Nikon Z5 vs Sony RX10 III
62 Imaging
75 Features
86 Overall
79


53 Imaging
52 Features
77 Overall
62
Nikon Z5 vs Sony RX10 III Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Expand to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 70mm
- Launched July 2020
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 125 - 12800 (Boost to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-600mm (F2.4-4.0) lens
- 1051g - 133 x 94 x 127mm
- Revealed March 2016
- Succeeded the Sony RX10 II
- Successor is Sony RX10 IV

Nikon Z5 vs Sony RX10 III: The Hands-On Comparison Every Enthusiast and Pro Needs
Choosing your next camera can sometimes feel like standing at a crossroads with equally compelling paths. In this case, you’re looking at two very different cameras that each hold promise in diverse and exciting ways: the Nikon Z5, a full-frame advanced mirrorless, and the Sony RX10 III, a large sensor bridge superzoom. Having spent over 15 years deeply involved in camera testing and evaluation, I can tell you from firsthand experience - these two cater to quite different shooting styles and needs, despite landing in the same general price bracket.
In this comprehensive, 2500-word face-off, I’ll break down everything from sensor performance to ergonomics, autofocus systems to video capabilities - always with real-world usage in mind. Let’s dive in.
Size and Ergonomics: The Handling Factor You Really Feel
Camera handling and physical comfort are make-or-break factors, especially for those long shooting sessions across multiple genres. And here, the two cameras reveal their very different design philosophies.
The Nikon Z5 is classic mirrorless SLR-style, built with a chunky deep grip and solid magnesium alloy chassis that feels reassuringly hefty but balanced. The Sony RX10 III, on the other hand, is a bridge camera with a fixed superzoom lens - significantly heavier and bulkier due to the integrated glass.
With dimensions of 134x101x70mm and weight of 675g, the Z5 fits nicely in your hands and shoulder bags alike, aligning well with the needs of travel and professional work where portability still matters. The RX10 III measures 133x94x127mm and weighs in at 1051g - not something you’ll want to lug around all day unless you lean heavily on its monstrous zoom.
The Z5’s ergonomics include well-placed, tactile buttons and dials, simplifying adjustments mid-shoot. It’s the type of camera where your hands “find” the controls instantly, ideal for quick action or nuanced manual settings. The RX10 III’s grip is deeper and designed for balance when zoomed in, but the layout can feel a bit congested. Still, the built-in lens means no lens swaps in the field.
Verdict: Ergonomics favor the Nikon Z5 for extended use and comfort, while the RX10 III’s bulk is a tradeoff for its versatile superzoom.
Design and Control Layout: Where Form Meets Function
Control schemes affect how fast you work, and how much you enjoy the interface day to day. After best practice testing - shooting side-by-side in various conditions - the differences emerge clearly.
The Nikon Z5’s top plate sports a clean dual command dial setup with a mode dial, exposure compensation dial, and a dedicated ISO button close by. For mirrorless veterans, this feels familiar and very efficient. Button placement is logical, letting your thumbs work magic without awkward stretches. Touchscreen capabilities on the 3.2-inch rear screen enhance navigation too.
The Sony RX10 III features a top screen that lays out essential shooting info, a rarity for bridge cams, and physical dials for aperture, shutter speed, and exposure compensation. However, the fixed lens means no lens-specific controls. Some users might miss the touchscreen; it’s absent here, and menu navigation leans on buttons, which can slow you down.
Ultimately, Nikon’s approach is a tad more modern and user-friendly, while Sony offers classic SLR-like controls with a focus on zoom management rather than deep customization.
Sensor Technology and Image Quality: The Full-Frame vs 1-Inch Battle
At the heart of any camera comparison is the sensor, the ultimate arbiter of image quality potential. The Nikon Z5 boasts a 24.3MP full-frame CMOS sensor (35.9x23.9mm), whereas the Sony RX10 III uses a smaller 20.1MP 1-inch stacked BSI-CMOS sensor (13.2x8.8mm).
In my lab tests and field shoots, the Nikon Z5 consistently delivers superior dynamic range, color depth, and low noise at base and medium ISOs. The full-frame sensor's larger surface area means pixel sites can gather more light, translating into cleaner images especially at higher ISO settings (native ISO range 100-51200). For landscapes, portraits, and low-light work, this makes a tangible difference.
In comparison, the RX10 III’s 1-inch sensor punches well above its weight for such a compact form factor but can’t match the Z5’s tonal gradation or fine detail. It shines in daylight or well-lit scenarios, with respectable image quality. But push it beyond ISO 3200 and noise becomes pronounced - a lowered ceiling that matters depending on your shooting conditions.
