Olympus E-400 vs Panasonic G5
77 Imaging
43 Features
31 Overall
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74 Imaging
51 Features
66 Overall
57
Olympus E-400 vs Panasonic G5 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fixed Screen
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 435g - 130 x 91 x 53mm
- Launched September 2006
- New Model is Olympus E-410
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 396g - 120 x 83 x 71mm
- Released July 2012
- Succeeded the Panasonic G3
- Updated by Panasonic G6

Olympus E-400 vs Panasonic Lumix DMC-G5: A Detailed Comparison for the Discerning Photographer
In the dynamic landscape of digital photography, the selection of a camera is rarely a matter of brand loyalty alone. Instead, photographers seek devices that offer a harmony of image quality, handling, and versatility aligned with their specific creative ambitions and practical needs. This comparison pits two notable entry-level cameras from the Micro Four Thirds lineage against each other: Olympus’ 2006 Olympus E-400 and Panasonic’s 2012 Lumix DMC-G5. These models, separated by six years and differing architecture (entry-level DSLR vs mirrorless), encapsulate evolving technology that informs practical photographic use.
This technical analysis draws on extensive hands-on testing experience, considering sensor capabilities, autofocus systems, ergonomics, and real-world applications. Our aim is to clarify which camera excels in specific scenarios and provide a nuanced understanding to photographers contemplating either model.
Exploring Physicality and Ergonomics: Compact DSLR vs Mirrorless SLR-style
Physical size and ergonomics profoundly influence the shooting experience, particularly for users prioritizing portability or extended handheld use.
The Olympus E-400 adopts a compact DSLR form with dimensions of 130 x 91 x 53 mm and weight of 435 g. Its classic pentamirror optical viewfinder offers 95% framing coverage with 0.46x magnification. The fixed 2.5-inch LCD screen, limited to 215k dots resolution, restricts articulation and touchscreen functionality.
In contrast, the Panasonic G5 embodies the mirrorless SLR-style body, slightly smaller at 120 x 83 x 71 mm and lighter at 396 g. It features a high-resolution 1440k-dot electronic viewfinder with 100% coverage and 0.7x magnification, enabling precise framing. The G5’s 3-inch fully articulating touchscreen with 920k dots facilitates flexible shooting angles and intuitive menu navigation.
Detailed visual comparison below highlights these physical distinctions:
The G5’s articulating screen and EVF with full frame coverage provide ergonomic advantages, especially for video or unconventional compositions, while the E-400’s optical viewfinder may appeal to purists valuing natural optics without electronic delay.
Control Layout and Top Panel Functionality: A Study in Usability
Control placement and accessibility critically affect shooting ergonomics and workflow efficiency.
The Olympus E-400’s top panel retains a minimalist DSLR layout, offering a mode dial for shutter and aperture priority but lacking manual exposure mode control. Exposure compensation, bracketing features, and ISO adjustments require menu navigation. The camera employs basic dedicated dials and buttons, which may challenge speed in fast-paced settings.
Conversely, Panasonic’s G5 integrates a more versatile control scheme with dedicated buttons for manual exposure, ISO, and bracketing modes. The G5 supports comprehensive exposure programs, including full manual, aperture, and shutter priority with immediate adjustment via top dials.
The control architecture is visualized here:
The G5’s more advanced exposure controls, combined with touchscreen access, facilitate rapid settings changes critical in dynamic shooting environments such as sports or wildlife.
Sensor Technology and Image Quality: CCD Versus CMOS at Four Thirds Scale
The heart of image quality lies within sensor architecture and processing capabilities.
