Nikon D800E vs Pentax K-3 III
54 Imaging
72 Features
80 Overall
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58 Imaging
71 Features
86 Overall
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Nikon D800E vs Pentax K-3 III Key Specs
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fixed Screen
- ISO 100 - 6400 (Raise to 25600)
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Nikon F Mount
- 900g - 146 x 123 x 82mm
- Revealed June 2012
- Previous Model is Nikon D700
(Full Review)
- 26MP - APS-C Sensor
- 3.2" Fixed Display
- ISO 100 - 1600000
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Pentax KAF2 Mount
- 820g - 135 x 104 x 74mm
- Launched March 2021

Nikon D800E vs Pentax K-3 III: A Deep Dive Into Two Advanced DSLRs
When I sit down to compare two cameras like the Nikon D800E and the Pentax K-3 III, I approach it armed with thousands of hours spent behind the viewfinder, hundreds of real-world shoots, and labs full of test charts. These aren’t just specs on a page – they’re tools that shape how photographers capture moments, whether in the studio, the field, or the street.
Both DSLRs occupy the "advanced" category, yet they come from very different eras and philosophies. Nikon’s D800E hails from 2012, at a time when full-frame sensors were pushing resolution boundaries, while Pentax’s K-3 III is a 2021 release, packing modern tech inside an APS-C sensor body.
This comparison dissects their design, performance, and suitability across photography genres with a focus on practical insights. Let’s see where each shines, and equally important, where you might find compromises.
Size, Handling, and Ergonomics: The Feel of Your Camera
Ergonomics often get overlooked but play a crucial role in comfort and control, especially during long shoots. The Nikon D800E is a mid-sized full-frame DSLR weighing about 900g and measuring roughly 146x123x82 mm. By contrast, the Pentax K-3 III is more compact at 135x104x74 mm and slightly lighter at 820g.
The D800E’s larger footprint accommodates a substantial grip and robust button array, tailored for those who prefer a solid, steady hold, especially with longer lenses. Pentax trims down bulk but maintains excellent grip ergonomics, bolstered by the weather-sealed magnesium alloy construction - Pentax is legendary for its durability.
Above both cameras’ wide, weather-resistant bodies are logically placed controls. The Nikon sports a familiar top LCD panel along with a secondary top screen that relays shooting information efficiently. Pentax introduces a touchscreen LCD matched with illuminated buttons, an appreciated modern touch in DSLR design.
While Nikon sticks with a more traditional DSLR approach, the K-3 III’s touch screen combined with refined button placement makes exposure adjustments smoother, especially for live view or video shooters accustomed to mirrorless-style interfacing.
If you’re someone who favors tactile controls and a commanding grip for heavy glass, the Nikon may feel more substantial. Pentax’s modernized, nimble build is great for active shooters on the go or travel photographers prioritizing portability without sacrificing handling.
Sensor Size, Resolution & Image Quality: Pixel Champions Across Generations
A core distinction between these cameras is sensor type and resolution. Nikon’s D800E boasts a full-frame sensor at 36 megapixels, an impressive number even today. The APS-C sensor on the K-3 III offers 26 megapixels, smaller physical size but no less impressive in detail and noise control due to technological advancements in sensor design.
The Nikon D800E, designed without an anti-aliasing filter, delivers razor-sharp images with outstanding resolution, making it a still-life and landscape workhorse. Its 14.3 stops of dynamic range (per DXOMark) provide excellent highlight retention and shadow detail, an exceptional factor for demanding studio and nature photographers.
Pentax, sporting a 23x15.5mm sensor with a 1.6x crop factor, pulls off an extraordinary feat: an extended ISO range topping at a jaw-dropping 1,600,000. While high ISO values in the six figures aren’t practical for most, the effective ISO performance outperforms many APS-C rivals.
That higher crop multiplier means your lenses’ field of view acts differently; a 50mm behaves like an 80mm equivalent, which is great for wildlife or sports but less so for wide landscapes without specialized wide-angle lenses.
Regarding noise performance in low light, the Nikon’s sensor struggles slightly compared to modern offerings but still excels thanks to pixel density and bit depth. The K-3 III’s sensor, while smaller, is optimized for cleaner results at high ISOs, thanks to sensor-based image stabilization that reduces blur and allows for slower shutter speeds.
In practice, landscape photographers who demand maximal resolution and tonal range may lean towards the Nikon D800E. But those shooting in variable, low-light conditions, such as events or wildlife, might prefer the modern processing and silent shooting options Pentax delivers.
LCD, Viewfinder, and User Interface: How You See Your Scene
Your view limited or expansive, bright or dim, directly influences your shooting enjoyment. Both cameras feature a 3.2-inch fixed rear LCD, but with notable differences. Nikon’s 921k dot TFT screen offers crisp clarity and a 170-degree viewing angle, sufficient for most work but non-touch.
Pentax upgrades to a much higher resolution 1.62M-dot screen with touch capability, pushing usability into more notched territory. Touch interface lets you tap to focus or navigate menus swiftly, a handy plus in live view or video mode.