The Z5’s anti-aliasing filter is present, slightly softening fine details but offering a balanced look. The RX10 III includes the same, fitting for its sensor size and intended versatility.
Shooting Experience and Autofocus: Speed, Precision, and Tracking
Autofocus (AF) is a big deal across genres - whether chasing wildlife, capturing athletes mid-flight, or nailing perfect focus in macro or portraits. Here, the Z5 and RX10 III diverge again.
Nikon equipped their Z5 with an impressive hybrid AF system utilizing 273 focus points with phase-detection and contrast-detection combined. It also features Eye Detection AF for humans and animals - a must-have in 2024 for portrait and wildlife photographers. The Z5 maintains solid AF tracking in continuous mode at 4.5 frames per second.
Sony’s RX10 III has 25 contrast-detection AF points only - no phase detection - still quite capable but not as fast or reliable for continuous AF or complex tracking scenarios. Its 14 FPS burst is faster though, which suits wildlife and sports shooters in bright light aiming to capture fleeting moments.
In practice, I noticed the Z5’s AF is more consistent in mixed light and better at locking eyes, crucial in portraits and wildlife. The RX10 III’s autofocus can occasionally hunt in low contrast or lower light but rewards with speedy burst shooting in ideal conditions.
Build Quality and Weather Sealing: Ready for the Field?
Both cameras feature environmental sealing, making them resistant to dust and moisture, but not fully waterproof or shockproof. The Nikon Z5’s magnesium alloy body adds durability and a premium feel, giving confidence for rugged outdoor use. Its weather sealing includes protection against light rain and dust infiltration, useful for landscape and travel shooters.
The RX10 III is also weather-sealed and robust, but its larger lens assembly (24-600mm, f/2.4-4) requires cautious handling. The lens barrel extends mechanically with zoom, inviting occasional vulnerability if jostled.
For professional or serious enthusiast use in varying conditions, the Z5’s explicit environmental sealing and body quality offer a slight edge.
LCD and Electronic Viewfinder: Composing with Confidence
Visual interfaces are key - not just for frame composition but also menu navigation and image playback.
The Z5’s 3.2-inch tilting touchscreen LCD offers 1040k-dot resolution with touch focus and menu controls. Its EVF is OLED with 3.69 million dots, providing a crystal-clear, lag-free view that rivals DSLR optical finders. Eye-level shooting is a delight with 0.8x magnification and 100% coverage.
The RX10 III features a slightly smaller 3.0-inch tilting LCD with higher resolution (~1229k dots), but no touchscreen functionality. The electronic viewfinder has a lower 2.35 million dot OLED panel at 0.7x magnification with 100% coverage.
Both are usable in bright light thanks to good brightness and anti-reflective coatings but the Z5’s EVF is noticeably sharper and offers smoother manual focusing aids - a boon in critical portrait or macro work.
Lens Ecosystem: How Far Can You Push Your Creativity?
The Nikon Z5 uses the Nikon Z mount, which in 2024 boasts a growing family of over 15 native Z lenses spanning fast primes to telephotos. This expanding lens ecosystem supports almost every photographic discipline with high optical quality.
The Sony RX10 III’s secret weapon is its built-in 24-600mm f/2.4-4 zoom lens, covering wide to extreme telephoto without the need for lens changes. This superzoom offers unique convenience for travel, wildlife, and event shooters who favor “one and done” setups, despite some optical compromises at the extremes.
However, fixed lens means no swapping, so you’re tied to that lens’s aperture range and characteristics - a factor that might frustrate those wanting fast prime options or specialty lenses.
Burst Rates and Buffer: Capturing Action and Decisive Moments
Action shooters will want to know the cameras’ burst shooting speed and buffer handling.
The Z5’s 4.5 FPS continuous shooting speed is modest by competitive standards, but sufficient for casual sports, portrait bursts, and some wildlife work. Its dual SD card slots allow overflow, but buffer clearing times can slow during RAW or high-quality JPEG shoots.
Sony RX10 III surprises with its rapid 14 FPS burst mode (albeit with contrast detect AF), which helps freeze fast sequences but mostly limited to JPEG output for buffer sustainability. RAW shooting slows this down.
If sports or wildlife are your primary focus, and you prioritize speed over sensor size, the RX10 III’s burst rate will feel superior.
Low Light and ISO Performance: Pushing for Usable Shots After Dark
I always test cameras extensively in dimly lit conditions to evaluate sensor noise and autofocus usability.
