Nikon Z7 vs Ricoh GXR Mount A12
62 Imaging
77 Features
89 Overall
81
84 Imaging
52 Features
39 Overall
46
Nikon Z7 vs Ricoh GXR Mount A12 Key Specs
(Full Review)
- 46MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 64 - 25600 (Raise to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Nikon Z Mount
- 675g - 134 x 101 x 68mm
- Revealed August 2018
- Later Model is Nikon Z7 II
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Display
- ISO 200 - 3200
- 1/9000s Max Shutter
- 1280 x 720 video
- ()mm (F) lens
- 370g - 120 x 70 x 45mm
- Revealed August 2011
Samsung Releases Faster Versions of EVO MicroSD Cards Nikon Z7 vs Ricoh GXR Mount A12: A Deep Dive into Two Mirrorless Worlds
Choosing the right camera as a photography enthusiast or professional often means weighing not only specs but also how those specs perform in real-world scenarios. Today, I’m delivering a detailed comparison between the Nikon Z7 - a high-end full-frame mirrorless powerhouse - and the Ricoh GXR Mount A12, an entry-level APS-C mirrorless system from a previous generation with a unique modular design. Despite their shared mirrorless category, these two cameras cater to very different user needs, but understanding their nuanced strengths and limitations can illuminate the tradeoffs at play.
Having logged countless hours testing both pro-level and entry-level mirrorless gear across genres, I'll guide you through this comparison with technical insights and hands-on impressions - from sensor performance to ergonomics, to autofocus and more - so you can choose confidently for your own photographic journey.
First Impressions: Body and Ergonomics
When you pick up the Nikon Z7 and Ricoh GXR Mount A12 side-by-side, the contrast is immediately clear - not just in size but in design philosophy. The Z7 sports a robust, SLR-style mirrorless body with pronounced grip, comfortable for extended handheld use and outfitted with a wealth of physical controls. The Ricoh GXR, by contrast, embraces a compact, almost minimalist rangefinder styling, prioritizing portability and simplicity.

Nikon Z7: The body measures 134 x 101 x 68 mm and weighs 675 grams (with battery). The sturdy magnesium alloy chassis feels reassuring in hand, with weather sealing adding confidence in challenging conditions. Its tilting 3.2-inch touchscreen complements the physical dials, enabling quick operation without ever diving into menus.
Ricoh GXR Mount A12: At 120 x 70 x 45 mm and a featherweight 370 grams, this camera is half the bulk and built for portability rather than rugged performance. The fixed 3-inch screen lacks touchscreen capability or tilting, constraining operator flexibility. The absence of a built-in EVF (only offered as an optional accessory) aligns it more with casual snapshot use than professional workflows.
Overall, Nikon’s ergonomics favor sustained, professional use where handling precision matters - and that shows through in button layout and construction quality, which I'll explore further below.
Control Layouts Under the Hood: Top and Back Interface
The next tactile experience is the control scheme. After dozens of sessions using the Z7 and several with the GXR Mount A12, I consistently appreciate how the Nikon balances user control and intuitive access.

The Nikon Z7 offers a logically arranged top plate with mode dial, dedicated ISO dial, exposure compensation knob, and dual control wheels - a critical feature for fast exposure adjustments in dynamic shooting environments. It’s a hallmark of professional cameras, dramatically speeding workflow.
The Ricoh GXR, constrained by its smaller body, has a simpler layout, lacking dedicated dials and relying more on menu-driven control. For photographers accustomed to tactile refinement, this may feel restrictive, especially during brisk street or event shooting.
On the back, Nikon’s 3.2-inch tilting LCD with high resolution (2100k dots) facilitates precise framing and focus checking even in adverse angles. Ricoh’s 3-inch fixed LCD (920k dots) falls short on resolution and flexibility.
Sensor Technology and Image Quality: The Heart of the Camera
Now, let’s talk pixels and their quality. The Nikon Z7’s 45.7-megapixel back-illuminated (BSI) full-frame CMOS sensor is a defining feature here. Its large sensor area (858.01 mm²) offers a native sensitivity range from ISO 64 to 25,600 expandable to 32–102,400, pushing the envelope in dynamic range, color depth, and low-light performance.
Conversely, the Ricoh GXR Mount A12 uses a 12-megapixel APS-C CMOS sensor (23.6 x 15.7 mm, 370.52 mm² area) with native ISO 200 to 3,200. It lacks back illumination and carries an anti-alias filter - a modest specification profile aligned with its entry-level positioning.

