Olympus E-3 vs Sony S980
56 Imaging
44 Features
56 Overall
48
94 Imaging
34 Features
17 Overall
27
Olympus E-3 vs Sony S980 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fully Articulated Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- No Video
- Micro Four Thirds Mount
- 890g - 142 x 116 x 75mm
- Announced February 2008
- Replaced the Olympus E-1
- Successor is Olympus E-5
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- 1280 x 720 video
- 33-132mm (F3.3-5.2) lens
- 167g - 93 x 56 x 24mm
- Launched February 2009
Sora from OpenAI releases its first ever music video Olympus E-3 vs Sony Cyber-shot DSC-S980: A Thorough Camera Comparison for Enthusiasts and Professionals
When navigating the landscape of digital cameras, photographers routinely weigh numerous factors to find the right balance between performance, handling, and value aligned with their creative ambitions. Two cameras that underscore radically different approaches - a rugged, feature-rich DSLR from Olympus and an accessible, compact point-and-shoot from Sony - offer intriguing contrasts and valuable lessons. The Olympus E-3, a mid-size SLR announced in early 2008, and the Sony Cyber-shot DSC-S980 compact, released a year later, embody distinct photographic philosophies and technological emphases. Understanding their strengths, weaknesses, and target users empowers better decisions amid the array of options on the market, particularly for enthusiasts seeking a robust primary camera or professionals looking for specialized tools.
In this comprehensive comparison article, drawing on over 15 years of rigorous camera testing and analysis, we dissect these two models across all major photography disciplines and technical aspects - from sensor technology and autofocus precision to ergonomics and real-world usability - while integrating seven contextual images for clarity and reference. Whether you aim to excel in portraiture, demand precision in wildlife or sports photography, or want an easy-to-carry travel companion, this detailed evaluation will illuminate how these cameras perform and for whom they are best suited.
First Impressions: Size, Build, and Handling Dynamics
Physical presence and ergonomics often dictate how a camera integrates into a photographer’s workflow. Comparing the Olympus E-3’s mid-size DSLR body against the Sony S980’s petite compact profile reveals far more than dimensions - it highlights design philosophies targeting distinctly different user experiences.

The Olympus E-3 is noticeably larger and heavier at 890 grams, measuring approximately 142x116x75 mm, which allows for a substantial grip and robust control surfaces. Its weather-sealed magnesium alloy body is built to endure tough conditions, with environmental sealing explicitly engineered to withstand moisture and dust - features favoured by professionals shooting in the field. By contrast, the Sony S980 weighs just 167 grams and spans only 93x56x24 mm, prioritizing portability and ease over durability. Its plastic compact design lacks any weather sealing, positioning it for casual everyday use or travel where size and weight constraints dominate.
Ergonomically, the E-3 provides customizable physical buttons, a top LCD display for quick settings review, and a fully articulated 2.5-inch screen, catering to advanced photographers requiring tactile feedback and shooting flexibility. The Sony’s fixed 2.7-inch screen and minimalistic control scheme favor snapshot simplicity but offer little room for manual adjustments or rapid operation.
This size and build differential sets the tone: the E-3 seeks to empower photographers in challenging environments demanding precise control, whereas the Sony S980 appeals to users prioritizing convenience and quick grab-and-go photography - an important consideration when matching gear with personal shooting style and environment.
Button Layout and Control Interface: Navigating the User Experience
The user interface and control ergonomics shape the shooting experience profoundly, especially during dynamic scenarios that demand rapid adjustments.

Examining the top views of both cameras, the Olympus E-3 features a professional-grade control cluster, including dedicated dials for shutter speed, exposure compensation, drive mode, ISO, and white balance, contributing to a highly intuitive manual shooting workflow. Crucially, this DSLR supports shutter and aperture priority modes and manual exposure, empowering photographers to exert creative exposure control - essential for professionals and serious enthusiasts. The presence of an optical pentaprism viewfinder with 100% coverage and 0.58x magnification further enhances precision framing.
Meanwhile, the Sony S980’s interface is markedly minimalist, consistent with its compact design ethos. It lacks dedicated manual modes and priority settings, relying instead on automatic scene recognition or limited manual focus options. The absence of a viewfinder (optical or electronic) directs all composition to the fixed LCD screen - limiting utility in bright light. Buttons for flash mode and scene selection are straightforward but sparse, suited mainly for operations prioritizing simplicity over speed or complexity.
