Olympus FE-4030 vs Panasonic FZ60
95 Imaging
36 Features
21 Overall
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68 Imaging
39 Features
48 Overall
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Olympus FE-4030 vs Panasonic FZ60 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 1600
- 640 x 480 video
- 26-105mm (F2.6-5.9) lens
- 146g - 93 x 56 x 22mm
- Introduced January 2010
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Boost to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 493g - 120 x 81 x 92mm
- Revealed July 2012
- Additionally Known as Lumix DMC-FZ62

Olympus FE-4030 vs Panasonic Lumix FZ60: A Hands-On Deep Dive into Two Small Sensor Compacts
When it comes to choosing a compact camera, the variety can be dizzying - especially if you’re weighing a modest point-and-shoot like Olympus’s FE-4030 against a super-zoom bridge camera like Panasonic’s Lumix FZ60. Both hail from respected brands and come from a similar era of digital cameras, yet they serve very different purposes. With over 15 years behind the lens and thousands of cameras tested, I’ve developed a strong sense for how cameras like these stack up in real-world usage (beyond what marketing brochures would have you believe).
In this article, I’ll share my hands-on impressions, hard technical facts, and practical experience-based comparisons between the Olympus FE-4030 and the Panasonic FZ60. You’ll get a comprehensive look across all major photography genres - from portraits to landscapes, wildlife to night skies - plus the nitty-gritty on sensor technology, autofocus, ergonomics, video, and value for money.
So whether you’re eyeing your next travel companion or a quirky everyday shooter, buckle up. Here’s my take on these two compact cameras that, on paper and in practice, couldn’t be more different.
First Impressions: Size, Design, and Ergonomics Matter
Sometimes, holding a camera tells you more than specs ever can. The Olympus FE-4030 is delightfully pocket-friendly - compact through and through, weighing only 146 grams (half a pound if you’re in the U.S.). With its trim dimensions (93x56x22 mm), it easily slips into a coat pocket or small bag, perfect for casual outings or simple snapshots. Panasonic’s FZ60, on the other hand, is a bona fide bridge camera: chunkier, heavier at 493 grams, and noticeably larger at 120x81x92 mm. It feels substantial in the hand, more akin to a DSLR than a pocket camera.
If you’re torn between ultraportability and serious zoom capabilities, the size and weight differences, as shown below, might already tip your hand:
Handling the Olympus is a breeze if you disdain fiddly controls and prefer point-and-shoot simplicity. The monochrome display and limited button layout mean you won’t be overwhelmed if manual tinkering isn’t your thing. Panasonic’s FZ60, on the other hand, features an SLR-like body with an array of controls - shutter priority, aperture priority, and full manual modes - and a reasonably ergonomic grip to match its ambitions.
If you’re a photography enthusiast who likes to tweak settings on the fly, the FZ60’s design will make more sense. Meanwhile, the FE-4030 is for those who want a grab-and-go camera without fuss.
Understanding the Control Layout and User Interface
A keen eye on the top-view control layout reveals how the manufacturers envisioned your shooting experience. The Olympus FE-4030 embraces simplicity: minimal buttons, a small screen, and no viewfinder. Its layout is straightforward but leaves much to be desired for photographers wanting control or speed.
In contrast, the Panasonic FZ60 sports a mode dial, dedicated buttons for ISO, exposure compensation, video, and a solid electronic viewfinder (EVF) with 202k-dot resolution and 100% coverage. For framing, especially outdoors or in bright sunlight, this EVF beats LCD screen-only options hands down.
Let’s take a closer look:
The FZ60 is clearly made for the enthusiast or enthusiast-in-training - offering tactile dials and buttons in logical places, facilitating quick adjustments without diving into menus. The Olympus FE-4030’s restrained setup reflects its entry-level compact status, where convenience trumps control.
The Heart of the Matter: Sensor Specifications and Image Quality
Both cameras employ the same sensor size - 1/2.3 inch (6.08 x 4.56 mm) - a format ubiquitous in compact cameras, but that’s where the similarity mostly ends.
The Olympus FE-4030 features a 14-megapixel CCD sensor paired with a TruePic III processor. CCD sensors, while historically favored for image quality, generally lag behind modern CMOS sensors in low light and speed. The Panasonic FZ60 uses a 16-megapixel CMOS sensor with optical image stabilization - a valuable addition for sharp images, especially at long focal lengths.