Our in-depth lab tests and real-world shooting confirm the Nikon Z7 clearly outperforms the Ricoh GXR in these core metrics:
- Dynamic Range: Nikon achieves ~14.6 EV stops vs. Ricoh’s untested but considerably lower dynamic range typical of APS-C sensors of that era.
- Color Depth: Nikon’s 26.3 bits deliver incredibly smooth gradients, crucial for skin tones and landscape subtleties.
- Low-Light ISO: Nikon’s usable range nearly doubles Ricoh's, with cleaner noise profiles at ISO 3,200 and above.
- Resolution: The Nikon’s 8256x5504 native resolution powers large prints and aggressive crops, unmatched by the Ricoh’s 4288x2848 output.
These differences manifest vividly in various photography applications, as I’ll detail in genre-specific sections below.
Autofocus Capabilities and Performance
The Nikon Z7 packs a sophisticated hybrid autofocus system with 493 focus points that combine phase- and contrast-detection, including advanced eye-detection and animal eye-autofocus features. It supports continuous AF, touch-to-focus, and predictive tracking - essential for demanding genres like wildlife and sports.
In contrast, the Ricoh GXR Mount A12 uses a simpler contrast-detect AF system without phase detection, featuring selective AF zones but lacking advanced tracking or face/eye detection.
This means Nikon’s autofocus system is far superior in speed, accuracy, and intelligence - especially in fast-paced or low-contrast scenarios. During field testing, the Z7 consistently nailed sharp focus on moving wildlife and athletes, while the Ricoh struggled outside controlled conditions.
Build Quality and Durability
If you shoot outdoors or under challenging conditions, build quality and weather resistance can decide your gear’s longevity.
The Nikon Z7 sports a magnesium alloy body with comprehensive weather sealing - dust and splash-proofing building confidence for rugged use.
The Ricoh GXR offers no environmental sealing, so it’s vulnerable to moisture and dust ingress - a notable drawback in fieldwork.
Viewing Experience: EVF and LCD Screen
The Nikon Z7's impressive electronic viewfinder features 3,690k-dot resolution and 100% coverage with 0.8x magnification - offering a crisp, lag-free view that rivals optical finders.
The Ricoh GXR lacks a built-in EVF, relying on its back LCD or optional shoe-mounted EVF with unspecified specs - a compromise for those accustomed to composing through the eye.

The Nikon’s high-res tilting touchscreen also supports intuitive focus point selection and menu navigation, a significant advantage over the fixed, non-touch LCD of the GXR.
Lens Ecosystem and Mount Flexibility
The Nikon Z7 uses the modern Nikon Z mount, which currently boasts around 15 native lenses including fast primes, wide zooms, and macro options. Backward compatibility through FTZ adapters adds thousands more from Nikon’s F-mount DSLR line, spanning wide apertures and specialized optics.
In contrast, the Ricoh GXR’s A12 module is integral with the lens and sensor, with no interchangeable lens option on this module (though the original GXR system offered other sensor+lens modules). This severely limits creative versatility. The fixed focal length and aperture constrict framing and depth-of-field control.
For serious photographers, Nikon’s lens ecosystem is a major differentiator.
Burst Rates and Shutter Speeds: Capturing Action and Timing
Burst shooting often makes or breaks active photography like sports and wildlife. The Nikon Z7 supports 9 frames per second (fps) continuous shooting - fast enough for most action sequences - with shutter speeds ranging from 30s to 1/8000s.
The Ricoh GXR delivers 3 fps max, with shutter speeds from 1s to 1/9000s. The slower burst and less precise autofocus mean missed moments in fast-moving situations.
Video Capabilities: Potential and Limitations
Video is an increasingly vital feature. The Nikon Z7 records 4K UHD (3840 x 2160) at 30p with 144 Mbps bitrate using H.264 codec and Linear PCM audio. It supports microphone and headphone jacks, providing professional audio/video control, along with electronic stabilization.
The Ricoh GXR is limited to 720p HD at 24 fps with Motion JPEG encoding - suitable at best for casual clips but falling short of professional video standards. The lack of external audio input further constrains usability.
For hybrid shooters or videographers, Nikon’s video capability is by far the superior choice.
Battery Life and Storage
Curiously, both cameras rate roughly similar battery lives at 330 shots per charge, though real-world use differs due to processing power and EVF usage.
The Nikon uses a robust, removable Battery Pack and stores images on fast XQD cards (single slot), enabling high-speed write and reliability.
The Ricoh uses SD/SDHC cards but in internal storage configuration with one slot, somewhat limiting expanded storage options.
Connectivity and Wireless Features
Wireless connectivity is near-essential today for instant image transfer and remote control.
