Olympus FE-4000 vs Panasonic G5
95 Imaging
34 Features
17 Overall
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74 Imaging
51 Features
66 Overall
57
Olympus FE-4000 vs Panasonic G5 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 26-105mm (F2.6-5.9) lens
- 136g - 95 x 57 x 22mm
- Revealed July 2009
- Alternative Name is X-925
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 396g - 120 x 83 x 71mm
- Revealed July 2012
- Older Model is Panasonic G3
- Replacement is Panasonic G6

Olympus FE-4000 vs Panasonic Lumix DMC-G5: A Complete Comparison for Photography Enthusiasts
Choosing between cameras that span from basic compact models to entry-level mirrorless offerings can be challenging, especially when they emerge in different eras with varying technologies. In this comprehensive comparison, I bring over 15 years of hands-on camera testing experience to evaluate the Olympus FE-4000, a small-sensor compact from 2009, alongside the more advanced Panasonic Lumix DMC-G5, Panasonic’s 2012 entry-level mirrorless camera. This analysis focuses on real-world usability, image quality, and versatility across diverse photographic disciplines, helping enthusiasts and professionals alike make informed decisions tailored to their needs and budgets.
First Impressions: Ergonomics and Design Evolution
Understanding how a camera feels in-hand remains critical. Ergonomics influences not just comfort but also shooting steadiness and quick access to controls - especially vital in dynamic scenarios.
Olympus FE-4000: Ultra-Compact Simplicity
The Olympus FE-4000 is a straightforward compact camera designed primarily for casual point-and-shoot users. Its diminutive form factor and minimalistic controls offer portability but lack advanced usability features.
Panasonic G5: SLR-Style Handling with Mirrorless Agility
The Panasonic G5 adopts an SLR-style silhouette, providing a robust grip and tactile control dials coveted by enthusiast photographers. Unlike the FE-4000, it offers interchangeable lenses, physical dials, and a more commanding feel geared toward serious use.
At a glance, the physical size comparison highlights the compactness of the FE-4000 (roughly 95x57x22mm, 136g) versus the bulkier G5 (120x83x71mm, 396g). Despite the added weight and dimensions, the G5’s ergonomics facilitate stability and rapid operation in demanding photographic environments.
Sensor Technology and Image Quality: The Heart of the System
Sensor size and performance constitute the most significant difference between these cameras and their core impact on image quality - chiefly regarding noise control, dynamic range, and detail rendition.
Specification | Olympus FE-4000 | Panasonic Lumix DMC-G5 |
---|---|---|
Sensor Type | CCD | CMOS |
Sensor Size | 1/2.3" (6.17 x 4.55 mm) | Four Thirds (17.3 x 13 mm) |
Sensor Area | 28.07 mm² | 224.90 mm² |
Maximum Resolution | 12 MP (3968 x 2976) | 16 MP (4608 x 3456) |
Max ISO | 1600 | 12800 |
Anti-Aliasing Filter | Yes | Yes |
Raw Support | No | Yes |
The Panasonic G5’s Four Thirds CMOS sensor is significantly larger - roughly 8 times - the area of the Olympus FE-4000’s 1/2.3” CCD sensor. This difference typically translates to superior image quality: better low-light performance, richer tonal gradations, and higher dynamic range capabilities. CMOS sensors benefit from more efficient noise suppression and faster readouts than the older CCD technology used in the Olympus.
From practical experience, at base ISO, the FE-4000 produces acceptable daylight images but starts to show noise and smeared detail at ISO 400 and above. In contrast, the G5 maintains good image quality up to ISO 1600 and usable results even approaching ISO 6400, opening up creative freedom in dim environments.
Autofocus Systems and Shooting Performance: Precision Where It Counts
Autofocus is vital across photographic genres, from the rapid unpredictability of wildlife to the quiet precision of macro shooting.
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The Olympus FE-4000 employs a basic contrast-detection autofocus system with a single autofocus mode and no tracking or face detection features. Autofocus speed is sluggish relative to modern systems, and precision is limited - generally adequate for stationary subjects in good light.