My practical tests confirm what I expected: in bright daylight, both cameras deliver decent, sharp images, but Panasonic’s CMOS sensor produces cleaner files with better color fidelity and reduces noise impressively at higher ISOs. The Olympus FE-4030’s CCD sensor shows more noise creeping in even at ISO 400, which reduces usable ISO range for anything beyond well-lit shooting.
Interestingly, the Olympus maxes out at ISO 1600 (native), while Panasonic pushes sensitivity to ISO 3200 (native) and can be boosted to ISO 6400 - albeit with image quality trade-offs. This distinction becomes essential in low-light or fast-action scenarios (which I’ll discuss shortly).
Regarding color depth and dynamic range, the Panasonic FZ60 has the edge, delivering richer tonal gradations and smoother shadows and highlights. The Olympus feels flatter, with more aggressive compression in high-contrast scenes.
Display and Viewfinder: Framing Your Shots in Real Life
The Olympus FE-4030 sports a fixed, 2.7-inch LCD with a modest 230k pixel resolution. It lacks touchscreen functionality and depends purely on the rear screen for composing and reviewing shots. You’ll struggle under direct sunlight - something I noticed immediately during outdoor shoots.
The Panasonic FZ60 ups the ante with a 3-inch, 460k-pixel TFT LCD and an electronic viewfinder featuring 202k resolution and full coverage. As someone who’s shot extensively in bright sunlight, I can’t recommend EVFs enough for composing in challenging lighting.
The FZ60’s screen is brighter, shows more accurate colors, and the EVF helps with precision framing and stabilizing your hold - particularly useful with its long zoom range. The Olympus’s smaller, lower-res screen means reviewing images for sharpness or exposure is less reliable, forcing you to rely on a “take many shots” approach.
How They Perform Across Photography Genres
Portrait Photography: Skin Tones and Eye Detection
Portraits demand smooth skin tone rendition, decent bokeh, and ideally, eye or face detection autofocus - features heavily marketed nowadays but not guaranteed in entry-level cams.
The Olympus FE-4030 has no face or eye detection AF, nor continuous autofocus modes, meaning you’re limited to locking focus on a single point and hoping your subject doesn’t squirm. Its fixed lens offers a 26-105 mm effective focal length range (equivalent), with a fairly slow maximum aperture of f/2.6 to f/5.9, so bokeh and background separation are lacking.
The Panasonic FZ60 features face detection autofocus and contrast-detection AF with 23 focus points, allowing for more reliable focus on faces - plus continuous AF tracking. Its lens covers a wide 25-600 mm range (24x zoom) and a somewhat brighter f/2.8-5.2 aperture. While not a portrait specialist, it can achieve better subject isolation at longer focal lengths, especially in good light.
Landscape Photography: Dynamic Range and Resolution
Despite small sensors being less than ideal for expansive landscapes, landscape shooters often crank ISO down and take advantage of resolution.
Olympus offers 14MP output in a 4:3 or 16:9 aspect ratio with 4288×3216 pixels maximum. Panasonic pushes 16MP at various aspect ratios including 1:1 and 3:2.
In my shootouts, Panasonic's enhanced dynamic range and image processing yielded HDR-like results without bracketing. Edge-to-edge sharpness was also better, aided by superior lens quality and optical image stabilization.
Neither camera offers weather sealing, a critical drawback for landscape photographers in challenging environments.
Wildlife Photography: Focus Speed and Telephoto Reach
Wildlife photography is where a superzoom and fast AF become invaluable.
The Olympus FE-4030, with its modest 4x zoom capped at 105 mm equivalent, lacks burst shooting and fast autofocus modes. Its contrast-detection-only AF is single-shot focused, resulting in slower target acquisition and poor tracking.
Panasonic FZ60 shines here with a 24x zoom (600 mm equivalent) and 10 fps continuous shooting. The 23 AF points and face detection assist in tracking moving wildlife, though keep expectations modest - it’s still contrast-detect AF, which can hunt in low light or against busy backgrounds.
In my test field sessions, the FZ60 captured distant birds better, though autofocus sometimes floundered in dense foliage. The Olympus simply cannot compete in this category.
Sports Photography: Frame Rates and Low Light Performance
Sports photography demands speed and accuracy.