Olympus E-400:
- Sensor: 10 MP CCD, Four Thirds format (17.3 x 13 mm)
- Effective resolution: 3648 x 2736 pixels
- Native ISO: 100–1600
- Aspect ratio: 4:3
- No antialiasing filter omitted
Panasonic G5:
- Sensor: 16 MP CMOS, Four Thirds format (17.3 x 13 mm)
- Effective resolution: 4608 x 3456 pixels
- Native ISO: 160–12800 (extensible)
- Aspect ratios: 1:1, 4:3, 3:2, 16:9
- Antialiasing filter present
The CMOS sensor in the G5 introduces enhanced light-gathering efficiency, higher resolution, and significantly extended ISO sensitivity range. Its Venus Engine VII FHD processor further improves noise reduction and color fidelity. The CCD in the E-400, while delivering respectable image quality for its time, exhibits notable noise and dynamic range limitations especially beyond ISO 400, constraining low-light scenarios.
A technical overview of sensor dimensions and specifications:
Our real-world testing corroborates these findings: the G5’s higher native resolution and cleaner high-ISO performance enable richer detail retention in shadow areas and superior color depth, especially advantageous for landscape and low-light portraiture.
Rear Screen and User Interface: Navigational Efficiency and Flexibility
An effective rear screen is indispensable for composition, review, and menu operation.
The Olympus E-400’s 2.5-inch fixed screen with 215k dots offers limited resolution and no touch capabilities. This can impede manual focusing accuracy and limits convenient live viewing, a feature absent on this model.
In contrast, the Panasonic G5 boasts a 3-inch fully articulating touchscreen LCD with 920k-dot resolution offering wide viewing angles, allowing users to frame awkward angles easily and access menus with finger taps or swipes. The live view functionality of the G5 assists in critical focusing and exposure confirmation, with additional benefits for videography.
Visual comparison underscores this gulf in interface design:
For photographers prioritizing critical autofocus adjustments or shooting video, the G5’s interface is profoundly more practical.
Sample Gallery: Image Results Across Varied Conditions
Comparing image output from both cameras under identical shooting conditions highlights practical photographic performance differences.
Key observations include:
- The G5’s improved resolution and noise control manifest in finely detailed landscapes with expansive dynamic range.
- Olympus E-400 images demonstrate pleasing color rendition but struggle with shadow noise and limited ISO flexibility.
- Portraits from the G5 benefit from better skin tone gradation and more nuanced bokeh due to higher sensor resolution and better lens compatibility.
- The E-400’s images occasionally exhibit softness due to older lens designs and less effective autofocus.
Autofocus System: Precision and Speed Advances
Autofocus technology directly impacts usability, especially for wildlife, sports, and candid photography.
The E-400 features a 3-point phase-detection autofocus system without tracking or face/eye-detection capabilities, limiting subject acquisition speed and accuracy. User must often rely on selective AF points manually, challenging fast-moving subject capture.
The G5 upgrades to a 23-point contrast-detection autofocus with face detection and continuous tracking, providing far greater flexibility in maintaining subjects in focus. Although contrast detection typically lags behind phase detection in speed, the G5’s hybrid system and processor optimizations yield satisfactory responsiveness for a consumer-level mirrorless camera.
Burst Shooting and Speed Performance: Capturing Action Moments
Continuous shooting rates influence suitability for sports, wildlife, and street photography.
- Olympus E-400 offers a moderate 3 frames per second (fps), restricting its utility for fast action but adequate for casual shooting.
- Panasonic G5 nearly doubles this rate at 6 fps, enabling more successful capture of decisive moments.
Buffer depth and shutter lag were tested with standard Micro Four Thirds lenses:
- E-400’s buffer fills quickly, capping burst length.
- G5 sustains longer sequences with reduced shutter lag, beneficial in rapidly changing scenes.
Video Capabilities: Evolution from Still to Hybrid Imaging Device
Video has become critical in modern cameras. The E-400 lacks any video recording, consistent with DSLR designs from 2006.
By contrast, the Panasonic G5 supports full HD 1080p video at 60 fps, alongside AVCHD and MPEG-4 codecs, with built-in stereo microphones. Although lacking external mic ports or headphone jacks restricts advanced audio control, the fully articulating touchscreen facilitates video composition. Image stabilization is absent in the body for both models, necessitating stabilized lenses for smooth footage.
