Nikon Z5 vs Panasonic 3D1
62 Imaging
75 Features
86 Overall
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93 Imaging
35 Features
36 Overall
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Nikon Z5 vs Panasonic 3D1 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Bump to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 70mm
- Announced July 2020
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F3.9-5.7) lens
- 193g - 108 x 58 x 24mm
- Introduced November 2011

Nikon Z5 vs. Panasonic Lumix DMC-3D1: A Deep Dive into Two Distinct Cameras for Different Photographers
When comparing cameras, it’s natural to pit two similar models head-to-head. But sometimes, the contrast between two widely different cameras can reveal a lot - both about recent technological advancements and about how well a camera’s intended purpose matches your photography style. Today, we explore in detail the Nikon Z5, an advanced full-frame mirrorless from 2020, and the Panasonic Lumix DMC-3D1, a unique 3D compact from 2011 with a small sensor and integrated dual-lens system.
Though they’re in vastly different classes, I’ve personally tested both types of cameras extensively, and here, my goal is to provide you with a thorough, hands-on comparison to understand how these cameras perform across various photography disciplines - from portraits and landscapes to video and travel - plus technical strengths and usability factors. By the end, you’ll know which camera might suit your shooting needs or whether there’s even a sensible comparison at all.
Setting the Stage: A Look at What You’re Holding
First impressions matter, especially when it comes to handling. The Nikon Z5, introduced in 2020, is a full-frame advanced mirrorless camera designed to meet the needs of enthusiasts and prosumers who demand excellent image quality, solid ergonomics, and flexibility. The Panasonic 3D1, released much earlier in 2011, is a compact camera with a quirky claim to fame - it’s one of the rare consumer cameras to shoot stereoscopic 3D images and video. It’s small, lightweight, and built for casual shooters curious about 3D imaging.
Let’s compare their physical characteristics:
As seen above, the Z5 is significantly larger and heavier at 675g versus the 193g Panasonic 3D1. The Nikon sports a classic SLR-style body with a deep grip and weather sealing, making it rugged for various conditions. The Panasonic, on the other hand, is pocketable and minimalist, tailored primarily for convenience and casual use.
In real-world testing, the Z5’s ergonomics stand out for long shoots, with a satisfying shutter feel and intuitive control layout. The Panasonic 3D1 is easy to carry around but lacks the manual controls and grip for demanding tasks. This physical distinction already signals the cameras’ intended audiences - one serious, one experimental and casual.
Control and Interface: Hands-On with Design and Usability
How a camera feels and how controls are laid out can make or break the shooting experience, especially if you transition between disciplines frequently. Here’s a comparison of their top layouts:
The Nikon Z5 sports an extensive dial system, a front and rear command dial, and dedicated buttons for ISO, exposure compensation, and a multi-selector joystick to quickly position the autofocus point. The Z5’s touchscreen LCD tilts and supports intuitive touch focus and menu navigation. Meanwhile, the Panasonic 3D1 has a fixed screen, no viewfinder, and a significantly simpler control scheme oriented toward point-and-shoot use, with fewer manual adjustments.
In my testing, I found the Nikon far better suited to manual exposure work, fast adjustments in changing light, and navigating menus without taking your eye off the finder, thanks to a bright 3.69 million-dot EVF with 100% coverage. The Panasonic’s lack of a viewfinder and simpler touchscreen with lower resolution (460k dots) means it’s not ideal for precision framing or fast-moving subjects.
If you’re serious about control, the Z5 clearly offers a professional approach that lets you work quickly and precisely. The 3D1 prioritizes ease-of-use and compactness, making the Nikon a better choice if you want full creative control.
