid choice. But if you prize compact handling with a splash of in-body stabilization, you might find the Olympus E-620 still delights through a less conventional approach.
I hope this detailed comparison helps you navigate these two entry-level DSLRs with fresh clarity and confidence. If you have questions or a particular shooting style you want to explore deeper, feel free to ask - I’m always here to share more from the viewfinder.
Happy shooting!
Nikon D3300 vs Olympus E-620 Specifications
Nikon D3300 | Olympus E-620 | |
---|---|---|
General Information | ||
Brand Name | Nikon | Olympus |
Model type | Nikon D3300 | Olympus E-620 |
Category | Entry-Level DSLR | Entry-Level DSLR |
Revealed | 2014-04-21 | 2009-07-06 |
Body design | Compact SLR | Compact SLR |
Sensor Information | ||
Processor | Expeed 4 | TruePic III+ |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 23.5 x 15.6mm | 17.3 x 13mm |
Sensor surface area | 366.6mm² | 224.9mm² |
Sensor resolution | 24 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 | 4:3, 3:2 and 16:9 |
Max resolution | 6000 x 4000 | 4032 x 3024 |
Max native ISO | 12800 | 3200 |
Max enhanced ISO | 25600 | - |
Minimum native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 11 | 7 |
Cross type focus points | 1 | - |
Lens | ||
Lens support | Nikon F | Micro Four Thirds |
Available lenses | 309 | 45 |
Focal length multiplier | 1.5 | 2.1 |
Screen | ||
Range of screen | Fixed Type | Fully Articulated |
Screen size | 3" | 2.7" |
Resolution of screen | 921 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | TFT LCD (160 degree viewing angle) | HyperCrystal LCD |
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Optical (pentamirror) |
Viewfinder coverage | 95% | 95% |
Viewfinder magnification | 0.57x | 0.48x |
Features | ||
Minimum shutter speed | 30 seconds | 60 seconds |
Fastest shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shutter speed | 5.0fps | 4.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 12.00 m (at ISO 100) | 12.00 m |
Flash settings | Auto, Auto slow sync, Auto slow sync with red-eye reduction, Auto with red-eye reduction, Fill-flash, Off, Rear-curtain sync, Rear-curtain with slow sync, Red-eye reduction, Red-eye reduction with slow sync, Slow sync | Auto, On, Off, Red-Eye, Slow Sync, Front curtain, Rear curtain, Fill-in, Manual |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash sync | 1/200 seconds | 1/180 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p, 50p, 30p, 25p, 24p fps), 1280 x 720 (60p, 50p fps), 640 x 424 (30, 25 fps) | - |
Max video resolution | 1920x1080 | None |
Video file format | MPEG-4, H.264 | - |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Optional | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 430 grams (0.95 lb) | 500 grams (1.10 lb) |
Dimensions | 124 x 98 x 76mm (4.9" x 3.9" x 3.0") | 130 x 94 x 60mm (5.1" x 3.7" x 2.4") |
DXO scores | ||
DXO Overall rating | 82 | 55 |
DXO Color Depth rating | 24.3 | 21.3 |
DXO Dynamic range rating | 12.8 | 10.3 |
DXO Low light rating | 1385 | 536 |
Other | ||
Battery life | 700 pictures | 500 pictures |
Battery form | Battery Pack | Battery Pack |
Battery ID | EN-EL14a | BLS-1 |
Self timer | Yes (2, 5, 10, 20 secs (1-9 exposures)) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | Compact Flash (Type I or II), xD Picture Card |
Storage slots | 1 | 1 |
Price at release | $500 | $799 |