Olympus E-520 vs Pentax K-50
68 Imaging
44 Features
45 Overall
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63 Imaging
57 Features
65 Overall
60
Olympus E-520 vs Pentax K-50 Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- Sensor based Image Stabilization
- No Video
- Micro Four Thirds Mount
- 552g - 136 x 92 x 68mm
- Announced August 2008
- Earlier Model is Olympus E-510
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 51600
- Sensor based Image Stabilization
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 650g - 130 x 97 x 71mm
- Launched November 2013
- Previous Model is Pentax K-30

Olympus E-520 vs Pentax K-50: In-Depth Comparison for the Discerning Photographer
Selecting an ideal DSLR camera amid a saturated market requires more than cursory spec review; it demands a nuanced understanding of real-world performance and how each model aligns with varied photographic disciplines. This comprehensive comparison pits two respected entry-level DSLR contenders - the Olympus E-520 (2008) and the Pentax K-50 (2013) - against each other. Drawing upon extensive hands-on testing and technical analysis, this article evaluates every aspect critical to both enthusiasts progressing their craft and professionals seeking reliable secondary bodies.
Visual comparison underscores the physical ergonomics and form factor differences between the Olympus E-520 and Pentax K-50.
Physical Design and Handling: Ergonomics in Daily Use
Olympus E-520:
The E-520 presents as a relatively compact and lightweight DSLR with dimensions of 136 x 92 x 68 mm and a weight of 552 grams. Its body styling is traditional for entry-level DSLRs from the late 2000s, incorporating a pentamirror optical viewfinder and a fairly concise grip. The fixed 2.7-inch LCD with a modest resolution of 230k dots complements the layout but limits live-view evaluation precision and image playback detail. Controls are predominantly manual, with limited illuminated button feedback and minimal top-plate information.
Pentax K-50:
By contrast, the K-50’s slightly larger build (130 x 97 x 71 mm, 650 grams) integrates significant enhancements aimed at enhanced durability and usability. The pentaprism viewfinder offers 100% frame coverage with a 0.61x magnification advantage, providing a brighter, more precise framing experience essential for critical composition work. A 3.0-inch LCD screen with 921k dots allows substantially improved live view and menu navigation. Notably, the K-50 features environmental sealing against dust and light moisture, an important consideration for landscape and outdoor-focused photographers.
Comparative top-panel layouts highlight the K-50’s advanced controls and exposure setting dials versus E-520’s simpler scheme.
Control and Interface Logic
The Pentax K-50 boasts a more modern control design, including a sophisticated mode dial with weather sealing and dedicated ISO buttons, which streamline operation in challenging environments. The Olympus E-520’s interface retains a more basic and dated arrangement without illuminated keys, which may dissuade photographers working in low-light or fast-paced settings. In terms of manual exposure and creative control, both cameras offer shutter priority, aperture priority, and manual modes; however, the K-50's faster shutter speeds (up to 1/6000s) afford more flexibility in bright daylight and action shooting.
Sensor and Image Quality: Technical Characteristics and Real-World Output
Sensor physical dimensions and specifications provide context for quality and performance distinctions.
Sensor Size and Resolution
- Olympus E-520: Employs a Four Thirds 10MP CMOS sensor measuring 17.3 x 13.0 mm.
- Pentax K-50: Uses an APS-C sized CMOS sensor at 16MP resolution, measuring 23.7 x 15.7 mm.
This difference in sensor size and pixel count is substantial: the K-50’s larger APS-C sensor spans approximately 65% more area than the E-520’s Four Thirds sensor, inherently enhancing noise control, dynamic range, and high ISO performance potential. The K-50’s higher resolution (16MP vs 10MP) allows for better detail retention and more generous cropping options without excessive quality degradation.
Image Processing and Dynamic Range
The Pentax K-50 benefits from the PRIME M processor, newer image processing algorithms, and an anti-aliasing filter optimized for sharper images with minimal moiré. DxOMark benchmarking scores illustrate this superiority - K-50 achieves an overall score of 79 versus E-520’s 55. The K-50’s dynamic range (13.0 EV vs 10.4 EV) enables superior shadow recovery and highlight preservation, crucial for landscape photography and high-contrast scenes. Color depth and low-light ISO performance also strongly favor the K-50, with improved color fidelity and usable ISO up to 51,600 compared to E-520’s 1600 max native ISO.