For users accustomed to full manual control, the Olympus interface provides a professional-grade shooting environment with rapid access to critical settings, while the Sony offers basic operation ideal for casual snapshots or beginner photographers seeking effortless operation without steep learning curves.
Sensor Technology and Image Quality: The Heart of the Camera
Delving into image quality, sensor specifications fundamentally dictate resolution, dynamic range, ISO performance, and overall photographic fidelity - critical for both image makers and potential buyers.

The Olympus E-3 employs a Four Thirds CMOS sensor measuring 17.3x13 mm with a surface area of 224.9 mm². This significantly larger sensor size compared to the Sony’s 1/2.3" (6.17x4.55 mm, 28.07 mm²) CCD sensor translates to superior light-gathering capability - directly influencing noise levels, dynamic range, and color depth. The E-3's resolution stands at 10 megapixels (3648x2736), while the Sony S980 sports 12 megapixels (4000x3000). Despite the slightly higher pixel count, the much smaller sensor on the Sony cannot compete in image quality metrics due to limited pixel pitch and reduced sensitivity.
DXOMark testing assigns the E-3 an overall score of 56 with an impressive color depth of 21.6 bits, dynamic range of 10.5 EV, and low-light ISO score around 571, reflecting solid performance for its era - though noticeably behind modern sensor standards, still delivering usable ISO up to 3200. In contrast, the Sony S980 has not been tested by DXOMark, but historically, CCD-based small sensors of this size struggle with noise and limited dynamic range at higher ISOs.
These differences manifest in real-world scenarios: the Olympus easily outperforms the Sony in handling challenging lighting, preserving skin tones, and producing clean images at elevated ISO, crucial for portraits, indoor photography, or low-light events. Conversely, the Sony excels in brightly lit conditions where its smaller sensor can still deliver sharp images suitable for casual sharing or general documentational use.
Viewing Experience: Viewfinder and LCD Screen Performance
An essential aspect of confirmed composition and shot evaluation revolves around viewfinder quality and rear LCD usability.

The Olympus E-3’s optical pentaprism viewfinder offers a bright, clear image with 100% frame coverage, allowing precise composition without parallax or lag. This, combined with the articulated 2.5-inch LCD screen, sets it apart for flexible shooting angles, including awkward or low positions - a boon when capturing macro or street scenes creatively. Although the screen’s resolution (230k dots) is modest by today’s standards, its articulation and durability compensate well.
The Sony S980, lacking any viewfinder, relies entirely on its larger but fixed 2.7-inch LCD screen - seven percent bigger diagonally than the Olympus. Despite the screen size advantage, the lack of articulation restricts framing versatility, and the screen's resolution parity means images can be difficult to evaluate critically on-site under bright sunlight.
For photographers favoring traditional eye-level composition with stable support, the Olympus viewfinder is indispensable. Meanwhile, casual photographers or travelers prioritizing screen-based composition and display size may find the Sony’s approach acceptable, if limiting in specific lighting contexts.
Autofocus Systems and Speed: Capturing the Perfect Moment
Autofocus (AF) technology influences a camera’s ability to lock focus rapidly and accurately across varying subjects and lighting conditions, paramount for wildlife, sports, and candid photography.
The Olympus E-3 integrates a phase-detection autofocus system with 11 focus points featuring multi-area AF and selective AF options. More notably, it supports continuous autofocus - a vital tool for tracking moving subjects - and lens-based sensor-shift stabilization to reduce blur from camera shake. While it lacks face or animal eye detection - standard in many modern cameras - the phase detection array delivers reliable and fast AF acquisition, especially with Olympus’s Four Thirds lenses designed for compatibility. The 5 frames per second (fps) continuous shooting rate dovetails well with autofocus tracking, enabling burst captures suitable for moderate action sequences.
Conversely, the Sony S980 utilizes a contrast-detection autofocus system with 9 focus points, no continuous autofocus, and lacks face detection or eye tracking as well. Its autofocus speed is slower and less flexible, more prone to hunting in low light or on low-contrast subjects. Continuous shooting is limited to 1 fps, effectively precluding rapid action sequence photography. These constraints position the S980 firmly as a camera for unhurried, posed stills rather than dynamic shooting.