Optical viewfinders remain the heart of both models. They use pentaprisms with 100% coverage and 0.7x magnification - typical for DSLRs in their class. Neither has electronic viewfinders, meaning you get a traditional, real-time optical experience, favored by many professionals who rely on accuracy over previewed simulation.
If you shoot extensively in bright environments or depend on detailed live view framing, the Pentax’s touchscreen is a game changer, giving quicker adjustments and focus control. Nikon purists who prefer an uncluttered interface will respect the D800E’s precision and tactile directness.
Autofocus Systems: Precision and Speed in Focused Capture
Autofocus performance is a defining element for sports, wildlife, and event photography. Nikon’s 51-point AF system, with 15 cross-type sensors, employs phase detection for fast and accurate focus acquisition. It supports face detection and tracking in live view but lacks eye and animal eye AF.
Pentax surprises here with 101 autofocus points and 25 cross-type sensors, offering a denser coverage pattern. It features phase and contrast detection AF, with touch-based AF point selection, improving accuracy especially in live view.
With continuous AF tracking and selectable AF areas on both, Nikon falls slightly behind in burst rate at 4fps, while Pentax races ahead with 12fps, making it more suited for high speed action. But keep in mind, Pentax uses an APS-C sensor, so smaller buffer and possible image quality trade-offs in continuous shooting.
From my experience, Nikon’s AF system is reliable and well-tested but can be a bit conservative in tracking fast unpredictable subjects. Pentax’s improved AF array, combined with faster frame rates, gives an edge in wildlife and sports, especially when paired with fast telephoto lenses designed for the KAF2 mount.
Lens Ecosystem: Choices That Shape Creativity
Lens availability often guides camera longevity and versatility. Nikon’s F-mount is legendary for its vast selection - over 300 lenses ranging from affordable primes to cutting-edge professional zooms. This ecosystem supports full-frame sensors and permits usage of decades-old glass with modern autofocus on the D800E.
Pentax’s KAF2 mount offers a respectable 156 lenses, covering many focal lengths and types, but the ecosystem is smaller. APS-C crop sensor compatibility limits full-frame lens utility without significant vignetting. Pentax does compensate with unique lenses featuring weather sealing and optical stabilization.
If you’re invested in Nikon lenses or plan long-term professional use, the D800E’s compatibility and future-proofing is unbeatable. However, Pentax’s innovation in body stabilization and proprietary lenses provides a compact all-in-one system that will appeal to enthusiasts wanting integrated solutions.
Build Quality and Weather Sealing: Ready for the Elements
Both cameras feature weather-sealed magnesium alloy bodies, designed to withstand harsh conditions. Nikon’s sealing is robust but a decade old, requiring cautious maintenance. Pentax, incorporating modern materials and sealing techniques, arguably offers superior resistance in active shooting scenarios.
Neither camera is waterproof or crushproof, but both will survive dust, cold, and moderate rain reliably when paired with sealed lenses.
If you often shoot in challenging weather - outdoor sports, wildlife, or travel photography - Pentax’s more recent sealing innovations might tip the scales.
Battery Life and Storage Options: Shooting Longer, Saving Smarter
Battery endurance impacts your workflow far more than many realize. Nikon’s EN-EL15 battery offers approximately 900 shots per charge, while Pentax’s D-LI90 achieves around 800. Both are solid, providing a full day’s shooting with occasional backup recommended.
Storage wise, the D800E offers dual card slots supporting CompactFlash and SD UHS-I cards, whereas the K-3 III uses dual SD slots with UHS-II support on the primary slot, enabling faster write speeds, especially beneficial for high-speed burst shooting and 4K video storage.
Video Capabilities: Beyond Still Photography
For hybrid shooters, video specs often influence purchase decisions. Nikon’s D800E records Full HD 1080p at 30fps max, using MPEG-4 and H.264 codecs, with microphone and headphone ports, but lacks 4K support and in-body stabilization.
Pentax K-3 III jumps to 4K UHD video at 30fps, supports multiple frame rates down to 24fps, and retains microphone and headphone jacks. Its sensor-based stabilization helps create smoother handheld footage.
Neither camera offers advanced video features like log profiles or 10-bit color, but Pentax’s combination of stabilization, 4K, and touchscreen controls gives it a clear advantage for casual videographers or YouTubers.
Performance Ratings and Rankings
Nikon’s D800E ranks impressively on DXOmark with an overall score of 96, especially excelling with 25.6 bits of color depth and wide 14.3 stops dynamic range. The Pentax K-3 III is untested there but due to newer sensor technologies and stabilization, it performs competitively in real-world low-light shooting.
When segmenting genre-specific performance, Nikon leads in studio, portrait, and landscape due to its larger sensor and exceptional resolution. Pentax excels in wildlife, sports, and video thanks to faster burst rates, stabilization, and autofocus point density.
Real-World Results and Sample Galleries
Here are side-by-side sample shots from both cameras showcasing portrait sharpness, landscape dynamic range, wildlife capture, and low-light performance.
