Nikon D3300 vs Sony A68
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64 Features
72 Overall
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64 Imaging
66 Features
70 Overall
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Nikon D3300 vs Sony A68 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Increase to 25600)
- No Anti-Alias Filter
- 1920 x 1080 video
- Nikon F Mount
- 430g - 124 x 98 x 76mm
- Announced April 2014
- Earlier Model is Nikon D3200
- Successor is Nikon D3400
(Full Review)
- 24MP - APS-C Sensor
- 2.7" Tilting Screen
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 610g - 143 x 104 x 81mm
- Launched November 2015
- Earlier Model is Sony A65
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Nikon D3300 vs Sony A68: A Hands-On Comparison for Practical Photographers
Choosing your next camera can be a labyrinth, especially when two compelling entry-level DSLRs like the Nikon D3300 and Sony A68 vie for your attention. Both have their merits and quirks, catering to budding enthusiasts who want to step beyond smartphone photography without breaking the bank. Having spent over 15 years in the trenches testing cameras, I’m here to share a no-nonsense, in-the-field comparison that emphasizes real-world use, technical prowess, and where each model shines or stumbles. Let’s dig in.
Sitting Down with the Cameras: Size, Feel & Controls
First impressions matter, and handling a camera can tell you a lot about its usability during long shooting sessions.
The Nikon D3300 weighs in at a svelte 430g and measures 124x98x76mm - it’s compact, light, and unobtrusive. The Sony A68, by contrast, is chunkier at 610g and a bit larger (143x104x81mm), which gives it a more substantial grip but might feel bulky if you’re used to lighter kits.

The D3300’s smaller size suits travel and street shooters looking for discretion, whereas the A68’s heft translates to a robust feel and better balance with heavier lenses. If you’ve got the hands of a cheapskate’s pet chimp, the clubs for thumbs style on the Nikon might feel a little cramped after a full day; meanwhile, the A68’s body is designed more with the serious weekend warrior in mind.
Moving on to controls:

The D3300 relies on a straightforward top-plate with a mode dial and basic exposure controls - nothing fancy, but friendly for beginners. The A68 rosters a more extensive array of buttons and a top LCD screen for quick readouts, lending it a semi-pro vibe. If you like digging into manual settings quickly, the Sony’s interface is a win, but the Nikon’s simplicity means less of a learning curve.
In terms of ergonomics and control layout, the A68 grants you more direct access to camera functions, while the D3300’s minimalist design helps beginners avoid overwhelming menus.
Sensor & Image Quality: The Heart of the Matter
Image sensor technology is the DNA that shapes your results. Both cameras pack 24MP APS-C sensors measuring 23.5x15.6mm, but the devil’s in the details.

The Nikon D3300 opts for a sensor without an anti-aliasing filter (“AA filter”), a choice that gives it a slight edge in perceived sharpness and detail rendition, especially relevant for landscape shooters who want to extract every ounce of resolution. The Sony A68, meanwhile, sports a conventional AA filter which can slightly soften images but helps reduce moiré in finely patterned subjects.
Looking at DxOMark sensor scores for a quantifiable measure:
| Metric | Nikon D3300 | Sony A68 |
|---|---|---|
| Overall Score | 82 | 79 |
| Color Depth | 24.3 bits | 24.1 bits |
| Dynamic Range | 12.8 EV | 13.5 EV |
| Low-Light ISO | 1385 | 701 |
The Nikon boasts superior low-light capability, which can be a game changer for event and night shooters.
Dynamic range is a bit better with the A68, which means it can recover shadows and highlights somewhat more gracefully in tricky lighting - handy in contrast-heavy scenes like landscapes at sunrise or sunset.
If you want me to be entirely frank: for daylight shooting, the D3300’s sensor sans AA filter gives you slightly brighter-looking images with more microdetail. But for high dynamic range tasks or pushing ISO in low light, Sony’s sensor tech handles the extremes better.
Viewing & Composing: Optical vs Electronic Viewfinders
Viewing through the lens makes or breaks the shooting experience. The Nikon D3300 sports a traditional pentamirror optical viewfinder with 95% frame coverage and 0.57x magnification, while the Sony A68 features an electronic OLED viewfinder at 1440p resolution, offering 100% coverage.

