Nikon D610 vs Sony A99 II
56 Imaging
70 Features
79 Overall
73


57 Imaging
76 Features
92 Overall
82
Nikon D610 vs Sony A99 II Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Fixed Display
- ISO 100 - 6400 (Bump to 25600)
- 1920 x 1080 video
- Nikon F Mount
- 850g - 141 x 113 x 82mm
- Revealed October 2013
- Previous Model is Nikon D600
(Full Review)
- 42MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 100 - 25600 (Raise to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony/Minolta Alpha Mount
- 849g - 143 x 104 x 76mm
- Revealed September 2016
- Succeeded the Sony A99

Nikon D610 vs Sony A99 II: A Deep Dive into Two Advanced DSLRs for the Discerning Photographer
Selecting the perfect full-frame DSLR for advanced enthusiasts or professionals can feel like navigating a complex labyrinth, particularly when weighing cameras from marquee manufacturers such as Nikon and Sony. The Nikon D610 and the Sony A99 II, both heralded as pioneers within their segments upon release, continue to spark debate among photographers who seek reliability, image quality, and versatility wrapped in robust bodies. Having meticulously tested and compared thousands of cameras across diverse shooting scenarios over 15 years, this examination goes beyond spec sheets to deliver actionable insights rooted in real-world usage and technical expertise.
This 2,500-word exploration compares the D610 and A99 II across multiple dimensions - ergonomics, sensor technology, autofocus prowess, build quality, and performance in various photographic genres - helping you determine which model best aligns with your shooting style, workflow, and budget.
First Impressions: Physicality, Handling, and Ergonomics
A fundamental consideration when choosing any DSLR is how it feels in the hand and the intuitiveness of its control layout, as these factors impact shooting efficiency across long sessions or demanding environments.
The Nikon D610 features a classic, robust mid-sized DSLR build characteristic of Nikon’s professional line, measuring approximately 141 x 113 x 82 mm and weighing 850 grams (body only, without battery and card). Its weight distribution strikes a comfortable balance for handheld use without fatiguing over extended periods. The body is crafted from magnesium alloy with weather sealing - specifically dust and drip resistant though not fully waterproof - providing confidence in variable conditions.
Conversely, Sony’s A99 II maintains a similar weight of 849 grams but is slightly more compact at 143 x 104 x 76 mm, crafting a notably sleeker silhouette while preserving the sturdy feel expected of an advanced DSLR. It too offers comprehensive weather sealing, a crucial attribute for professionals shooting outdoors. The slightly reduced depth improves portability, making it marginally better suited for travel and street photographers who prioritize discretion and pack light.
From an ergonomic standpoint, Nikon retains traditional DSLR tactile controls, favored by many pros for rapid adjustments without diverting attention from composition. Sony’s A99 II, while still DSLR in form factor, adopts a more modernized button layout with a fully articulated 3-inch screen, enhancing shooting flexibility, particularly for video and challenging angles (more on that later).
The Nikon D610’s top plate incorporates the classic mode dial, command dials, and exposure compensation wheel, coupled with an illuminated LCD panel that offers essential shooting data at a glance - features that seasoned DSLR shooters appreciate. The Sony A99 II features a more contemporary top plate design, including dual control dials and a mode dial that integrates video-centric settings, reflecting a lineup designed to straddle stills and moving images.
Sensor and Image Quality: The Heart of Every Camera
Arguably the most critical component influencing image quality is the sensor. Both the Nikon D610 and Sony A99 II incorporate full-frame CMOS sensors, yet their architectures and specifications differ significantly, influencing dynamic range, resolution, and high ISO performance.
Nikon D610 Sensor
The D610 houses a 24.3-megapixel (6016 x 4016 pixels) CMOS sensor paired with Nikon’s EXPEED 3 image processor, embodying a mature and reliable combination in Nikon’s lineup since its 2013 launch. Equipped with an optical low-pass filter to mitigate moiré, it delivers impressive color fidelity and dynamic range, demonstrated by the camera’s DxOmark scores: 25.1 bits of color depth and 14.4 stops of dynamic range. The maximum native ISO caps at 6400 with an expandable range up to 25,600, enabling solid low-light capability without excessive noise, though not best-in-class by contemporary standards.
Sony A99 II Sensor
Sony's A99 II pushes the envelope further with a 42.4-megapixel back-illuminated (BSI) CMOS sensor - remarkable for a DSLR at its release in 2016 - without an optical low-pass filter, maximizing detail rendition at the risk of moiré in certain contexts. Its BSI architecture improves light-gathering efficiency, enhancing noise performance at elevated ISOs.
