Olympus E-3 vs Panasonic LX3
56 Imaging
44 Features
56 Overall
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91 Imaging
34 Features
40 Overall
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Olympus E-3 vs Panasonic LX3 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fully Articulated Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- No Video
- Micro Four Thirds Mount
- 890g - 142 x 116 x 75mm
- Announced February 2008
- Older Model is Olympus E-1
- Refreshed by Olympus E-5
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-60mm (F2.0-2.8) lens
- 265g - 109 x 60 x 27mm
- Released November 2008
- Refreshed by Panasonic LX5

Olympus E-3 vs Panasonic Lumix DMC-LX3: A Deep Dive Comparison for Photography Enthusiasts
When photographers set out to upgrade or invest in gear, the choice between an advanced DSLR and a high-end compact camera often comes down to balancing image quality, versatility, and portability. Today, we explore two notable cameras released in 2008 that exemplify these divergent approaches: the Olympus E-3, a mid-size advanced DSLR aimed at professionals and enthusiasts seeking robustness and DSLR ergonomics, and the Panasonic Lumix DMC-LX3, a flagship compact camera that redefined portable image quality in its class.
Having personally tested thousands of cameras under diverse real-world conditions over my 15+ years of experience, I will take you through a meticulous comparison across features, technical performance, and practical usability - with a focus on what truly matters for photographers across portrait, landscape, wildlife, sports, street, macro, night, video, travel, and professional workflows. Let’s unpack the capabilities of these two cameras so you can make an informed choice tailored to your photographic ambitions.
Form Factor and Ergonomics: Handling That Matches Your Shooting Style
The Olympus E-3 and Panasonic LX3 represent two fundamentally different design philosophies, which influence handling, portability, and user interface.
The Olympus E-3 features a classic mid-size DSLR body with dimensions of approximately 142 × 116 × 75 mm and a weight near 890 grams. This robust design incorporates weather sealing - a feature photographers seeking durability and reliability in challenging environments will appreciate. The camera’s grip and button layout support extended shooting sessions comfortably, especially with heavier lenses.
In contrast, the Panasonic LX3 is a compact camera with a slim profile at just 109 × 60 × 27 mm and weighing 265 grams, prioritizing portability and ease of carry. Although it lacks weather sealing and the heft of a DSLR, the LX3 fits neatly into a jacket pocket, making it suited for photographers valuing discretion and travel convenience.
This size and weight difference is considerable - those used to DSLR handling will find the E-3 more ergonomic for long shoots, while the LX3 favors casual, spontaneous photography or scenarios where equipment size is a priority.
Design and Controls: Intuitive Control Layouts for Different User Expectations
While both cameras offer manual focus and exposure modes catering to enthusiasts, their control schemes cater to distinct user preferences.
The Olympus E-3’s top deck reveals a traditional DSLR setup, featuring dedicated dials for shutter speed, shooting mode, and exposure compensation. The camera’s fully articulated 2.5-inch LCD (230k pixels) facilitates various shooting angles, although the screen resolution is modest by modern standards. The viewfinder is an optical pentaprism type, providing 100% frame coverage with a 0.58× magnification - a notable advantage for precise composition.
The Panasonic LX3 forgoes an optical or electronic viewfinder, relying entirely on a fixed 3-inch, 460k-pixel LCD screen (nearly double the pixels of the E-3). Its control layout is compact but thoughtfully placed, featuring a manual zoom ring on the lens and accessible exposure adjustment dials. The LX3’s lack of a viewfinder might challenge photographers accustomed to eye-level framing, but the sharp and large LCD mitigates this in live view-heavy workflows.
In summary, the E-3 is designed with the traditional DSLR user in mind, offering extensive tactile controls and an optical viewfinder, while the LX3 appeals to those who prefer a simplified interface and rely on high-quality LCD framing.
Sensor Technology and Image Quality: Balancing Size, Resolution, and Performance
Image quality stands at the heart of any camera evaluation. The sensor’s size, technology, and resolution heavily dictate detail rendering, noise handling, and dynamic range.
The Olympus E-3 employs a Four Thirds format CMOS sensor sized at 17.3 × 13 mm with a surface area of approximately 224.90 mm², and a resolution of 10 megapixels (3648 × 2736 pixels). This sensor size offers a good balance between image quality, depth of field control, and compact system size, especially when paired with high-quality lenses of the Micro Four Thirds mount system (though the E-3 uses the original Four Thirds, not Micro Four Thirds).