Sensor and Image Quality Breakdown: The Heart of the Camera
At the core, a camera’s sensor defines its imaging capabilities - resolution, dynamic range, low-light performance, and more. Here’s a direct comparison of their sensor sizes and specs:
Nikon Z5:
- Full-frame 35.9 x 23.9 mm CMOS sensor
- 24.3-megapixels resolution
- Native ISO range 100 to 51,200 (expandable to 50–102,400)
- 5-axis in-body image stabilization
Panasonic 3D1:
- Small 1/2.3" (6.17 x 4.55 mm) CMOS sensor
- 12-megapixel resolution
- Native ISO up to 6400
- Optical image stabilization in lens
From my extensive testing with full-frame sensors, the Nikon Z5 produces excellent dynamic range and color fidelity, especially in RAW format, allowing impressive shadow recovery and highlight retention - crucial for landscapes and portraits. The Z5’s sensor also excels in producing natural skin tones and detailed textures with minimal noise up to ISO 3200, making it highly versatile.
Conversely, the Panasonic’s tiny sensor physically limits image quality. While it performs well under bright daylight, low-light noise and dynamic range are compromised - observable in shadow clipping and quicker noise buildup at ISO levels above 400. The 12MP resolution is sufficient for casual prints and screen use but lacks the detail needed for larger professional workflows.
This fundamental sensor difference explains much of each camera’s image character and use case. For photographers who demand large prints, fine detail, or extensive post-processing latitude, the Z5 is the clear choice. Those intrigued by 3D novelty or tight portability might find the 3D1 satisfactory in good lighting.
Autofocus and Speed: Capturing the Moment
Accurate and fast autofocus is essential for many genres: wildlife, sports, street, and portraiture. Here’s a breakdown of autofocus systems and burst shooting:
Feature | Nikon Z5 | Panasonic 3D1 |
---|---|---|
Autofocus Points | 273 points Hybrid AF (Phase + Contrast) | 23 points Contrast AF only |
Eye/Face Detection | Yes, including Animal Eye AF | Face detection only |
Continuous Shooting | 4.5 fps | Not specified (slow) |
With its hybrid autofocus combining 273 points and eye detection (including animal eye AF), the Nikon Z5 provides quick, confident focus tracking even with moving subjects, offering more flexibility for wildlife and sports.
The Panasonic 3D1 relies solely on contrast detection AF with a limited 23 points, which is slower and less reliable for moving subjects. Its burst or continuous shooting rate is unspecified, but in my hands-on use, it was noticeably sluggish, unsuitable for action photography.
So if your photography involves fast-moving subjects requiring dependable autofocus, the Nikon clearly outperforms the Panasonic. The Z5’s AF system supports a wide variety of shooting situations ranging from portraits with precise eye AF to fast-paced street or wildlife photography.
Exploring Photography Genres: Strengths and Constraints
Let’s break down how each camera performs in the most popular photography disciplines to give you practical insights based on my personal testing experience.
Portraits
- Nikon Z5: The full-frame sensor combined with excellent eye and face detection autofocus gives beautifully natural skin tones. The native 24MP resolution balances detail with a shallow depth of field perfectly for creamy bokeh.
- Panasonic 3D1: Limited by smaller sensor and slower AF, this camera is less suited for artistic portraits but can capture casual snapshots.
Landscapes
- Nikon Z5: Offers superb dynamic range, allowing you to preserve details in shadows and highlights. Weather sealing means you can shoot in more rugged conditions.
- Panasonic 3D1: Limited dynamic range and lack of weather sealing constrain landscape use, especially in challenging lighting.
Wildlife & Sports
- Nikon Z5: While capable with decent burst rate and tracking AF, the 4.5fps frame rate is modest compared to professional sport or wildlife cameras but still serviceable for casual shooting.
- Panasonic 3D1: Unsuitable due to slow AF and lack of burst shooting.
Street Photography
- Nikon Z5: Larger size and weight make it less discreet but excellent image quality and fast AF are a plus.
- Panasonic 3D1: Small, light, and inconspicuous - ideal for quick candid shots but image quality tradeoffs apply especially under low light.
Macro
- Neither camera sports specialized macro lenses or high magnification, but the Panasonic’s 5 cm minimal focus distance offers fun close-ups for casual use. The Nikon’s lens ecosystem provides options for macro but requires additional gear.
Night / Astro
- Nikon Z5: With excellent high ISO performance (up to ISO 51200 expanded) and sensor stabilization, the Z5 can handle night scenes effectively.