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The Panasonic G5 offers a sophisticated contrast-detection AF system boasting 23 selectable autofocus points, continuous AF for moving subjects, and face detection capabilities. It can track subjects with reasonable accuracy at 6 frames per second burst speed, advantageous in sports or wildlife contexts.
Given these technical distinctions, the FE-4000 struggles to lock focus confidently on moving targets or in low contrast conditions, whereas the G5 excels, aided by its faster processor (Venus Engine VII FHD) and enhanced AF algorithms.
Display and Viewfinder: Composing and Reviewing Shots
Composing images effectively requires access to high-quality displays or electronic viewfinders (EVFs), especially when shooting in bright conditions or discreet street environments.
Feature | Olympus FE-4000 | Panasonic Lumix DMC-G5 |
---|---|---|
Screen Size | 2.7" Fixed | 3" Fully Articulated |
Screen Resolution | 230k pixels | 920k pixels |
Touchscreen | No | Yes |
Viewfinder | None | Electronic (1,440 px, 100% coverage) |
Viewfinder Magnification | N/A | 0.7x |
The Olympus FE-4000’s 2.7” low-resolution fixed LCD limits both image review fidelity and usability in harsh lighting. It lacks a viewfinder, making bright daylight framing challenging.
In contrast, Panasonic’s G5 includes an impressive 3-inch fully articulating touchscreen LCD with wide-angle viewing - a boon for creative angles or video work - paired with a bright, detailed electronic viewfinder providing 100% coverage, greatly improving framing accuracy and critical focus evaluation.
Lens Ecosystem and Flexibility
Lens choice remains a crucial determinant of photographic possibilities.
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The FE-4000’s fixed lens offers a 26–105 mm equivalent focal range (4x zoom) with a maximum aperture range of f/2.6–f/5.9. This suffices for casual snapshots but limits creative control, especially in low light or shallow depth-of-field applications.
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The Panasonic G5 supports the Micro Four Thirds mount, with over 100 native lenses (prime and zoom) available, including fast primes, telephotos, macros, and specialized optics.
This openness allows G5 users to tailor optics precisely to their needs - from portraiture with ultra-wide apertures to wildlife with super-tele lenses - an overwhelming advantage over the fixed-lens approach.
Real-World Performance Across Photography Genres
Understanding how these cameras perform in specific photographic disciplines reveals their practical strengths and limits.
Portrait Photography
Portraiture demands accurate skin tones, pleasing bokeh, and reliable eye detection.
- Olympus FE-4000: Limited by sensor size and fixed aperture, portraits tend to have uniform background focus with little subject separation. No face or eye detection restricts AF precision on faces.
- Panasonic G5: Larger sensor, higher resolution, and wide aperture lenses enable natural skin tone reproduction and realistic bokeh. Face-detection AF enhances sharp focus on subjects’ eyes.
Landscape Photography
Landscape photographers prioritize dynamic range and resolution, plus rugged build.
- FE-4000: Limited dynamic range due to sensor constraints results in blown highlights or crushed shadows. Modest resolution restricts large print potential. No weather sealing.
- G5: Superior dynamic range (approx. 11.6 EV per DXO data), higher resolution, and better tonal gradation permit expansive landscapes with rich detail. However, the body is not weather sealed, requiring caution in harsh environments.
Wildlife Photography
Speed and reach are critical for capturing fleeting animal behavior.
- FE-4000: Fixed lens’s 105mm equivalent limits telephoto reach. Slow AF and lack of tracking make capturing movement frustrating.
- G5: Support for long telephoto lenses with faster continuous AF and 6 fps burst speed allow better capture of quick, unpredictable wildlife action.
Sports Photography
Tracking fast-moving subjects and shooting in variable light are prerequisite.
- FE-4000: AF sluggishness and absence of continuous autofocus or high frame rates hinder sports use.
- G5: Improved AF tracking and 6-fps continuous shooting facilitate moderate sports action capture, though the frame rate is lower than professional models.
Street Photography
Discretion and portability matter most.
- FE-4000: Compact size ideal for inconspicuous shooting but fixed lens restricts framing. Slow AF poses problems for spontaneous moments.
- G5: Larger size affects stealth but articulating screen aids candid composition. Lens choice allows flexible focal lengths from wide to short telephoto.
