Olympus FE-5020 vs Pentax K110D
95 Imaging
34 Features
20 Overall
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67 Imaging
44 Features
30 Overall
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Olympus FE-5020 vs Pentax K110D Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 1600
- 640 x 480 video
- 24-120mm (F3.3-5.8) lens
- 137g - 93 x 56 x 25mm
- Revealed July 2009
- Additionally referred to as X-935
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 200 - 3200
- No Video
- Pentax KAF Mount
- 585g - 129 x 93 x 70mm
- Announced May 2006

Olympus FE-5020 vs Pentax K110D: A Comprehensive Real-World Camera Comparison for Photographers
In the fragmented landscape of digital cameras, discerning which model best suits your photographic ambitions can be daunting, particularly when juxtaposing two cameras with fundamentally different designs and release contexts. Today, we delve into an exhaustive, hands-on comparison between the Olympus FE-5020, a compact point-and-shoot from 2009, and the Pentax K110D, a 2006 entry-level DSLR. Both cameras target enthusiasts mindful of budget but have distinct technical characteristics and use scenarios. Armed with years of testing hundreds of cameras across genres, I’ll unpack their strengths, weaknesses, and practical performance to guide your decision-making.
First Impressions: Design and Handling Differences
At first glance, the contrast between these two cameras is stark. The FE-5020 echoes the archetype of late-2000s compact digitals, with a diminutive footprint (93x56x25mm) and featherweight (137g). Its fixed lens retracts to keep the profile pocketable, supported by a modest 2.7-inch LCD screen. Ergonomically, it caters to convenience and casual shooting, though the lack of manual controls hints at a less tactile experience.
Conversely, the K110D embodies the classical DSLR bulk (129x93x70mm, 585g), with a robust grip and a seasoned heritage. Its heft translates to a solid, reassuring feel for serious photographers who favor manual control and optical viewfinder clarity. The pentamirror design offers a 96% coverage at 0.57x magnification, a conventional standard to frame shots effectively.
This top-down view illustrates the FE-5020’s minimalist control scheme - a simple mode dial and shutter release - in contrast to the K110D’s extensive dial and button array supporting manual exposure, aperture priority, shutter priority, and an exposure compensation dial. The variety and placement reflect each camera’s intended user interaction paradigm: quick snapshots versus thoughtful composition.
Decoding the Sensor Technology and Image Quality
Sensor Size & Resolution
The Achilles’ heel of compact cameras often lies in sensor size, and here the Olympus FE-5020 is no exception: it houses a diminutive 1/2.3" CCD sensor (6.17x4.55mm, 28.07mm²) with 12 megapixels, delivering a maximum image size of 3968x2976 pixels at a 4:3 aspect ratio. The sensor’s compact area inherently limits light-gathering capabilities, resulting in elevated noise levels at even moderate ISO settings.
The Pentax K110D embraces a 23.5x15.7mm APS-C CCD sensor, considerably larger with an area of 368.95mm², offering a 6-megapixel resolution (3008x2008 pixels) in a 3:2 ratio. While the resolution is lower, the sensor size drastically improves dynamic range, low-light sensitivity, and depth-of-field control.
Image Processing and Quality
Olympus’s TruePic III processor in the FE-5020, contemporary in 2009, delivers decent JPEG processing but without RAW support, which limits post-processing latitude. Its maximum ISO is capped at 1600, but realistically, maintainable image quality begins to degrade at ISO 400 due to noise.
The K110D also utilizes CCD technology but benefits from an aggressively clean image baseline thanks to larger photosites and a better signal-to-noise ratio. Its ISO range tops out at 3200 natively, and crucially, it offers RAW support, empowering photographers to recover highlights and shadows with much more finesse - something the FE-5020 cannot match.
Autofocus Systems and Shooting Capabilities
Autofocus Mechanisms
Built primarily for point-and-shoot ease, the FE-5020 uses contrast-detection autofocus (CDAF) limited to a single AF point - it does not provide face or subject tracking, nor continuous autofocus for moving subjects. This limits its usability for dynamic scenes.
