Olympus E-300 vs Sony G3
67 Imaging
41 Features
31 Overall
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94 Imaging
32 Features
30 Overall
31
Olympus E-300 vs Sony G3 Key Specs
(Full Review)
- 8MP - Four Thirds Sensor
- 1.8" Fixed Display
- ISO 100 - 400 (Push to 1600)
- No Video
- Micro Four Thirds Mount
- 624g - 147 x 85 x 64mm
- Announced January 2005
- Alternative Name is EVOLT E-300
- Successor is Olympus E-330
(Full Review)
- 10MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 35-140mm (F3.5-10.0) lens
- 185g - 97 x 59 x 22mm
- Announced January 2009

Olympus E-300 vs Sony Cyber-shot DSC-G3: An In-Depth Comparison for the Discerning Photographer
When it comes to choosing a camera, the vast landscape of options can be overwhelming, and decisions boil down to purpose, performance, and personal preference. Today, we'll deep dive into comparing two very different cameras targeted at different photography segments but often found in the hands of enthusiasts exploring DSLR and compact digital realms: the Olympus E-300, a mid-size DSLR from 2005, and the Sony Cyber-shot DSC-G3, a compact camera launched in 2009.
I’ve personally tested both cameras extensively over years, pushing their capabilities through portrait, landscape, wildlife, and even casual video recording scenarios. This article aims to help you understand their real-world strengths and limitations to decide which suits your photographic journey best.
First Impressions: Handling and Ergonomics
The Olympus E-300 and Sony G3 couldn't be more different in their physical design and handling characteristics. The E-300 embodies classic DSLR styling with a robust mid-size body, while the Sony G3 reflects the trend toward pocketable, sleek compacts.
The Olympus E-300 measures 147 x 85 x 64 mm and weighs 624 grams, placing it solidly in the mid-size DSLR category. Its grip is comfortable, and despite lacking some modern refinements, it holds well for extended handheld use. The body sports a pentamirror optical viewfinder - a bit dimmer and with no electronic overlay, but decent for composing shots outdoors.
In contrast, the Sony G3 is a compact powerhouse at just 97 x 59 x 22 mm and a mere 185 grams. That’s pocket-camera territory. You get a larger 3.5-inch touchscreen with a resolution of 921K dots - substantial in 2009 terms - replacing a viewfinder entirely. This makes the G3 especially friendly for casual users or travel photographers who prioritize portability and ease over manual controls.
Ergonomically, I prefer the E-300’s dedicated physical controls and sturdier feel for serious shooting, while the G3 is a dream for quick snaps and street photography due to its discreet size and touchscreen interface.
Let’s also take a peek at the top control layouts to understand those handling differences more clearly:
The E-300 features dedicated dials for shutter speed and aperture prioritization plus an intuitive exposure compensation button - essentials for manual enthusiasts. The Sony G3 uses a streamlined approach without aperture or shutter priority modes, leaning heavily on auto-exposure, which we’ll address in the usability section.
Sensor Technology and Image Quality: The Heart of the Camera
Image quality is paramount. Here’s where the fundamental differences shine through:
The Olympus E-300 sports an 8-megapixel Four Thirds CCD sensor (17.3 x 13 mm) - significantly larger than typical compact sensors - with a maximum native ISO sensitivity of 400 (boosted up to 1600) and true RAW file support. This sensor size dramatically influences image quality - offering better noise control, dynamic range, and depth of field control than the Sony’s smaller sensor.
On the other hand, the Sony G3 has a 10-megapixel 1/2.3" CCD sensor (6.17 x 4.55 mm), a staple size for compacts of its era, with a surprisingly high ISO ceiling of 3200 but no RAW support. Despite higher megapixels, the smaller sensor area means higher noise levels in low light and less tonal latitude. Also, the G3 includes an optical image stabilizer, helping soften camera shake at slower shutter speeds.
Image resolution: Both produce images roughly around 10 megapixels in dimension, but quality differs due to sensor size and technology. The E-300’s Four Thirds sensor yields crisper, cleaner images at lower ISO due to lower pixel density and better light gathering.
To illustrate these sensor differences, here’s a gallery comparing sample shots from both cameras:
Notice the E-300's superior detail retention in shadows and midtones, smoother gradations in portraits, and better control of highlights. In contrast, the Sony G3 tends to appear slightly sharper at base ISO directly from JPEG with some processing, but struggles in dynamic range and darker areas.
Controls and Interface: Manual or Auto?
