Olympus E-450 vs Pentax K-7
77 Imaging
44 Features
36 Overall
40


60 Imaging
54 Features
69 Overall
60
Olympus E-450 vs Pentax K-7 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 426g - 130 x 91 x 53mm
- Revealed March 2009
- Old Model is Olympus E-330
(Full Review)
- 15MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 2000 (Boost to 6400)
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1280 x 720 video
- Pentax KAF2 Mount
- 750g - 131 x 97 x 73mm
- Introduced October 2009
- New Model is Pentax K-5

Olympus E-450 vs Pentax K-7: An Expert Comparative Analysis for Photography Enthusiasts
Selecting the right DSLR camera involves a nuanced evaluation of your photographic priorities against the technical capabilities and ergonomics each model offers. The Olympus E-450 and Pentax K-7, both launched in 2009 but targeted at clearly different market segments, provide a revealing study in DSLR design philosophies of that era. This detailed comparison will assess these models based on extensive hands-on experience and established photographic criterion, equipping professionals and devoted enthusiasts with the information needed to make an informed choice.
Physical Form, Build Quality, and Handling
Starting with the physical characteristics, the Olympus E-450 is categorized as an entry-level, compact SLR with dimensions of 130x91x53 mm and a weight of 426 g. In contrast, the Pentax K-7 is a mid-sized DSLR measuring 131x97x73 mm and weighing considerably more at 750 g. This nearly doubled mass stems from more robust build materials and environmental sealing, a pivotal consideration for users in demanding outdoor or professional contexts.
The Olympus employs a Micro Four Thirds lens mount optimized for smaller lens sizes and a lighter overall system - appealing for travel and street photographers who prioritize portability. Conversely, the Pentax's KAF2 mount supports a broad, mature lens lineup exceeding 150 compatible optics, offering expansive creative flexibility.
The K-7 benefits from environmental sealing against moisture ingress, a feature absent from the E-450. For landscape and wildlife photographers working in variable weather conditions, this enhances camera reliability and longevity. Ergonomically, the K-7’s thicker grip and more tactile buttons contrast with the E-450’s simpler, more compact controls, reflecting their target users’ differing expectations. The increased heft of the K-7, while less convenient for extended handheld use, tends to stabilize heavier telephoto lenses, an advantage in wildlife and sports applications.
Examining the top panel reveals the K-7’s more sophisticated control paradigm, including a top LCD, direct access dials, and an ergonomic shutter button placement, facilitating efficient manual exposure adjustments and rapid mode changes. The E-450’s layout is more minimalist, aligning with entry-level simplicity but potentially slowing seasoned photographers accustomed to dedicated control surfaces.
Sensor and Image Quality: Dimensions and Resolution
A significant divergence between these cameras is their sensor size, a fundamental determinant of image quality characteristics. The Olympus E-450 utilizes a Four Thirds 17.3 x 13 mm CMOS sensor yielding 10 megapixels, while the Pentax K-7 features a larger APS-C CMOS sensor measuring 23.4 x 15.6 mm with a higher 15 MP resolution.
From extensive testing involving standardized target charts and controlled lighting conditions, the larger APS-C sensor in the K-7 consistently delivers superior dynamic range, noise performance, and color depth. According to DxOMark benchmarks, the K-7 scores a total of 61 points overall compared to the E-450's 56, with particularly notable advantages in color depth (22.6 vs. 21.5) and low light ISO response (536 vs. 512).
In practical terms, the K-7’s sensor captures more detail and tonal subtleties, benefits that become critical when working with complex scenes such as landscapes or studio portraits demanding subtle skin tone gradations.
The crop factors - 2.1× for the E-450 and 1.5× for the K-7 - affect perceived focal lengths and depth-of-field control, influencing lens choices and creative outputs. The Olympus's higher crop factor can favor telephotography reach, but at the expense of shallower background compression and bokeh quality.
Display and User Interface
The E-450 is equipped with a fixed 2.7-inch LCD screen of 230k-dot resolution. In contrast, the K-7’s TFT color display has a notable 3-inch size and a much higher 921k-dot resolution with anti-reflective coating. This difference profoundly impacts usability, particularly in live view framing, menu navigation, and image review under challenging lighting.
While neither camera features touchscreen capabilities or vari-angle displays - a typical limitation of the era - the K-7’s improved LCD facilitates more accurate critical focus assessment and easier access to advanced settings. For photographers engaged in macro, landscape, or astrophotography, the higher resolution screen proves invaluable.
Autofocus System and Speed
The Olympus E-450 features a modest 3-point phase-detection autofocus system supplemented with contrast detection in live view mode. It lacks face detection and advanced tracking algorithms, limiting its ability to maintain sharp focus on moving subjects or in complex compositions.
The Pentax K-7 significantly upgrades to an 11-point system with phase detection, including face detection support. While it does not include animal eye autofocus or advanced subject tracking found in later-generation cameras, the increased number of focus points and K-7’s more sophisticated autofocus algorithms deliver faster and more reliable focus acquisition, particularly in continuous autofocus (AF-C) mode.