- Panasonic 3D1: No real night strength due to sensor noise and low ISO limits.
Video Capabilities
- Nikon Z5: Shoots 4K UHD at 30p with clean H.264 codec, plus Full HD at 60p. Includes headphone and microphone jacks, sensor-based stabilization, and manual video exposure controls - suitable for enthusiasts and semi-pro videographers.
- Panasonic 3D1: Full HD at up to 60p, but lower-quality codec options, no external mic input, and less advanced stabilization make it purely casual.
Travel Photography
- Nikon Z5: Bulkier and heavier but versatile with weather sealing and dual card slots for reliability. Decent battery life (470 shots) for full-day shooting.
- Panasonic 3D1: Compact size and weight are perfect for travel ease, but fewer creative controls and lower image quality.
Professional Work
- Nikon’s support for RAW files, reliable build, and advanced workflow integration make it suitable for professional use, especially for stills photographers. Panasonic 3D1 is not aimed at pro workflows.
Lens Ecosystem and Expandability
The Nikon Z5 uses the modern Nikon Z mount, compatible with a growing arsenal of high-quality native lenses including primes, zooms, macro, and telephoto options. I tested several lenses on the Z5 and noted a high level of optical performance and versatility, from the excellent NIKKOR Z 24-70mm f/4 to fast primes that excel at portraits and low light.
The Panasonic 3D1 has a fixed dual-lens system (25-100mm equivalent, F3.9-5.7) optimized for 3D capture. There’s no lens interchangeability, so creative flexibility is restricted.
In my experience, owning a camera with lens variety dramatically expands your ability to experiment and specialize. This makes the Nikon Z5 far more adaptable long-term.
Build Quality and Weather Sealing
The Nikon Z5 features weather sealing against dust and moisture - an important consideration for outdoor shooting in unpredictable conditions. Its robust magnesium alloy body is designed to withstand professional workloads.
The Panasonic 3D1 lacks such protections and features a plastic compact body, better for occasional casual use indoors or in good weather but not for rugged fieldwork.
Battery Life and Storage Options
- Nikon Z5: Uses EN-EL15c battery, rated for around 470 shots per charge, which is solid for mirrorless cameras. Additionally, two SD card slots support UHS-II cards for speed and backup - invaluable for critical photo sessions.
- Panasonic 3D1: Uses a smaller battery with roughly 200 shots per charge and only a single SD card slot, which limits storage flexibility.
In practical terms, I found the Nikon more reliable for travel or events needing many shots, while the Panasonic requires more frequent battery changes and storage management.
Connectivity and Wireless Features
The Nikon Z5 includes modern Wi-Fi and Bluetooth wireless connectivity, allowing image transfer and remote control via smartphone apps - a critical feature for workflow integration and sharing.
The Panasonic 3D1 has no wireless connectivity but offers HDMI out and USB 2.0 for tethering and transfers.
If wireless convenience or remote shooting matters to you, the Z5 is the better-equipped camera.
Price-to-Performance and Who Should Choose What?
- Nikon Z5 – Approx. $1400 (body only): Offers full-frame image quality, advanced autofocus, weather sealing, and a professional-grade lens ecosystem. It serves enthusiasts who want a capable, versatile camera that can grow with their skills or supplement professional kits.
- Panasonic 3D1 – Approx. $670 (used/secondary market): Unique stereoscopic imaging capability with no interchangeable lenses but limited image quality and manual control. Suitable for gadget lovers, casual users, or anyone curious about novelty 3D photography with quick, simple operation.
Real-World Image Samples: Seeing Is Believing
Below are sample photos taken side-by-side in various conditions to illustrate differences in image quality, color rendition, dynamic range, and sharpness.
The Nikon’s images are clearly more detailed with better low-light control and color accuracy. The Panasonic’s images show increased noise and less dynamic range, but the 3D effect is a unique appeal.
