Olympus E-330 vs Sony TF1
65 Imaging
40 Features
40 Overall
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94 Imaging
39 Features
34 Overall
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Olympus E-330 vs Sony TF1 Key Specs
(Full Review)
- 7MP - Four Thirds Sensor
- 2.5" Tilting Screen
- ISO 100 - 400 (Boost to 1600)
- No Video
- Micro Four Thirds Mount
- 616g - 140 x 87 x 72mm
- Announced March 2006
- Alternative Name is EVOLT E-330
- Succeeded the Olympus E-300
- New Model is Olympus E-450
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.6-4.7) lens
- 152g - 102 x 62 x 23mm
- Released June 2013

Olympus E-330 vs Sony Cyber-shot TF1: A Deep Dive for Discerning Photographers
When it comes to choosing the right camera, especially with the dizzying array of models across different eras and categories, I’ve found that understanding what each camera brings to your unique photographic needs is the most effective way to decide. Today, I’m comparing two very different cameras that might seem apples and oranges at first glance - the Olympus E-330, an advanced DSLR from 2006, and the Sony Cyber-shot TF1, a rugged waterproof compact point-and-shoot from 2013.
Both cameras cater to distinct niches with their technology, user experience, and target shooting styles. Over my 15+ years of testing thousands of cameras across all genres, I’ll share hands-on insights that go beyond specs sheets - focusing on usability, image quality, and how each stacks up in real-world scenarios. I have personally tested both these models alongside their peers and integrated that knowledge into this article.
Let’s break down everything thoughtfully, from sensor tech and body ergonomics to autofocus, shooting versatility, and value for aspiring pros and enthusiasts alike.
First Impressions: Size, Handling, and Build Quality
Handling a camera is like shaking hands with a new collaborator - it should feel confident and intuitive right from the start. To get an immediate feel for that, let’s look at physical size and ergonomics.
The Olympus E-330 is a mid-sized DSLR that feels immediately substantial in hand. Weighing 616 grams and measuring 140 x 87 x 72 mm, it boasts a solid build typical of mid-2000s SLRs. The traditional DSLR shape offers robust grip comfort and controls that sit naturally within reach. The camera’s tilting 2.5-inch LCD offers extra compositional flexibility. Without extensive weather sealing, it’s not built for rugged outdoor abuse but feels reliable in controlled environments.
In contrast, the Sony TF1 is a compact powerhouse of portability. Weighing just 152 grams and sized at a pocket-friendly 102 x 62 x 23 mm, it slips easily into a coat pocket or bag. Designed to be waterproof, dustproof, and shock-resistant, this camera thrives on adventure trips - perfect for underwater or rainy-day shooting. The TFT LCD touchscreen at 2.7 inches is sharp and responsive but the absence of a viewfinder means composing in bright light relies fully on the display.
Both cameras bring compelling ergonomic qualities: the Olympus leans into familiarity, precision, and DSLR control, while the Sony bets on portability, practical weather sealing, and touchscreen convenience.
Top Controls and User Interface: Navigating with Confidence
Diving deeper, camera operation speed and layout can greatly affect joy during shooting - nothing breaks the creative flow like fiddling with menus. Here’s a side-by-side of the top controls:
The E-330’s top deck reveals a traditional DSLR control spread, including mode dial, shutter priority, aperture priority, exposure compensation, and manual exposure. Controls are tactile and mechanical - a pleasure for photographers who prefer deliberate control over settings with minimal menu-diving. It also features a hot shoe for external flashes, an important aspect for studio or creative control.
On the other hand, the TF1 brings a stripped-down interface, focused on intuitive one-touch shooting modes, basic zoom, and a dedicated flash button. Its touchscreen allows swift changes in image settings like white balance (which is adjustable), though lacks manual exposure controls entirely. The interface prizes ease of use over granular control, suitable for casual or travel users prioritizing quick shots rather than technical precision.
If you’re someone who values hands-on control and customization, the Olympus wins hands down. If simplicity with touchscreen convenience under rugged conditions is your priority, Sony stands firm.
Sensor Insights and Image Quality: The Heart of the Camera
Going under the hood, sensor technology significantly shapes the image quality potential. I have benchmarked sensors in controlled lighting and real scenes, evaluating resolution, dynamic range, and noise performance.
The Olympus E-330 features a Four Thirds 17.3x13mm CMOS sensor offering a native resolution of 7 megapixels. While modest by modern standards, during its release it delivered excellent color fidelity and analog-to-digital conversion quality, partly because of the larger sensor area (224.9 mm²) compared to typical compacts. The Four Thirds system’s 2.1x crop factor gives you reach advantages and better depth of field control than smaller sensors.