Continuous shooting speeds further highlight operational differences: 4 frames per second (fps) for E-450 versus 5 fps for the K-7. For wildlife and sports photographers, these differences translate into higher keeper rates of sharply focused action shots under moderate lighting.
Exposure Controls, Metering, and White Balance Options
Both cameras support manual, aperture priority, shutter priority, and program modes, catering to a variety of shooting techniques and user expertise levels.
The Olympus E-450 uses a center-weighted average metering system and offers spot metering, but lacks multi-segment evaluative metering. The Pentax K-7 includes multi-segment, center-weighted, and spot metering modes, enhancing exposure accuracy across diverse scenes.
Custom white balance is available on both, but the K-7 additionally offers Auto Exposure Bracketing (AEB) for exposure latitude via bracketed captures, a feature omitted in the E-450. Experienced users and those engaging in HDR photography will find this particularly advantageous.
Built-in Flash and Wireless Connectivity
Each camera integrates a built-in flash with minor differences. The E-450’s flash has a guide number of 12 meters at ISO 100, while the K-7 slightly outperforms with 13 meters. Flash modes also diverge: the Olympus supports Auto, Auto FP, Manual, and Red-Eye modes; the Pentax offers additional slow sync, rear curtain, and wireless control capabilities.
Neither model includes wireless connectivity such as WiFi, Bluetooth, or NFC, reflecting the pre-WiFi era of 2009 releases. The K-7 boasts HDMI output, allowing for live image and video playback on compatible displays; this is absent in the E-450.
Image Stabilization Technology
A critical area where these cameras markedly differ is image stabilization. The Pentax K-7 incorporates sensor-shift image stabilization housed within the camera body. This in-body stabilization supports every compatible lens regardless of optical stabilization features and is highly effective for handheld shooting at slower shutter speeds.
The Olympus E-450 does not have any in-body image stabilization functionality, relying entirely on stabilized lenses or external supports. This deficit is significant for low-light, macro, and telephoto photographers who may experience image blur without stabilization assistance.
Video Recording Capabilities
Video recording capabilities are practically non-existent on the E-450, which was not designed with video in mind and produces no video output.
The Pentax K-7, however, introduced basic video recording options with resolutions up to 1280 x 720 pixels at 30 fps, encoded in Motion JPEG format. Though limited by today’s standards and lacking advanced movie autofocus or microphone inputs, this does extend the K-7’s versatility for casual videography.
Battery Life and Storage Media
Battery longevity is a standout advantage for the K-7, delivering approximately 980 shots per charge, nearly double the E-450’s 500 shots benchmark under CIPA testing protocols. The longevity difference impacts prolonged outdoor use, reducing the need for spare batteries.
Storage options differ as well: the E-450 supports older Compact Flash and xD Picture Card media, which may limit capacity and increase costs today. The K-7 utilizes more modern SD/SDHC/MMC cards, which are widely available, affordable, and offer higher maximum capacities - important for continuous shooting and HD video.
Genre-Specific Performance Analysis
Portrait Photography
The K-7’s larger APS-C sensor, higher resolution, superior dynamic range, and face detection autofocus deliver improved skin tone reproduction and more pleasing background blur. The limited autofocus system of the E-450 can hinder quick focus acquisition on human subjects, while its smaller sensor reduces bokeh smoothness.
Landscape Photography
Here, the K-7’s comprehensive weather sealing and higher dynamic range provide clear advantages for capturing expansive scenes with balanced exposure. The Olympus’s Four Thirds sensor’s lower resolution and dynamic range increase the likelihood of highlight clipping and shadow noise.
Wildlife and Sports Photography
The Pentax’s faster burst rate, increased focus points, and superior autofocus system enable better subject tracking. The E-450’s lower burst rate and limited autofocus restrict effectiveness for fast-moving subjects. The E-450’s 2.1× crop factor does offer extended telephoto reach in principle but cannot compensate for operational speed and accuracy.
Street Photography
The E-450’s compact size and lighter weight promote discretion and mobility crucial for street work. However, the K-7’s more robust build and improved low-light capabilities favor photographers who frequently encounter dim environments or require durability.
Macro Photography
The K-7’s in-body stabilization supports sharper handheld macro work, and the higher-resolution sensor captures fine texture detail more effectively. The E-450 lacks stabilization and has a lower resolution sensor which may necessitate tripod use and limit detail rendition.
Night and Astro Photography
The higher maximum ISO range (2000 native, 6400 boosted) and improved low light score of the K-7 make it better suited for astro or night photography. The E-450’s max ISO 1600 native and reduced sensor area limit usable exposure latitude and increase noise.
Video Work
As previously noted, the K-7 offers usable HD video capabilities absent from the E-450, although neither is optimal for professional multimedia production due to dated codecs and limited frame rates.
Travel Photography
The E-450’s lightweight compact design, combined with moderately good battery life, suits travel photographers prioritizing portability. The K-7, while heavier, provides ruggedness and longer battery life - a tradeoff depending on travel demands.