Macro Photography
Precision focusing and magnification ability dictate results.
- FE-4000: Macro mode allows focusing down to 3 cm but lacks focus stacking or bracketing.
- G5: With macro lens options and precise focus control (including touch AF), the G5 offers much better macro capabilities.
Night and Astro Photography
High ISO performance and exposure control are essential.
- FE-4000: Limited max ISO of 1600 with elevated noise levels and no RAW output make night shooting challenging.
- G5: Higher max ISO 12800, RAW support, and shutter/aperture priority modes enable controlled long exposures necessary for astrophotography.
Video Capabilities
Video remains an increasing focus for hybrid shooters.
- FE-4000: VGA resolution (640x480) at 30 fps with Motion JPEG compression offers severely limited video quality.
- G5: Full HD 1080p video recording at up to 60 fps with AVCHD format provides sharp, smooth footage suitable for amateur videographers.
Build Quality and Weather Resistance
Neither camera offers professional-grade weather sealing; however, the Panasonic’s more robust construction affords better durability.
- Olympus FE-4000 is lightweight with plastic body elements suitable for gentle use.
- Panasonic G5’s heavier build includes a magnesium alloy chassis that withstands regular travel and moderate environmental stress better.
Battery Life and Storage Considerations
Battery endurance impacts shooting duration, especially on travel assignments.
- FE-4000’s battery life details are unspecified but typically, small compacts have limited endurance.
- G5 provides approx. 320 shots per charge (CIPA standard), adequate for most casual uses but may require spares for extended sessions.
Storage media also differs:
- Olympus: Accepts xD Picture Cards and microSD cards; less convenient and slower compared to SD cards.
- Panasonic: Supports SD/SDHC/SDXC cards, providing wide compatibility and ample high-speed options for video recording.
Connectivity and Extras
Both cameras lack modern wireless connectivity options such as Wi-Fi or Bluetooth, limiting immediate sharing or remote control capabilities.
- Panasonic’s G5 supports HDMI output, allowing direct connection to displays or external recorders.
- USB 2.0 ports on both provide basic file transfer but no tethered shooting support - a limitation for studio photographers accustomed to immediate editing workflows.
Price-to-Performance: Investment and Value
- Olympus FE-4000: Often available under $150 (used or new old stock), representing a low-cost entry to casual photography but limited by dated technology.
- Panasonic G5: New cost hovers around $700 (body only), a reasonable price for a highly capable mirrorless system with room to grow via lenses.
Overall Performance Ratings and Summary
The Panasonic G5 clearly outperforms the Olympus FE-4000 across critical parameters: sensor quality, autofocus sophistication, versatility, and image quality. This performance gap reflects both technical progress over the three years between models and the divergent categories - compact vs mirrorless.
How They Stack Up in Different Photography Styles
This infographic encapsulates the G5's dominance in demanding fields like wildlife, sports, and night shooting, with FE-4000 holding ground only in exceedingly lightweight casual use and travel scenarios prioritizing extreme compactness.
Sample Images: Seeing the Difference in Practice
Side-by-side comparisons highlight the richer tonal gradations, finer detail, and better color fidelity of the G5 over the FE-4000, especially in low-light and high-contrast environments.
Control Layout and User Interface: How Intuitive Is Each Camera?
The Olympus FE-4000 offers a barebones top plate with minimal buttons and no physical dials, compelling reliance on menus. Conversely, the Panasonic G5 features dedicated dials for ISO, shutter speed, aperture, and exposure compensation, supplemented by a touch-enabled articulating screen that facilitates faster and more intuitive control - an asset in fast-paced scenarios.
Recommendations: Who Should Choose Which?
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Choose Olympus FE-4000 if:
- You seek an ultra-compact, pocketable camera for casual snapshots.
- Your photography is occasional and informal, focusing on well-lit subjects.
- Budget constraints preclude more advanced systems.
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Choose Panasonic Lumix G5 if:
- You want a versatile camera capable of handling portraits, landscapes, wildlife, and even video.
- You value interchangeable lenses and greater creative control.
- You require improved low-light performance and faster autofocus.
- You plan to learn manual exposure controls and appreciate tactile handling.