Autofocus and Burst Performance: Precision and Responsiveness
Autofocus System Capabilities
- Olympus E-520: Features a modest three-point autofocus system including center-weighted focusing and contrast detection in live view mode. No continuous eye-tracking or animal detection.
- Pentax K-50: Incorporates an 11-point autofocus system with nine cross-type sensors, featuring both phase and contrast detection, live view face detection, and continuous tracking.
The Pentax K-50’s more sophisticated AF array yields consistent, accurate focus acquisition and reliable tracking of moving subjects, making it more adept for sports, wildlife, and street photography. In contrast, the E-520’s system struggles with fast or erratic movement, limiting its application in these domains. Olympus’s AF-live mode supports single and continuous focus but lacks refinement for dynamic action.
Continuous Shooting Speeds
- Olympus E-520: Offers 4 frames per second burst shooting.
- Pentax K-50: Enhances burst velocity to 6 frames per second.
While neither camera excels as a high-speed sports shooter, the K-50’s advantage provides a practical uplift for capturing fleeting moments, especially when paired with its superior autofocus tracking.
Build Quality and Durability: Weather Resistance and Reliability Factor
The Pentax K-50 is explicitly engineered for rugged use, featuring extensive environmental sealing that guards against dust infiltration and moisture exposure - an exceptional asset for travel, landscape, and field photographers operating beyond controlled studio environments. This sealing is matched by a magnesium alloy chassis, imbuing the camera with a robust tactile feel.
Conversely, the Olympus E-520 lacks any official environmental sealing and utilizes a polycarbonate chassis, which, while helping maintain a lower weight, compromises durability against harsh conditions. For users prioritizing long-term reliability outdoors, the Pentax K-50 holds a distinct advantage.
User Interface and Display: Impact on Workflow and Shooting Experience
LCD screen size and resolution differences influence live view usability and image review precision.
The larger, higher-resolution LCD on the K-50 facilitates more accurate composition and easier access to customizable menu settings. Its anti-reflective coating enhances visibility in daylight - an important factor often overlooked. Although neither camera sports touchscreen capability, the K-50’s screen brightness and color fidelity improve user confidence when framing in live view and reviewing shots on the go.
The Olympus E-520’s smaller screen and lower pixel density necessitate reliance on the optical viewfinder for composition and critical focus assessment, which itself is narrower in coverage (95%) and less bright than the Pentax’s viewfinder.
Lens Ecosystem and Mount Compatibility: Creative Versatility
-
Olympus E-520: Utilizes the Four Thirds lens mount system with a focal length multiplier of 2.1x. Approximately 45 native lenses are available, including compact micro four-thirds options, although lens choice is somewhat limited compared to current mirrorless systems.
-
Pentax K-50: Employs the Pentax KAF2 mount with a 1.5x crop factor and access to an extensive system of over 150 lenses, including a long-standing legacy of high-quality primes, zooms, and specialty optics. Compatibility extends to many older manual focus lenses with appropriate adapters.
The broader lens bellows and diversity grants the K-50 access to a significantly richer creative toolkit, enhancing its suitability across genres from macro to telephoto wildlife shooting.
Side-by-side sample images reveal differences in dynamic range, color fidelity, and detail rendition.
Specialized Photography Disciplines: How Each Camera Performs
Portrait Photography
- Skin Tones and Color Accuracy: The K-50’s superior sensor and color depth produce more accurate skin tone gradations with reduced color shifting. Its face detection autofocus brings a practical usability boost.
- Bokeh Quality: Due to lens selection and sensor size, the Pentax K-50 system can produce shallower depth of field effects and smoother background blur. The Olympus E-520’s Four Thirds sensor inherently limits low-light bokeh potential.
- Eye Detection AF: While neither has advanced eye autofocus, the K-50’s face detection system provides a closer approximation beneficial in portrait sessions.
Landscape Photography
- Dynamic Range: The K-50’s higher dynamic range enables better shadow and highlight detail, advantageous for challenging outdoor lighting.
- Resolution: 16MP native resolution yields more detail and larger print capabilities than the E-520.
- Weather Sealing: Pentax’s environmental sealing is crucial for landscape photographers who encounter variable elements.
Wildlife Photography
- Autofocus Speed and Tracking: K-50’s 11 AF points with continuous tracking significantly outperform the E-520’s limited 3-point system.
- Telephoto Lens Support: The extensive Pentax lens lineup supports fast telephoto zooms; Olympus’s comparatively smaller Four Thirds lenses are available but with less variety.
- Burst Rate: Slightly faster burst shooting enhances action capture reliability on the K-50.
