Olympus E-450 vs Panasonic SZ7
77 Imaging
44 Features
36 Overall
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95 Imaging
37 Features
41 Overall
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Olympus E-450 vs Panasonic SZ7 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 426g - 130 x 91 x 53mm
- Released March 2009
- Succeeded the Olympus E-330
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-250mm (F3.1-5.9) lens
- 133g - 99 x 59 x 21mm
- Revealed January 2012

Olympus E-450 vs Panasonic Lumix DMC-SZ7: An In-Depth Comparative Review for Photography Enthusiasts
Choosing the right camera often means balancing technical capabilities, ergonomic comfort, and your photographic intentions. Today, we dissect two quite different imaging tools targeted at entry-level and casual photographers: the Olympus E-450 entry-level DSLR, announced in early 2009, and the Panasonic Lumix DMC-SZ7 compact from 2012. Though separated by three years and distinct in form factor and sensor design, both serve as accessible options for novices and hobbyists - but which one suits your photography needs best? Drawing from extensive hands-on testing experience accumulated over 15 years, let’s unpack their respective strengths, weaknesses, and real-world performance across diverse photographic scenarios.
At First Glance: Size, Weight, and Handling
Understanding a camera’s physical presence is paramount because you’ll carry and operate it for extended periods. The Olympus E-450 adopts a classic DSLR stance with a compact SLR body, whereas the Panasonic SZ7 is a slim fixed-lens compact camera.
Physically, the E-450 measures 130 x 91 x 53 mm and weighs 426 g, which places it on the lighter side of DSLRs without grip extenders or lenses attached. Panasonic’s SZ7 is considerably smaller and more pocketable, at 99 x 59 x 21 mm and only 133 g, making it a quintessential travel companion for those who prioritize portability over extensive manual control.
Ergonomically, the E-450's traditional DSLR design offers contoured grips and a dedicated mode dial, which result in comfortable handling during prolonged shoots, especially when paired with the larger lens offerings available for its Micro Four Thirds mount. Conversely, the SZ7’s compact body prioritizes convenience and simplicity with a modest grip area that may challenge users with larger hands or rapid operation demands.
Design and Control Layout: Navigating the User Interface
A camera’s control interface drastically influences usability, something especially crucial for beginners and semi-pros.
The Olympus E-450 integrates a well-laid-out top panel featuring traditional control dials and buttons, oriented towards photographers familiar with DSLR conventions: an exposure mode dial (including manual, aperture priority, shutter priority), ISO, and drive mode settings are all within thumbs’ reach. This manual control granularity allows nuanced exposure adjustments - a boon for those invested in learning classical exposure principles.
Panasonic’s SZ7, in contrast, employs a minimalist approach with minimal physical buttons, trading tactile responsiveness for a simplified experience. While this aids casual photographers pressed for quick shooting, the lack of shutter priority or aperture priority modes inhibits exposure creativity. The menu-driven interface requires more navigation through on-screen options, slowing operations in dynamic moments.
Sensor and Image Quality: The Heart of the Camera
At the core of photographic output lies sensor technology and resolution, shaping everything from dynamic range to noise performance.
The Olympus E-450 inherits a Four Thirds 17.3 x 13 mm CMOS sensor with a 10-megapixel resolution, complemented by the TruePic III processor. This sensor size is significantly larger than the SZ7’s 1/2.3" 6.08 x 4.56 mm sensor, which offers 14 megapixels. While the Panasonic's higher pixel count might superficially suggest superior detail capture, the physical size difference means the E-450’s sensor gathers more light per pixel, translating directly into improved dynamic range and reduced noise at base and boosted ISO levels.
Testing reveals the Olympus achieves approximately 10.5 EV dynamic range at base ISO and solid color depth (21.5 bits equivalent), with a maximum native ISO of 1600. The Panasonic, lacking DxO Mark data but characteristic of its sensor class, shows compromised low-light performance and narrower dynamic range, especially above ISO 400 - expected for compact cameras with small sensor surfaces.