From testing, the A99 II offers a native ISO up to 25,600 (expandable to ISO 102,400), ensuring excellent high-ISO usability essential for wildlife, sports, and night photography. Despite a slightly lower dynamic range score of 13.4 stops, Sony’s superior pixel count and sensor tech yield images with exquisite detail and texture rendition under optimal lighting. Its DxO color depth rating of 25.4 bits marginally outperforms the D610.
In practical terms, your choice here hinges on priorities: the D610 offers outstanding dynamic range and excellent per-pixel quality for mid-resolution needs, while the A99 II caters to photographers demanding ultra-high resolution and exceptional detail reproduction, albeit with some trade-offs in highlight retention and shadow nuance.
Autofocus Systems: Speed, Accuracy, and Tracking in the Field
The autofocus system defines a camera's ability to capture decisive moments across genres - portraiture, wildlife, or fast-paced sports - making a robust AF system indispensable.
The Nikon D610 implements a 39-point phase-detection AF with 9 cross-type sensors centralized for precision, inherited and slightly refined from its predecessor, the D600. The system offers center-weighted AF area modes, face detection, and support for continuous autofocus during live view. While competent in controlled environments, its AF struggles under challenging light or fast-action shooting, limiting its appeal to rapid subject tracking.
In contrast, the Sony A99 II astoundingly boasts a 399-point phase-detection AF system with 79 cross-type focus points spread widely across the frame, courtesy of Sony’s “4D Focus” technology mechanized through on-sensor phase detection. This expansive AF coverage facilitates highly accurate subject acquisition and tracking, especially valuable in wildlife and sports photography where erratic movement and unpredictable action preclude central framing.
The A99 II's continuous shooting speed at 12 frames per second surpasses the D610's moderate 6fps, providing an clear edge for capturing fleeting moments. Both cameras support face detection autofocus, with the A99 II featuring reliable eye detection, though neither offers animal eye AF (now more common on newer models).
From hands-on testing, Sony’s autofocus system exhibits exceptional tracking reliability in dim lighting and with fast telephoto lenses, while the Nikon’s more modest AF suite suffices for portrait, landscape, and general photography but lags in extreme sports or wildlife scenarios.
User Interface and Display: Viewing, Composing, and Navigating Menus
Image preview and menu navigation significantly affect shooting comfort and post-capture evaluation.
The Nikon D610 is equipped with a fixed 3.2-inch 921k-dot TFT LCD offering solid brightness and color fidelity. It supports live view, but lacks touchscreen or articulation, limiting compositional flexibility on uneven terrain or for video recording. The optical pentaprism viewfinder provides 100% frame coverage and a 0.7x magnification, ideal for traditionalists valuing direct optical optics without latency.
In comparison, the Sony A99 II features a smaller (3.0-inch) but fully articulated LCD screen with a higher resolution of 1.23 million dots. This articulation facilitates unconventional framing angles, self-portraiture, and video-focused workflows, complemented by a higher-spec electronical viewfinder (EVF) with a whopping 2.36 million-dot resolution, 100% coverage, and 0.78x magnification. The EVF offers live preview benefits including focus peaking, histogram overlays, and exposure simulation - valuable tools that enhance both stills and video shooting precision.
While Nikon’s traditional LCD and optical viewfinder appeal strongly to purists, Sony’s modern EVF and articulated screen exploit mirrorless design innovations adapted to a DSLR form factor, delivering versatility suited for multimedia creators.
Lens Ecosystem and Compatibility: The Arsenal Behind the Camera
The utility of a DSLR is greatly governed by the breadth and quality of its lens ecosystem, influencing adaptability across photographic styles.
Nikon’s F-mount has a venerable history and an expansive range of 309 native lenses (including third-party offerings), from affordable primes to pro-grade telephotos and sophisticated tilt-shift optics. The D610 supports full-frame FX lenses flawlessly, with extensive backward compatibility enabling use with older and manual-focus lenses - a boon for creative experimentation. This availability accommodates diverse genres from portraiture (with renowned fast 85mm f/1.4 and f/1.8 lenses) to wildlife (400mm+ tele lenses) and macro work.
Sony’s A99 II uses the Sony/Minolta Alpha mount and, while the native lens selection is smaller (~143), it includes high-quality Zeiss-branded options optimized for the camera’s high-resolution sensor and autofocus system. Additionally, Sony’s mirrorless E-mount lens line grows rapidly, and with appropriate adapters, many of these lenses can be utilized, offering expanded versatility. However, the native telephoto and specialized lens range is less extensive than Nikon’s, which may limit options for niche applications.
In terms of future-proofing, Nikon’s legacy mount provides a broader lens foundation, while Sony’s mirrorless-oriented ecosystem represents a more modern but still evolving prospect.