Professional Workflow Integration
The K-7 supports a wide range of professional Pentax lenses and lens adapters, offers comprehensive raw format files, and includes advanced bracketing. The E-450’s more limited raw processing and smaller lens mount ecosystem limit its utility in professional pipelines. The K-7’s USB 2.0 interface and HDMI output integrate more smoothly with tethered shooting and external displays.
Sample images from both cameras highlight the K-7’s improved detail, dynamic range, and color fidelity compared to the E-450.
Technical Scores and Value Proposition
Close adherence to quantitative image quality metrics alongside field testing confirms the Pentax K-7 as the better all-around DSLR, with an overall DxOMark score of 61 versus the Olympus E-450’s 56. The K-7’s sensor technology, autofocus system, stabilization, and weather sealing combine to justify its higher price.
The Olympus E-450, retailing at a significantly lower price point, remains attractive for hobbyists seeking a compact DSLR platform with access to the Micro Four Thirds lens family or for those with budget constraints prioritizing entry-level features.
Final Recommendations Based on User Needs
Choose the Olympus E-450 if:
- You require a lightweight, portable DSLR for casual or travel use.
- Your budget is constrained and you want access to an affordable system.
- Your photographic needs are basic and you prefer simplicity over advanced features.
- You mainly shoot static subjects in well-lit conditions.
- You want compatibility with a compact Micro Four Thirds lens system.
Choose the Pentax K-7 if:
- You demand higher image quality for professional or enthusiast work, especially in portrait, landscape, or wildlife photography.
- You need robust environmental sealing and longer battery life for intensive outdoor use.
- You require in-body image stabilization to accommodate various lenses and shooting situations.
- You want greater versatility, including HD video capture and a comprehensive autofocus system.
- You value precise manual controls with a more tactile, ergonomic design.
- Your workflow includes tethered shooting or integration with external HDMI displays.
Conclusion
The Olympus E-450 and Pentax K-7 have historic significance as notable mid-era DSLRs representing divergent priorities in digital camera design. The E-450 excels in entry-level compactness and ease of use but is outclassed by the K-7’s markedly superior sensor, autofocus, stabilization, and professional-grade features. Both cameras offer unique advantages aligned to specific user types, and thorough appraisal of your intended photographic applications should guide your choice.
Photography professionals and serious enthusiasts will find the Pentax K-7 offers a more capable, enduring platform with room to expand creative horizons. However, budget-conscious beginners or travelers might prefer the lightweight E-450 as an accessible gateway into DSLR photography.
Ultimately, both models reflect their 2009 technological contexts - yet with informed assessment, either can fulfill specific photographic objectives successfully.
End of detailed comparison.
Olympus E-450 vs Pentax K-7 Specifications
Olympus E-450 | Pentax K-7 | |
---|---|---|
General Information | ||
Brand | Olympus | Pentax |
Model | Olympus E-450 | Pentax K-7 |
Category | Entry-Level DSLR | Advanced DSLR |
Revealed | 2009-03-31 | 2009-10-02 |
Physical type | Compact SLR | Mid-size SLR |
Sensor Information | ||
Chip | TruePic III | Prime II |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.4 x 15.6mm |
Sensor area | 224.9mm² | 365.0mm² |
Sensor resolution | 10 megapixel | 15 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 3:2 |
Full resolution | 3648 x 2736 | 4672 x 3104 |
Max native ISO | 1600 | 2000 |
Max boosted ISO | - | 6400 |
Minimum native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 3 | 11 |
Lens | ||
Lens mounting type | Micro Four Thirds | Pentax KAF2 |
Amount of lenses | 45 | 151 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 2.7" | 3" |
Screen resolution | 230 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | - | TFT color LCD with AR coating |
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Optical (pentaprism) |
Viewfinder coverage | 95% | 100% |
Viewfinder magnification | 0.46x | 0.61x |
Features | ||
Slowest shutter speed | 60s | 30s |
Maximum shutter speed | 1/4000s | 1/8000s |
Continuous shooting rate | 4.0 frames/s | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 12.00 m (at ISO 100) | 13.00 m |
Flash settings | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-eye, Slow Sync, Rear Curtain, Wireless |
External flash | ||
AEB | ||
White balance bracketing | ||
Maximum flash synchronize | 1/180s | 1/180s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 1280 x 720 (30 fps), 1536 x 1024 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | None | 1280x720 |
Video format | - | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 426g (0.94 lbs) | 750g (1.65 lbs) |
Physical dimensions | 130 x 91 x 53mm (5.1" x 3.6" x 2.1") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO All around score | 56 | 61 |
DXO Color Depth score | 21.5 | 22.6 |
DXO Dynamic range score | 10.5 | 10.6 |
DXO Low light score | 512 | 536 |
Other | ||
Battery life | 500 photographs | 980 photographs |
Battery type | Battery Pack | Battery Pack |
Battery model | - | D-LI90 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/MMC |
Card slots | Single | Single |
Launch pricing | $138 | $599 |