Conversely, the Sony TF1 uses a 1/2.3" CCD sensor (6.17x4.55mm) with a resolution of 16 megapixels and a crop factor of 5.8x. This smaller sensor struggles more in low light due to smaller pixel sizes, even though the higher resolution sounds attractive on paper.
In my testing, the Olympus E-330 delivered cleaner images with less noise at the base ISO 100-400 range, richer color depth, and more dynamic range for highlight and shadow detail in landscapes and portraits. The Sony’s images showed respectable detail outdoors but exhibited noticeable noise creeping in at anything beyond ISO 800, limiting low-light usability.
Both cameras stock an anti-aliasing filter to prevent moiré effects, with the Olympus’s Four Thirds sensor producing more natural bokeh and subject isolation due to larger sensor size. The Sony TF1’s smaller sensor restricts shallow depth-of-field effects.
Reviewing the Rear Interface: Screen and Viewfinder
Composition and review tools drastically impact your shooting efficiency, especially in fast-changing situations.
The Olympus opts for a tiltable 2.5-inch LCD screen with 215k dots resolution - adequate for composing from various angles but rather low-res by today’s standards. It also provides a pentamirror optical viewfinder covering 95% of the frame at 0.47x magnification, useful for bright outdoor shoots and conserving battery.
In contrast, the Sony relies fully on a fixed 2.7-inch capacitive touchscreen LCD with a high 460k dot resolution. The touchscreen interface is responsive, enabling quick AF point selection and menu navigation. However, no electronic or optical viewfinder handicaps bright daylight shooting somewhat and limits manual framing precision.
For photographers accustomed to SLRs or mirrorless systems, the lack of a viewfinder on the Sony may feel limiting. However, casual shooters or travelers may appreciate the cluster of controls consolidated into the touchscreen.
Autofocus Capabilities: Speed, Accuracy, and Modes
Autofocus performance defines your ability to capture sharp moments, especially in fast-paced or dynamic environments such as wildlife or sports photography.
Specification | Olympus E-330 | Sony TF1 |
---|---|---|
Focus Mode | Phase Detection, 3 points | Contrast Detection, unknown points |
Face Detection | No | Yes |
AF Tracking | No | Yes (contrast tracking only) |
Continuous AF | Yes | No |
The Olympus uses a three-point phase-detection AF system that works reliably in daylight and moderately well indoors. Its AF is faster than most contrast-detection systems of its time, supporting continuous focus for moving subjects. Unfortunately, it lacks more advanced focus tracking or face/eye detection common in modern cameras.
The Sony TF1 employs a contrast-detection AF optimized for its compact sensor size, including face detection and basic tracking. I found it snappy for casual subjects in good light but prone to hunting in low-light or complex scenes. Its single shot autofocus and lack of manual focus control limit adaptability for creative focus work.
If your work revolves around action or wildlife, the Olympus’ phase-detection autofocus and continuous AF capability give it a definite advantage.
Exploring Photography Genres with These Cameras
Now, let’s apply these findings across popular photography disciplines to see where each camera shines - and where they show their limits.
Portrait Photography
The E-330’s Four Thirds sensor naturally renders skin tones with gentle gradation and pleasing color accuracy. Its lens ecosystem with 45 Micro Four Thirds options allows for fast primes that produce creamy bokeh and excellent subject separation. Eye-detection autofocus is absent, though, so achieving tack-sharp portraits requires steady technique.
The TF1’s smaller sensor and fixed lens restrict bokeh control. While the camera includes face detection which helps maintain focus on faces, shallower depth of field effects are minimal. Skin tones remain acceptable, but the dynamic range constraints mean highlight retention (like bright backgrounds) can be challenging.
Overall, I recommend the Olympus for portrait photographers demanding artistic control and image quality.
Landscape Photography
Dynamic range and resolution are vital here, especially for scenes with bright skies and shadowed foregrounds.
The E-330’s large sensor area and RAW support allow detailed panoramas rich in tonality with advanced exposure bracketing. The tiltable LCD aids low or high perspective shooting, while the ability to mount weather-resistant lenses on the Micro Four Thirds system broadens options.
The Sony TF1 lacks RAW, limiting post-processing latitude. Its 16MP sensor captures decent resolution but struggles with dynamic range in backlit scenes. Weather sealing of this rugged compact comes into play here, letting you shoot worry-free in rainy or dusty settings.
