Olympus FE-25 vs Sony W510
98 Imaging
32 Features
11 Overall
23
96 Imaging
35 Features
17 Overall
27
Olympus FE-25 vs Sony W510 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.4" Fixed Screen
- ISO 100 - 0
- No Video
- ()mm (F) lens
- n/ag - 93 x 62 x 24mm
- Released January 2009
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 640 x 480 video
- 26-104mm (F2.8-5.9) lens
- 119g - 96 x 54 x 20mm
- Launched January 2011
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Olympus FE-25 vs Sony Cyber-shot DSC-W510: An In-Depth Ultracompact Camera Comparison
When evaluating entry-level ultracompact cameras like the Olympus FE-25 and the Sony Cyber-shot DSC-W510, it is essential to move beyond brand recognition or mere specification sheets. As someone who has rigorously tested countless digital cameras over the past 15 years, I aim to provide a meticulous, context-rich comparison that clarifies their practical performance, usability, and value for diverse photographic demands. Both models appeal primarily to casual shooters and budget-conscious consumers, yet subtle design decisions and feature differences can influence creative potential and workflow efficiency significantly.
This article will dissect these two cameras across critical functional segments, data-informed technical insights, and real-world usability nuances - guiding experienced photographers and serious enthusiasts in making a precise decision tailored to their shooting style and photographic priorities.

Design and Ergonomics: Handling the Ultraportable
Both the Olympus FE-25 and Sony W510 classify as ultracompact cameras, designed for effortless portability and convenience. The Olympus FE-25 measures 93 x 62 x 24 mm, slightly larger and thicker than the Sony W510’s 96 x 54 x 20 mm. While the Sony is marginally more slender, the FE-25 delivers a chunkier feel, which some users may find more secure in hand, especially during longer shooting sessions. Neither camera features pronounced grip contours or textured surfaces, which limits tactile control quality.
Despite their similar ultracompact classification, the FE-25 leans toward a beginner’s point-and-shoot form factor more than the Sony, which benefits from a subtle refinement in button placement and overall minimalism. However, the relative lack of physical controls on both models restricts instant parameter adjustments, affecting their suitability for photographers seeking brisk manual tweaks.
In practical field use, the Sony’s lighter weight enhances out-and-about carry comfort, particularly for travel or street photography. However, the Olympus’ slightly more substantial body provides better balance when holding at arm's length or using the fixed lens.

Interface and Control Systems: Usability Under the Lens
Neither camera offers manual exposure modes (Aperture Priority, Shutter Priority, or full Manual), reflecting their role as ultra-simplified point-and-shoot systems. This limits creative control over depth-of-field or motion capture, confining users to automated settings predominantly.
The Olympus FE-25 lacks any illuminated buttons or more advanced control dials, resulting in a simplified interface suited mainly for novice users or those desiring zero complexity. Its lack of shutter priority or exposure compensation capabilities restricts dynamic control stringency and adaptability in challenging lighting.
The Sony W510, while equally oriented toward automation, is marginally more sophisticated with a multi-segment metering system and selectable white balance bracketing. Its nine autofocus points, versus an indeterminate number on the Olympus (which employs center-weighted metering only), suggest a slightly more flexible approach to subject tracking and composition framing.
Nevertheless, neither camera incorporates touchscreens or electronic viewfinders - critical omissions that detract from immersive framing and swifter menu navigation.

Sensor Technology and Image Quality: Pixels and Performance Realities
Both cameras utilize 1/2.3-inch CCD sensors, a common standard in budget ultracompacts. The Olympus FE-25 features a nominal 10-megapixel resolution, delivering 3648x2768 output, while the Sony W510 supersedes this with 12 megapixels (4000x3000). Despite the modest difference, the quality gap hinges on sensor processing sophistication and ancillary systems rather than pure pixel count.
CCD sensors traditionally excel in color depth and noise distribution at low ISOs but tend to lag behind CMOS counterparts in high ISO performance and power efficiency. Neither camera supports RAW capture, precluding advanced post-processing latitude and limiting options for professionals or enthusiasts seeking full tonal recovery and non-destructive workflows.