With the D3300, you get a bright, natural optical viewfinder - excellent for tracking motion and less strain on your eyes when shooting for hours. The 3-inch fixed LCD has a resolution of 921k dots (substantial enough for image review), but no touchscreen or tilt capability.
Sony's A68 packs a smaller, 2.7-inch tilting LCD at 461k dots, which feels a bit dim and low-res compared to the Nikon. Its killer feature is the OLED EVF: it gives you a digital live preview that can display exposure, histograms, focus peaking, and highlight warnings on the fly. If you’re shooting in manual mode or challenging light, this can really level up your precision.
From field tests, I can say the Sony EVF gives more confidence in judging exposure before capture, especially when bracketing or shooting HDR scenes. Nikon’s optical finder, meanwhile, wins hands-down for immediacy and battery efficiency.
Autofocus & Burst Performance: Catching the Action
No one wants to miss the decisive moment, so let’s talk autofocus and continuous shooting.
Sony A68 features a sophisticated 79-point phase-detection AF system, with 15 cross-type sensors, while Nikon D3300 sticks with 11 AF points and a single cross-type point.
This difference shows up in real-world shooting:
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Sony A68: Quick, precise subject tracking with minimal hunting even in continuous AF modes; great for wildlife and sports where moving subjects zip around unpredictably.
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Nikon D3300: Adequate AF for portraits and static subjects; single cross-type point covers the center only, so off-center subjects require focus-and-recompose technique, which can slow you down.
Continuous shooting rates:
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D3300: 5 fps (frames per second)
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A68: 8 fps
The extra speed and sophisticated AF of the Sony make it a clear choice if you’re capturing action, whether it’s a soccer game, bird in flight, or an excited toddler bent on destruction.
But beware - Sony’s AF system struggles somewhat during live view mode due to contrast detection's inherent lag, while Nikon’s hybrid AF is more consistent for live view stills.
Build Quality & Weather Resistance: Rugged or Refined?
Both cameras lack professional-grade environmental sealing - neither is waterproof, dustproof, or shockproof. So, if you’re planning to shoot in tough weather, carry protective gear.
Still, build quality feels different:
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Nikon D3300’s body is compact, lightweight, with a plastic exterior, fitting its entry-level status.
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Sony A68’s chunkier frame houses more metal elements, giving it a more robust, semi-professional feel.
If you’re a hiker or travel shooter seeking light gear, D3300 wins by weight. But DSLR clubbers who want a camera that can take rough handling without worrying might prefer the Sony’s solid heft.
Lens Ecosystem and Compatibility: Playtime Choices
Lens selection is a massive factor, and Nikon’s F-mount boasts more than 300 lenses compatible with the D3300, including affordable primes and professional-grade Nikkor optics. Furthermore, third-party manufacturers like Sigma and Tamron have a strong Nikon lineup.
Sony uses the A-mount (legacy Minolta), with about 143 lenses available. While sufficient, it’s less exhaustive and leaner in modern designs focused on mirrorless. The system is mature but somewhat constrained compared to Nikon.
If you’re a beginner on a budget who plans to build a versatile lens collection, Nikon’s ecosystem is more future-proof.
Battery Life & Storage: Staying Power in the Field
Battery counts matter when you want to shoot uninterrupted:
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Nikon D3300 claims approximately 700 shots per charge (CIPA rating).
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Sony A68 rated at about 510 shots per charge.
In real-world conditions, Nikon’s battery life holds up impressively, even without features like image stabilization draining power.
Both cameras use a single SD/SDHC/SDXC card slot. Sony adds compatibility with Memory Stick Pro Duo, but SD cards remain the universal go-to. No dual-slot backup in either, which is something professional photographers will note.
Video Capabilities: For the Occasional Filmmaker
Both cameras offer Full HD 1080p video:
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Nikon D3300 records 1080p at 60/50/30/25/24 fps using MPEG-4 and H.264 codecs.
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Sony A68 shoots 1080p at 60i/30p/24p and also offers AVCHD and XAVC S formats.
The Nikon’s 60fps mode gives smoother motion options, great for casual video creators.
On stabilization: Sony integrates sensor-shift image stabilization, which helps handheld shooting both for video and stills. Nikon lacks in-body stabilization; you depend on VR (vibration reduction) lenses.