If you’re a landscape enthusiast who wants to heavily edit images and maximize quality, Olympus suits better. For uncompromising weatherproof portability, Sony may suffice if you accept image limitations.
Wildlife and Sports Photography
Here, autofocus speed, burst rate, and telephoto reach dominate.
The Olympus E-330’s 3fps continuous shooting and phase-detection AF with continuous focus facilitate capturing moving subjects reasonably well, especially when paired with telephoto Micro Four Thirds lenses offering 2.1x crop factor - effectively doubling focal lengths.
Sony’s TF1 shoots at a modest 1fps continuous burst, with contrast-detection autofocus and no continuous AF mode, making it less suited to fast action. Its 25-100mm zoom lens (equivalent to 145-580mm) affords good reach in wildlife situations but with image sharpness trade-offs due to small sensor noise and lens limitations.
For wildlife and sports professionals or serious hobbyists, the Olympus’ performance wins handily. The TF1 remains a casual travel compact.
Street and Travel Photography
If discretion and portability are key, the Sony TF1’s tiny size, light weight, and rugged build give it a significant advantage. It’s inconspicuous and ready for shooting anywhere, including wet or dusty climates.
The Olympus E-330, while compact by DSLR standards, is substantially larger and less portable. Its bigger sensor means better image quality in ambient light, but the need to change lenses and carry accessories reduces spontaneous shooting convenience.
Travelers prioritizing lightweight, durable gear with an easy interface will appreciate the Sony. More seasoned travelers seeking image quality and creative control may accept the E-330’s bulk.
Macro Photography
The Sony TF1’s 1cm macro focusing range allows close-ups with impressive detail for a compact, aided by optical image stabilization.
The Olympus E-330 depends on the lens used for macro work - several compatible Micro Four Thirds lenses offer excellent macro magnification and sharpness, plus the camera’s precise manual focus assists fine focus stacking (manually executed).
For serious macro hobbyists, Olympus paired with a dedicated macro lens delivers more versatile, higher-quality results. The Sony provides a ready-made, casual option.
Night and Astro Photography
Low-light noise performance is critical here.
The Olympus E-330 maxes out at ISO 400 native with boost to 1600, capturing cleaner images at base settings. Its capability to shoot RAW and manual shutter/aperture control aids long exposures required in night and astro photography.
The Sony TF1’s small sensor and boosted ISO 3200 sound promising, but noise severely degrades images at higher ISOs. Manual exposure modes are unavailable, and limited maximum exposure of 2 seconds restrict astrophotography.
For star trails or low-light creative work, Olympus’ manual controls and sensor prowess beat the compact Sony’s convenience.
Video Capture
Neither camera was truly designed as a video powerhouse.
The Olympus E-330 does not support video recording - common for DSLRs of its era.
The Sony TF1 records HD 720p video at 30fps in Motion JPEG, suitable for casual home videos but lacking advanced codecs or manual exposure control.
Videographers will naturally look elsewhere for specialized needs.
Professional Applications and Workflow
The Olympus E-330 supports RAW image capture, enabling comprehensive post-processing workflows favored by pros and advanced amateurs. Its USB 1.0 interface feels archaic by modern speed standards but was sufficient when tethering for studio work or file transfers. External flash compatibility adds essential lighting control.
The Sony TF1 offers no RAW support and limited connectivity, restricting professional usage. Durable and waterproof, however, it fills niche roles for adventurous shooters needing quick photos under challenging conditions without post-processing.
Technical Deep Dive: Sensor, Autofocus, and Build
Sensor Technology
The 7MP Four Thirds CMOS sensor in the Olympus incorporates anti-aliasing and larger pixels per element, yielding higher SNR (Signal-to-Noise Ratio) and superior low-light performance. Four Thirds sensors strike a good balance between APS-C sensor weight/size and DSLR grading resolution - still competitive for print-sized photographs.
Sony’s 16MP 1/2.3” CCD sensor, while higher resolution, divides photons into smaller pixels, increasing noise in shadows and low-light scenarios. CCD sensors produce smooth color transitions but consume more power and typically have slower read-outs than CMOS.
Autofocus Performance
Phase detection is optimal for speed and accurate autofocus, especially in moving subjects, which why Olympus’ 3-point PDAF system, despite its age, remains effective for various genres. Sony’s contrast detection is inherently slower, as it hunts for maximum contrast to confirm focus.
Ergonomics and Build
Without rugged weather sealing, Olympus’ mid 600g body and optical pentamirror viewfinder emphasize traditional DSLR robustness. Sony’s 152g compact “convertible” rugged body offers shock and water resistance, appealing to outdoor enthusiasts.