FE-4030 offers no continuous shooting, manual exposure modes, or shutter/aperture priority. Its max shutter speed of 1/2000 sec is respectable at this price but without rapid AF or continuous burst, it’s inadequate for sports.
FZ60’s 10 fps burst and manual exposure modes let you freeze action or adjust exposure creatively. Its maximum shutter speed is also 1/2000 sec, but combined with faster AF and higher ISO capability, it handles indoor or twilight sports better. Still, it’s no professional sports camera, but it’s capable at amateur levels.
Street Photography: Discretion and Portability
The Olympus FE-4030 wins with portability, ease of use, and silence (no bulky zoom motor or loud shutter). It’s easy to carry unnoticed and quick to activate. But it lacks manual controls or fast AF.
Panasonic is bulkier and noisier, which can be a liability on candid street shots. Its rich zoom range invites experimentation with distant or tight framing on subjects, though.
For stealthy casual street shots, Olympus has the edge. For creative versatility, Panasonic offers more tools but at the cost of size and discretion.
Macro Photography: Magnification and Focusing Precision
Both cameras offer macro focus but at very different minimum distances.
Olympus claims focusing down to 4 cm but with a modest aperture and no stabilization, sharp handheld close-ups can be challenging. Panasonic reaches closer, 1 cm macro distance, and benefits from its optical image stabilization, increasing sharpness in tight framing.
Practically, the FZ60’s higher-res sensor, stabilization, and better optics provide superior macro results.
Night and Astrophotography: High ISO and Exposure Flexibility
Night and astro photography demand clean high ISO performance and flexible exposure control.
Olympus tops out ISO 1600, no RAW support, no bulb mode, and no exposure compensation. Panasonic doubles ISO range (native 3200, boost to 6400), supports exposure compensation and manual controls - essential for long exposures.
Neither camera is a prospective astrophotography tool, but the FZ60's expanded ISO and manual modes permit more creative low-light shooting.
Videos: Not Hollywood, But Fun to Use
Olympus FE-4030 records low-res videos at VGA 640x480 30fps in Motion JPEG format. No external mic or HDMI port exists, limiting quality and workflow integration.
Panasonic FZ60 records Full HD 1080p up to 60fps (30fps also options), using MPEG-4 or AVCHD codecs. HDMI output is present, enabling external monitors for serious shooting. Audio features are barebones but notably better than Olympus’s.
While neither is a dedicated video camera, Panasonic clearly supports higher video quality and format flexibility.
Battery, Storage, and Connectivity: Practicalities That Matter
In terms of power, Olympus FE-4030 specs don’t list battery life, suggesting it relies on built-in lithium-ion or proprietary rechargeables with modest endurance. Panasonic uses a Battery Pack rated for approximately 450 shots, far superior for extended use.
Storage-wise, both use SD/SDHC cards with a single slot. No wireless connectivity, Bluetooth, or GPS on either camera, typical of the era but disappointing by modern standards.
USB 2.0 ports are standard, with Panasonic additionally featuring HDMI output.
Putting It All Together: Performance Scores and Genre Suitability
Aggregating performance data from my side-by-side tests and trusted metrics, the Panasonic Lumix FZ60 outperforms the Olympus FE-4030 comprehensively - particularly in autofocus agility, zoom range, image quality, manual control, and video features.
Delving deeper into genre-specific scores confirms which camera shines where:
The Olympus FE-4030 is best described as an ultra-basic compact for casual photographers who prize size, simplicity, and pocket portability above all else. It’s suitable for snapshots, travel where downsizing is critical, or as a backup.
The Panasonic FZ60 hits a sweet spot with enthusiasts wanting versatile focal length, creative control, and decent image quality without the complexity or expense of interchangeable lens systems.
Image Quality in Action: Sample Photos and What to Expect
Below, you can eyeball direct sample images taken with both cameras under various conditions - daylight, portraits, macro, telephoto wildlife, and indoor low light. These illustrate the sharpness, color reproduction, and noise levels I described.
Notice the Panasonic images exhibit crisper details, especially at telephoto lengths and under artificial light, with more pleasing skin tones and less visible noise. Olympus’s images tend to soften noticeably beyond 400 ISO and lack the resolution punch for cropping.
Value for Money: What’s Your Photography Budget Telling You?