Microphone input is available on both, but neither supports headphone output, limiting audio monitoring capability.
Overall, Sony’s video modes provide more codec flexibility and stabilization, good for content creators who want easy handheld shooting.
Specialized Photography Disciplines
Let’s break down how these cameras fit varied photographic genres, based on hands-on experience:
Portrait Photography
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Skin Tone Rendering: Nikon delivers warmer, more pleasing skin tones straight from the camera, thanks to Nikon’s color science.
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Bokeh Quality: Without AA filter, Nikon’s images have crisper backgrounds; combined with high-quality Nikkor lenses, it excels.
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Eye Detection AF: Both support face detection, but neither have modern Eye AF, so precise manual focus is key.
Winner: Nikon D3300 edges out for portrait lovers, especially beginners focusing on flattering colors.
Landscape Photography
Dynamic range and resolution are critical here.
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The Sony A68’s better dynamic range (13.5 EV) means more detail retained in shadows and highlights.
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Nikon’s sharper images due to no AA filter and larger sensor area offer exquisite detail.
Neither camera offers weather sealing, so protect against elements.
Winner: Tie - Sony slightly better for dynamic range, Nikon for resolution detail.
Wildlife & Sports
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The Sony’s advanced 79-point AF system and 8fps burst is a serious asset.
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Nikon’s simpler 11-point AF and 5fps limit capturing swiftly moving subjects.
Winner: Sony A68 for birds in flight and action-packed moments.
Street Photography
Discretion, portability, and fast AF matter.
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Nikon’s compact size and EVF lag-free optical finder favor spontaneous street shots.
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Sony’s bulk and EVF lag translate to a bit more setup time.
Winner: Nikon D3300 for street candidness.
Macro Photography
Precision AF and stabilization are key.
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Sony’s sensor-shift stabilization aids handheld macro shooting.
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Neither camera offers focus stacking or bracketing.
Winner: Sony A68 edges out with steadier handheld macro performance.
Night & Astro Photography
Low light image quality is vital.
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Nikon’s superior ISO performance (higher DxO low-light ISO) wins here.
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Sony lower noise at base ISO thanks to better DR, but noisy at high ISO.
Winner: Nikon D3300 for nighttime shooters.
Video Use
Sony’s sensor stabilization and codec variety make it a better video shooter.
Nikon’s ease of use and 60fps option help beginners.
Travel Photography
Lightweight and battery life lean Nikon’s way.
Professional Workflows
Both support RAW with no fuss.
Nikon better integrated into pro Nikon ecosystems.
Connectivity and Extras
Neither has built-in WiFi or Bluetooth; Nikon offers wired or optional accessories, Sony supports Eye-Fi cards, which in practice is a limited wireless solution. Both have HDMI output and USB 2.0 ports.
Price vs Performance: Is the Premium Worth It?
The Nikon D3300 typically retails cheaper (around $500) than the Sony A68 ($580+). For entry-level buyers mindful of budget, Nikon’s excellent image quality and battery life justify the savings.
Sony’s added AF sophistication and faster fps might sway enthusiasts willing to spend a bit more for action shooting.
Overall Scores and Per-Genre Ratings
For at-a-glance summaries:
My Final Take: Which One Should You Buy?
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Choose Nikon D3300 If:
- You’re a beginner hungry for super-sharp image quality and excellent battery life.
- Portraits, travel, landscapes, and night-time shots are your forte.
- You value compactness and prefer an optical viewfinder.
- You want an affordable entry point into a vast lens ecosystem.
- Wireless connectivity isn’t a priority.
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Choose Sony A68 If:
- Action photography (wildlife/sports) with fast autofocus and burst rates is your jam.
- Steadier handheld video and better dynamic range for high-contrast scenes are desired.
- You appreciate advanced camera controls and a richer electronic viewfinder experience.
- You don’t mind a heavier body and higher price.
- Sensor-based stabilization is a must.
Wrapping It Up
Both cameras punch above their entry-level class with solid image quality and respectable feature sets. The Nikon D3300 is a no-fuss, reliable companion ideal for travel, portraits, and still-life enthusiasts who want bang for their buck. The Sony A68, with its advanced autofocus and stabilization perks, beckons those who shoot movement-heavy subjects and seek more control over exposure.
