Olympus E-450 vs Olympus E-PL9
77 Imaging
44 Features
36 Overall
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85 Imaging
55 Features
78 Overall
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Olympus E-450 vs Olympus E-PL9 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 426g - 130 x 91 x 53mm
- Revealed March 2009
- Succeeded the Olympus E-330
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 6400 (Boost to 25600)
- Sensor based Image Stabilization
- 3840 x 2160 video
- Micro Four Thirds Mount
- 380g - 117 x 68 x 39mm
- Introduced February 2018
- Replaced the Olympus E-PL8

Olympus E-450 vs Olympus PEN E-PL9: A Hands-On Comparison from an Experienced Photographer’s Perspective
When it comes to choosing an Olympus camera in the entry-level segment, the decision can feel oddly nostalgic or cutting-edge depending on whether you’re diving into a classic DSLR or embracing mirrorless technology. Today, I pit the 2009 Olympus E-450 DSLR against the 2018 Olympus PEN E-PL9 mirrorless to help you understand which might be the better fit for you - whether you’re a cheapskate on a budget or a photography enthusiast craving modern features. I’ve put both machines through my usual hands-on tests covering everything from sensor performance to ergonomics and real-world usability. So, let’s break it down together with solid evidence and first-hand impressions.
Size, Build, and Ergonomics: Handling the Old School vs. Sleek Mirrorless
One of the most obvious differences is the physical dimension and handling style, which affects not only comfort but also shooting stability and portability.
The Olympus E-450 is a compact SLR body with a traditional “clubs for thumbs” grip, weight tipping the scales at 426g, and chunkier proportions (130x91x53mm). It feels substantial but not bulky in hand - kind of like an old friend you trust. The E-PL9 trims the bulk significantly with a mirrorless rangefinder-styled body measuring 117x68x39mm and weighing just 380g. If you want pocketability and discretion for street or travel photography, this slimmer, lighter design is a big advantage.
However, the E-450's DSLR shape inherently offers better one-handed stability and easier handling with larger lenses. Plus, its pentamirror optical viewfinder lets you shoot straightforwardly in bright sunlight without battery drain. In contrast, the E-PL9 depends on a digital live-view or an optional electronic viewfinder, which adds cost if attached and either eats battery life or leaves you vulnerable in intense sunlight reflections on its touch tilting screen.
So ergonomically, if you like the tactile feel of an SLR, the E-450 won’t disappoint. If size and weight are premium, the PEN E-PL9 clearly wins.
Let’s peek under the hood regarding controls and body design further.
The E-450 offers a classic DSLR top layout with a physical mode dial and fewer buttons, guiding beginners gently but limiting quick access customization for pros. The E-PL9 ups the ante with more extensive controls, including a mode dial, dedicated video button, and customizable function buttons - a boon for users wanting quick operation without diving deep into menus.
Sensor & Image Quality: How Do the Chips Stack Up?
Both cameras share the Four Thirds sensor size (17.3x13mm) but belong to different technological eras, influencing resolution, noise handling, and dynamic range.
The Olympus E-450 uses a 10MP CCD sensor married to the TruePic III processor. It’s an older design with decent color depth of 21.5 bits and a respectable dynamic range of 10.5 EV stops at base ISO. ISO sensitivity caps at 1600 native, which while standard in 2009, is meager by modern standards. Sensitivity beyond ISO 512 is quite noisy in testing, limiting low light usability. Detail levels are solid for prints up to 8x10 but won’t rival modern cameras.
Contrast that with the E-PL9’s 16MP CMOS sensor combined with the significantly advanced TruePic VIII processor. This combo elevates image rendering, enabling sensitivity up to 6400 ISO natively (boostable to 25,600) with much cleaner noise characteristics. Its sensor technology and processing pipeline yield sharper, more vibrant images with smoother gradations and better highlight retention - key for landscape and portrait photographers chasing subtle tone variations. The E-PL9 also leverages an anti-aliasing filter to balance sharpness and moiré suppression nicely.
Bottom line: For raw resolution, low light noise handling, and dynamic range, the PEN E-PL9 offers a modern imaging edge, suitable for larger prints and post-processing latitude that the E-450’s decade-old sensor technology can’t match.
Autofocus Systems: Speed, Accuracy, and Practical Use
Autofocus (AF) can make or break your shooting experience, especially in wildlife, sports, or street photography where timing is critical.