The Pentax K110D, meanwhile, employs a more sophisticated phase-detection autofocus (PDAF) system with 11 AF points, allowing for selective and multi-area focus options. It supports both single and continuous AF modes, providing better focus tracking for subjects in motion, albeit modest compared to modern DSLRs.
Shutter and Burst Rates
The FE-5020 offers shutter speeds from 4 seconds to 1/500s, suitable for general daylight shots but insufficient for freezing fast action. It lacks continuous shooting capability, reducing effectiveness for sports or wildlife.
In contrast, the K110D boasts a broader shutter speed range (30s – 1/4000s) and a modest continuous shooting speed of 3 frames per second (fps), which, while not exceptional, provides more flexibility for shooting moderate action scenarios.
Build Quality, Weather Resistance, and Durability
While pocket-sized and consumer-friendly, the Olympus FE-5020 is notable for its modest environmental sealing, an unexpected boon at its price point. However, it is not waterproof, dustproof, shockproof, crushproof, or freezeproof, limiting rugged outdoor use.
The Pentax K110D lacks formal weather sealing but benefits from a sturdier, DSLR-grade chassis built for demanding shoots. It does not claim ingress protection, making it sensitive to harsh conditions without additional protective gear.
Ergonomics and User Interface Analysis
The FE-5020 includes a fixed 2.7-inch LCD with a low resolution (~230k dots), sufficient for framing and reviewing but offering minimal detail. Its interface, devoid of touchscreen or customizable controls, aims for simplicity over flexibility.
Pentax K110D’s 2.5-inch screen, slightly smaller and lower resolution (~210k dots), serves as a secondary interface for menus and image playback. Focus and exposure adjustments rely on external dials and buttons, providing traditional DSLR usability but with no live view or video.
The absence of live view on the K110D contrasts with the Olympus’s limited live view mode, but Olympus’s lacking viewfinder means eye-level shooting comfort is absent.
Lens Ecosystem and Compatibility
Perhaps the most decisive factor for image quality and versatility comes down to lenses.
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Olympus FE-5020: Equipped with a fixed 24-120mm (equivalent) zoom lens with a maximum aperture range of f/3.3-5.8, this lens offers no interchangeability. While its 5× zoom range covers common scenarios, its limited aperture range hampers low-light and depth-of-field creativity, especially for portrait and macro work.
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Pentax K110D: Featuring the Pentax KAF mount, it has access to over 150 compatible lenses spanning primes, zooms, macros, and fast apertures, across new and legacy optics. This vast ecosystem allows users to customize optics for portraits, wildlife telephoto, landscapes, or macro, significantly extending the camera’s usefulness.
Battery Life and Storage Solutions
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Olympus FE-5020: Powered by the lithium-ion LI-42B battery, typical usage yields modest shot counts fitting casual users. Storage supports both xD-Picture Card and microSD cards, with a single slot, providing some flexibility with memory cards but locking users into smaller capacities compared to today’s standards.
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Pentax K110D: Uses four standard AA batteries, which is advantageous for travel since these batteries are globally available, but can be heavy and bulky. It supports standard SD/SDHC/MMC cards with a single slot. Battery life varies widely depending on shooting style, but AA-based power often means carrying spares.
Connectivity and Multimedia Features
Neither camera offers contemporary wireless connectivity such as Wi-Fi, Bluetooth, NFC, GPS, or video outputs like HDMI. USB 2.0 charging/data transfer ports are present on both, standard at the time.
Video capabilities differ starkly: Olympus FE-5020 offers basic Motion JPEG video at 640×480 resolution (30fps max), largely obsolete today. The K110D does not support video recording at all, which is standard for DSLRs of its generation.
Photography Genre Performance: Strengths and Limitations
To ground this technical overview into practical terms, let’s explore how each camera performs across core photography disciplines, supported by sample imagery and scores.
