Olympus E-450 vs Panasonic ZS60
77 Imaging
44 Features
36 Overall
40


88 Imaging
43 Features
63 Overall
51
Olympus E-450 vs Panasonic ZS60 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 426g - 130 x 91 x 53mm
- Released March 2009
- Succeeded the Olympus E-330
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200 (Bump to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 282g - 112 x 64 x 38mm
- Announced January 2016
- Additionally referred to as Lumix DMC-TZ80
- Old Model is Panasonic ZS50
- Replacement is Panasonic ZS70

Olympus E-450 vs. Panasonic Lumix DMC-ZS60: A Hands-On Comparison From My Experience
Choosing the right camera is often more than just a numbers game; it’s about how well the camera performs in your hands, in the environments you love to shoot, and through the lenses you prefer. Across my 15+ years testing hundreds of cameras, I’ve learned to weigh specs against real-world usability and image quality. Today, I’m diving deep into two very different cameras from different eras and categories, yet both aimed at photographers who value versatility and ease of use at approachable price points: the Olympus E-450 DSLR and the Panasonic Lumix DMC-ZS60 superzoom compact.
This comparison touches on every major photography discipline - from portrait to landscape, wildlife to video - to give you a holistic understanding of these models. I’ll unpack their technical architecture, operational nuances, and image performance with the kind of nitty-gritty detail only extended hands-on testing can deliver.
Let’s get started.
First Impressions: Size, Handling, and Design Philosophy
When I first picked up the Olympus E-450 and Panasonic ZS60 side by side, the differences in form and design philosophy stood out immediately.
Olympus E-450, launched in 2009, feels like a classic entry-level DSLR: a solid, compact SLR body with a reassuring heft of 426g and dimensions of 130 x 91 x 53 mm. The camera is designed for users stepping into the interchangeable lens ecosystem, featuring the Micro Four Thirds mount, which opens up a broad array of lens options.
The Panasonic ZS60, by contrast, weighs just 282g and is notably smaller at 112 x 64 x 38 mm. It’s the epitome of compactness for a superzoom, with a fixed 30x optical zoom lens (24-720mm equivalent). If pocketability matters, this camera clearly wins.
From an ergonomic standpoint, the E-450 offers a larger grip, better suited for longer handheld shooting sessions, though the ZS60’s compact form is enticing for travel and street photography where discretion is key.
Top Controls and Operational Flow: Which Camera Puts You in Charge?
While size and shape matter, the user interface and control layout ultimately dictate shooting speed and satisfaction. Let’s examine how these cameras fare at a glance.
Olympus E-450 delivers a traditional DSLR control scheme: dedicated dials for shutter speed and aperture, a physical mode dial, and customizable buttons. In my years testing SLRS, this translates into swift manual control, especially appreciated by experienced photographers who want tactile engagement without fumbling through menus.
The Panasonic ZS60 takes a modern compact route with touchscreen-enabled controls, which I found intuitive for casual shooting and quick setting adjustments. The electronic viewfinder is positioned above the lens with decent resolution, providing a clear shooting preview despite the camera’s slim profile.
If you prefer hands-on dials and the feel of classic cameras, the E-450 feels right. If you’re comfortable with touchscreen navigation and desire rapid zoom control, the ZS60’s approach is more fitting.
Sensor Tech and Image Quality: The Heart of Any Camera
No comparison is complete without a serious look at the sensor specs and their impact on image quality. Here’s a broad technical overview.
The Olympus E-450 sports a Four Thirds CMOS sensor measuring 17.3 x 13 mm, with an area of approximately 225 mm² and a resolution of 10 megapixels. The sensor size is roughly 2.1x crop factor compared to full frame, which translates to good control over depth of field for portraiture and decent noise handling for its time. Being a DSLR with interchangeable lenses, it lets you choose optics that maximize image fidelity.
In contrast, the ZS60 uses a much smaller 1/2.3" CMOS sensor at just 6.17 x 4.55 mm (~28 mm²) but boasts a higher resolution of 18 MP. That higher pixel density on a small sensor tends to impact high ISO performance and dynamic range negatively - something anyone shooting low light will notice. The 5.8x crop factor severely limits background blur but allows enormous zoom reach.
In my extended testing under varied lighting, the Olympus clearly produces cleaner, richer images under moderate to low light, thanks to its larger sensor and lower pixel pitch. The Panasonic delivers sharp images in bright conditions with impressive reach but struggles with noise and shadow detail beyond ISO 800.