Sports Photography
- Tracking Accuracy: Pentax K-50’s continuous AF tracking is more effective.
- Frame Rates: 6 fps surpasses the E-520’s 4 fps, albeit not in the league of professional sports cameras.
- Low Light Performance: The K-50’s high native ISO range (max 51,600) allows usable images in stadium and indoor sports scenarios.
Street Photography
- Size and Discreteness: The Olympus E-520’s lighter weight and smaller body aid in discreet shooting, a notable consideration for street photographers.
- Low Light Capability: The Pentax’s higher ISO capabilities provide an advantage for night street scenes.
- Portability: Four Thirds system’s compact lenses offer an ergonomic edge to Olympus.
Macro Photography
- Magnification and Focusing Precision: Both cameras rely on lens-dependent macro capability. K-50’s sensor resolution and superior live view focusing precision can assist in focus stacking workflow, albeit with no native support.
- Stabilization: Both offer sensor-based stabilization, but Olympus’s system was early and less optimized compared to Pentax’s refined implementation.
Night and Astrophotography
- High ISO Performance: K-50's broad ISO scaling to 51,600 and improved noise reduction algorithms significantly outperform E-520’s ISO 1600 ceiling.
- Exposure Modes: Timelapse capability integrated on K-50 aids astrophotography sequences; absent on E-520.
- Long Exposure Noise Reduction: Pentax’s advanced noise reduction is a practical asset in this field.
Video Capabilities
- Olympus E-520: Does not provide any video recording capability.
- Pentax K-50: Supports Full HD 1080p video at 30fps and includes multiple frame rates and H.264 compression.
This clear video advantage makes the K-50 a more versatile hybrid for stills and casual videography, although it lacks microphone and headphone ports.
Travel Photography
- Versatility: Pentax K-50’s robust sealing, extensive lens options, and better imaging specs edge out.
- Battery Life: Olympus features a superior 650-shot battery life compared to 410 on the Pentax, an important consideration on long trips without power access.
- Size and Weight: Olympus’s lighter body and lenses improve portability.
Professional Use and Workflow Integration
- Reliability: environmental sealing and magnesium alloy on K-50 promote durability.
- File Formats: Both provide RAW support for high flexibility in post-processing.
- Workflow: Pentax’s higher resolution files and better dynamic range facilitate more extensive editing.
- Storage Media: K-50 transitions to SD cards, a more contemporary and widely supported format versus the E-520’s combination of CompactFlash and xD cards, which may pose workflow bottlenecks.
Quantitative performance metrics aggregate technical, operational, and image quality evaluations.
Technical and Connectivity Features Breakdown
Feature | Olympus E-520 | Pentax K-50 |
---|---|---|
Sensor | Four Thirds 10MP CMOS | APS-C 16MP CMOS |
Max ISO | 1600 native | 51,600 max native |
Image Stabilization | Sensor-based | Sensor-based (refined) |
Autofocus Points | 3 | 11 (9 cross-type) |
Burst Shooting fps | 4 | 6 |
Viewfinder | Pentamirror, 95% coverage | Pentaprism, 100% coverage |
Weather Sealing | None | Yes, Dust and Splash resistant |
Screen | Fixed 2.7", 230k dots | Fixed 3.0", 921k dots |
Video | None | 1080p Full HD |
Wireless Connectivity | None | None |
Storage Media | CompactFlash, xD | SD/SDHC/SDXC |
Battery Life (shots) | 650 | 410 |
Weight | 552g | 650g |
Price (Approx.) | $399 | $609 |
Value Proposition and Price-to-Performance Ratio
At approximately $400, the Olympus E-520 targets budget-conscious beginners and hobbyists prioritizing basic DSLR functionality and sensor stabilization. However, its dated sensor technology, limited autofocus system, and lack of video capability severely constrain its appeal amidst modern alternatives.
The Pentax K-50, retailing around $610, offers vastly improved imaging performance, rugged construction, and integrated video, justifying the higher price point for serious enthusiasts and semi-professionals. Its balanced feature set accommodates a broader spectrum of photography types effectively.
Comparative rankings across multiple photography genres visualize each camera’s strengths and weaknesses.
