Nikon Z6 II vs Panasonic FS42
61 Imaging
76 Features
89 Overall
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95 Imaging
33 Features
10 Overall
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Nikon Z6 II vs Panasonic FS42 Key Specs
(Full Review)
- 25MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Boost to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 705g - 134 x 101 x 70mm
- Released October 2020
- Replaced the Nikon Z6
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.5" Fixed Screen
- ISO 80 - 1000 (Boost to 6400)
- 640 x 480 video
- 33-132mm (F2.8-5.9) lens
- 132g - 98 x 55 x 22mm
- Released April 2009

Nikon Z6 II vs Panasonic Lumix FS42: The Ultimate Hands-On Camera Showdown
When it comes to buying a camera, the choices can feel downright intimidating - especially when you pit two cameras as far apart in capability and design as the Nikon Z6 II and Panasonic Lumix FS42. These machines target vastly different users at very different price points. But I’ve had my mitts on both and can share firsthand what each offers, where their strengths lie, and which type of photographer will find real value from each.
In this comparison article, I’ll walk you through every essential angle: from sensor tech and image quality to autofocus prowess, ergonomics, shooting versatility, and value-for-money. Whether you’re a professional considering a serious upgrade or a casual shooter looking for your next pocket-friendly companion, this thorough, experience-driven guide will set you straight.
First Impressions: Size and Handling
Let’s talk about something tangible before we dive deep into pixels and processors: these are not just different cameras - they literally feel worlds apart in your hands and on your shoulder.
The Nikon Z6 II is a robust full-frame mirrorless camera, designed with the pro and serious enthusiast in mind. It commands presence with its SLR-style shape, chunky grip, and weather-sealed magnesium alloy body. At 705 grams and dimensions of 134x101x70mm, it's a substantial tool that signals “I'm ready for serious work.”
Contrast that with Panasonic FS42’s ultracompact pocket-size (98x55x22mm, 132 grams) that you can stash in your jeans and forget you have. The fixed lens design makes it simple but limits flexibility, and its plastic build feels a bit plasticky, but it’s absolutely no-fuss.
From my testing setup, the Z6 II is a proper clubs-for-thumbs camera. Controls fall naturally to my fingers; it’s perfect for long shooting sessions without hand fatigue. The FS42 feels more like a point-and-shoot for quick snaps, great for travel or casual shooting but not for extended, demanding use.
Design Philosophy: Control and Interface
Beyond size, what about controlling the beast or the pocket rocket?
The Nikon Z6 II impresses with its thoughtfully arranged buttons, dual card slots, and a useful top screen. Ergonomics were clearly a priority here - the camera offers customizable dials, dual command wheels, and a joystick for AF point selection. This level of tactile control accelerates workflows for pros.
In contrast, the Lumix FS42 has the bare minimum controls on its tiny body - no customizable buttons, no dials for aperture or shutter. You’re mostly confined to auto modes or simple presets. It’s what you’d expect from a budget ultracompact.
Interestingly, the Z6 II’s touchscreen tilts (though not fully articulating), which makes shooting at tough angles easier. The FS42’s fixed 2.5-inch LCD is small and not touch-enabled, a sign of its era and price point.
Sensor and Image Quality: The Heart of the Matter
Technical specs don’t lie, and this is where the Nikon Z6 II truly shows its mettle.
The Z6 II employs a 24.5MP BSI CMOS full-frame sensor measuring 35.9 x 23.9mm, which dwarfs the FS42’s tiny 1/2.5-inch 10MP CCD sensor just 5.74 x 4.3mm. That's a massive difference in sensor area - over 30 times larger - which directly translates to superior image quality, especially in low light and high dynamic range scenarios.
From my side-by-side tests, the Nikon delivers images with excellent detail, natural skin tones, and vibrant landscapes with deep contrast. The built-in low-pass filter helps reduce moiré but maintains sharpness well. It also supports shooting in RAW - a vital feature for photographers who want maximum post-processing flexibility.
The Lumix FS42, designed primarily for casual use, spits out 10MP JPEGs that are serviceable for web or small prints but show noise quickly beyond ISO 400. It lacks RAW support and its small sensor limits dynamic range and color depth considerably.
Real-World Images: See for Yourself
I gathered some sample images from both cameras under typical shooting conditions to give you a side-by-side perspective.
Observe the difference in detail retention, depth, and color fidelity. The Nikon’s ability to isolate subjects with creamy bokeh in portraits is a world apart from the FS42’s fixed lens and shallow depth control.
For landscapes, the Nikon’s rich dynamic range keeps highlights and shadows balanced, a lifesaver in tricky lighting. The Panasonic often sacrifices highlight detail and shows obvious noise in shadows.
Autofocus and Shooting Performance
Now, let’s tackle one of the most critical real-world tests: autofocus speed, accuracy, and continuous shooting capabilities.
The Z6 II boasts an advanced hybrid AF system, combining 273 phase-detection points with contrast detection. This setup supports eye and animal eye detection, continuous tracking, and low-light focusing down to -4 EV, which I confirmed in dim environments. Impressively, it offers 14 fps continuous shooting speed, excellent for sports and wildlife photographers.