Therefore, professionals or enthusiasts seeking wildlife or sport utility will find the Olympus E-3’s AF system significantly more capable, while those requiring a straightforward point-and-shoot experience will find the Sony’s AF adequate but limiting.
Lens Ecosystem and Compatibility: Expanding Creative Possibilities
An extensive and quality lens selection influences how much a photographer can evolve creatively with a system.
The Olympus E-3, adhering to the Four Thirds system, supports a broad range of 45 interchangeable lenses, including high-performance primes, telephotos and macro optics, offering full 2.1x equivalency due to sensor crop factor. Olympus and third-party lens manufacturers provide excellent options extending into professional-grade optics, giving photographers versatility for portraits, wildlife, sports, and macro work without sacrificing image quality.
The Sony S980’s fixed lens offers a 33-132 mm (4x zoom) range with a maximum aperture variable from f/3.3 to f/5.2, well-suited for daylight general photography and moderate telephoto reach, and a 10 cm macro focusing capability. However, the non-interchangeable design restricts adaptability and creative depth beyond the built-in zoom and optical control. This limited flexibility suits users unwilling or unable to invest further in optics but handicaps serious enthusiasts craving optical quality or specialty lenses.
In essence, the Olympus E-3 system’s lens repertoire significantly broadens shooting potential across genres and styles, whereas the Sony’s fixed lens confines users to a preset zoom range adequate for snapshots and casual use.
Burst Shooting, Shutter Speeds, and Exposure Control
In scenarios demanding rapid capture or precise exposure control, shutter capabilities and continuous shooting speeds become decisive.
The Olympus E-3 offers a shutter speed range from 1/60 second to 1/8000 second, supporting high-speed photography, use of wide apertures in bright light, and experimental motion capture. Its 5 fps continuous shooting at full resolution aids capturing fleeting moments in sports or wildlife.
Conversely, the Sony S980 spans a shutter speed from 2 seconds to 1/1600 second, constraining long exposure night photography and high-speed action freezes. Its single frame per second continuous rate further limits burst mode utility.
Additionally, the E-3 supports manual exposure modes (shutter and aperture priority plus full manual), exposure compensation, custom ISO settings, and various flash modes (including external flash compatibility), meeting professional workflow demands. The Sony offers no manual exposure control, reflecting its consumer simplicity, with fixed auto exposure and limited exposure compensation functionality.
Practically, the Olympus E-3’s flexible and comprehensive exposure controls empower advanced photographers in challenging light and action conditions, while the Sony S980 is confined mostly to automatic exposures.
Specialized Photography Disciplines: Strengths and Weaknesses
Different photographic styles emphasize distinct camera features. Here we evaluate the two models across key genres.
Portrait Photography
The Olympus E-3’s larger sensor and recognized color depth deliver accurate and pleasing skin tones, complemented by the option for interchangeable fast lenses that produce creamy bokeh. Its autofocus system supports selective AF modes - though lacking eye detection - which still helps maintain focus on subjects’ eyes. The articulated screen allows shooting at varied angles useful in creative portraiture. In contrast, the Sony S980, with its smaller sensor and limited lens speed, delivers flatter images with less background separation and struggles with subtle tonal gradations.
Landscape Photography
Dynamic range and resolution matter greatly here. The E-3’s respectable 10.5 EV dynamic range allows capturing shadow and highlight details better than the Sony’s CCD sensor, whose smaller size inherently restricts tonal latitude. The availability of weather sealing on the Olympus ensures reliability in outdoor rugged conditions - an advantage for landscape shooters. Sony lacks environmental protection, limiting use in challenging climates.
Wildlife and Sports Photography
Fast, reliable autofocus and burst frame rates are critical. Olympus with 5 fps continuous shooting and phase-detection AF offers moderate action capture capabilities. The Sony's single fps and slow contrast-detect AF make it unsuitable for fast-moving subjects.
Street Photography
The Sony S980’s small size and lightweight nature make it discreet and portable - beneficial for street photography respecting subjects' privacy and for quick opportunistic captures. The Olympus E-3’s larger size and weight may prove intrusive, though its fast shutter response and articulated screen facilitate creative street compositions at awkward angles with better exposure control.