Portrait Photography: Skin Tones and Bokeh Quality
Portraiture demands well-rendered skin tones and shallow depth of field to isolate subjects from background clutter. The Olympus FE-5020’s small sensor and fixed lens, with a maximum f/3.3 aperture at wide-angle and f/5.8 telephoto, struggle to create creamy bokeh. Additionally, no face or eye detection autofocus limits precise focusing on eyes, which is critical for professional portraits.
The Pentax K110D’s APS-C sensor yields better background separation even with moderately wide apertures (depending on lens choice), while its versatile autofocus system ensures subject-locked focus. The availability of fast prime lenses (e.g., 50mm f/1.8) in the Pentax lineup outclasses the FE-5020’s fixed zoom for portraiture.
Landscape Photography: Dynamic Range and Resolution
Dynamic range - the sensor’s ability to retain detail in shadows and highlights - is pivotal in landscapes.
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The FE-5020’s small sensor restricts dynamic range and fine detail capture, causing highlight clipping on bright skies and crushed shadows.
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The K110D’s APS-C sensor and RAW support allow post-processing corrections expanding dynamic range utility, yielding richer tonal gradations and larger print-ready files despite its lower megapixel count.
Both cameras lack weather sealing robust enough for extreme environments (the FE-5020 has a slight environmental seal, K110D none), so photographers in harsh climates might need protective housings.
Wildlife and Sports Photography: Autofocus Speed and Burst Rate
Wildlife and sports demand fast, accurate autofocus and high burst speed.
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FE-5020’s limited contrast-detect AF and no continuous shooting render it impractical for capturing fast-moving subjects.
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K110D’s PDAF with multiple focus points and 3fps burst allows moderate action shooting, though it lags behind modern DSLRs and mirrorless cameras in tracking and fps.
Street and Travel Photography: Portability and Discretion
The FE-5020 shines in portability; its small size and light weight make it unobtrusive and easy to carry on daily travels.
The K110D’s bulk is a burden for casual travel but offers versatile lens options for urban and landscape scenes. Battery considerations (AAs) are convenient for international travel without access to chargers.
Macro Photography: Magnification and Focusing Precision
The FE-5020 touts an impressive macro focusing distance down to 1cm, suitable for close-up shots, but the fixed lens aperture and small sensor limit depth-of-field control and background blur.
The Pentax K110D benefits from a plethora of dedicated macro lenses offering higher magnifications and manual focus precision, critical for macro work.
Night and Astrophotography: High ISO and Exposure Control
Low-light performance hinges on sensor size and manual exposure options.
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Olympus’s maximum ISO 1600 and lack of manual shutter/aperture controls make it confining for night scenes.
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Pentax K110D delivers manual exposure control including shutter priority, aperture priority, and manual modes, with ISO up to 3200. This makes it capable - if not exemplary - in astrophotography with appropriate lenses and tripods.
Video Capabilities: Recording Quality and Stabilization
Only the Olympus FE-5020 offers rudimentary video (640×480 MJPEG), lacking image stabilization or audio input capabilities, limiting its creative potential.
The Pentax K110D has no video functionality.
Professional Use and Workflow Integration
Professionals require RAW capture, robust manual control, and reliable file formats for workflow integration.
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The K110D delivers RAW DNG files, manual modes, and extensive lens choices - a more fitting tool for serious work.
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The FE-5020 offers no RAW mode, no manual exposure, severely restricting professional use.
Overall Performance and Scoring
The Olympus FE-5020 scores competitively for casual, budget-conscious users seeking compactness and ease, while the Pentax K110D excels in manual controls, image quality, and versatility.
Genre-Specific Ratings Breakdown
- Portraits: K110D leads due to sensor size and lens options.
- Landscapes: K110D outperforms on dynamic range and resolution.
- Wildlife/Sports: K110D preferred but both limited by burst speed.
- Street: FE-5020 more portable; K110D offers better image quality.