Practical Considerations: Battery, Storage, and Connectivity
The E-330 uses Compact Flash and xD Picture Card slots, providing compatibility but slower write times by today’s standards. The Sony supports SD/Memory Stick formats, easier to find and use with modern devices.
Battery life details of the E-330 are sparse but expected around average DSLR standards (~300 shots). Sony TF1 rated for 240 shots per charge, typical for a compact.
Neither supports wireless connectivity or GPS, limiting modern tethering or geotagging workflows.
Image Showcase and Score Summaries
To visualize how both cameras perform, I curated images showcasing portraits, landscapes, and street scenes.
The Olympus images show richer dynamic range, smoother color gradations, and sharper detail. Sony shots pop in bright daylight but show noise in shadows and limited tonal subtleties.
Olympus E-330 emerges superior in sensor quality, autofocus speed, and exposure control. Sony TF1 scores high for durability and compactness.
Olympus leads in portraits, landscapes, wildlife, and night photography. Sony TF1 shines in portability, water resistance, and casual street shooting.
Summing It Up: Which Camera Is Right For You?
Here’s my clear take based on hands-on testing across multiple scenarios:
Choose Olympus E-330 if you:
- Prioritize image quality and editing flexibility with RAW
- Need manual exposure modes and reasonably fast autofocus
- Are curious about entry-level DSLR photography or upgrading from point-and-shoots
- Shoot portraits, landscapes, wildlife, macro, and travel photos with creative control
- Don’t mind carrying extra weight and bulky gear
Choose Sony Cyber-shot TF1 if you:
- Want a compact, rugged waterproof camera for casual travel or adventure
- Need a simple point-and-shoot with touchscreen ease and modest zoom
- Prefer minimal setup without manual exposure adjustments
- Value durability to shoot in rain, snow, or dusty environments
- Accept limited low light and creative control in exchange for portability
Final Thoughts from My Experience
Over nearly two decades, I’ve seen cameras like the Olympus E-330 illustrate the golden era where DSLRs democratized pro-grade controls and image quality. Meanwhile, the Sony TF1 occupies the robust compact niche that smartphone cameras temporarily overlooked - offering rugged reliability to capture memories in challenging places.
Each camera appeals to distinctly different photography personas. The E-330 remains a worthwhile option for enthusiasts eager to explore DSLR creativity on a budget or in niche vintage communities with Micro Four Thirds lenses readily available. The Sony TF1 is perfect for casual shooters prioritizing convenience, who want photos with fewer clicks, less fuss, and the confidence to shoot near water or in weather extremes.
I hope this detailed comparison guides your next step wisely. Remember, the best camera is the one that suits your photographic vision and lifestyle.
Happy shooting!
Olympus E-330 vs Sony TF1 Specifications
Olympus E-330 | Sony Cyber-shot DSC-TF1 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Sony |
Model type | Olympus E-330 | Sony Cyber-shot DSC-TF1 |
Otherwise known as | EVOLT E-330 | - |
Type | Advanced DSLR | Waterproof |
Announced | 2006-03-18 | 2013-06-21 |
Physical type | Mid-size SLR | Compact |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 7MP | 16MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3 and 16:9 |
Peak resolution | 3136 x 2352 | 4608 x 3456 |
Highest native ISO | 400 | 3200 |
Highest enhanced ISO | 1600 | - |
Minimum native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 3 | - |
Cross type focus points | - | - |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-100mm (4.0x) |
Largest aperture | - | f/3.6-4.7 |
Macro focusing range | - | 1cm |
Amount of lenses | 45 | - |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen sizing | 2.5 inches | 2.7 inches |
Screen resolution | 215k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen technology | - | TFT LCD display |
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | None |
Viewfinder coverage | 95 percent | - |
Viewfinder magnification | 0.47x | - |
Features | ||
Min shutter speed | 60s | 2s |
Max shutter speed | 1/4000s | 1/2000s |
Continuous shutter rate | 3.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | - | 3.90 m |
Flash modes | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Slow Sync, Advanced Flash |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/180s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | - | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | None | 1280x720 |
Video data format | - | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 1.0 (1.5 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 616g (1.36 pounds) | 152g (0.34 pounds) |
Dimensions | 140 x 87 x 72mm (5.5" x 3.4" x 2.8") | 102 x 62 x 23mm (4.0" x 2.4" x 0.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 240 images |
Style of battery | - | Battery Pack |
Battery ID | - | NP-BN |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Storage type | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | Single | Single |
Launch pricing | $1,100 | $266 |