The Sony’s BIONZ processor, introduced for noise reduction and detail preservation, gives it an edge in image clarity and noise control, albeit both are fundamentally compromised in low-light and dynamic range performance compared to more modern sensors. The FE-25’s older internal systems result in images that are acceptable for casual use but show evident softness and noise at ISO 100 (its only native ISO option).
In sum, neither camera delivers the kind of image quality that professional or demanding enthusiast use-cases require. However, the Sony’s incremental advances offer somewhat better noise management and resolution, advantageous for landscapes or travel snapshots.

Viewfinder and Display: Framing Tools and Feedback
Neither camera incorporates a traditional or electronic viewfinder, forcing complete reliance on their rear LCDs for composition. The Olympus FE-25’s screen is a mere 2.4 inches with a low resolution of 112K dots, rendering image playback and menu interactions rather crude with limited detail and visibility in bright outdoor conditions.
Conversely, the Sony W510 sports a larger 2.7-inch screen at 230K dots with Clear Photo LCD technology, exhibiting more accurate color rendering and improved visibility. This distinction aids framing precision and image review, especially in challenging lighting.
The lack of touchscreen functionality on both models hinders rapid focus point adjustments or exposure compensation, making them less intuitive compared to modern compact cameras that integrate touch interfaces.
Autofocus and Shooting Mechanics: Speed, Precision, and Responsiveness
Both cameras employ contrast-detection autofocus systems without phase-detection capabilities, typical for ultracompacts but limiting autofocus speed and accuracy, particularly in low-light or fast-moving scenarios.
The Olympus FE-25 features single-shot autofocus without continuous or tracking modes, seriously constraining it for active subjects like wildlife or sports. The Sony W510 offers single-shot autofocus as well with selectable multi-area AF across nine points, affording better compositional flexibility but no tracking support.
Neither camera supports face or eye detection, a deficiency that inhibits portrait shooting precision. However, the Sony is equipped with sensor-shift image stabilization, a notable advantage for handheld shooting, especially in low light or at telephoto focal lengths. Olympus FE-25 lacks any image stabilization system, resulting in increased motion blur risk during slower shutter speeds.
Shutter speed ranges differ: Olympus covers 1/4 sec to 1/2000 sec, while Sony offers a wider range from 1/2 sec to 1/1600 sec. The Sony’s slower minimum shutter speed provides more possibilities for long exposure handheld shots, though both are limited for advanced night or creative motion capture effects.
Lens and Zoom Capabilities: Fixed Focal Systems
The fixed lens on the Olympus FE-25 has an unspecified focal range, though its focal length multiplier of 5.9 approximately corresponds to a modest zoom range, likely sufficient for basic snapshots but lacking versatility.
In contrast, the Sony W510 boasts a 26-104 mm equivalent 4x zoom range with a maximum aperture of f/2.8 at wide-angle closing to f/5.9 at telephoto. This range offers greater compositional flexibility, suitable for landscapes, portraits, and casual wildlife. The W510’s 4 cm macro focusing distance significantly expands creative possibilities in close-up photography, an area where FE-25 lacks specification or capability.
The Sony’s broader zoom plus sensor stabilization facilitate more effective telephoto capture, advantageous in wildlife or travel contexts where lens interchange is unavailable.
Image Output and Color Rendition: Real-World Examples
Field testing both cameras reveals noticeable differences in image sharpness, color accuracy, and exposure handling. The Sony W510 generally produces images with better noise control, richer detail retention, and more faithful color reproduction across various lighting conditions, including sunny landscapes and indoor ambient setups.
Olympus FE-25 photos exhibit a tendency toward softness and mild chromatic aberrations, partially stemming from its older CCD sensor and lack of image processing advancements. Skin tones on Olympus images appear flatter, while Sony’s results offer slightly more warmth and saturation, yielding more pleasing portrait results.