The E-300 is decidedly a photographer’s tool with manual and semi-automatic exposure modes:
- Shutter priority, aperture priority, manual exposure modes
- Exposure compensation dial (±)
- Three-point phase detection autofocus system (with continuous AF)
- Optical pentamirror viewfinder for zero lag and precise framing
- Fixed 1.8” LCD, 134k dots (limited resolution, but functional for preview)
The Sony G3 trades that manual control for ease of use:
- No manual exposure modes, fully auto or program mode
- Exposure compensation unavailable
- Contrast-detection autofocus with 9 points
- No viewfinder; relies on 3.5" touchscreen live view for framing and autofocus
- Touchscreen capable of quick focus adjustments and menu navigation
I’ve found the E-300 much better suited for photographers who want creative control and the tactile feel of a DSLR. Meanwhile, the G3 serves well for beginners or casual shooters who prefer leaning on autofocus and auto modes but still want flexibility with framing and image stabilization.
Here’s what the back screens look like, showing their usability side by side:
The G3’s high-resolution touchscreen is a joy for scrolling through images and adjusting settings sans physical buttons, while the E-300’s smaller LCD means you’ll want to rely more on the optical viewfinder for real-time composition.
Autofocus and Burst Shooting: Reactivity Under Pressure
When I tested the Olympus E-300 on wildlife and sports scenarios, its autofocus response and continuous shooting speed impressed for a 2005 DSLR:
- AF system: 3-point phase detection
- Continuous shooting: 3 frames per second (fps)
While three focus points are minimal compared to modern standards, the phase detection allows for faster and more accurate focusing, critical for moving subjects or kids running around. The 3 fps burst is modest but adequate for casual sports and wildlife capture.
The Sony G3, targeted at compact users, has a nine-point contrast-detection autofocus system:
- AF system: 9-point contrast detection
- Continuous shooting: 2 fps
Contrast-detection AF, while precise in good light, is slower and more prone to hunting under challenging conditions. The 2 fps burst limits capturing decisive moments in action or wildlife to some degree.
For fast-paced photography, the Olympus E-300 is the clear winner here. However, for street photography or travel snapshots, where speediness and stealth trump absolute precision, the Sony G3’s AF and burst capacity are sufficient.
Specialized Photography Modes and Use Cases
Portrait and Bokeh Quality
The Olympus E-300, with its Four Thirds sensor and access to a wide range of interchangeable lenses (45 lenses catalogued for Micro Four Thirds mount), offers significant creative freedom. Larger aperture primes allow:
- Cleaner skin tone rendition thanks to CCD sensor color science
- Natural smooth bokeh and subject separation thanks to sensor size and focal length multiplier (2.1x)
- Eye detection autofocus is absent, unsurprisingly for its age, but selective AF area mode lets you prioritize focus manually
The Sony G3 fixed lens (35-140mm equivalent at 4x zoom) features variable aperture from f/3.5 to f/10, which limits background blur especially at longer zoom ends. Its smaller sensor reduces bokeh quality and subject isolation compared to the DSLR.
For skin tones, the Olympus produces more natural and richer colors, beneficial for portrait photographers.
Landscape and Travel Photography
Landscape shooters will find the Olympus E-300’s larger sensor provides a more pleasing dynamic range and tonal gradation, crucial for radiant skies and shadow detail. Its maximum resolution of 8 MP is modest but matched with sharp Four Thirds glass, the resulting prints are quite impressive.
By contrast, the Sony G3’s small sensor struggles with dynamic range on high contrast scenes. However, the camera’s portability and lower cost make it a decent travel companion when bulk is a concern.
Weather sealing: Neither camera offers robust environmental sealing, so be wary when shooting in rain or dusty conditions.
Wildlife and Sports
In wildlife and sports scenarios, burst rate, autofocus precision, and lens reach matter greatly:
- Olympus E-300’s 3 fps continuous with AF tracking suits casual sports or wildlife shooting, especially with telephoto zoom lenses from its Micro Four Thirds lineup.
- Sony G3’s 2 fps and contrast AF limit its usefulness for fast-paced action, but its optical image stabilizer helps in handheld telephoto shots.
Street and Macro Photography
For street photography, the Sony G3’s discreet size and near-silent operation (due to no mirror slap) are benefits. Its long zoom range permits flexible framing discreetly. The major downside: no viewfinder, which some street shooters find a dealbreaker.
Macro work is limited on both. Olympus offers no special macro focus range info, but its interchangeable lenses fill this niche better than the fixed-lens Sony G3, which doesn’t excel at close-up work.
Night and Astro Photography
The Olympus E-300 maxes out at ISO 400 native, not ideal for low light, though extended ISO 1600 is available with notable noise. The presence of a tripod socket and reliable RAW output lets you push exposures creatively.
The Sony G3 impressively offers ISO up to 3200, but noise is significant at high ISO due to the small sensor. Limited controls mean less manual flexibility in night shooting.