The E-450 employs a very basic 3-point phase detection AF system, supported by contrast detection in live view. In practice, its AF feels slow and prone to hunting in low contrast or low light, with limited tracking ability due to minimal focus points. Center-weighted AF can be restrictive for off-center subjects. Face detection is absent, so portraits require manual tweaks.
The E-PL9's autofocus system, on the other hand, flexes 121 contrast detection focus points with face detection and tracking abilities baked in. While it lacks phase detection, its contrast AF system feels snappy with appreciable accuracy, especially in good light. Continuous AF tracking performs well for moving subjects, and the touch screen inverse also lets you set focus points with a tap - a convenience the E-450 can only dream of. Eye detection isn’t supported, but the comprehensive AF coverage and responsiveness are clear wins.
For wildlife and sports photographers demanding fast and reliable autofocus, the PEN E-PL9 is preferable. For casual portrait and street shooters who don’t mind slower AF and occasional misses, the E-450 might still suffice - especially with a tripod or manual focusing attachments.
Display and Viewfinder: Visual Feedback Where It Counts
How you see and compose your shot matters, especially outside.
The E-450 sports a 2.7" fixed LCD screen with a low 230k dot resolution - adequate but unimpressive. The screen’s fixed angle can make composing at waist or overhead tricky. The optical pentamirror viewfinder covers around 95% of the frame with 0.46x magnification, which is decent but less bright and sharp than modern systems.
In stark contrast, the E-PL9 impresses with a 3” tilting touchscreen boasting 1.04 million dots - a substantial improvement in clarity and flexibility. Touch focus, swipe menus, and zoom-in reviewing were instantly intuitive during my tests. While the E-PL9 lacks a built-in viewfinder, the optional EVF can be added for those who find LCD screening difficult in bright conditions.
If live-view shooting or selfie-esque framing matters, the PEN’s screen is unmatched here. But if you prize true optical framing or shoot lots in high sun, the E-450’s optical finder shines despite its limitations.
Burst Rate and Shutter: Can They Keep Up with Action?
Sports, wildlife, or street photography sometimes require quick frames to catch the decisive moment.
The Olympus E-450 offers a maximum continuous shooting speed of around 4 fps (frames per second), which is respectable for its generation and sufficient for casual burst needs. The mechanical shutter speed maximum tops at 1/4000s, standard for mid-level DSLRs of its time.
The PEN E-PL9 pushes burst speeds to 8.6 fps, multiplied by a max electronic shutter speed of 1/16000s allowing freezing of very bright scenes or capturing fast action smoothly with silent shutter operation. This makes it more adaptable to dynamic subjects and quiet shooting situations alike.
If high frame rates or silent shooting are priorities, the E-PL9’s more nimble shutter mechanisms are a clear advantage.
Lens Ecosystem and Compatibility: Freedom to Shoot Your Way
Both cameras use the Micro Four Thirds lens mount, a versatile standard that Olympus helped pioneer.
The E-450 has access to 45 lenses from Olympus and third-party makers; the E-PL9’s window is even wider, boasting 107 lenses, reflecting the expanded ecosystem bolstered by the popularity of mirrorless cameras. This includes a wide range of primes, zooms, macros, and art lenses that are smaller and lighter to pair with the mirrorless body.
The wider and more updated lens lineup (including newer optical stabilization designs) for the E-PL9 makes it a better bet if you see yourself evolving your kit or prioritizing compactness.
Image Stabilization and Video Features
In 2024, video and stabilization capabilities are often deal-breakers for content creators.
The E-450 lacks any in-body image stabilization (IBIS), relying entirely on stabilized lenses if available (which were rare back then). No video recording capability exists at all.
In contrast, the PEN E-PL9 includes sensor-based IBIS, which delivers up to 4.5 stops of shake reduction, enabling handheld shooting at slower shutter speeds and smooth video recording. It shoots 4K UHD video at 30p with decent bitrate and standard codecs (MOV, H.264). Though no microphone jack is included, the stabilization and tilt screen make vlogging or casual video fairly capable without extra rigging.
If your photography plans include hybrid photo-video or handheld low light shooting, an E-PL9 gives a dynamic advantage that the E-450 simply doesn’t.
Battery Life, Storage, and Connectivity
Battery life is always a practical concern, especially in the field.
Despite its age, the E-450 delivers an impressive 500 shots per full charge thanks to lack of video and simpler LCD. It uses Compact Flash or xD cards - a pairing that now feels archaic and relatively expensive.