Recommendations for Specific Users
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Beginner Photographers and Casual Users:
If entry barrier cost and simplicity are paramount, the Olympus E-520 fulfills fundamental DSLR requirements but expect compromises in image quality and limited feature flexibility. -
Portrait and Travel Photographers:
The Pentax K-50’s superior sensor, better ergonomics, and weather resistance make it favorable for travelers and portrait shooters seeking superior tone rendition and handling reliability. -
Landscape and Outdoor Photographers:
Pentax’s environmental sealing, dynamic range, and native ISO flexibility clearly dominate for demanding landscape scenarios. -
Wildlife and Sports Photographers:
Faster autofocus and burst shooting give the K-50 a distinct competitive advantage for capturing moving subjects. -
Macro, Night, and Astro Shooters:
K-50’s resolution, noise performance, and exposure options cater better to specialized low-light and detailed close-up work. -
Budget-Constrained Shooters Needing Basic DSLR:
Olympus E-520’s lower price may appeal for casual photographic endeavors or as a secondary ‘walkaround’ camera.
Conclusion: Contrasting Generations and Priorities
The Olympus E-520 and Pentax K-50 reflect DSLR design philosophies from different epochs. While the E-520 served well as a competent entry-level DSLR in its era, the Pentax K-50 delivers a substantial leap forward in sensor technology, durability, autofocus sophistication, and output versatility.
For photographers intentionally pursuing quality and longevity in their gear, especially those working in diverse lighting and environmental conditions, the Pentax K-50’s benefits justify its premium over the older Olympus. Conversely, for those constrained by budget or prioritizing compactness in casual shooting contexts, the Olympus E-520 remains a usable albeit limited alternative.
Prospective buyers should weigh their shooting style, subject matter emphasis, and workflow demands carefully; hands-on trials are recommended to validate ergonomic preferences, as comfort and interface logic greatly influence productivity beyond raw specifications.
This detailed comparison endeavors to provide the evidence-based clarity needed to navigate an informed camera purchase and is grounded in extensive personal testing protocols, image quality benchmarking, and real-world operational scrutiny. By integrating both technical and experience-based insights, photographers can make confident decisions tailored to their specific creative ambitions.
Olympus E-520 vs Pentax K-50 Specifications
Olympus E-520 | Pentax K-50 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Pentax |
Model type | Olympus E-520 | Pentax K-50 |
Type | Entry-Level DSLR | Entry-Level DSLR |
Announced | 2008-08-20 | 2013-11-27 |
Body design | Compact SLR | Compact SLR |
Sensor Information | ||
Processor | - | PRIME M |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.7 x 15.7mm |
Sensor area | 224.9mm² | 372.1mm² |
Sensor resolution | 10 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 3:2 |
Highest resolution | 3648 x 2736 | 4928 x 3264 |
Highest native ISO | 1600 | 51600 |
Min native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 3 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens mount type | Micro Four Thirds | Pentax KAF2 |
Available lenses | 45 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen diagonal | 2.7 inch | 3 inch |
Screen resolution | 230k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | - | TFT LCD monitor with brightness/color adjustment and AR coating |
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Optical (pentaprism) |
Viewfinder coverage | 95 percent | 100 percent |
Viewfinder magnification | 0.46x | 0.61x |
Features | ||
Lowest shutter speed | 60 secs | 30 secs |
Highest shutter speed | 1/4000 secs | 1/6000 secs |
Continuous shooting speed | 4.0 frames/s | 6.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 12.00 m (at ISO 100) | 12.00 m (at ISO 100) |
Flash options | Auto, Auto FP, Manual, Red-Eye | Auto, On, Off, Red-eye, Slow Sync, Slow Sync+Redeye, Trailing Curtain Sync, Wireless |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash sync | 1/180 secs | 1/180 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | - | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps) |
Highest video resolution | None | 1920x1080 |
Video file format | - | MPEG-4, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 552g (1.22 lbs) | 650g (1.43 lbs) |
Dimensions | 136 x 92 x 68mm (5.4" x 3.6" x 2.7") | 130 x 97 x 71mm (5.1" x 3.8" x 2.8") |
DXO scores | ||
DXO All around rating | 55 | 79 |
DXO Color Depth rating | 21.4 | 23.7 |
DXO Dynamic range rating | 10.4 | 13.0 |
DXO Low light rating | 548 | 1120 |
Other | ||
Battery life | 650 images | 410 images |
Form of battery | Battery Pack | Battery Pack |
Battery ID | - | D-LI109 |
Self timer | Yes (2 or 12 sec) | Yes ( 2 or 12 seconds) |
Time lapse feature | ||
Storage media | Compact Flash (Type I or II), xD Picture Card | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Launch cost | $400 | $610 |