- Macro: K110D with dedicated lenses is superior.
- Night/Astro: K110D manual control edge.
- Video: Only FE-5020 available but basic.
Sample Images Comparison: Real-World Test Shots
In daylight portraits and landscapes, the K110D images exhibit cleaner colors, higher dynamic range, and sharper detail despite fewer megapixels. The FE-5020 photos appear softer with muted contrast and visible noise above ISO 200.
Summary: Who Should Choose Which?
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Olympus FE-5020 is ideal for casual photographers prioritizing pocketability, simple operation, and a modest price tag (around $160). It suits snapshot photography, travel where size matters, and users unwilling or unable to manage complex settings.
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Pentax K110D targets enthusiasts seeking superior image quality, manual controls, and creative lens flexibility, willing to trade size and weight for performance. It serves well for portraits, landscapes, macro, and low-light shooting on a reasonable budget (~$1000 as of earlier years), better fulfilling professional and advanced amateur workflows.
Final Recommendation
While the Olympus FE-5020 packs convenience into a tiny package, its technological limitations inevitably constrain creative potential and image quality, especially in challenging photographic contexts. In contrast, the Pentax K110D, emblematic of early DSLRs, provides a more capable foundation for growth, balanced ergonomics, and superior technical capability.
If your priority is casual shooting with minimal fuss, the FE-5020 is a worthy option. However, for enthusiasts or professionals craving control, image fidelity, and long-term flexibility, investing in the K110D system - with its expansive lens offerings and raw-capable sensor - is a far more rewarding proposition.
By distilling years of hands-on comparative testing and technical analysis, I hope this thorough comparison empowers your camera choice with clarity and confidence.
Olympus FE-5020 vs Pentax K110D Specifications
Olympus FE-5020 | Pentax K110D | |
---|---|---|
General Information | ||
Company | Olympus | Pentax |
Model | Olympus FE-5020 | Pentax K110D |
Also called as | X-935 | - |
Type | Small Sensor Compact | Entry-Level DSLR |
Revealed | 2009-07-22 | 2006-05-22 |
Physical type | Compact | Compact SLR |
Sensor Information | ||
Powered by | TruePic III | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.7mm |
Sensor area | 28.1mm² | 369.0mm² |
Sensor resolution | 12 megapixels | 6 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 3:2 |
Highest resolution | 3968 x 2976 | 3008 x 2008 |
Highest native ISO | 1600 | 3200 |
Lowest native ISO | 64 | 200 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | - | 11 |
Lens | ||
Lens mounting type | fixed lens | Pentax KAF |
Lens focal range | 24-120mm (5.0x) | - |
Maximum aperture | f/3.3-5.8 | - |
Macro focus distance | 1cm | - |
Number of lenses | - | 151 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display diagonal | 2.7 inches | 2.5 inches |
Resolution of display | 230k dots | 210k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | None | Optical (pentamirror) |
Viewfinder coverage | - | 96 percent |
Viewfinder magnification | - | 0.57x |
Features | ||
Lowest shutter speed | 4 seconds | 30 seconds |
Highest shutter speed | 1/500 seconds | 1/4000 seconds |
Continuous shooting rate | - | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.10 m | - |
Flash options | Auto, On, Off, Red-eye, Fill-in | Auto, On, Off, Red-eye reduction |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash synchronize | - | 1/180 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | - |
Highest video resolution | 640x480 | None |
Video format | Motion JPEG | - |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 137g (0.30 lb) | 585g (1.29 lb) |
Physical dimensions | 93 x 56 x 25mm (3.7" x 2.2" x 1.0") | 129 x 93 x 70mm (5.1" x 3.7" x 2.8") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | LI-42B | 4 x AA |
Self timer | Yes (12 seconds) | Yes (2 or 12 sec) |
Time lapse feature | ||
Storage type | xD-Picture Card, microSD | SD/MMC card |
Card slots | One | One |
Retail price | $160 | $1,000 |