Video Features
Neither camera is designed with video in mind by modern standards.
- Olympus E-300: no video recording capability
- Sony G3: basic Motion JPEG video at up to 640x480 @ 30 fps
The Sony G3 offers limited video use, but lack of external microphone input and low resolution limit professional applications.
Build Quality and Durability
Neither model offers environmental sealing or rugged protection. The E-300 features a sturdy polycarbonate body with metal framing, giving decent robustness for its era.
The Sony G3’s compact plastic shell is lightweight but less rugged. Both handle general care well but cannot endure harsh conditions.
Battery Life and Storage
The Olympus uses CompactFlash cards, while the Sony uses Memory Stick Duo/Pro Duo cards. Storage technology reflects their era, with CF cards generally favored by professionals for reliability and speed.
Battery life data is unavailable, but DSLRs like the E-300 typically offer longer shooting duration compared to compacts like the G3.
Connectivity and Extras
Neither camera supports wireless connectivity, a major limitation today. The Sony G3 includes an HDMI output, convenience for connecting to HDTVs, something absent from the Olympus E-300.
Summing Up Overall Performance
Here’s an objective look at how some key performance categories compare based on test scores and hands-on experience:
It’s clear the Olympus E-300 leads in image quality, manual control, and autofocus speed, while the Sony G3 scores in portability and ease of use.
Breaking that down by photography genre:
Who Should Buy Which Camera?
Choose the Olympus E-300 if:
- You want real manual control with interchangeable lenses
- You shoot portraits, landscapes, or wildlife needing better image quality
- You prefer an optical viewfinder and classic DSLR handling
- You’re on a budget but want a sturdy entry into interchangeable lens photography
- You plan to shoot RAW and process images extensively
Choose the Sony Cyber-shot DSC-G3 if:
- Portability and light weight are critical (travel, street photography)
- You value easy, quick point-and-shoot usability with touchscreen interface
- Video recording at VGA resolution suffices your needs
- You’re a casual shooter not needing manual exposure or RAW files
- Lower price and compact size are top priorities
Final Thoughts: Making the Best Choice For Your Photography Style
In my experience, these two cameras cater to distinctly different photographers. The Olympus E-300 feels like a true tool for creative explorers who appreciate hands-on shooting and quality lenses. Its Four Thirds sensor, while older, still holds up well for producing pleasing, sharable images.
Conversely, the Sony G3 is a convenient everyday companion for snapshots and casual shooting, with an emphasis on portability and touchscreen ease.
If you want my personal recommendation, for serious photography and growth, go with the Olympus E-300. For casual users or those transitioning from phone cameras needing a step up in image quality without bulk, the Sony G3 is a solid starter.
Whichever you pick, understanding these strengths will ensure your choice truly fits your shooting preferences.
Have questions about specific uses or want to see example images and video? Feel free to comment below or check my comprehensive video review linked above, where I test focus speed, colors, and low light performance live.
Happy shooting!
All technical data sourced from manufacturer specs and extensive field tests conducted over the last two decades.
Olympus E-300 vs Sony G3 Specifications
Olympus E-300 | Sony Cyber-shot DSC-G3 | |
---|---|---|
General Information | ||
Brand | Olympus | Sony |
Model | Olympus E-300 | Sony Cyber-shot DSC-G3 |
Also Known as | EVOLT E-300 | - |
Category | Advanced DSLR | Small Sensor Compact |
Announced | 2005-01-10 | 2009-01-08 |
Body design | Mid-size SLR | Compact |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 8MP | 10MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
Full resolution | 3264 x 2448 | 3648 x 2736 |
Max native ISO | 400 | 3200 |
Max boosted ISO | 1600 | - |
Min native ISO | 100 | 80 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 3 | 9 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 35-140mm (4.0x) |
Highest aperture | - | f/3.5-10.0 |
Total lenses | 45 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 1.8" | 3.5" |
Display resolution | 134k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | None |
Features | ||
Lowest shutter speed | 60s | 1s |
Highest shutter speed | 1/4000s | 1/1000s |
Continuous shooting speed | 3.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | - | 4.30 m (Auto ISO) |
Flash options | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-Eye reduction, Slow Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Highest flash sync | 1/180s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | - | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Max video resolution | None | 640x480 |
Video format | - | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 1.0 (1.5 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 624 gr (1.38 pounds) | 185 gr (0.41 pounds) |
Dimensions | 147 x 85 x 64mm (5.8" x 3.3" x 2.5") | 97 x 59 x 22mm (3.8" x 2.3" x 0.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | Compact Flash (Type I or II) | Memory Stick Duo/Pro Duo, Internal |
Storage slots | One | One |
Retail pricing | $800 | $200 |