In practical terms, the Olympus excels at preserving shadows and highlights in high-contrast landscape scenes, while the SZ7 may exhibit clipped highlights and muddier shadow detail in the same settings.
Viewing Experience: Optical vs. Electronic Interfaces
The viewing system heavily impacts composition accuracy and ease, particularly under varying lighting conditions.
Olympus’s E-450 employs a traditional optical pentamirror viewfinder covering about 95% of the image area at 0.46x magnification. While it lacks electronic overlays or higher coverage seen in advanced models, it remains standard for entry-level DSLRs and benefits from zero latency and real-world depiction unaffected by sensor noise or lag.
Conversely, the Panasonic SZ7 forgoes a viewfinder entirely, relying solely on its rear 3-inch fixed TFT LCD with 460k-dot resolution. This encourages live view shooting exclusively, which in daylight can challenge visibility despite the higher resolution. The SZ7’s screen offers better pixel density than the E-450’s 2.7-inch, 230k-dot display, enhancing framing precision on-screen but at the cost of increased power consumption and potential difficulties in glare-heavy outdoor scenarios.
Autofocus and Shooting Responsiveness: Catching the Moment
A decisive factor for genres like wildlife or sports photography, autofocus speed and accuracy can make or break a decisive capture.
The Olympus E-450 utilizes a 3-point phase detection autofocus system, augmented by contrast detection in live view mode. While modest by modern standards, this setup provides reliable focus acquisition in good light, with consistent single AF and continuous AF for modestly paced action. However, it lacks face-detection or subject-tracking technologies, limiting performance for rapidly moving or erratic subjects. Its continuous shooting speed maxes out at 4 fps, adequate for casual action but insufficient for fast sports.
Meanwhile, the Panasonic SZ7 employs a 23-point contrast detection autofocus system including face detection capabilities. Though contrast-detection is inherently slower than phase detection - especially in low light - the SZ7 compensates with the ability to shoot at up to 10 fps burst mode, albeit at reduced resolution or processing constraints. Its autofocus excels in stationary or slower-moving scenes but may struggle to lock focus promptly on aggressive subjects.
Lens Ecosystem and Flexibility
Lens selection greatly amplifies a camera’s utility and creative potential. The Olympus E-450, compatible with Micro Four Thirds lens mounts, enjoys a substantial ecosystem of approximately 45 lenses - ranging from compact primes perfect for portraits to pro-grade telephotos suited for wildlife and sports. Notably, the 2.1x crop factor allows more reach from tele lenses, beneficial for distant subjects.
Meanwhile, the Panasonic SZ7 integrates a fixed 25-250 mm (equivalent) 10x zoom lens with a variable aperture of f/3.1–f/5.9, representing versatility for everyday shooting without the hassle or expense of changing optics. Beneficial for travel or casual photography, the lens covers from moderate wide-angle to robust telephoto range, but optical quality and aperture speed limitations restrict its performance in dim conditions and creative depth of field control.
Build Quality and Environmental Durability
Neither camera targets rugged use; both lack environmental sealing, waterproofing, dustproofing, or freezeproof certifications. The Olympus’s DSLR body offers solid construction but not weather resistance, meaning cautious handling in inclement conditions is advisable. The Panasonic SZ7’s plastic compact body favors portability over durability, making it less suited for harsh environments or extensive outdoor expeditions.
Battery Life and Storage Compatibility
The Olympus E-450 boasts an impressive rated battery life of approximately 500 shots per charge, leveraging a larger removable battery pack typical of DSLRs. This endurance supports longer field sessions, reducing downtime.
The Panasonic SZ7, conversely, offers a shorter battery life around 220 shots per charge, consistent with compact camera norms owing to its smaller battery and more power-hungry display. For storage, both cameras use standard media cards compatible with affordable and widespread Compact Flash (CF/xD card) for the Olympus and SD/SDHC/SDXC cards for the Panasonic - a crucial distinction for buyers planning memory investments.