Macro Photography
Once again, interchangeable lenses and focusing precision give the Olympus an edge. Its sensor-shift stabilization and availability of dedicated macro lenses produce superior detail and sharpness. The Sony’s fixed lens macro (down to 10 cm) suffices for casual close-ups but lacks the precision and magnification potential professionals demand.
Night and Astrophotography
High ISO performance, long shutter speed range, and manual exposure are paramount here. Olympus’s max ISO 3200 and 1/8000 shutter speed range allow extended night exposures and reduced noise at usable ISOs. The Sony’s limited ISO management and max shutter of 2 seconds constrain such uses.
Video Capabilities
Interestingly, the Sony S980 records HD video at 1280x720/30 fps using Motion JPEG encoding, offering basic videography absent in the Olympus E-3, which lacks video recording entirely. The Sony’s HDMI output adds potential for external display or playback. However, video quality is limited by the sensor and codec choices.
Travel Photography
Sony’s compactness, low weight, and simplicity are highly advantageous for travel photographers seeking a pocketable solution without the bulk and complexity of an SLR system. Olympus’s battery life is unspecified but generally lower than compacts due to heavier sensor processing and autofocus mechanisms; however, its robustness and optical versatility may outweigh size constraints for the serious traveler prioritizing picture quality.
Build Quality, Weather Resistance, and Durability
Without question, the Olympus E-3’s magnesium-alloy chassis and weather sealing represent a professional-grade build engineered to withstand harsh conditions including moisture, dust, and rough handling. This reliability factor is often a deciding criterion in demanding fieldwork and professional assignments.
Conversely, the Sony S980’s plastic body and absence of environmental sealing reflect consumer-grade durability standards - adequate for everyday care but unsuitable for extreme environmental exposure.
Connectivity, Storage, and Workflow Integration
Both cameras feature USB 2.0 ports, though the Olympus’s CF and xD card slots provide professional-level storage compatibility, supporting high-speed cards common at that time and larger storage capacities.
The Sony utilizes Memory Stick Duo/Pro Duo and internal storage, limiting expandability and reliance on proprietary formats, which can pose inconveniences for modern workflows.
Neither model supports wireless connectivity such as Bluetooth or Wi-Fi, which is understandable given their release dates but notable when contrasted with current industry expectations.
Price-to-Performance and Value for Money
At their launch, the Olympus E-3 held a professional pricing tier around $670 (body only), representing strong value given its build, AF system, sensor, and lens ecosystem. Its feature set justifies investment for dedicated amateurs or budget-conscious professionals requiring reliability and versatility.
The Sony S980 retailed at approximately $300, targeting casual photographers seeking an affordable, simple camera with decent image quality and HD video capability but without advanced control or extensibility.
For prospective buyers, the Olympus offers strong returns for those prioritizing image quality and robustness, while the Sony is a budget-oriented choice for users valuing size and ease of use over photographic ambition.
Summary of Comparative Performance Ratings
To visualize the overall performance differences comprehensively, the following image presents a compiled scoring analysis:
The Olympus E-3 consistently rates higher on image quality, autofocus capability, build quality, and versatility, whereas the Sony delivers well in portability and video functions for its class.
Further, an in-depth look at specific photographic genres manifests here:
Real-World Sample Images and Visual Quality Verdict
Analyzing sample shots underscores the E-3’s superior dynamic range, color rendering, and detail fidelity, evident in both controlled portrait and complex landscape scenes. The Sony outputs decent daylight snapshots but struggles with noise and detail in shadows.
Recommendations: Which Camera Fits Your Needs?
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For Professionals and Advanced Enthusiasts: The Olympus E-3 stands out as a versatile, robust DSLR system offering proven image quality, solid autofocus performance, extensive lens selection, and durability for demanding use across genres, including portrait, landscape, wildlife, and sports.
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For Casual Users and Travelers Seeking Simplicity and Compactness: The Sony S980’s pocketable form, automatic controls, and HD video make it a modestly capable choice for everyday snapshots, travel photo documentation, or family events, though with significant limits in creative control and image quality under challenging conditions.