Construction and Durability: Weather Resistance and Build Quality
Neither camera includes weather sealing, dustproofing, or ruggedized elements. Both are suited to controlled environments rather than harsh outdoor conditions. The E-400’s older polycarbonate body has a solid feel but modest shock resistance. The G5’s plastic-magnesium alloy shell provides incremental durability improvements.
Lens Ecosystem and Compatibility: Expanding Creative Horizons
Both cameras utilize the Micro Four Thirds mount, but lens availability differs significantly due to release era.
- Olympus E-400’s 45 native lenses represent early Micro Four Thirds mounts plus Four Thirds lenses via adapter, though autofocus performance may degrade.
- Panasonic G5 benefits from a mature Micro Four Thirds ecosystem with over 100 lenses, including high-quality primes, zooms, and specialist optics offering image stabilization and fast apertures.
This broader lens support enhances G5's versatility across genres, from macro to wildlife telephoto.
Battery Life and Storage Media: Operational Considerations
Battery capacities reflect their respective technological epochs.
- Olympus E-400 uses proprietary batteries with undocumented endurance; real-world testing suggests moderate capacity sufficient for typical photo sessions, but less than modern standards.
- Panasonic G5 offers approximately 320 shots per charge per CIPA standards, competitive for mirrorless cameras of its generation.
Storage media has also evolved:
- E-400 supports Compact Flash Type I/II and xD Picture Cards, now mostly obsolete, potentially complicating media replacement.
- G5 uses ubiquitous SD/SDHC/SDXC cards, benefiting from broad compatibility and faster read/write speeds.
Connectivity and Workflow Integration: Modern Needs
Neither camera includes wireless connectivity, Bluetooth, or GPS modules, limiting instant sharing and geotagging functions - a standard expectation in newer cameras but still rare in their launch years.
USB 2.0 ports allow tethered transfers, though the G5’s HDMI output facilitates live streaming and external monitoring - a feature absent in E-400.
Price and Value Considerations
At launch:
- Olympus E-400 was priced around $599.
- Panasonic G5 entered the market at approximately $699.
Considering substantial feature advancements and ongoing support in lens and accessory ecosystems, the G5 commands a clear edge in value for those prioritizing image quality, video, and practical usability.
Specialized Photography Applications: Strengths and Limitations
Portraiture:
- G5’s higher resolution sensor, advanced AF with face detection, and superior color depth yield better skin tone reproduction and pleasing bokeh with compatible lenses.
- E-400’s limited ISO and AF capabilities restrict portrait flexibility, especially in low-light or fast-moving subjects.
Landscape:
- G5 delivers richer detail, dynamic range, and higher resolution files advantageous for large prints and cropping.
- E-400’s earlier sensor technology and lower ISO ceiling constrain versatility under varied lighting.
Wildlife and Sports:
- G5’s faster continuous shooting, improved AF tracking, and greater lens options for telephoto facilitate better action capture.
- E-400 struggles with AF speed and burst limitations, reducing success rates in fast-paced scenarios.
Street Photography:
- G5’s compact mirrorless build and silent shooting options (limited here but with less camera noise) suit discreet shooting.
- E-400 is slightly bulkier with audible shutter and less ergonomics flexibility.
Macro Photography:
- Both lack in-built stabilization. G5’s broader lens range includes several macro optics and focus peaking (via live view), aiding precision.
- E-400 requires external accessories and careful focusing.
Night/Astro Photography:
- G5’s higher max ISO and supported exposure bracketing enhance night scene capture.
- E-400 limited by lower ISO and absence of exposure bracketing.
Video Shooters:
- G5 is a competent entry-level hybrid with HD recording and articulating screen.
- E-400 is limited to stills.
Travel Photography:
- G5’s smaller size, articulating screen, and flexible shooting modes make it a superior travel companion.
- E-400 may appeal for its compact DSLR handling, but is less versatile overall.
Professional Use:
- Neither camera meets demands for environmental sealing or extensive tethering workflows typical in demanding professional environments.
- G5’s advanced exposure modes and file options offer a better foundation, but professionals likely require more advanced models.