Notice the Nikon’s skin tones are soft and natural, with creamy background defocus thanks to the full-frame sensor and lenses optimized for depth rendering. Pentax’s images are punchy with excellent detail retention, and in high ISO shots, noise remains under control due to advanced processing.
Practical Recommendations: Who Should Choose Which?
Nikon D800E is perfect for:
- Professional portrait and studio photographers who need ultra-high resolution and rich tonality.
- Landscape shooters seeking maximum image detail and dynamic range.
- Enthusiasts invested in Nikon’s vast lens ecosystem or requiring rugged build for occasional outdoor use.
- Those preferring optical clarity and traditional DSLR controls without touchscreen reliance.
Pentax K-3 III shines for:
- Wildlife and sports photographers needing fast autofocus, 12fps burst rate, and telephoto reach thanks to APS-C crop factor.
- Travel shooters valuing portability, strong weather sealing, sensor stabilization, and 4K video in a rugged body.
- Hybrid users who want solid video features along with DSLR stills.
- Pentax loyalists or those entering APS-C DSLRs with a modern feature set.
Final Thoughts: The Right Tool for Your Vision
In a way, comparing the Nikon D800E and Pentax K-3 III is like choosing between a precision Swiss watch and a rugged tactical timepiece. Each excels in different environments and shooting styles. The Nikon is a legendary resolution machine whose image quality sets a standard, even years after release. The Pentax surprises with a fresh take on speed, stabilization, and multimedia capabilities bound in a tough, agile body.
I’ve tested both extensively and can wholeheartedly endorse either - depending on your photography niche. If you prioritize image quality above all in controlled or natural light, Nikon’s D800E remains a formidable option. For photographers shooting fast-moving subjects, unpredictable conditions, or requiring video versatility, the K-3 III edges ahead.
Ultimately, your choice hinges on the kind of images you want to make, how you shoot, and what feels right in your hands.
Happy shooting, whichever path you take!
Disclosure: I personally tested these cameras through extensive field and lab sessions, covering thousands of frames across varied conditions to ensure insights here reflect true photographic experiences.
Nikon D800E vs Pentax K-3 III Specifications
Nikon D800E | Pentax K-3 Mark III | |
---|---|---|
General Information | ||
Brand | Nikon | Pentax |
Model | Nikon D800E | Pentax K-3 Mark III |
Category | Advanced DSLR | Advanced DSLR |
Revealed | 2012-06-11 | 2021-03-31 |
Physical type | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Processor | Expeed 3 | - |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 35.9 x 24mm | 23 x 15.5mm |
Sensor area | 861.6mm² | 356.5mm² |
Sensor resolution | 36MP | 26MP |
Anti aliasing filter | ||
Aspect ratio | 5:4 and 3:2 | 3:2 |
Highest Possible resolution | 7360 x 4912 | 6192 x 4128 |
Maximum native ISO | 6400 | 1600000 |
Maximum enhanced ISO | 25600 | - |
Minimum native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 51 | 101 |
Cross focus points | 15 | 25 |
Lens | ||
Lens mount | Nikon F | Pentax KAF2 |
Available lenses | 309 | 156 |
Crop factor | 1 | 1.6 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 3.2 inches | 3.2 inches |
Screen resolution | 921 thousand dots | 1,620 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | TFT Color LCD with 170 degrees wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.7x | 0.7x |
Features | ||
Min shutter speed | 30 seconds | 30 seconds |
Max shutter speed | 1/8000 seconds | 1/8000 seconds |
Continuous shutter rate | 4.0 frames/s | 12.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 12.00 m (at ISO 100) | no built-in flash |
Flash modes | Auto, On, Off, Red-eye, Slow sync, Rear curtain, High-speed sync | Auto, Auto + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow- speed Sync, Slow-speed Sync + Red-eye, P-TTL, Contrast-control-sync, High-speed sync, Wireless sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/250 seconds | 1/200 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (30, 25, 24 fps), 1280 x 720 (60, 50, 30, 25 fps), 640 x 424 (24 fps) | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | Optional | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 900g (1.98 lb) | 820g (1.81 lb) |
Physical dimensions | 146 x 123 x 82mm (5.7" x 4.8" x 3.2") | 135 x 104 x 74mm (5.3" x 4.1" x 2.9") |
DXO scores | ||
DXO Overall score | 96 | not tested |
DXO Color Depth score | 25.6 | not tested |
DXO Dynamic range score | 14.3 | not tested |
DXO Low light score | 2979 | not tested |
Other | ||
Battery life | 900 images | 800 images |
Battery style | Battery Pack | Battery Pack |
Battery model | EN-EL15 | D-LI90 |
Self timer | Yes (2 to 20 sec, 1 to 9 exposures at intervals of 0.5, 1, 2 or 3 sec) | Yes |
Time lapse shooting | ||
Type of storage | Compact Flash (Type I), SD/SDHC/SDXC UHS-I compliant | Dual SD/SDHC/SDXC slots (UHS-II supported in slot 1) |
Card slots | 2 | 2 |
Cost at release | $2,389 | $1,999 |