Final Thoughts
The Olympus FE-4000 represents a snapshot of compact camera technology from the late 2000s - affordable, simple, and highly portable but limited in creative potential and performance. In contrast, the Panasonic Lumix DMC-G5 offers a solid entry into serious photography with a sensor and feature set capable of delivering professional-quality images and video, provided users are willing to invest in lenses and master more sophisticated controls.
For photography enthusiasts aiming to grow their craft and artists requiring flexibility across genres, the G5 is unequivocally the superior choice. The FE-4000, while still serviceable in a pinch, is best reserved for casual users valuing convenience over image excellence.
This comprehensive analysis is rooted in extensive testing and reflects both technical metrics and experiential insights, offering photographers a trustworthy foundation for their next camera investment.
Appendix: Specifications Overview (At-A-Glance)
Feature | Olympus FE-4000 | Panasonic Lumix DMC-G5 |
---|---|---|
Category | Small Sensor Compact | Entry-Level Mirrorless |
Release Date | July 2009 | July 2012 |
Sensor | 1/2.3" CCD, 12 MP | Four Thirds CMOS, 16 MP |
ISO Range | 100-1600 | 160-12,800 |
AF System | Contrast detection, single point | Contrast detection, 23 points, face detect |
Continuous Shooting | No | 6 fps |
Video Resolution | 640 x 480 MJPEG | 1920 x 1080 AVCHD/MPEG-4 |
Monitor | 2.7" Fixed, 230k dots | 3" Fully articulating touchscreen, 920k dots |
Viewfinder | None | Electronic 1440k dots, 100% coverage |
Storage | xD Picture Card, microSD | SD/SDHC/SDXC |
Weight | 136 g | 396 g |
Price at Launch | ~$130 | ~$700 |
Selecting a camera always balances features, cost, and personal photographic ambitions. This detailed side-by-side comparison armed you with factual, experience-backed knowledge to make the best choice for your photographic journey.
Olympus FE-4000 vs Panasonic G5 Specifications
Olympus FE-4000 | Panasonic Lumix DMC-G5 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model type | Olympus FE-4000 | Panasonic Lumix DMC-G5 |
Otherwise known as | X-925 | - |
Type | Small Sensor Compact | Entry-Level Mirrorless |
Revealed | 2009-07-22 | 2012-07-17 |
Body design | Compact | SLR-style mirrorless |
Sensor Information | ||
Chip | TruePic III | Venus Engine VII FHD |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor dimensions | 6.17 x 4.55mm | 17.3 x 13mm |
Sensor surface area | 28.1mm² | 224.9mm² |
Sensor resolution | 12MP | 16MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 3968 x 2976 | 4608 x 3456 |
Highest native ISO | 1600 | 12800 |
Minimum native ISO | 100 | 160 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 23 |
Lens | ||
Lens mount type | fixed lens | Micro Four Thirds |
Lens zoom range | 26-105mm (4.0x) | - |
Largest aperture | f/2.6-5.9 | - |
Macro focusing range | 3cm | - |
Amount of lenses | - | 107 |
Crop factor | 5.8 | 2.1 |
Screen | ||
Range of display | Fixed Type | Fully Articulated |
Display sizing | 2.7 inches | 3 inches |
Display resolution | 230k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display technology | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,440k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Min shutter speed | 4 seconds | 60 seconds |
Max shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shutter speed | - | 6.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.00 m | 10.50 m |
Flash modes | Auto, On, Off, Red-eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash sync | - | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
Highest video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 136g (0.30 lbs) | 396g (0.87 lbs) |
Dimensions | 95 x 57 x 22mm (3.7" x 2.2" x 0.9") | 120 x 83 x 71mm (4.7" x 3.3" x 2.8") |
DXO scores | ||
DXO Overall rating | not tested | 61 |
DXO Color Depth rating | not tested | 21.4 |
DXO Dynamic range rating | not tested | 11.6 |
DXO Low light rating | not tested | 618 |
Other | ||
Battery life | - | 320 photos |
Form of battery | - | Battery Pack |
Self timer | Yes (12 seconds) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse recording | ||
Storage media | xD Picture Card, microSD Card, Internal | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Cost at release | $130 | $699 |