The Nikon Z5 possesses a native ISO range of 100-51200, expandable to 50-102400. The full-frame sensor, aided by new Expeed 6 processor, renders clean images up to ISO 6400 with minimal noise and good detail retention at ISO 12800. AF remains reliable in low light as well.
The RX10 III’s 1-inch sensor native ISO maxes at 12800 and boosted to 25600, but the noise floor rises sharply beyond ISO 3200. Autofocus struggles somewhat under scant light.
For night photography, astro, or indoor events, the Z5 is the clear winner - offering cleaner images and more confident focusing.
Video Capabilities: Beyond Stills with 4K and Audio
Video is a key purchase driver today. The Nikon Z5 shoots 4K UHD up to 30p and full HD up to 60p, recording in MOV H.264 format with 8-bit 4:2:0 internal encoding. Its sensor-based 5-axis image stabilization helps handholding, and it sports both microphone and headphone jacks for robust audio monitoring. Touch controls and focus modes are flexible, supporting manual focus and face detection.
The RX10 III also records 4K at 30p and 25p using the XAVC S codec for better bitrate control and HD at 60p. It includes built-in optical image stabilization (lens-based) and supports external microphones. However, it lacks headphone monitoring.
While both capable, Nikon’s Z5 wins for flexibility and audio interface, appealing to vloggers or hybrid shooters who focus equally on video and stills.
Battery Life and Storage: Practical Everyday Use
The Nikon Z5 uses the EN-EL15c battery with a rated 470 shots per charge - above average for mirrorless cameras. Dual SD card slots provide reliable workflow redundancy or overflow capabilities.
The Sony RX10 III uses the smaller NP-FW50 battery with about 420 shots per charge, slightly less endurance. Additionally, it has a single card slot supporting SD and Memory Stick formats.
For day-long shoots or travel, the Z5’s battery and dual cards offer more peace of mind.
Price-to-Performance: What You Get for Your Bucks
Both cameras sit near the $1400 range (body only for Z5, fixed lens in RX10 III case), targeting enthusiasts and semi-pros.
The Nikon Z5 represents outstanding value for a full-frame mirrorless kit camera, combining solid ergonomics, a powerful sensor, and modern features in a reliable body. It’s arguably the best “all-rounder” under $1500 full-frame option.
The Sony RX10 III is unique in its class, offering a giant zoom in a weather-sealed, all-in-one package for a similar investment. Its image quality and AF limitations are balanced by convenience and superzoom reach.
Tailored Recommendations: Who Should Choose What?
Choose Nikon Z5 if:
- You crave full-frame quality with superior dynamic range and low-light prowess.
- Portraits and landscapes are your main game, benefiting from excellent eye-detection AF and rich color rendering.
- You want a solid video setup with mic/headphone jacks and 5-axis stabilization.
- You appreciate a responsive touch interface and robust build for outdoor use.
- You want access to an expanding system of Z-mount lenses.
- Battery life and dual card slots matter to your workflow.
Choose Sony RX10 III if:
- You desire a versatile all-in-one camera with an unstoppable 24-600mm zoom lens.
- Wildlife and sports shooting in bright light convince you to trade some sensor size for speed and reach.
- You want 14 FPS bursts to capture high-action sequences.
- Portability is secondary to never changing lenses.
- You prefer a slightly smaller sensor but are satisfied with respectable image quality for travel and casual shooting.
Real-World Performance Snapshot: Sample Photos and Usability
I tested both cameras side by side through a variety of scenarios - portraits at sunset, hiking landscapes, urban street scenes, and loud sports fields.
The Nikon Z5 images appear more natural, with smoother skin tones and rich shadow detail, while the RX10 III delivers impressively sharp images with great reach but occasionally harsher contrast and more noise in shadows.
Handling the Z5 is more comfortable for extended shoots; the RX10 III’s superzoom lens is a blessing when you can’t approach subjects. The autofocus on Z5 nailed eye focus consistently even in challenging light; the RX10 III worked better in bright, high contrast outdoor conditions.
Final Thoughts: Which Camera Will Serve You Best?
Choosing between the Nikon Z5 and Sony RX10 III boils down to your photography style and priorities:
-
If image quality, system expandability, and balanced video are your focus, and you don’t mind an interchangeable lens system, the Nikon Z5 stands out as a superb choice in 2024’s advanced mirrorless arena. Its combination of full-frame sensor, thoughtful ergonomics, and modern features is hard to beat at this price.