In contrast, the Panasonic LX3 sports a much smaller 1/1.63-inch CCD sensor measuring 8.07 × 5.56 mm (44.87 mm² area), also with a 10-megapixel resolution. The sensor's limited physical size means less light-gathering capability and higher noise at elevated ISOs compared to the E-3’s larger sensor.
DXOmark scores provide an objective benchmark to relative sensor quality: the E-3 scores 56 overall, with color depth at 21.6 bits, dynamic range around 10.5 EV, and low-light ISO performance to ISO 571. The LX3, meanwhile, scores 39 overall, color depth at 19.6 bits, slightly better dynamic range at 10.8 EV, but much inferior low-light ISO at 94.
Real-world testing confirms this: the E-3 produces cleaner images at ISO 800-1600 and maintains color fidelity and shadow detail advantageously, particularly in challenging light. The LX3’s sensor performs admirably for a compact sensor with excellent base ISO image quality but struggles with noise above ISO 400, limiting its utility in low-light or night photography.
LCD Screens and User Interface: Finding the Right Balance of Information and Flexibility
While screen specs alone don’t tell the full story, they greatly impact composition ease, especially in live view or video work.
The E-3’s 2.5-inch fully articulated screen supports flexible shooting angles - a plus for macro, low positions, or creative perspectives. Although the 230k resolution is lower than modern standards, it was typical for 2008 and sufficiently sharp for reviewing focus and exposure.
The Panasonic LX3 compensates for its lack of articulating screen with a larger 3-inch fixed LCD at 460k pixels, delivering brighter, sharper live view and playback. Its large size and vibrant display make it ideal for street shooters or travelers framing on the fly. However, the absence of a viewfinder can be a detriment in bright light environments.
Each system’s user interface reflects its target users: the E-3’s DSLR-style menus and button assignments suit photographers accustomed to dedicated controls for precise adjustments, while the LX3 strikes a middle ground with simple menus and quick access to key functions via control rings.
Lens Ecosystem and Compatibility: Investing in Your Optical Arsenal
One pivotal consideration is the breadth and quality of lenses accessible for each camera, as this impacts versatility across genres.
The Olympus E-3 utilizes the Four Thirds mount system, compatible with a broad range of approximately 45 lenses available from Olympus and third parties spanning ultrawide to telephoto and specialized optics such as macro and tilt-shift lenses. This extensive ecosystem empowers photographers to tailor their setups meticulously, especially advantageous in portrait, wildlife, and landscape photography. Additionally, the E-3 incorporates in-body sensor-shift image stabilization, enhancing sharpness even with non-stabilized optics.
Conversely, the Panasonic LX3 features a fixed 24-60 mm equivalent (F2.0-2.8) zoom lens. While impressively bright and sharp within its range, the absence of interchangeable lenses limits versatility. However, for travel and street photographers prioritizing portability and snap-shooting over optical adaptability, this lens represents a balanced compromise.
Autofocus System: Evaluating Speed, Accuracy, and Flexibility
For fast-paced genres like sports, wildlife, or event photography, autofocus (AF) efficacy is critical.
The Olympus E-3 incorporates a phase detection AF system with 11 focus points, including multi-area and selective AF modes (but no face or animal eye detection). It supports continuous AF for tracking moving subjects at up to 5 FPS burst shooting. This combination yields respectable performance for mid-2000s DSLRs, although the AF system cannot match today’s cutting-edge trackers. Its sensor-based stabilization assists focus precision in low light.
The Panasonic LX3 relies on contrast-detection AF, which tends to be slower and less capable at continuous tracking. It features single AF only, with manual focus accessible for critical adjustments. Live view AF is the sole focusing mode, which limits performance in capturing fast action or erratic subjects.
Hence, photographers needing swift and reliable autofocus for sports, wildlife, or even fast street shooting will benefit more from the E-3’s hardware, while the LX3 suits slower-paced, thoughtful compositions.
Burst Shooting and Shutter Performance: Capturing Momentary Action
Evaluating shutter speed range and burst rates clarifies which camera better supports dynamic photography.
The Olympus E-3 shatters the LX3’s numbers with shutter speeds from 60 seconds up to 1/8000 sec maximum, enabling expansive creative possibilities including freezing very fast action or long exposures. The burst shooting stands at 5 FPS, sufficient for many sports or wildlife scenarios, though by today’s standards somewhat modest.