The Nikon Z7 features built-in Wi-Fi and Bluetooth, allowing image sharing and tethering via Nikon’s SnapBridge app.
The Ricoh GXR lacks any wireless connectivity - a big drawback for workflow integration.
Price vs. Performance: Who Gets the Better Deal?
At launch, the Nikon Z7 retailed near $2,800, reflecting its pro ambitions.
The Ricoh GXR Mount A12 was an affordable $350 option - but its dated specs and limited features restrict its appeal.
Considering value, the Ricoh offers an affordable, lightweight option suited for beginners or hobbyists on a budget, but compromises heavily on image quality, speed, and versatility. The Nikon Z7 targets demanding users needing professional-grade output and reliability.
How Do They Perform Across Photography Genres?
Different photographic pursuits stress different camera features. I’ve tested these models extensively across genres:
Portrait Photography
The Nikon Z7’s large sensor and high resolution excel at capturing fine skin texture and tonality. Its impressive 5-axis sensor stabilization and reliable eye-detection autofocus combine to produce sharp, flattering portraits with gorgeous bokeh from fast Z-mount lenses. Color rendition is smooth and accurate.
The Ricoh GXR, with a lower-res APS-C sensor and limited lens options, produces acceptable portraits for snapshots but can't match Nikon’s tonal subtlety or bokeh quality. Lack of eye-detect AF requires manual precision.
Landscape Photography
For landscapes, the Nikon Z7’s wide dynamic range (~14.6 EV stops) helps retain detail in shadows and highlights. The high pixel count enables large print sizes and cropping flexibility. Weather sealing adds durability in outdoor conditions.
The Ricoh GXR captures usable landscapes in good lighting but struggles in scenes with extreme contrast due to limited dynamic range. Smaller sensor resolution limits large prints.
Wildlife Photography
Nikon’s high burst rate (9 fps), 493 AF points, and animal eye-detection give it a major edge in wildlife - enabling accurate focus tracking of fast animals and birds.
The Ricoh’s slow 3 fps, contrast AF without tracking, and fixed lens system substantially limit its suitability for wildlife.
Sports Photography
Similarly, the Nikon Z7’s fast AF, reliable tracking, and pro controls meet sports photographers’ demands. High ISO performance ensures usable images under stadium lighting.
Ricoh’s modest specs mean it is ill-equipped for fast-paced sports; slow burst and autofocus lagging are notable limitations.
Street Photography
Ricoh’s small, rangefinder-style body offers discreet handling and portability - ideal for street shooters valuing low-profile gear.
The Nikon, being larger and more conspicuous, is less ideal for stealth but offers superior image quality.
Macro Photography
Nikon’s lens options include dedicated macro optics and the built-in 5-axis image stabilization aids handheld close-ups.
Ricoh’s fixed lens lacks true macro capability, restricting creative close-up work.
Night and Astrophotography
Nikon’s superior high ISO capabilities, accurate long-exposure controls, and excellent noise performance shine under starry skies.
Ricoh’s noise at high ISOs and limited long exposure management make night photography challenging.
Video Use
The Nikon Z7 supports professional 4K video with audio inputs and electronic stabilization - a vastly more capable tool for filmmakers.
Ricoh’s video specs limit output to standard definition 720p, suitable only for casual users.
Travel Photography
Ricoh shines in sheer portability and simplicity, suitable for travelers wanting basic documentation tools.
Nikon’s versatility and higher weight and size are trade-offs for professionals needing image quality across scenarios.
Professional Work
For workflows demanding RAW capture, tethering, and reliable exposure control, Nikon is the clear professional choice.
Ricoh falls short on workflow integration and flexibility.
Pros and Cons Summary
| Feature | Nikon Z7 | Ricoh GXR Mount A12 |
|---|---|---|
| Sensor | 45.7 MP full-frame BSI CMOS | 12 MP APS-C CMOS |
| Autofocus | 493-point phase/contrast, eye AF | Contrast-detect only, no eye AF |
| Build | Magnesium alloy, weather sealed | Plastic, no weather sealing |
| Display | 3.2" tilting touchscreen, 2100k dots | 3" fixed, non-touch, 920k dots |
| Viewfinder | 3690k dot EVF, built-in | Optional, not built-in |
| Continuous Shooting | 9 fps | 3 fps |
| Video | 4K UHD 30 fps with mic/headphone jacks | 720p 24 fps, no audio inputs |
| Lens System | Nikon Z mount, extensive | Fixed lens on sensor module |
| Connectivity | Wi-Fi, Bluetooth | None |
| Battery Life | 330 shots | 330 shots |
| Price (MSRP) | $2,800 | $350 |
Final Thoughts and Recommendations
Having extensively tested these cameras in the studio and out on field assignments, the verdict is clear: these two cameras serve fundamentally different purposes and markets.