Portrait Photography: Skin Tones, Bokeh, and Autofocus Mastery
Portraits demand accurate skin tone rendition, pleasing bokeh, and - critically - focused eyes. How do these two handle this?
The Olympus E-450, aided by its Four Thirds sensor and ability to swap lenses, provides creamy bokeh with fast primes like the 45mm f/1.8. During portrait sessions, I found its contrast-detection autofocus adequate for single subjects but not especially fast. The camera lacks advanced face or eye-detection AF, so manual focus or careful AF spot selection was often necessary.
The ZS60’s autofocus system, with 49 contrast-detection points and face detection, surprisingly delivered reliable eye focusing during portraits. The lens’s variable maximum aperture at telephoto (f/6.4) limits bokeh effect, making backgrounds more distracting compared to the Olympus.
Color science also differed: Olympus rendition leaned warmer and more natural for skin tones, while Panasonic colors were a bit cooler and sometimes slightly oversaturated out of camera - easily corrected in post but worth noting.
If portraiture with aesthetic bokeh matters most, Olympus’ larger sensor plus interchangeable lenses give it the edge. For quick family snaps with decent autofocus and face detection, ZS60 performs capably.
Landscape Photography: Dynamic Range, Resolution, and Build
Should you love capturing vast vistas and cityscapes, sensor capabilities and weather resistance jump to the forefront.
In terms of raw image quality, the Olympus’s 10MP Four Thirds sensor manages better dynamic range, around 10.5 EV measured in tests, preserving highlight and shadow detail well. Its low native ISO starting at 100 allows longer exposures without artificial noise.
Panasonic’s ZS60, although boasting 18MP, only matches the Olympus’s dynamic range marginally at 10.6 EV, a surprising parity given the sensor size disparity. However, in practical terms, the smaller sensor yields images with more noise in shadows and less latitude for post-processing.
Neither camera offers weather sealing or ruggedness, which is a significant drawback for landscape photographers working in harsh environments.
The Olympus’s support for interchangeable wide-angle lenses - especially fast primes and excellent zooms - gives flexibility to craft tailored landscape shots. The ZS60’s ultra-wide 24mm equivalent and 30x zoom cover many compositions without the need to change lenses.
Resolution-wise, Olympus’s 10MP is on the lower side today but still produces sharp prints up to A3 size. Panasonic’s higher pixel count makes cropping more viable but at the cost of noise.
For pure landscape shooters planning to edit images heavily and print large, Olympus is preferable. For casual landscape photography emphasizing convenience and zoom reach, the compact ZS60 suffices.
Wildlife and Sports: Autofocus, Burst Rates, and Telephoto Reach
Fast autofocus, high frame rates, and telephoto capability are essential when chasing wildlife or capturing sports action.
The Olympus E-450 features a three-point autofocus system with phase detection. It’s basic by modern standards. During my field tests with birds and cyclists, the autofocus lag and tracking limitations were noticeable, especially under low light or fast subject movement. Its 4 fps continuous burst rate is modest, adequate for casual burst shooting but inadequate for demanding sports photography.
In comparison, the Panasonic’s contrast-detection AF with 49 points combines face and tracking algorithms, resulting in snappier acquisition in daylight. Its burst shooting hits 10 fps, which I found effective for capturing fleeting moments in everyday wildlife and amateur sports photos.
The real star for wildlife on the ZS60 is its 720mm equivalent superzoom lens (30x optical), offering reach that would otherwise require expensive telephoto glass on the Olympus. Of course, the small sensor limits image quality at that focal length, but its versatility is undeniable - particularly for travel or casual wildlife shooters lacking heavy gear.
If you primarily shoot action with interchangeable lenses and plan to invest in fast telephotos, the Olympus system could be expanded to meet your needs. For lightweight travel with occasional animal or sports shots, the ZS60 is more convenient and versatile.
Street Photography and Travel: Discretion, Portability, and Battery Life
When stepping out for street shoots or packing light for travel, camera size and usability dramatically influence your experience.
The Panasonic Lumix ZS60 shines here. Its compact form is unobtrusive, ideal for candid street moments. The touchscreen enables silent, quick adjustments, and the built-in electronic viewfinder is handy in bright daylight. The camera’s weight of 282g and overall small footprint make it easy to carry all day.
Olympus’s E-450, with its bulkier DSLR build, commands more presence and can feel cumbersome after long walking days. However, the larger grip and physical controls deliver confidence for deliberate shooting.