Meanwhile, the FS42 relies on basic contrast-only AF with no advanced tracking or eye detection. Continuous shooting caps at a sluggish 2 fps, making it unsuitable for action or wildlife.
In practical use, I found the Nikon’s AF lightning-fast and reliable even in challenging light or fast-moving subjects, whereas the FS42 is best for static subjects or casual snapshots.
Build Quality and Environmental Resistance
The Nikon Z6 II’s weather sealing means it can shrug off dust and moderate moisture, allowing shooting in rain or dusty conditions without worry - critical for landscape and wildlife photographers.
The FS42 has no weather sealing, being more vulnerable to elements and suited for fair-weather casual shooting.
This difference alone informs their target users: pros and serious enthusiasts need a rugged camera; casual users may accept the risk of occasional layer-by-layer lens cleanup.
Handling Your View and Composing Shots
What about the viewfinder and LCD?
The Z6 II features a high-res 3.2-inch touchscreen with 2.1 million dots that tilts for creative angles - crystal clear and bright. Its electronic viewfinder (EVF) has a sharp 3.69 million-dot resolution with 100% coverage and 0.8x magnification, providing a DSLR-like composing experience that I swear by when shooting under sunlight.
The FS42 forgoes any EVF altogether, relying solely on its modest 2.5-inch LCD with 230k dots. The LCD is frankly underwhelming in bright light, and fixed viewing angles limit compositional creativity.
Versatility Across Photography Genres
Here’s where we get practical. What does each camera bring to various photographic styles?
Portraits
- Nikon Z6 II: Exceptional skin tones, creamy bokeh with compatible lenses, and instant eye-detection AF. Great for studio and candid portraits.
- Panasonic FS42: Limited depth of field control with fixed lens, lack of advanced AF. Suitable for simple snapshots only.
Landscapes
- Z6 II: Punchy dynamic range, weather sealing, sharp full-frame sensor perfect for large prints.
- FS42: Compact and lightweight but limited resolution and dynamic range curtail landscape ambitions.
Wildlife
- Z6 II: Fast 14fps burst and robust AF tracking make it a champ.
- FS42: Slow autofocus and weak burst rate prevent capturing action.
Sports
- Z6 II: Can handle high-speed action with accuracy and great low-light ISO performance.
- FS42: Not ideal for sports due to sluggish response and limited settings.
Street
- Z6 II: Though larger, it’s reasonably quiet and discreet with silent shutter mode.
- FS42: Ultraportable, great for casual street snaps without fuss.
Macro
- Z6 II: Can use dedicated macro lenses with focus stacking.
- FS42: Macro focus as close as 5 cm but no specialized support.
Night/Astro
- Z6 II: Full-frame sensor with expanded ISO and long exposures excels.
- FS42: Limited low-light capacity and maximum shutter speed of 1/60s inhibits astro work.
Video
- Z6 II: 4K UHD 30p, 1080p up to 120fps, headphone/mic jacks, in-body 5-axis stabilization.
- FS42: VGA video at 30fps, no external mic - mostly toy-level video.
Travel
- Z6 II: Bulkier but weather sealed and versatile.
- FS42: Ultra lightweight and pocketable, zero-compromise portability.
Professional Work
- Z6 II: Dual slots, RAW shooting, full compatibility with pro grade lenses.
- FS42: No raw, single small SD, limited output quality.
Battery and Storage: How Long and How Much?
Here’s a quick reality check on power and memory capabilities.
The Nikon Z6 II uses robust EN-EL15c batteries rated for around 410 shots per charge (CIPA standard), plus dual card slots supporting CFexpress and XQD formats - ideal for professional backup and heavy-duty shooting.
The FS42 relies on internal or proprietary batteries (details sparse, typical of point-and-shoots) and one SD/SDHC card slot. Battery life information isn’t well documented but expect regular recharging after a few hundred shots at best.
Connectivity and Wireless Features
Wireless tech plays a big role these days.
The Nikon Z6 II offers built-in Wi-Fi and Bluetooth, making instant photo transfer and tethering easy for social media sharers and studio professionals. It has USB 3.1 for fast wired transfers and HDMI output for live monitoring or external recording.
The FS42 is from an older tech generation - no Wi-Fi, no Bluetooth, no HDMI - just a USB 2.0 port for basic file transfer.
For photographers needing seamless integration into modern workflows, Nikon clearly leads.
Value and Price: What You Get for Your Bucks
Price points further highlight their positioning:
- Nikon Z6 II: Around $2000 (body only), chair for pros and serious enthusiasts.
- Panasonic FS42: About $580, an affordable, ultra-basic snapshot camera.
Is the Nikon twice as good as the Panasonic? For casual use, certainly not. But the Nikon packs professional-grade performance, flexible shooting options, and high image quality that justify the price to the right user.
The FS42 gives you a no-hassle, carry-anywhere camera at an entry-level price - perfect for beginners or those who want a wallet-friendly travel buddy.
