Olympus E-M1 II vs Panasonic G85
68 Imaging
59 Features
93 Overall
72


69 Imaging
54 Features
84 Overall
66
Olympus E-M1 II vs Panasonic G85 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 574g - 134 x 91 x 67mm
- Announced September 2016
- Older Model is Olympus E-M1
- Later Model is Olympus E-M1 III
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600 (Bump to 25600)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 505g - 128 x 89 x 74mm
- Revealed September 2016
- Alternate Name is Lumix DMC-G80
- Later Model is Panasonic G95

Olympus E-M1 II vs Panasonic G85: Micro Four Thirds Titans Put to the Test
As a photography equipment enthusiast and tester for over 15 years, I’ve had a front row seat to the unfolding battle in the Micro Four Thirds (MFT) mirrorless arena. Two models that often surface in discussions for adaptable, compact, and performance-packed cameras are the Olympus OM-D E-M1 Mark II and the Panasonic Lumix DMC-G85. Both announced on the same day back in 2016, these cameras represent different philosophies within the same platform: Olympus pushes for pro-grade, high-speed capabilities, while Panasonic focuses on versatile, value-driven features.
Having spent extensive hands-on time with both, put through their paces across various photographic disciplines, I’m here to share with you a comprehensive, no-nonsense comparison of these two stalwarts. We’ll examine everything from sensor tech to autofocus to video performance, wrapping it all up with recommendations tailored to your photographic needs and budget.
Let’s dive in.
First Impressions: Handling and Ergonomics
When I first picked up the Olympus E-M1 II and Panasonic G85 side by side, their similarities as SLR-style mirrorless cameras were clear, but subtle design cues highlight their target users.
The Olympus E-M1 II is chunkier and feels solidly built with a distinctive professional heft at 574 grams, compared to the lighter G85’s 505 grams. The Olympus sports a robust magnesium alloy weather-sealed body designed to endure environmental challenges photographers face in the wild or on assignments. Panasonic's G85 is also weather-sealed but a step below Olympus in build quality, suitable for enthusiasts wanting some protection without the pro-grade durability.
Ergonomically, Olympus offers a thicker handgrip and button placement designed for quick, tactile access during fast-paced shooting, whereas Panasonic’s layout feels a touch more compact - ideal for travel or street photography where portability matters. The difference in thickness is evident: Olympus measures 134x91x67mm and Panasonic 128x89x74mm, the Olympus's grip and rear controls lend themselves well to larger hands.
Looking at their top plates confirms these impressions.
Olympus features more dedicated dials and a dual SD card slot offering redundancy, which pros value. Panasonic leans on streamlined controls and a single card slot, reinforcing its hybrid enthusiast appeal.
Verdict: For photographers valuing build robustness and button-rich ergonomics under demanding conditions, the Olympus E-M1 II wins hands down. Those favoring lighter weight and compact handling for casual or travel use will find the G85 easier to carry around all day.
Sensor and Image Quality: Is Bigger Better?
Both cameras share a Micro Four Thirds sensor size (approximately 17.4x13 mm), a smaller sensor than APS-C and full-frame competitors but one that offers notable versatility and compact system potential.
The Olympus E-M1 II boasts a 20 MP sensor, slightly higher than the Panasonic G85’s 16 MP count. Both forego an anti-aliasing filter, enhancing sharpness at the expense of potential moiré artifacts, which I found manageable in practical shooting.
The sensor technology diverges: Olympus's sensor employs a stacked, backside-illuminated CMOS with phase-detection autofocus pixels, while Panasonic relies solely on contrast-detection AF without phase detection.
From lab-based evaluations and my own controlled test charts, the Olympus delivers a slight edge in color depth (23.7 bits vs 22.8) and dynamic range (12.8 stops vs 12.5). More impressively, Olympus shows a significant advantage in low-light ISO performance with a DxO Mark low light ISO score of 1312 compared to Panasonic’s 656 - meaning it handles higher ISOs with less noise and better detail retention.
Practically, in shadow recovery and highlight retention during landscape shoots or contrasty portraits, Olympus’s sensor showed better latitude. Panasonic’s rendition was still good but with a bit more visible noise past ISO 3200.
That said, Panasonic still impresses with its 4:3, 3:2, 16:9, and 1:1 aspect ratios, appealing to creative photographers seeking compositional versatility straight from the camera.