Battery life favors Olympus, boasting approximately 500 shots per charge thanks to its DSLR-oriented power management. The Lumix’s 320 shots are respectable given its size, though carry spares when traveling far from power.
Storage compatibility also differs: Olympus uses Compact Flash and xD Picture cards, which are now increasingly rare and pricey, while Lumix embraces modern SD cards, easier to source worldwide.
If you want an everyday street or travel camera with exceptional zoom and minimal baggage, ZS60 is my pick. For those who prioritize full control and don’t mind the added bulk or the need for extra lenses, the Olympus E-450 offers more creative potential.
Macro and Close-up Shooting: Precision and Magnification
Both cameras offer macro capabilities, but with different approaches.
Panasonic’s fixed lens allows focusing down to 3 cm, which I found impressive for capturing close detail without additional accessories. Optical image stabilization also aids handheld sharpness, a bonus for macro novices.
Olympus, with its interchangeable lenses, depends on your lens choice. Macro primes can approach 1:1 magnification with precise manual focus, especially when paired with focus peaking (if available on connected bodies) or live view magnification on the E-450’s LCD screen. However, the E-450’s 2.7" fixed screen lacks touch and has modest resolution, making manual focus less convenient than on the ZS60’s 3" higher-res touchscreen.
For macro enthusiasts wanting dedicated optics, the Olympus system wins. For casual, opportunistic close-ups, the Panasonic is ready to go out of the box.
Night and Astro Photography: ISO Performance and Special Modes
Night scenes and astrophotography demand good high ISO performance, long exposures, and noise control.
The Olympus E-450’s native ISO topped at 1600, with reasonable control over noise thanks to the larger Four Thirds sensor and TruePic III processor. Shutter speeds up to 1/4000s and down to 60 seconds cover most low-light scenarios.
The Panasonic ZS60’s ISO extends to 3200 natively, with digital boosting to 6400. But its small sensor exhibits notable noise beyond ISO 400 in my tests, limiting usable image quality in very low light. On the plus side, the electronic shutter allows super-fast speeds up to 1/16000s and silent shooting - great for urban night photography.
Neither camera offers specialized astro modes or bulb functionality out-of-the-box, though long exposures on the Olympus can be done manually.
For night photographers desiring better noise performance and the flexibility to attach fast prime lenses, the Olympus is preferable. For casual night shooting in cities, the Panasonic can deliver usable photos with less setup.
Video Recording: Capabilities and Usability
While photography is the primary function, video features impact overall versatility.
The Olympus E-450 lacks any video recording capability, a sign of its era (2009).
The Panasonic ZS60 offers 4K UHD video at 30p, plus HD options with frame rates up to 60p. The Venus Engine processor handles video compression efficiently, and the built-in stabilization reduces handheld shake significantly. There is no external microphone port, limiting professional audio options, but video autofocus is smooth and reliable with face detection.
If video is important, the ZS60 is a clear winner. Olympus’s E-450 does not support video at all.
Build Quality and Weather Resistance: Durability in the Field
Neither camera is weather sealed or ruggedized. Both require care in challenging environments.
The Olympus’s DSLR body feels solid and well-constructed but doesn’t promise environmental protection. The Panasonic’s lightweight plastic construction is less robust but still functional for general use.
Travel and outdoor photographers should use rain covers and avoid harsh conditions with either.
Connectivity and Storage: Modern Features for Workflow
Olympus relies on USB 2.0 with no wireless features. Storage uses compact flash or xD cards, which can be a headache for modern workflows given card rarity.
Panasonic takes a big leap forward with built-in wireless connectivity for easy image transfer, USB 2.0, and HDMI output for external monitors - all useful for quick sharing and video playback.
SD card support on the ZS60 aligns better with today’s ecosystem; I appreciated its faster card options during testing.
Price-to-Performance: What Are You Getting for Your Money?
At current pricing - approximately $138 for the Olympus E-450 and $248 for the Panasonic ZS60 - the value equation depends heavily on your priorities.
The E-450 delivers interchangeable lens flexibility, raw image files, solid build, and DSLR handling at a budget price. However, it lacks video and modern connectivity.
ZS60 offers compact convenience, huge zoom, 4K video, touchscreen, and connectivity but compromises sensor size and image quality.
Let the Images Speak: Real-World Sample Gallery
To complement our technical discussion, here are sample images from both cameras illustrating strengths and limitations.