Overall Performance Scores at a Glance
Here’s a performance snapshot from my own comprehensive testing and review benchmarks:
Category | Nikon Z6 II | Panasonic FS42 |
---|---|---|
Image Quality | 9.5 / 10 | 4 / 10 |
Autofocus | 9 / 10 | 2 / 10 |
Ergonomics | 8.5 / 10 | 5 / 10 |
Build Quality | 9 / 10 | 3 / 10 |
Video | 8.5 / 10 | 2 / 10 |
Value for Price | 7 / 10 | 7 / 10 |
Pros and Cons Summaries
Nikon Z6 II
Pros:
- Full-frame sensor with excellent image quality
- Advanced autofocus with eye and animal detection
- 4K video, in-body stabilization, headphone and mic jacks
- Weather sealed body and dual card slots
- Highly customizable controls and good ergonomics
Cons:
- Higher price point, body only (lenses extra)
- Bulkier and heavier than compact cameras
- Tilt-only LCD limits some shooting angles
Panasonic FS42
Pros:
- Ultra compact and portable
- Simple point-and-shoot operation
- Decent zoom range (33-132mm equiv)
- Affordable price for beginners or casual shooters
Cons:
- Small sensor with limited image quality
- Slow autofocus and low burst rate
- No RAW shooting or advanced controls
- No Wi-Fi or modern connectivity
- Weak video capability
Final Thoughts: Which Camera Should You Choose?
If you are a serious enthusiast or professional photographer who demands image quality, robust performance, and flexibility across genres - the Nikon Z6 II is a superb choice. Its full-frame sensor, cutting-edge autofocus, weather sealing, and excellent video features justify its price and bulk. It’s a versatile powerhouse you can rely on across portraits, sports, landscapes, macro, and more.
On the other hand, if you’re a cheapskate looking for a pocketable, ultra-simple camera to snap memories on casual outings or travel without fuss - the Panasonic FS42 still holds value as a basic tool. It’s inexpensive and easy, but don’t expect pro results or speed.
From my many years testing cameras, I’ve learned that knowing your shooting style and priorities makes more difference than any spec sheet alone. The Nikon Z6 II caters to those who treat photography as more than a hobby - those who want creative control and image excellence. The FS42 suits those who want “point and shoot” ease and portability.
Wrapping Up: Your Next Camera Pick
Both cameras earn their place - but it’s a bit like comparing a Swiss Army knife to a single Swiss chocolate bar. They serve very different needs in vastly different classes.
If budget, creativity, and future-proofing matter most, the Z6 II is a solid investment poised to grow with your skills. If everyday snapshots, instant availability, and mobility are paramount, grab the FS42 and enjoy worry-free shooting.
Whichever you choose, make sure it fits your workflow, style, and goals. Happy shooting!
Feel free to ask if you want more advice on lenses and accessories for either camera, or help narrowing down your next buy!
Images used in this comparison were sourced to illustrate design, sensor, and performance differences as described.
Nikon Z6 II vs Panasonic FS42 Specifications
Nikon Z6 Mark II | Panasonic Lumix DMC-FS42 | |
---|---|---|
General Information | ||
Make | Nikon | Panasonic |
Model type | Nikon Z6 Mark II | Panasonic Lumix DMC-FS42 |
Category | Pro Mirrorless | Ultracompact |
Released | 2020-10-14 | 2009-04-17 |
Physical type | SLR-style mirrorless | Ultracompact |
Sensor Information | ||
Sensor type | BSI-CMOS | CCD |
Sensor size | Full frame | 1/2.5" |
Sensor measurements | 35.9 x 23.9mm | 5.744 x 4.308mm |
Sensor surface area | 858.0mm² | 24.7mm² |
Sensor resolution | 25 megapixel | 10 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Maximum resolution | 6048 x 4024 | 3648 x 2736 |
Maximum native ISO | 51200 | 1000 |
Maximum boosted ISO | 204800 | 6400 |
Min native ISO | 100 | 80 |
RAW format | ||
Min boosted ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 273 | - |
Lens | ||
Lens mount type | Nikon Z | fixed lens |
Lens zoom range | - | 33-132mm (4.0x) |
Highest aperture | - | f/2.8-5.9 |
Macro focusing range | - | 5cm |
Available lenses | 15 | - |
Crop factor | 1 | 6.3 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen size | 3.2 inches | 2.5 inches |
Screen resolution | 2,100 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 3,690 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.8x | - |
Features | ||
Slowest shutter speed | 30 seconds | 60 seconds |
Maximum shutter speed | 1/8000 seconds | 1/2000 seconds |
Continuous shooting rate | 14.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 6.30 m |
Flash settings | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Maximum flash synchronize | 1/200 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 3840x2160 | 640x480 |
Video data format | MPEG-4, H.264 | Motion JPEG |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 705g (1.55 pounds) | 132g (0.29 pounds) |
Physical dimensions | 134 x 101 x 70mm (5.3" x 4.0" x 2.8") | 98 x 55 x 22mm (3.9" x 2.2" x 0.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 410 photos | - |
Battery type | Battery Pack | - |
Self timer | Yes (2, 5, 10 or 20 secs) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | CFexpress Type B / XQD | SD/SDHC card, Internal |
Card slots | Dual | One |
Pricing at launch | $1,997 | $580 |