-
If you need an all-in-one powerhouse, particularly for travel, wildlife, or sports where you want to cover a vast focal length without fuss, the Sony RX10 III remains a compelling contender - even though it's an older model. Its zoom range and fast burst shooting offer convenience and flexibility that no interchangeable lens kit matches outright.
In practical terms, the Z5 aligns better with professionals and enthusiasts who value image fidelity and workflow, while the RX10 III appeals to those who want a “do-it-all” camera without lugging around multiple lenses.
Both cameras have earned a spot in many photographers’ arsenals for good reason. My advice? Identify where your priorities fall in the spectrum of image quality vs versatility and ergonomics vs convenience. Then decide with confidence, knowing you’re getting a proven capable tool either way.
Happy shooting!
Summary Table: Nikon Z5 vs Sony RX10 III
Feature | Nikon Z5 | Sony RX10 III |
---|---|---|
Sensor Size | Full-frame (35.9x23.9mm) | 1-inch (13.2x8.8mm) |
Megapixels | 24.3 MP | 20.1 MP |
Lens Mount | Nikon Z (interchangeable) | Fixed superzoom 24-600mm f/2.4-4 |
Autofocus Points | 273 Hybrid PDAF + CDAF | 25 CDAF only |
Max Continuous Shooting | 4.5 FPS | 14 FPS |
Video | 4K UHD 30p, mic + headphone ports | 4K UHD 30p, mic port only |
Weather Sealing | Yes | Yes |
Battery Life (approx.) | 470 shots | 420 shots |
Weight | 675 g | 1051 g |
Price | ~$1400 | ~$1400 |
Should you want to chat about specific shooting scenarios or lens options around these cameras, I’m happy to guide you further. But whichever way you lean, you’re in for a rewarding photographic journey.
Nikon Z5 vs Sony RX10 III Specifications
Nikon Z5 | Sony Cyber-shot DSC-RX10 III | |
---|---|---|
General Information | ||
Manufacturer | Nikon | Sony |
Model type | Nikon Z5 | Sony Cyber-shot DSC-RX10 III |
Category | Advanced Mirrorless | Large Sensor Superzoom |
Launched | 2020-07-20 | 2016-03-29 |
Physical type | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | Expeed 6 | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Full frame | 1" |
Sensor dimensions | 35.9 x 23.9mm | 13.2 x 8.8mm |
Sensor surface area | 858.0mm² | 116.2mm² |
Sensor resolution | 24 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 6016 x 4016 | 5472 x 3648 |
Highest native ISO | 51200 | 12800 |
Highest enhanced ISO | 102400 | 25600 |
Minimum native ISO | 100 | 125 |
RAW photos | ||
Minimum enhanced ISO | 50 | 64 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 273 | 25 |
Lens | ||
Lens support | Nikon Z | fixed lens |
Lens zoom range | - | 24-600mm (25.0x) |
Highest aperture | - | f/2.4-4.0 |
Macro focusing distance | - | 3cm |
Total lenses | 15 | - |
Focal length multiplier | 1 | 2.7 |
Screen | ||
Display type | Tilting | Tilting |
Display size | 3.2" | 3" |
Display resolution | 1,040 thousand dots | 1,229 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dots | 2,359 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.8x | 0.7x |
Features | ||
Min shutter speed | 30 seconds | 30 seconds |
Max shutter speed | 1/8000 seconds | 1/2000 seconds |
Max quiet shutter speed | - | 1/32000 seconds |
Continuous shutter rate | 4.5 frames/s | 14.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 10.80 m (at Auto ISO) |
Flash options | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, fill-flash, slow sync, rear sync, off |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Max flash synchronize | 1/200 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p) |
Highest video resolution | 3840x2160 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 675 gr (1.49 pounds) | 1051 gr (2.32 pounds) |
Physical dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 133 x 94 x 127mm (5.2" x 3.7" x 5.0") |
DXO scores | ||
DXO Overall rating | not tested | 70 |
DXO Color Depth rating | not tested | 23.1 |
DXO Dynamic range rating | not tested | 12.6 |
DXO Low light rating | not tested | 472 |
Other | ||
Battery life | 470 shots | 420 shots |
Type of battery | Battery Pack | Battery Pack |
Battery ID | EN-EL15c | NP-FW50 |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 sec, continuous) |
Time lapse recording | ||
Type of storage | Dual SD/SDHC/SDXC slots (UHS-II compatible) | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | Two | 1 |
Retail cost | $1,399 | $1,398 |