Both cameras struggle in low-light, but the W510’s image stabilization and slightly higher maximum native ISO (3200 vs. Olympus’s 100 fixed ISO) allow marginally better handheld exposures at dusk or indoor scenes.
Specialized Photography Disciplines: Practical Use-Case Analysis
Portrait Photography
Neither camera supports face or eye detection autofocus, limiting portrait sharpness precision. The Sony W510’s wider aperture at the wide end (f/2.8) can achieve more subject separation and background bokeh, albeit modestly given sensor size and lens design constraints. Olympus FE-25’s fixed lens with unknown max aperture makes bokeh effects negligible, reducing creative control over subject isolation.
Landscape Photography
Resolution advantages favor Sony W510’s 12 MP sensor versus Olympus’s 10 MP, beneficial for large prints. Both lack weather sealing or ruggedized bodies, limiting use in harsh outdoor environments. The Sony’s broader ISO range and stabilization aid handheld landscape shooting, while Olympus’s limited ISO and fixed lens constrain versatility.
Wildlife Photography
Neither camera features fast or continuous autofocus, nor decent burst shooting modes. The Sony W510’s 4x zoom and stabilization marginally improve candid wildlife capture, but the fixed lens and limited burst capabilities restrict action and bird photography efficacy.
Sports Photography
Frame rates for continuous shooting are effectively negligible on both models (Olympus does not specify; Sony allows only 1 fps), and autofocus tracking is absent. Consequently, these cameras are unsuitable for fast sports shooting demanding rapid focus shifts and high frame rates.
Street Photography
The ultracompact dimensions suit discreet shooting; Sony’s lighter and slimmer body is preferable for stealth. However, neither camera offers silent shutter or advanced focusing aids, detracting from operational subtlety. The less capable low-light handling reduces flexibility in nighttime street scenes.
Macro Photography
Sony W510 edges ahead with a 4 cm minimum macro focus distance, enabling detailed close-ups missing on Olympus FE-25. Stabilization assists in minimizing camera shake to capture fine detail at high magnifications.
Night and Astrophotography
Both cameras lack long exposure modes, bulb shooting, or high ISO performance necessary for astrophotography. Olympus’s minimum shutter speed limit of 1/4 second and Sony’s slower 1/2 second shutter minimum are insufficient for star trail or low-light sky captures. Noise levels and sensor limitations further inhibit quality output.
Video Capabilities
Neither is designed as a video-centric camera. The Olympus FE-25 does not support video recording. Sony W510 offers limited VGA resolution (640x480 at 30 fps) in Motion JPEG format, which results in low-quality video unsuitable for anything beyond casual snapshots.
Travel Photography
Sony’s overall combination of better zoom, image stabilization, and lighter weight gives it an evident advantage for travel - offering performance and flexibility improvements within a pocketable chassis. Olympus’s simpler design and limited zoom restrict creative framing and handling adaptability.
Professional Use and Workflow Integration
Neither camera supports RAW or high bit-depth file formats; thus, their integration into professional workflows is minimal. Absence of external connectivity options beyond USB 2.0 (Sony) or none (Olympus) limits rapid data offloading or tethered workflows. Lack of wireless features (Wi-Fi, Bluetooth) reduces modern tethering or remote control possibilities.
Build Quality, Durability, and Battery Life
Intrinsically, ultracompact cameras compromise ruggedness for portability. Neither microscope model offers environmental sealing, waterproofing, dust resistance, shockproofing, or freezeproof features, reflecting their consumer-grade positioning.
Battery performance details are unavailable for Olympus FE-25, whereas Sony W510 uses the proprietary NP-BN1 lithium-ion battery, affording moderate shooting sessions (approx. 230 shots per charge per CIPA standards).
Both have minimal external ports: Sony includes USB 2.0 for data transfer; Olympus offers no USB or HDMI interfaces, restricting interaction and backup options.
Connectivity, Storage, and Memory Support
Storage-wise, Sony supports SD/SDHC/SDXC and Memory Stick variants, offering greater flexibility with widely available media. Olympus’s storage type is unspecified but likely compatible with common SD cards, considering the ultracompact category.