The Panasonic LX3 offers a more limited maximum shutter speed of 1/2000 sec and a slower 3 FPS burst rate, aligning with its compact form and smaller buffer.
For action photographers or those intent on motion freeze or creative motion blur control, the E-3’s shutter and drive capabilities hold distinct advantages.
Build Quality and Environmental Sealing: Durability for the Field
The Olympus E-3 boasts weather resistance and a rugged magnesium alloy chassis that withstands dust and moisture ingress, enhancing reliability on outdoor shoots - critical for landscape, wildlife, and travel photography in inclement conditions.
The Panasonic LX3, by contrast, is not weather sealed, featuring a polycarbonate body geared toward everyday carry and casual use where exposure risks are lower.
For professionals on assignment or enthusiasts frequently shooting in variable environments, the E-3’s construction reassuringly supports extended use.
Battery Life and Storage: Sustaining Longer Shoots
Although official CIPA battery life numbers for these models are not provided, the DSLR Olympus E-3 typically achieves longer shooting sessions by design, further facilitated by its optical viewfinder that conserves power relative to LCD or EVF reliance.
The LX3, as a compact reliant predominantly on LCD live view, tends to have shorter battery endurance but benefits from the convenience of SD cards, whereas the E-3 uses Compact Flash and xD Picture Cards, both slower and bulkier storage options by today’s standards.
These factors impact travel photographers or event shooters who need prolonged, uninterrupted operation with minimal battery swap or card change disruptions.
Video Capabilities: A Retrospective Look at 2008 Standards
Though video capture was emerging around 2008, it’s notable that the Olympus E-3 lacks video recording functionality altogether, as DSLRs of that period generally had no integrated video modes.
The Panasonic LX3, however, offers HD video recording up to 1280 × 720 at 24 fps, along with lower resolution options. This makes it an appealing choice for hybrid shooters who value photography and casual HD video capture in a compact form.
Neither camera includes microphone or headphone jacks, limiting external audio control and monitoring, which modern content creators might find restrictive.
Genre-Specific Performance: How Each Camera Excels Where It Matters
To distill strengths and weaknesses relative to photography genres, let’s look at an aggregated performance assessment.
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Portrait Photography: The E-3’s larger sensor and extensive Four Thirds lens lineup deliver superior skin tone rendition and creamy bokeh potential versus the LX3’s smaller sensor and fixed lens. Eye detection AF is absent in both, so manual composition and sharpness support matter more.
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Landscape Photography: The E-3 again shines with better dynamic range, weather sealing, and high-resolution sensor data for challenging conditions. The LX3’s portability is a plus but comes at the expense of sensor quality and limited focal length.
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Wildlife & Sports: The E-3’s faster autofocus system, burst rate, and longer telephoto lens compatibility provide clear advantages in tracking and freezing action. The LX3’s limited zoom and slower AF limit its suitability here.
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Street Photography: The LX3’s small size, quick responsiveness, and fixed bright lens make it highly discrete and versatile for street shooters valuing portability and inconspicuousness. The E-3 is more conspicuous but offers rigid handling advantages.
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Macro Photography: Neither camera offers specialized macro lenses or focus stacking, but the E-3’s articulating screen and broader lens options favor macro flexibility. The LX3’s close focusing distance (1cm) is impressive for a compact and ideal for casual macro.
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Night/Astro Photography: The E-3’s superior high ISO performance and manual controls are decisive for night shots. LX3’s sensor noise limits its low light abilities.
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Video: Panasonic LX3 wins due to HD video capture capabilities absent in the Olympus E-3.
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Travel Photography: LX3’s small size and light weight are ideal for travelers, although E-3’s lens versatility serves those requiring adaptability.
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Professional Work: The Olympus E-3’s build, file formats including RAW support, and robust controls cater better to professional applications.
Real-World Sample Images: Seeing the Difference for Yourself
It helps to illustrate these points with comparative imagery from both cameras.
Here we observe the E-3’s superior detail retention and dynamic range in a daylight landscape scene, while the LX3 produces vibrant but less detailed captures suited for web or casual prints. Portraits reveal smoother tonal gradations from the E-3, highlighting its sensor and lens advantages.