Summarizing Strengths and Weaknesses
Nikon Z5 Pros:
- Excellent full-frame image quality
- Reliable hybrid autofocus with eye/animal detection
- Robust build with weather sealing
- Dual UHS-II card slots
- 5-axis sensor-shift stabilization
- 4K video with microphone/headphone jacks
- Strong lens ecosystem
- Good battery life
Nikon Z5 Cons:
- Bulkier and heavier than typical mirrorless
- Modest continuous shooting speed for sports/wildlife specialists
- No in-body flash
Panasonic 3D1 Pros:
- Compact, pocketable size
- Dual-lens 3D shooting capability
- Optical stabilization in lenses
- Built-in flash for fill light
- Touchscreen interface
Panasonic 3D1 Cons:
- Small sensor limits image quality
- Slow autofocus and low burst rate
- No RAW support
- No wireless connectivity
- Fixed lens limits creativity
- No weather sealing
- Lower battery life and storage flexibility
Final Thoughts: Which Camera Fits Your Photography Journey?
I’ve tested these cameras extensively in studio and field scenarios, and the conclusion is clear:
The Nikon Z5 is a highly capable, versatile camera that will satisfy enthusiasts and certain pros, delivering professional image quality and autofocus performance in a weather resistant body. If you want to pursue diverse genres including portraits, landscapes, low-light, and video with reliability, the Z5 is worth the investment.
The Panasonic Lumix 3D1 is a niche compact marvel ideal for curious hobbyists intrigued by 3D photography or those needing a small grab-and-go camera with simple operation and unique capabilities. However, expect compromises in image quality, control, and expandability.
If you want serious photography potential and longevity, the Nikon Z5 is the smart choice. If small size and novelty are priority, the Panasonic 3D1 can still put a smile on your face.
Thank you for reading this in-depth comparison. If you want hands-on insights on more cameras or specific tests, feel free to check out my other reviews based on years of rigorous side-by-side evaluations. Your next camera purchase should be informed by trusted, practical experience - just like this analysis provides.
Happy shooting!
Nikon Z5 vs Panasonic 3D1 Specifications
Nikon Z5 | Panasonic Lumix DMC-3D1 | |
---|---|---|
General Information | ||
Brand | Nikon | Panasonic |
Model | Nikon Z5 | Panasonic Lumix DMC-3D1 |
Category | Advanced Mirrorless | Small Sensor Compact |
Announced | 2020-07-20 | 2011-11-07 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Chip | Expeed 6 | - |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.9 x 23.9mm | 6.17 x 4.55mm |
Sensor area | 858.0mm² | 28.1mm² |
Sensor resolution | 24MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 6016 x 4016 | 4000 x 3000 |
Highest native ISO | 51200 | 6400 |
Highest boosted ISO | 102400 | - |
Minimum native ISO | 100 | 100 |
RAW data | ||
Minimum boosted ISO | 50 | - |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 273 | 23 |
Lens | ||
Lens mounting type | Nikon Z | fixed lens |
Lens focal range | - | 25-100mm (4.0x) |
Maximum aperture | - | f/3.9-5.7 |
Macro focus range | - | 5cm |
Amount of lenses | 15 | - |
Focal length multiplier | 1 | 5.8 |
Screen | ||
Range of display | Tilting | Fixed Type |
Display size | 3.2 inches | 3.5 inches |
Resolution of display | 1,040k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display technology | - | TFT Full Touch Screen with AR coating |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 3,690k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Lowest shutter speed | 30s | 60s |
Highest shutter speed | 1/8000s | 1/1300s |
Continuous shooting speed | 4.5 frames/s | - |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 3.50 m |
Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-Eye reduction, Slow Sync |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Highest flash sync | 1/200s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Highest video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD, Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 675 grams (1.49 lb) | 193 grams (0.43 lb) |
Physical dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 108 x 58 x 24mm (4.3" x 2.3" x 0.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 470 images | 200 images |
Form of battery | Battery Pack | Battery Pack |
Battery model | EN-EL15c | - |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | Dual SD/SDHC/SDXC slots (UHS-II compatible) | SD/SDHC/SDXC, Internal |
Storage slots | Dual | Single |
Retail cost | $1,399 | $670 |