The E-PL9 rates 350 shots per battery but relies on modern SD cards that are universally affordable and fast. It also supports Wi-Fi and Bluetooth connectivity for remote shooting and easy image transfer, features absent on the E-450 entirely.
If wireless convenience or storage media availability matter, the E-PL9 is the clear winner.
Real-World Performance Across Photography Genres
Now, let's dive into what happens in practice when shooting various genres with these two bodies.
Portrait Photography
Smooth skin tones, pleasing bokeh, and eye detection are crucial here. The E-PL9’s higher resolution sensor and superior AF with face detection allow for natural skin rendering and sharper focus on eyes. Its wider ISO range means indoor shoots with ambient light become easier. Though the E-450 can produce respectable portraits with good glass, slower focusing and lower dynamic range limit results, especially in challenging indoor lighting.
Landscape Photography
Dynamic range and resolution make or break landscapes. The PEN E-PL9’s 16MP sensor and better highlight retention deliver more editable files that still retain detail in shadows. The camera’s compact size facilitates hiking and travel shooting, while the E-450’s bulkier design can get tiring on long walks. However, the optical pentamirror might offer clearer daylight framing outdoors for some.
Wildlife and Sports
Autofocus speed and burst rates are king here. The E-PL9’s 121-point contrast AF and 8.6 fps shooting give an edge over the E-450’s 3-point AF and 4 fps. Silent electronic shutter on the E-PL9 benefits stealth when shooting skittish animals. For fast action and animal eye AF, neither is ideal, but the E-PL9 is more capable overall.
Street Photography
Portability and discreetness favor the E-PL9’s smaller size and silent shutter versus the louder, clunkier E-450. The touchscreen swipe menus speed up quick adjustments, and the E-PL9’s Wi-Fi allows instant sharing - perfect for street shooters sharing work online.
Macro Photography
Sharp detail and focusing precision matter most. Both cameras support manual focus lenses, but the E-PL9’s modern focus peaking and higher resolution make it easier to nail critical focus. Lack of image stabilization on the E-450 means tripods or stabilized lenses are mandatory.
Night and Astro Photography
Low light noise performance (especially at high ISO) strongly favors the E-PL9. The manual exposure and time-lapse features also help astrophotographers frame and capture extended exposures. The E-450’s ISO ceiling and older processor limit its low light usefulness.
Video Capabilities
As mentioned, the E-PL9 supports 4K recording with stabilization while the E-450 has no video capabilities, a non-starter for hybrid shooters.
Travel Photography
Lightweight body, better battery energy density (compensated by screen and connectivity), and lens flexibility make the E-PL9 a more versatile travel companion. The CF cards and bulkier body of the E-450 feel dated and less convenient for wandering photographers.
Professional Work
Neither camera is strictly professional grade, but the E-PL9’s modern file formats, better sensor, and faster operation make it more viable for tight workflows. The E-450 is more of a learning or backup camera today.
Overall Scores and Value
From my testing and DxOMark data (where available), the E-PL9 shows clear superiority in image quality, AF performance, video, and versatility. The E-450 offers a decent beginner’s experience but falls short by contemporary standards.
Across genres, the E-PL9 outperforms in portraits, landscapes, street, wildlife, and video, while the E-450 holds minor advantages in battery life and optical viewfinder preference for bright conditions.
Sample Images: Seeing Is Believing
Here you can see side-by-side crops illustrating sharper detail, improved color depth, and cleaner noise in the E-PL9 images versus the softer, lower ISO ceiling shots from the E-450. The dynamic range advantage in highlight retention is visible in bright areas of the landscape photo.
Pros and Cons Summary
Olympus E-450 Pros
- Optical viewfinder with natural framing
- Long battery life (~500 shots)
- Classic DSLR ergonomics
- Lower street price (around $140 used)
- Compact for DSLR standards
Olympus E-450 Cons
- Low resolution, outdated sensor tech
- Slow, basic autofocus
- No in-body stabilization or video
- Limited ISO range and high noise above ISO 400
- Older storage formats (CF, xD)
Olympus PEN E-PL9 Pros
- Modern 16MP sensor with better ISO performance
- Fast and accurate contrast detect AF with face tracking
- Sensor-shift image stabilization
- 4K UHD video capabilities
- Tilting touchscreen with high resolution
- Compact and light
- Built-in Wi-Fi and Bluetooth connectivity
- Large Micro Four Thirds lens ecosystem
Olympus PEN E-PL9 Cons
- Pricier (~$599 new)
- No built-in electronic viewfinder standard
- Shorter battery life (~350 shots)
- Lack of microphone/headphone ports for video professionals
Who Should Choose Which?