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Portrait and Studio Work: Olympus’s interchangeable lenses and better skin tone reproduction via its larger sensor again make it the preferred option.
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Street Photography: Sony’s compact size allows discreet shooting, but the Olympus’s faster shutter and articulation can provide more creative freedom if size is not a strict constraint.
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Macro and Nature Photography: Olympus’s dedicated macro lenses and sensor-shift stabilization hold clear advantages.
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Videographers: Sony offers basic HD video recording absent in the Olympus, though with dated codec and limited multimedia functionality.
Concluding Thoughts: Balancing Legacy Choices with Modern Contexts
While both cameras represent earlier technology generations, they reflect two fundamental approaches to photography design, serving different user profiles and intents. The Olympus E-3 encapsulates a professional, durable DSLR system optimized for photographic control and quality, whereas the Sony S980 provides budget-friendly, compact ease-of-use with video utilities.
Judging these cameras from extensive hands-on tests confirms the importance of aligning camera features not just with headline specs, but with realistic shooting needs, genre priorities, and intended workflows. Investing in a system like the E-3 demands embracing its size and operational complexity but rewards with lasting flexibility and image fidelity. Opting for the Sony S980 offers immediate convenience and out-of-the-box simplicity at the expense of manual control and advanced performance.
We trust this detailed side-by-side analysis empowers you to navigate your next camera purchase with confidence, founded on practical insights and comprehensive expertise.
If you want expert advice tailored to your specific photography goals or additional comparisons of contemporary alternatives, feel free to reach out or consult our detailed buyer’s guides.
Olympus E-3 vs Sony S980 Specifications
| Olympus E-3 | Sony Cyber-shot DSC-S980 | |
|---|---|---|
| General Information | ||
| Company | Olympus | Sony |
| Model | Olympus E-3 | Sony Cyber-shot DSC-S980 |
| Type | Advanced DSLR | Small Sensor Compact |
| Announced | 2008-02-20 | 2009-02-17 |
| Body design | Mid-size SLR | Compact |
| Sensor Information | ||
| Processor | TruePic III | - |
| Sensor type | CMOS | CCD |
| Sensor size | Four Thirds | 1/2.3" |
| Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
| Sensor surface area | 224.9mm² | 28.1mm² |
| Sensor resolution | 10 megapixel | 12 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
| Highest resolution | 3648 x 2736 | 4000 x 3000 |
| Highest native ISO | 3200 | 3200 |
| Minimum native ISO | 100 | 80 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 11 | 9 |
| Lens | ||
| Lens mounting type | Micro Four Thirds | fixed lens |
| Lens focal range | - | 33-132mm (4.0x) |
| Maximal aperture | - | f/3.3-5.2 |
| Macro focus range | - | 10cm |
| Available lenses | 45 | - |
| Crop factor | 2.1 | 5.8 |
| Screen | ||
| Range of display | Fully Articulated | Fixed Type |
| Display size | 2.5 inches | 2.7 inches |
| Resolution of display | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder type | Optical (pentaprism) | None |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.58x | - |
| Features | ||
| Slowest shutter speed | 60s | 2s |
| Maximum shutter speed | 1/8000s | 1/1600s |
| Continuous shooting speed | 5.0 frames/s | 1.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 13.00 m | 3.50 m |
| Flash settings | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-Eye reduction, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Maximum flash sync | 1/250s | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | - | 1280 x 720 (30 fps) 640 x 480 (30 fps) |
| Highest video resolution | None | 1280x720 |
| Video data format | - | Motion JPEG |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 890 gr (1.96 pounds) | 167 gr (0.37 pounds) |
| Dimensions | 142 x 116 x 75mm (5.6" x 4.6" x 3.0") | 93 x 56 x 24mm (3.7" x 2.2" x 0.9") |
| DXO scores | ||
| DXO All around score | 56 | not tested |
| DXO Color Depth score | 21.6 | not tested |
| DXO Dynamic range score | 10.5 | not tested |
| DXO Low light score | 571 | not tested |
| Other | ||
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage media | Compact Flash (Type I or II), xD Picture Card | Memory Stick Duo / Pro Duo, Internal |
| Storage slots | One | One |
| Cost at launch | $670 | $300 |