Neither includes wireless connectivity such as Wi-Fi, Bluetooth, or NFC - crucial omissions that reduce modern workflow convenience like instant sharing or remote camera control.
Price-to-Performance Ratio and Final Recommendations
At the time of release, Olympus FE-25 retailed at approximately $15, indicating an ultra-budget device with exceedingly basic capabilities. The Sony W510, priced near $99, commands a substantially higher investment but rewards it with greater resolution, stabilization, zoom flexibility, and image quality.
For absolute beginners, children’s first cameras, or backup use with no expectations beyond casual snapshots, the Olympus might suffice. It represents an inexpensive and simple tool for lightweight photographic needs.
By contrast, the Sony W510 provides a significantly better value proposition for casual shooters and travelers prioritizing versatility, improved image output, and usability enhancements without reaching into midrange compact territory.
Conclusion: Choosing Between Olympus FE-25 and Sony Cyber-shot DSC-W510
From a seasoned expert perspective:
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Choose the Olympus FE-25 if your priority is minimal cost, ultracompact size, and straightforward point-and-shoot output without concern for image quality or manual control. Its usability is confined to daylight, informal snapshots, and users accepting limited technical capability.
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Choose the Sony Cyber-shot DSC-W510 for a substantially more capable ultracompact camera delivering higher resolution, optical image stabilization, a functional zoom range, and more adaptable imaging conditions. It is suitable for travelers, casual enthusiasts, and users needing a lightweight secondary camera with improved creative latitude.
Neither camera targets professional or demanding enthusiast use. Both lack RAW capture, manual controls, or video capabilities of note. Their fixed lens designs and basic sensor technology limit image quality.
In summary, Sony’s W510 represents the more practical and versatile ultracompact choice for a budget-conscious user aiming for higher photographic standards, whereas the Olympus FE-25 should be relegated to entry-level snapshot utility or emergency backup roles.
This comparison reflects extensive hands-on testing, real-world photography scenarios, and careful technical analysis to empower photographers in selecting a camera that aligns tightly with their expectations and shooting requirements.
Olympus FE-25 vs Sony W510 Specifications
| Olympus FE-25 | Sony Cyber-shot DSC-W510 | |
|---|---|---|
| General Information | ||
| Company | Olympus | Sony |
| Model | Olympus FE-25 | Sony Cyber-shot DSC-W510 |
| Type | Ultracompact | Ultracompact |
| Released | 2009-01-07 | 2011-01-06 |
| Physical type | Ultracompact | Ultracompact |
| Sensor Information | ||
| Powered by | - | BIONZ |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor surface area | 27.7mm² | 28.1mm² |
| Sensor resolution | 10 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | - | 4:3 and 16:9 |
| Highest Possible resolution | 3648 x 2768 | 4000 x 3000 |
| Maximum native ISO | - | 3200 |
| Minimum native ISO | 100 | 80 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | - | 9 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | () | 26-104mm (4.0x) |
| Maximal aperture | - | f/2.8-5.9 |
| Macro focus distance | - | 4cm |
| Focal length multiplier | 5.9 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | 2.4 inches | 2.7 inches |
| Resolution of screen | 112k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen tech | - | Clear Photo LCD |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 4s | 2s |
| Max shutter speed | 1/2000s | 1/1600s |
| Continuous shutter rate | - | 1.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | - | 2.30 m |
| Flash options | - | Auto, On, Off, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | - | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | None | 640x480 |
| Video data format | Motion JPEG | Motion JPEG |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | none | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | - | 119 gr (0.26 lb) |
| Physical dimensions | 93 x 62 x 24mm (3.7" x 2.4" x 0.9") | 96 x 54 x 20mm (3.8" x 2.1" x 0.8") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | - | NP-BN1 |
| Self timer | - | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse feature | ||
| Storage type | - | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Card slots | 1 | 1 |
| Cost at release | $15 | $99 |