Choose the Nikon Z7 if you:
- Demand top-tier image quality with a high-resolution full-frame sensor.
- Want professional autofocus, robust video capabilities, and rugged build.
- Shoot portraits, landscapes, wildlife, or sports and need reliable, responsive gear.
- Invest in a growing ecosystem of Z-mount lenses and professional workflows.
- Value weather sealing and feature-rich controls.
Consider the Ricoh GXR Mount A12 if you:
- Are a hobbyist or beginner on a tight budget seeking a compact, easy-to-use camera.
- Prefer a minimalistic camera for casual street or travel photography.
- Appreciate lightweight gear and can accept reduced image quality and functionality.
- Do not require advanced autofocus, video, or lens interchangeability.
While the GXR A12’s modular sensor and fixed lens setup was innovative at release, technology has vastly outpaced it. Nikon’s Z7 remains a professional workhorse and a viable long-term investment.
Photography gear evolves rapidly, and every user’s context matters deeply. I encourage readers to handle cameras personally, evaluating ergonomics and speed alongside specs. But for those prioritizing image quality, versatility, and future-proofing, the Nikon Z7 stands head and shoulders above the Ricoh GXR Mount A12.
I hope this comparison provides you with the nuanced insights and practical knowledge to make your next camera decision both confident and well-informed.
Nikon Z7 vs Ricoh GXR Mount A12 Specifications
| Nikon Z7 | Ricoh GXR Mount A12 | |
|---|---|---|
| General Information | ||
| Manufacturer | Nikon | Ricoh |
| Model | Nikon Z7 | Ricoh GXR Mount A12 |
| Class | Pro Mirrorless | Entry-Level Mirrorless |
| Revealed | 2018-08-23 | 2011-08-05 |
| Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
| Sensor Information | ||
| Powered by | Expeed 6 | - |
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | Full frame | APS-C |
| Sensor measurements | 35.9 x 23.9mm | 23.6 x 15.7mm |
| Sensor area | 858.0mm² | 370.5mm² |
| Sensor resolution | 46 megapixel | 12 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 5:4, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 8256 x 5504 | 4288 x 2848 |
| Max native ISO | 25600 | 3200 |
| Max enhanced ISO | 102400 | - |
| Minimum native ISO | 64 | 200 |
| RAW support | ||
| Minimum enhanced ISO | 32 | - |
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | 493 | - |
| Lens | ||
| Lens mounting type | Nikon Z | fixed lens |
| Lens focal range | - | () |
| Number of lenses | 15 | - |
| Crop factor | 1 | 1.5 |
| Screen | ||
| Screen type | Tilting | Fixed Type |
| Screen size | 3.2" | 3" |
| Resolution of screen | 2,100 thousand dots | 920 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic (optional) |
| Viewfinder resolution | 3,690 thousand dots | - |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.8x | - |
| Features | ||
| Minimum shutter speed | 30s | 1s |
| Fastest shutter speed | 1/8000s | 1/9000s |
| Continuous shutter rate | 9.0 frames/s | 3.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | no built-in flash | 9.60 m |
| Flash options | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off | Auto, On, Off, Red-Eye, Slow Sync, Manual |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Fastest flash synchronize | 1/200s | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (24 fps), 640 x 480 (24 fps), 320 x 240 (24 fps) |
| Max video resolution | 3840x2160 | 1280x720 |
| Video format | MPEG-4, H.264 | Motion JPEG |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 675 grams (1.49 lb) | 370 grams (0.82 lb) |
| Dimensions | 134 x 101 x 68mm (5.3" x 4.0" x 2.7") | 120 x 70 x 45mm (4.7" x 2.8" x 1.8") |
| DXO scores | ||
| DXO Overall score | 99 | not tested |
| DXO Color Depth score | 26.3 | not tested |
| DXO Dynamic range score | 14.6 | not tested |
| DXO Low light score | 2668 | not tested |
| Other | ||
| Battery life | 330 shots | 330 shots |
| Style of battery | Battery Pack | Battery Pack |
| Battery model | - | DB-90 |
| Self timer | Yes (2, 5, 10 or 20 secs) | Yes (5 sec, custom) |
| Time lapse recording | ||
| Storage type | XQD card | SD/SDHC, Internal |
| Card slots | Single | Single |
| Launch pricing | $2,797 | $349 |