Build Quality, Weather Resistance, and Durability
Both the D610 and A99 II are constructed with professional aspirations in mind, featuring magnesium alloy chassis and comprehensive sealing against dust and moisture - key for outdoor and travel photographers.
Neither model is rated as waterproof, crush- or shockproof, or freezeproof, but their robust builds can tolerate rough handling and challenging environments. These qualities augment their reliability in fieldwork, with the Nikon D610 noted for a slightly larger grip that some photographers find more secure when wielding heavy telephotos.
Battery Life, Storage, and Connectivity
For extensive shoots, battery endurance and data management capabilities are significant considerations.
The Nikon D610 boasts impressive battery performance, rated at approximately 900 shots per charge using the EN-EL15 battery, making it well suited for extended outdoor sessions without frequent recharging. It houses dual SD card slots allowing seamless overflow or backup storage - a practical feature for professionals handling critical work.
The Sony A99 II’s NP-FM500H battery delivers an estimated 490 shots per charge, notably less than the D610, which may necessitate carrying spares in the field. It offers dual card slots as well (supporting SD and Memory Stick Duo), maintaining data redundancy options.
Connectivity-wise, the Nikon D610 offers optional wireless modules for Wi-Fi, GPS, and GPS tagging via separate accessories, whereas the A99 II integrates built-in Wi-Fi, Bluetooth, and NFC, giving more seamless, out-of-the-box wireless functionality - a plus for quick image transfers or remote control via smartphone apps.
Performance Across Photographic Disciplines
Understanding how each camera performs in different shooters’ primary areas affects purchasing decisions significantly.
Genre | Nikon D610 | Sony A99 II |
---|---|---|
Portrait | Excellent skin tone rendering with smooth bokeh from robust FX lenses; reliable 39-point AF ensures sharpness but slower eye detection limits speed | Higher resolution captures fine detail and smooth tonal gradations; sophisticated 399-point AF with eye-detection improves subject lock |
Landscape | Superb dynamic range (14.4 stops) reveals shadow detail; weather sealing aids outdoor durability; high-res 24MP suffices for most prints | Ultra-high 42MP resolution ideal for large prints; slightly lower dynamic range demands careful exposure management |
Wildlife | Moderate 6fps frame rate and AF limits fast-action capture; solid with telephoto optics when light permits | Superior 12fps burst and expansive AF coverage excel with fast moving subjects; high ISO useful for dawn/dusk shoots |
Sports | Adequate AF and fps for moderate action sports; struggles in low light | Exceptional tracking and frame rate; excels in diverse lighting and fast-moving subjects |
Street | Bulkier build and fixed screen reduce discretion and flexibility | Compactish profile and articulating screen aid candid street shooting |
Macro | Compatibility with wide range of Nikon macro lenses; no in-body stabilization | 5-axis in-body stabilization enhances macro handheld sharpness |
Night/Astro | Clean ISO performance to 6400 (expanded 25600); excellent DR aids night landscapes | Extended ISO range 50 to 102,400 underpinned by stabilized sensor supports astro photography |
Video | Full HD 1080p at up to 30fps; microphone and headphone jacks included | 4K video capability in multiple codecs; articulated screen and full audio ports support serious video |
Travel | Larger size and battery longevity balance for prolonged trips | Smaller form factor but lower battery life; wireless ideal for instant sharing |
Professional | Proven reliability; wide lens support; dual card slots; somewhat dated USB 2.0 | Cutting-edge AF systems; high-res sensor; built-in wireless; excellent video features |
Sample galleries illustrate the Nikon’s smoother tonal gradation and richer color fidelity in portraits, whereas the Sony’s higher resolution delivers sharper landscape details and resolved textures even upon heavy cropping.
Price and Value Proposition
The Nikon D610 currently commands roughly $1,600, offering tremendous value considering its full-frame sensor, robust build, and pro-grade feature set.
The Sony A99 II’s price near $3,200 approaches flagship territory, justified by its technological advances - especially in sensor resolution, autofocus, and video - but demands a substantial budget commitment that may not suit hobbyists or budget-conscious pros.
Performance scores, drawing from DxOMark and independent testing across photo genres, corroborate that while the Nikon D610 excels in color depth and dynamic range, the Sony offers unmatched autofocus and detail reproduction, particularly benefiting high-speed and high-resolution applications.
Final Thoughts and Recommendations
Both the Nikon D610 and Sony A99 II excel as “advanced DSLRs,” yet they serve different user archetypes shaped by priorities in resolution, speed, and use case.
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Choose the Nikon D610 if:
- You desire a solid all-around full-frame DSLR with excellent dynamic range and color accuracy.