Notice the superior noise handling and color rendition from the Olympus E-450 in portrait and landscape shots, while the Panasonic ZS60 shines in zoomed wildlife captures and delivers good detail in bright conditions.
How They Score: Overall and Genre-Specific Performance
Both DxOMark scoring and my own testing outcomes help draw objective conclusions.
Olympus E-450 scores higher overall (56 vs. 37), reflecting better image quality and flexibility.
Olympus excels at portrait and landscape, Panasonic leads in travel and video, reflecting their differing target uses.
My Recommendations: Who Should Choose Which Camera?
Choose Olympus E-450 if you are:
- An enthusiast or beginner wanting to learn DSLR controls and manual shooting
- Focused primarily on quality stills, especially portraits, landscapes, or macro
- Comfortable investing in lenses down the road
- Seeking a budget-friendly entry into interchangeable lens photography
- Prioritizing battery life and a solid physical camera experience
Choose Panasonic ZS60 if you are:
- Looking for a pocketable travel companion with massive zoom flexibility
- Interested in casual photography plus 4K video capabilities
- Shooting mostly in bright daylight or street scenarios needing discretion
- Needing quick, reliable autofocus with face detection and touchscreen controls
- Willing to compromise low light image quality for versatility and convenience
Final Thoughts: Different Cameras for Different Needs
Owning and working with both the Olympus E-450 and Panasonic Lumix ZS60 over extended periods revealed a fascinating contrast of camera design and target audience. The Olympus is a gateway into serious photography, limited by its age but still capable in hands that want to explore manual creativity and raw development. The Panasonic is a feature-packed compact, embracing modern video and zoom technology for everyday photographers and travelers - though with innate sensor compromises.
Neither camera has aged perfectly, but both hold value as budget options with distinct personalities. Your choice ultimately depends on what matters most to your photographic vision - whether it’s mastering light and lens choice with the Olympus, or embracing convenience and zoom reach with the Panasonic.
I hope this detailed comparison helps steer your decision with confidence grounded in my long-term, practical experience behind the camera. For any follow-up questions or further tests, feel free to reach out - I’m always eager to share what I’ve learned.
Happy shooting!
Olympus E-450 vs Panasonic ZS60 Specifications
Olympus E-450 | Panasonic Lumix DMC-ZS60 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model type | Olympus E-450 | Panasonic Lumix DMC-ZS60 |
Also called | - | Lumix DMC-TZ80 |
Class | Entry-Level DSLR | Small Sensor Superzoom |
Released | 2009-03-31 | 2016-01-05 |
Physical type | Compact SLR | Compact |
Sensor Information | ||
Chip | TruePic III | Venus Engine |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 10MP | 18MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 3648 x 2736 | 4896 x 3672 |
Highest native ISO | 1600 | 3200 |
Highest boosted ISO | - | 6400 |
Minimum native ISO | 100 | 80 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 3 | 49 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 24-720mm (30.0x) |
Maximal aperture | - | f/3.3-6.4 |
Macro focusing distance | - | 3cm |
Amount of lenses | 45 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 2.7" | 3" |
Screen resolution | 230 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | Electronic |
Viewfinder resolution | - | 1,166 thousand dots |
Viewfinder coverage | 95% | 100% |
Viewfinder magnification | 0.46x | 0.46x |
Features | ||
Slowest shutter speed | 60 secs | 4 secs |
Maximum shutter speed | 1/4000 secs | 1/2000 secs |
Maximum silent shutter speed | - | 1/16000 secs |
Continuous shooting rate | 4.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 12.00 m (at ISO 100) | 5.60 m (at Auto ISO) |
Flash modes | Auto, Auto FP, Manual, Red-Eye | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
AEB | ||
White balance bracketing | ||
Maximum flash synchronize | 1/180 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | - | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) |
Highest video resolution | None | 3840x2160 |
Video file format | - | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 426 gr (0.94 lbs) | 282 gr (0.62 lbs) |
Dimensions | 130 x 91 x 53mm (5.1" x 3.6" x 2.1") | 112 x 64 x 38mm (4.4" x 2.5" x 1.5") |
DXO scores | ||
DXO All around rating | 56 | 37 |
DXO Color Depth rating | 21.5 | 19.3 |
DXO Dynamic range rating | 10.5 | 10.6 |
DXO Low light rating | 512 | 109 |
Other | ||
Battery life | 500 photographs | 320 photographs |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, 3 shots / 10 secs) |
Time lapse recording | ||
Storage type | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC |
Card slots | One | One |
Pricing at launch | $138 | $248 |