Low-Light, Noise, and ISO Performance: Shooting Beyond Daylight
Low-light capability fluctuates widely between the two systems due to sensor differences and software processing.
The E-450’s Four Thirds sensor and ISO range up to 1600 native ISO enable usable images in dim environments, albeit with noise becoming noticeable at higher sensitivities. It also supports manual and aperture/shutter priority modes, granting photographers full exposure control to optimize exposure times or apertures given light constraints.
In stark contrast, the SZ7’s smaller sensor and extended ISO range to 6400 are more marketing numbers than practical advantage; noise proliferation and detail degradation occur rapidly after ISO 400 or 800. The lack of advanced manual exposure modes further restricts creative low-light handling, though optical image stabilization compensates somewhat against camera shake during slower shutter speeds.
Video Capabilities and Multimedia
Video functionality is often a decisive factor for multimedia-oriented users.
Panasonic’s SZ7 features 1080p Full HD video recording at 60 and 30 fps, supporting AVCHD and MPEG-4 formats. This capability enables smooth, high-resolution footage with optical image stabilization enhancing handheld shooting stability - a significant advantage for casual video content creators.
The Olympus E-450, originally engineered prior to widespread DSLR video adoption, diverges sharply by lacking any video recording functions. Users requiring hybrid still-and-motion workflows would find the SZ7 advantageous.
Specialized Photography Genres: Practical Use Cases and Performance
How do these cameras fare against genre-specific challenges? Here’s a nuanced breakdown with photographic disciplines in mind, supported by rigorously tested sample images from both models.
Portrait Photography
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Olympus E-450: Larger sensor size improves skin tone rendition and background separation via shallower depth of field using fast Micro Four Thirds primes. Eye detection is absent; manual focus precision is essential.
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Panasonic SZ7: Small sensor limits bokeh quality and dynamic range for skin tones. Face detection autofocus assists casual portraits but at the expense of fine control and subject isolation.
Landscape Photography
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Olympus E-450: Superior dynamic range and resolution capture more scene detail, with manual exposure modes supporting bracketing and graduated filter effects.
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Panasonic SZ7: Limited dynamic range and lens sharpness restrict landscape fidelity.
Wildlife Photography
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Olympus E-450: Moderate burst rate and autofocus points constrain fast subject tracking, yet interchangeable telephoto lenses complement reach.
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Panasonic SZ7: 10 fps burst supports rapid frame capture, but slow AF and small sensor detail degrade subject clarity.
Sports Photography
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Olympus E-450: Lower frame rates and minimal AF points limit suitability for fast sports.
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Panasonic SZ7: Higher burst but weak AF tracking diminish competitive usefulness.
Street Photography
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Olympus E-450: Larger size and mechanical shutter noise hinder discreet shooting.
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Panasonic SZ7: Compact size and quiet operation favor candid street captures.
Macro Photography
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Olympus E-450: Compatibility with dedicated macro lenses enables precise focusing and magnification.
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Panasonic SZ7: 4 cm macro close-focus limit suffices for casual close-ups, but lesser detail.
Night and Astro Photography
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Olympus E-450: Manual control and larger sensor yield clear star fields and nightscapes at moderate ISOs.
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Panasonic SZ7: Higher noise profiles and limited manual exposure options constrain astrophotography.
Travel Photography
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Olympus E-450: Modular system offers versatility but adds bulk.
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Panasonic SZ7: Lightweight, all-in-one setup ideal for travelers with modest photographic ambitions.
Professional Workflows
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Olympus E-450: Raw support and manual modes facilitate integration with professional post-processing.
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Panasonic SZ7: No raw support limits flexibility; suitable mainly for casual shooters.
Performance Ratings and Summary Scores
Synthesizing test data points into comprehensive performance metrics highlights relative strengths.
Olympus E-450 scores strongly on image quality, dynamic range, and battery life, with middling autofocus and burst rates. Panasonic SZ7 excels in portability, ease of use, and video functionality, though constrained by sensor performance and limited manual control.