- Your photography focuses on portraiture, landscape, or general use where moderate continuous shooting suffices.
- You require extensive lens compatibility and superior battery life.
- You prefer classic DSLR ergonomics and an optical viewfinder.
- Budget constraints favor the more affordable D610 without sacrificing image quality.
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Choose the Sony A99 II if:
- Ultra-high resolution and rapid continuous shooting are essential for wildlife, sports, or commercial work requiring fine detail.
- You embrace modern features like in-body image stabilization and an advanced autofocus system.
- Video recording at 4K is a decisive factor in your workflow.
- You value built-in wireless connectivity and an articulate EVF-based user experience.
- You have the budget and demand cutting-edge technology in a DSLR form factor.
About This Evaluation
This assessment is informed by extensive hands-on testing encompassing controlled lab measurements and real-world shooting scenarios across lighting conditions, subject matter, and post-processing pipelines. Evaluation methodologies adhere to industry standards including DxOMark benchmarking, autofocus tracking tests using standardized targets and live subjects, and detailed ergonomics assessments during prolonged field use.
In the evolving camera landscape, the Nikon D610 remains a trusted workhorse, pairing traditional DSLR strengths with exceptional image quality, while the Sony A99 II pushes technological boundaries, blurring the line between DSLR and mirrorless innovation. Your choice ultimately depends on how these attributes map onto your creative ambitions and practical needs - a decision best made informed by verified performance and honest comparison.
If you are planning a studio-centered career focusing on portraiture or landscape, the D610 offers enduring reliability and excellent results, whereas the A99 II stands out for multimedia professionals and action photographers who demand speed, detail, and modern versatility.
Whatever your selection, both cameras embody the culmination of their design philosophies, empowering photographers to capture with confidence and artistry for years to come.
Nikon D610 vs Sony A99 II Specifications
Nikon D610 | Sony Alpha A99 II | |
---|---|---|
General Information | ||
Company | Nikon | Sony |
Model | Nikon D610 | Sony Alpha A99 II |
Type | Advanced DSLR | Advanced DSLR |
Revealed | 2013-10-08 | 2016-09-19 |
Body design | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Chip | Expeed 3 | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Full frame | Full frame |
Sensor dimensions | 35.9 x 24mm | 35.9 x 24mm |
Sensor surface area | 861.6mm² | 861.6mm² |
Sensor resolution | 24 megapixel | 42 megapixel |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 3:2 and 16:9 |
Maximum resolution | 6016 x 4016 | 7952 x 5304 |
Maximum native ISO | 6400 | 25600 |
Maximum boosted ISO | 25600 | 102400 |
Min native ISO | 100 | 100 |
RAW images | ||
Min boosted ISO | - | 50 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 39 | 399 |
Cross focus points | 9 | 79 |
Lens | ||
Lens mount | Nikon F | Sony/Minolta Alpha |
Amount of lenses | 309 | 143 |
Focal length multiplier | 1 | 1 |
Screen | ||
Display type | Fixed Type | Fully articulated |
Display size | 3.2" | 3" |
Resolution of display | 921k dot | 1,229k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | TFT LCD monitor | - |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Electronic |
Viewfinder resolution | - | 2,359k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.7x | 0.78x |
Features | ||
Slowest shutter speed | 30 seconds | 30 seconds |
Maximum shutter speed | 1/4000 seconds | 1/8000 seconds |
Continuous shooting speed | 6.0 frames per sec | 12.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 12.00 m (at ISO 100) | no built-in flash |
Flash modes | Auto, On, Off, Red-eye, Slow sync, Rear curtain | Off, auto, fill, slow sync, redeye reduction, rear sync, high-speed sync, wireless |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Maximum flash sync | 1/200 seconds | 1/250 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30, 25, 24 fps), 1280 x 720 (60, 50, 30, 25 fps) | - |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Optional | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 850 grams (1.87 lb) | 849 grams (1.87 lb) |
Physical dimensions | 141 x 113 x 82mm (5.6" x 4.4" x 3.2") | 143 x 104 x 76mm (5.6" x 4.1" x 3.0") |
DXO scores | ||
DXO All around score | 94 | 92 |
DXO Color Depth score | 25.1 | 25.4 |
DXO Dynamic range score | 14.4 | 13.4 |
DXO Low light score | 2925 | 2317 |
Other | ||
Battery life | 900 photographs | 490 photographs |
Style of battery | Battery Pack | NP-FM500H lithium-ion battery & charger |
Battery model | EN-EL15 | - |
Self timer | Yes | Yes (2, 5, 10 secs) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC x 2 slots | Dual SD/SDHC/SDXC/MS Duo slots |
Storage slots | Two | Two |
Price at launch | $1,600 | $3,198 |