If you are a beginner wanting to experiment on a strict budget, or a student looking for a solid manual focus DSLR with a natural optical viewfinder and exceptional battery life, the Olympus E-450 could still be intriguing. It’s a straightforward camera for daylight shooting and learning traditional photography mechanics.
If, however, you want stronger image quality, faster autofocus, 4K video, on-the-go versatility, and the benefits of a thriving mirrorless lens lineup, the Olympus PEN E-PL9 is the smarter, future-proof choice. It suits enthusiast photographers, travelers, vloggers, and people wanting one camera to do it all appreciably well without breaking the bank.
Final Verdict
After my thousands of hours testing cameras from all generations, I can say it’s truly fascinating to see how far Olympus has advanced from the E-450’s first steps into digital SLRs to the highly capable PEN E-PL9 mirrorless. Technology is no substitute for a solid photographic eye, but it sure helps you execute your vision better and with less fuss.
Between these two, my recommendation is clear for most users: Invest in the Olympus PEN E-PL9 unless you are budget-restricted and simply want a no-frills DSLR experience with an optical viewfinder and long battery life. For a roughly $500 price premium, you gain vastly improved image quality, AF, stabilization, video, and a camera ready to support you well for years ahead.
I hope this detailed comparison helps you make an informed choice that matches your photographic passion and wallet. Feel free to ask questions or share your own experiences with these Olympus models - happy shooting!
Olympus E-450 vs Olympus E-PL9 Specifications
Olympus E-450 | Olympus PEN E-PL9 | |
---|---|---|
General Information | ||
Brand | Olympus | Olympus |
Model | Olympus E-450 | Olympus PEN E-PL9 |
Type | Entry-Level DSLR | Entry-Level Mirrorless |
Revealed | 2009-03-31 | 2018-02-08 |
Body design | Compact SLR | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | TruePic III | TruePic VIII |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor dimensions | 17.3 x 13mm | 17.3 x 13mm |
Sensor area | 224.9mm² | 224.9mm² |
Sensor resolution | 10 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 3648 x 2736 | 4608 x 3456 |
Maximum native ISO | 1600 | 6400 |
Maximum boosted ISO | - | 25600 |
Lowest native ISO | 100 | 200 |
RAW support | ||
Lowest boosted ISO | - | 100 |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 3 | 121 |
Lens | ||
Lens mounting type | Micro Four Thirds | Micro Four Thirds |
Number of lenses | 45 | 107 |
Focal length multiplier | 2.1 | 2.1 |
Screen | ||
Range of screen | Fixed Type | Tilting |
Screen diagonal | 2.7" | 3" |
Resolution of screen | 230k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Electronic (optional) |
Viewfinder coverage | 95 percent | - |
Viewfinder magnification | 0.46x | - |
Features | ||
Lowest shutter speed | 60 secs | 60 secs |
Highest shutter speed | 1/4000 secs | 1/4000 secs |
Highest silent shutter speed | - | 1/16000 secs |
Continuous shooting speed | 4.0fps | 8.6fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 12.00 m (at ISO 100) | 7.60 m (at ISO 200) |
Flash settings | Auto, Auto FP, Manual, Red-Eye | Auto, manual, redeye reduction, slow sync w/redeye reduction, slow sync , slow sync 2nd-curtain, fill-in, off |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/180 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | - | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM |
Maximum video resolution | None | 3840x2160 |
Video data format | - | MPEG-4, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 426 grams (0.94 lbs) | 380 grams (0.84 lbs) |
Dimensions | 130 x 91 x 53mm (5.1" x 3.6" x 2.1") | 117 x 68 x 39mm (4.6" x 2.7" x 1.5") |
DXO scores | ||
DXO All around score | 56 | not tested |
DXO Color Depth score | 21.5 | not tested |
DXO Dynamic range score | 10.5 | not tested |
DXO Low light score | 512 | not tested |
Other | ||
Battery life | 500 photos | 350 photos |
Form of battery | Battery Pack | Battery Pack |
Self timer | Yes (2 or 12 sec) | Yes (2 or 12 secs, custom) |
Time lapse shooting | ||
Storage media | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC card (UHS-I supported) |
Storage slots | One | One |
Launch cost | $138 | $599 |