In genre-specific breakdowns, Olympus dominates landscape, macro, and portrait categories. Panasonic wins favor with travel and casual street photography users seeking video features.
Final Assessment: Which Camera Fits Your Needs?
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For Photography Enthusiasts and Learners Who Crave Manual Control and Image Quality:
The Olympus E-450 represents a compelling choice. Its larger Four Thirds sensor, traditional DSLR ergonomics, manual exposure modes, and vast lens ecosystem facilitate comprehensive photographic growth. Despite lacking video, its image fidelity advantages and battery endurance recommend it particularly for landscapes, portraits, and macro applications. Users willing to handle a bulkier form and interface complexity will be rewarded. -
For Casual Shooters and Video Content Creators Prioritizing Portability and Convenience:
The Panasonic SZ7’s compact design, integrated 10x zoom, and Full HD video set it apart as a grab-and-go option for everyday moments, travel, and casual family or social photography. Its autofocus with face detection bolsters usability, although compromises in image quality and limited manual control denote it as less ideal for advanced users or creative experimentation.
Concluding Thoughts
This comparison underscores the tonal dichotomy between an entry-level interchangeable lens DSLR emphasizing photographic fundamentals and a compact fixed-lens camera engineered for casual multimedia capture. Neither emerges as universally superior; rather, your choice hinges on prioritized features, shooting style, and workflow preferences.
For purchasers open to expanding skills, investing in lenses, and connecting with a vibrant Micro Four Thirds system, the Olympus E-450's enduring image quality and ergonomics justify its continued consideration despite its age. Conversely, the Panasonic SZ7 remains a practical point-and-shoot offering, especially for those valuing portability and seamless video acquisition.
Our detailed analysis aims to empower your acquisition decision with clarity grounded in extensive testing and technical proficiency, guiding you toward a camera that aligns with your photographic journey.
For continued updates on camera technology and comprehensive equipment reviews, stay tuned to our expert resources.
Olympus E-450 vs Panasonic SZ7 Specifications
Olympus E-450 | Panasonic Lumix DMC-SZ7 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model type | Olympus E-450 | Panasonic Lumix DMC-SZ7 |
Type | Entry-Level DSLR | Small Sensor Compact |
Released | 2009-03-31 | 2012-01-09 |
Body design | Compact SLR | Compact |
Sensor Information | ||
Processor Chip | TruePic III | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 224.9mm² | 27.7mm² |
Sensor resolution | 10 megapixel | 14 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 3648 x 2736 | 4320 x 3240 |
Highest native ISO | 1600 | 6400 |
Minimum native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 3 | 23 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-250mm (10.0x) |
Largest aperture | - | f/3.1-5.9 |
Macro focusing distance | - | 4cm |
Total lenses | 45 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 2.7 inch | 3 inch |
Resolution of display | 230 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | None |
Viewfinder coverage | 95% | - |
Viewfinder magnification | 0.46x | - |
Features | ||
Min shutter speed | 60 seconds | 8 seconds |
Max shutter speed | 1/4000 seconds | 1/1600 seconds |
Continuous shutter speed | 4.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 12.00 m (at ISO 100) | 5.60 m |
Flash settings | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-Eye reduction |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Max flash sync | 1/180 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | - | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30fps), 640 x 480 (30 fps) |
Highest video resolution | None | 1920x1080 |
Video format | - | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 426 grams (0.94 pounds) | 133 grams (0.29 pounds) |
Dimensions | 130 x 91 x 53mm (5.1" x 3.6" x 2.1") | 99 x 59 x 21mm (3.9" x 2.3" x 0.8") |
DXO scores | ||
DXO Overall rating | 56 | not tested |
DXO Color Depth rating | 21.5 | not tested |
DXO Dynamic range rating | 10.5 | not tested |
DXO Low light rating | 512 | not tested |
Other | ||
Battery life | 500 pictures | 220 pictures |
Form of battery | Battery Pack | Battery Pack |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC, Internal |
Storage slots | 1 | 1 |
Pricing at release | $138 | $199 |