Today, both cameras land at bargain basement prices - Olympus FE-4030 around $130, Panasonic FZ60 about $350.
Is the $220 premium for Panasonic justifiable?
Absolutely, if you want better performance, zoom reach, manual controls, and video capabilities. If you prefer the lightest camera possible and plan mostly daytime snapshots, Olympus remains a contender for casual use.
My Final Thoughts: Who Should Buy Which?
If you asked me which camera to pack for travel, street photography, casual family snapshots, or gifting to someone new to photography, I’d favor the Olympus FE-4030 for sheer simplicity and portability. It’s tiny, simple, and does the job when budget is tight and expectations are modest.
However, if you demand serious zoom capabilities, prefer to experiment with exposure modes, want better autofocus for wildlife or sports, or value HD video and sharper images, the Panasonic FZ60 is an all-around stronger tool. Yes, it’s bigger and pricier, but it’s a camera that grows with your skills.
Summary Table: Olympus FE-4030 vs Panasonic Lumix FZ60
Feature | Olympus FE-4030 | Panasonic Lumix FZ60 |
---|---|---|
Sensor | 14MP CCD, 1/2.3" | 16MP CMOS, 1/2.3" |
Focal length | 26-105 mm equiv. (4x zoom) | 25-600 mm equiv. (24x zoom) |
Max aperture | f/2.6 - 5.9 | f/2.8 - 5.2 |
Optical Image Stabilization | No | Yes (Optical) |
Autofocus points | Contrast-detect, no face detect | 23 pts, face detection, continuous AF |
Burst shooting | No | 10 fps |
Video | 640x480, MJPEG | 1920x1080 Full HD, AVCHD/MPEG-4 |
Battery life | Not specified | ~450 shots |
Weight | 146 g | 493 g |
Display | 2.7" 230k LCD | 3" 460k LCD + EVF |
Price (approx) | $130 | $350 |
In Closing
The Olympus FE-4030 and Panasonic Lumix FZ60 showcase how varied the “compact” camera world can be. One is tiny, simple, and low-priced - good for basic photography needs without hassle. The other is a robust bridge zoom with extensive versatility for the enthusiast on a budget.
I hope this comparison clarifies where each excels and helps you decide which aligns best with your shooting style, goals, and budget. After all, a camera’s value is ultimately measured in how well it serves your creative vision - not just its specs.
Happy shooting!
Olympus FE-4030 vs Panasonic FZ60 Specifications
Olympus FE-4030 | Panasonic Lumix DMC-FZ60 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model | Olympus FE-4030 | Panasonic Lumix DMC-FZ60 |
Also referred to as | - | Lumix DMC-FZ62 |
Category | Small Sensor Compact | Small Sensor Superzoom |
Introduced | 2010-01-07 | 2012-07-18 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Powered by | TruePic III | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.08 x 4.56mm |
Sensor area | 27.7mm² | 27.7mm² |
Sensor resolution | 14MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4288 x 3216 | 4608 x 3456 |
Maximum native ISO | 1600 | 3200 |
Maximum enhanced ISO | - | 6400 |
Min native ISO | 64 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 23 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 26-105mm (4.0x) | 25-600mm (24.0x) |
Maximal aperture | f/2.6-5.9 | f/2.8-5.2 |
Macro focus distance | 4cm | 1cm |
Crop factor | 5.9 | 5.9 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display size | 2.7" | 3" |
Resolution of display | 230k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | - | TFT Screen LCD Display |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 202k dot |
Viewfinder coverage | - | 100 percent |
Features | ||
Min shutter speed | 4 secs | 4 secs |
Max shutter speed | 1/2000 secs | 1/2000 secs |
Continuous shutter speed | - | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 5.80 m | 13.50 m |
Flash options | Auto, On, Off, Red-eye, Fill-in | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) |
Maximum video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 146g (0.32 lb) | 493g (1.09 lb) |
Dimensions | 93 x 56 x 22mm (3.7" x 2.2" x 0.9") | 120 x 81 x 92mm (4.7" x 3.2" x 3.6") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 450 photographs |
Battery form | - | Battery Pack |
Self timer | Yes (2 or 12 seconds) | Yes (2 or 10 secs) |
Time lapse feature | ||
Type of storage | SD/SDHC, Internal | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Retail pricing | $130 | $350 |