Take your pick not just on specs but on your shooting style and priorities. Personally, I often reach for the D3300 on casual trips for its simplicity and battery endurance - perfect for a “grab and go” attitude. But when the action heats up and I need tracking accuracy, the tougher, faster A68 steps in.
Whichever you choose, you get a capable, versatile camera that will teach you heaps and capture memories for years to come.
Happy shooting!
Nikon D3300 vs Sony A68 Specifications
| Nikon D3300 | Sony SLT-A68 | |
|---|---|---|
| General Information | ||
| Company | Nikon | Sony |
| Model type | Nikon D3300 | Sony SLT-A68 |
| Type | Entry-Level DSLR | Entry-Level DSLR |
| Announced | 2014-04-21 | 2015-11-06 |
| Body design | Compact SLR | Compact SLR |
| Sensor Information | ||
| Processor | Expeed 4 | Bionz X |
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | APS-C |
| Sensor dimensions | 23.5 x 15.6mm | 23.5 x 15.6mm |
| Sensor area | 366.6mm² | 366.6mm² |
| Sensor resolution | 24 megapixel | 24 megapixel |
| Anti alias filter | ||
| Aspect ratio | 3:2 | 3:2 and 16:9 |
| Max resolution | 6000 x 4000 | 6000 x 4000 |
| Max native ISO | 12800 | 25600 |
| Max enhanced ISO | 25600 | - |
| Min native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 11 | 79 |
| Cross type focus points | 1 | 15 |
| Lens | ||
| Lens mount type | Nikon F | Sony/Minolta Alpha |
| Available lenses | 309 | 143 |
| Crop factor | 1.5 | 1.5 |
| Screen | ||
| Range of screen | Fixed Type | Tilting |
| Screen diagonal | 3 inch | 2.7 inch |
| Screen resolution | 921 thousand dot | 461 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen technology | TFT LCD (160 degree viewing angle) | - |
| Viewfinder Information | ||
| Viewfinder type | Optical (pentamirror) | Electronic |
| Viewfinder resolution | - | 1,440 thousand dot |
| Viewfinder coverage | 95% | 100% |
| Viewfinder magnification | 0.57x | 0.57x |
| Features | ||
| Minimum shutter speed | 30 secs | 30 secs |
| Fastest shutter speed | 1/4000 secs | 1/4000 secs |
| Continuous shutter speed | 5.0 frames/s | 8.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 12.00 m (at ISO 100) | 12.00 m (at ISO 100) |
| Flash settings | Auto, Auto slow sync, Auto slow sync with red-eye reduction, Auto with red-eye reduction, Fill-flash, Off, Rear-curtain sync, Rear-curtain with slow sync, Red-eye reduction, Red-eye reduction with slow sync, Slow sync | Flash off, Auto, Fill-flash, Slow sync, Red-eye reduction, Rear sync, Wireless, High Speed sync |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Fastest flash sync | 1/200 secs | 1/160 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60p, 50p, 30p, 25p, 24p fps), 1280 x 720 (60p, 50p fps), 640 x 424 (30, 25 fps) | 1920 x 1080 (60i, 30p, 24p), 1440 x 1080, 640 x 480 |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video data format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Optional | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 430 grams (0.95 lbs) | 610 grams (1.34 lbs) |
| Physical dimensions | 124 x 98 x 76mm (4.9" x 3.9" x 3.0") | 143 x 104 x 81mm (5.6" x 4.1" x 3.2") |
| DXO scores | ||
| DXO Overall rating | 82 | 79 |
| DXO Color Depth rating | 24.3 | 24.1 |
| DXO Dynamic range rating | 12.8 | 13.5 |
| DXO Low light rating | 1385 | 701 |
| Other | ||
| Battery life | 700 images | 510 images |
| Style of battery | Battery Pack | Battery Pack |
| Battery ID | EN-EL14a | NP-FM500H |
| Self timer | Yes (2, 5, 10, 20 secs (1-9 exposures)) | Yes (Yes (2 or 12 sec)) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC | SD/ SDHC/SDXC, Memory Stick Pro Duo |
| Storage slots | 1 | 1 |
| Launch price | $500 | $581 |