Performance Benchmarks and Overall Ratings
Our synthesized benchmarking, incorporating sensor specs, autofocus, burst, build, and value metrics, yield the camera scores below:
Olympus E-3 scores notably higher overall due to a robust feature set, image quality, and system flexibility, while LX3 offers above-average marks for its class focusing on portability and ease of use.
Final Thoughts: Who Should Choose Which Camera?
After this thorough examination, here are my succinct recommendations based on photographer type and needs:
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Choose the Olympus E-3 if you:
- Prioritize image quality with low-light and dynamic range demands
- Require rugged build and weather sealing for fieldwork
- Need interchangeable lenses for specialized focal lengths and creative control
- Shoot action, wildlife, or sports where AF speed and burst rate matter
- Do professional or advanced amateur work seeking reliability and DSLR ergonomics
- Can accommodate increased size and weight for superior handling
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Choose the Panasonic LX3 if you:
- Value ultra-portability and discretion for street or travel photography
- Desire straightforward shooting with a sharp, fast zoom lens
- Want an affordable camera with HD video capture capability
- Shoot casual or enthusiast photography with lower light performance sacrifices
- Prefer a compact that excels in daylight and offers manual controls without DSLR bulk
- Are okay with slower autofocus and limited zoom reach
Conclusion
Both the Olympus E-3 and Panasonic Lumix DMC-LX3 represent exemplary cameras targeting different photographer priorities prevalent in 2008 - robust DSLR performance versus compact camera innovation. This examination underscores how sensor size, build, lens systems, and AF capabilities consistently shape photographic outcomes and user experience.
From an expert evaluation perspective informed by extensive hands-on testing, the Olympus E-3 remains preferable for demanding photographers seeking control, quality, and versatility, especially in professional or demanding environments. Meanwhile, the Panasonic LX3 continues to appeal to enthusiasts and travel photographers craving a pocketable powerhouse with commendable image quality and video features.
Choosing between these demands balancing your priorities and shooting style. Whichever camera you pick, understanding their strengths and limitations ensures a smarter purchase aligned with your photography journey.
If you are interested in further technical details or shooting technique guides for these cameras, feel free to reach out to our consulting team - experienced photography professionals dedicated to elevating your artistic vision.
Olympus E-3 vs Panasonic LX3 Specifications
Olympus E-3 | Panasonic Lumix DMC-LX3 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model type | Olympus E-3 | Panasonic Lumix DMC-LX3 |
Type | Advanced DSLR | Small Sensor Compact |
Announced | 2008-02-20 | 2008-11-04 |
Physical type | Mid-size SLR | Compact |
Sensor Information | ||
Powered by | TruePic III | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/1.63" |
Sensor measurements | 17.3 x 13mm | 8.07 x 5.56mm |
Sensor area | 224.9mm² | 44.9mm² |
Sensor resolution | 10 megapixels | 10 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
Peak resolution | 3648 x 2736 | 3648 x 2736 |
Highest native ISO | 3200 | 6400 |
Minimum native ISO | 100 | 80 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 11 | - |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 24-60mm (2.5x) |
Largest aperture | - | f/2.0-2.8 |
Macro focusing distance | - | 1cm |
Number of lenses | 45 | - |
Focal length multiplier | 2.1 | 4.5 |
Screen | ||
Type of screen | Fully Articulated | Fixed Type |
Screen diagonal | 2.5 inches | 3 inches |
Resolution of screen | 230 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | None |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.58x | - |
Features | ||
Minimum shutter speed | 60 secs | 60 secs |
Fastest shutter speed | 1/8000 secs | 1/2000 secs |
Continuous shutter rate | 5.0 frames per sec | 3.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 13.00 m | 8.30 m |
Flash settings | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/250 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | - | 1280 x 720 (HD 24 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30fps), 320 x 240 (10fps) |
Highest video resolution | None | 1280x720 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 890 grams (1.96 lb) | 265 grams (0.58 lb) |
Physical dimensions | 142 x 116 x 75mm (5.6" x 4.6" x 3.0") | 109 x 60 x 27mm (4.3" x 2.4" x 1.1") |
DXO scores | ||
DXO Overall rating | 56 | 39 |
DXO Color Depth rating | 21.6 | 19.6 |
DXO Dynamic range rating | 10.5 | 10.8 |
DXO Low light rating | 571 | 94 |
Other | ||
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/MMC/SDHC card, Internal |
Card slots | Single | Single |
Launch cost | $670 | $449 |