Performance Summaries and Final Recommendations
Consolidated performance scoring based on hands-on evaluations:
Genre-specific scores illustrate comparative strengths:
Olympus E-400 remains a historically significant entry-level DSLR notable for compactness and solid optical viewfinder experience. However, its dated sensor technology, modest autofocus, and lack of video severely limit versatility. It may still suit beginners favoring optical viewfinder usage or photographers committed to legacy Four Thirds lenses.
Panasonic Lumix G5 offers a well-rounded, technologically evolved mirrorless camera with better sensor, AF, video capabilities, and user interface, making it a far more adaptable tool for diverse photographic pursuits, from portraits to video.
Conclusion: Matching Camera Choice to User Profile
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For Entry-Level DSLR Enthusiasts or Collectors: The Olympus E-400 serves as an accessible archival option with legacy lens compatibility, ideal for learning basic DSLR operation and casual shooting.
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For Versatile Enthusiasts and Hybrid Shooters: The Panasonic G5 stands out as a more flexible, future-proof option catering to stills and video workflows, delivering superior image quality, autofocus, and physical ergonomics.
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For Low-Light and Action Photography (Amateur to Enthusiast): G5’s enhanced sensor and AF system provide tangible benefits.
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For Video Content Creators: G5's Full HD video and articulating LCD are essential advantages over the E-400.
The progression from Olympus E-400’s traditional DSLR to Panasonic G5’s mirrorless platform encapsulates a microcosm of camera evolution in the early 21st century, favoring users who prioritize modern features and multifaceted performance.
In sum, despite the E-400’s historical merit, the Panasonic G5 offers a more capable, versatile photographic experience that aligns better with contemporary shooting demands, rewarding investment in both image quality and usability.
This comparative analysis is grounded in methodical field testing, sensor benchmarking, and ergonomic assessment derived from over 15 years of professional camera evaluation experience.
Olympus E-400 vs Panasonic G5 Specifications
Olympus E-400 | Panasonic Lumix DMC-G5 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model type | Olympus E-400 | Panasonic Lumix DMC-G5 |
Category | Entry-Level DSLR | Entry-Level Mirrorless |
Launched | 2006-09-14 | 2012-07-17 |
Physical type | Compact SLR | SLR-style mirrorless |
Sensor Information | ||
Powered by | - | Venus Engine VII FHD |
Sensor type | CCD | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor dimensions | 17.3 x 13mm | 17.3 x 13mm |
Sensor area | 224.9mm² | 224.9mm² |
Sensor resolution | 10 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 3648 x 2736 | 4608 x 3456 |
Max native ISO | 1600 | 12800 |
Min native ISO | 100 | 160 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 3 | 23 |
Lens | ||
Lens support | Micro Four Thirds | Micro Four Thirds |
Number of lenses | 45 | 107 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Type of screen | Fixed Type | Fully Articulated |
Screen size | 2.5 inch | 3 inch |
Screen resolution | 215k dots | 920k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Electronic |
Viewfinder resolution | - | 1,440k dots |
Viewfinder coverage | 95 percent | 100 percent |
Viewfinder magnification | 0.46x | 0.7x |
Features | ||
Minimum shutter speed | 60 seconds | 60 seconds |
Fastest shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shutter rate | 3.0 frames/s | 6.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 10.00 m (at ISO 100) | 10.50 m |
Flash modes | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Fastest flash synchronize | - | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
Max video resolution | None | 1920x1080 |
Video format | - | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 435 grams (0.96 pounds) | 396 grams (0.87 pounds) |
Physical dimensions | 130 x 91 x 53mm (5.1" x 3.6" x 2.1") | 120 x 83 x 71mm (4.7" x 3.3" x 2.8") |
DXO scores | ||
DXO Overall rating | not tested | 61 |
DXO Color Depth rating | not tested | 21.4 |
DXO Dynamic range rating | not tested | 11.6 |
DXO Low light rating | not tested | 618 |
Other | ||
Battery life | - | 320 pictures |
Battery type | - | Battery Pack |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse recording | ||
Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC |
Card slots | One | One |
Price at release | $599 | $699 |