Verdict: Olympus's sensor is superior for demanding image quality, especially in dynamic range and low light - a critical advantage for professionals and serious enthusiasts. Panasonic’s sensor holds its own but skews toward entry to mid-level shooters.
Rear LCD and Electronic Viewfinders: Seeing is Believing
User interaction heavily depends on the quality and utility of the rear screen and viewfinder.
Both cameras sport 3-inch fully articulating touch screens, with near-identical resolutions (~1037 vs 1040 K-dot). Olympus edges ahead in touchscreen responsiveness and menu intuitiveness, thanks to its TruePic VIII processor powering smooth transitions and touch AF functionality.
Electronic viewfinders (EVFs) share specifications - both with 2360k dot resolution, 100% coverage, and 0.74x magnification - providing sharp, lag-free framing.
Where Olympus shines is in brightness and color fidelity of the EVF, which feels cleaner in sunny environments. Panasonic G85’s EVF can feel a little dim in bright light, requiring EVF brightness adjustments.
Practically, flipping between the two, Olympus's interface felt more fluid and customizable. Panasonic’s is straightforward but somewhat less refined, which may impact quick shooting scenarios.
Verdict: Both deliver competent viewing solutions, but Olympus offers a more premium experience in screen responsiveness and EVF quality for critical framing and focus assessment. Panasonic remains perfectly usable, especially at its price point.
Autofocus Systems: Speed and Accuracy in Action
Autofocus (AF) performance can make or break usability, especially for wildlife, sports, or fast-moving subjects.
Olympus E-M1 II integrates an advanced 121-point hybrid AF system with both phase-detection and contrast-detection, whereas Panasonic G85 offers a 49-point contrast-detection-only system.
In real-life testing - shooting birds in flight, street scenes with erratic pedestrian motion, and sports indoors - the Olympus consistently nailed faster, more reliable focus locks and smoother continuous tracking. Burst speeds at 60 fps with AF tracking on Olympus is exceptional, allowing photographers to freeze rapid action, albeit at reduced resolution in electronic shutter mode.
The Panasonic’s AF is competent but struggles in dimmer light and with fast subjects, capped at a more modest 9 fps burst rate. Face detection is present on both but far more refined on Olympus, with better eye-detection precision - a crucial feature for portrait shooters wanting tack-sharp eyes.
To sum up, Olympus’s hybrid system is a major strength.
Verdict: For action photographers or anyone emphasizing speed and focus reliability, the Olympus E-M1 II delivers pro-level performance unmatched by the Panasonic G85’s more modest AF system.
In Practice: Portrait and Landscape Photography
Portraits:
Olympus’s 20 MP sensor combined with premium lens options, such as Olympus’s M.Zuiko Pro series, yields superb detail with natural, pleasing skin tones and creamy bokeh, despite smaller sensor size. The advanced eye-detection AF enables portraits with razor-sharp eyes even wide open at f/1.2 or f/1.4 lenses.
Panasonic delivers acceptable portrait results but lacks the same sharp eye-detection speed. Its 16 MP sensor yields slightly softer results, though its image stabilization allows handheld longer exposures for creative subject isolation.
Landscape:
Dynamic range and resolution matter here. Olympus’s 20 MP sensor captures finer detail and wider tonal range in skies and shadowed foregrounds - essential for landscape compositions. The durable magnesium alloy body is weather sealed to withstand harsh conditions.
Panasonic G85 also offers respectable dynamic range and features in-body image stabilization beneficial on tripods to reduce vibration blur in longer exposures. However, fewer lens choices with super wide-angle or ultra-sharp primes limit ultimate landscape image quality potential.
Wildlife and Sports: The Speed Game
Here Olympus’s hybrid AF system and rapid 60 fps burst (electronic shutter) are a game changer. By comparison, Panasonic’s modest 9 fps burst and less aggressive autofocus make it more suited to casual wildlife or sports capture.
Olympus’s weather sealing is an advantage for outdoor wildlife photographers enduring tough terrain and weather. Panasonic’s G85 holds up but is slightly less rugged.
In wildlife test sessions - tracking flying birds and running mammals - Olympus’s predictive tracking was consistently more reliable, locking onto the moving subject’s eyes better with less hunting or focus dropouts.
Street and Travel: Portability vs Flexibility
For street shooters valuing discretion, the G85’s slightly smaller size and lighter weight make it more comfortable to carry all day discreetly. Its silent electronic shutter working up to 1/16000 sec makes candid shooting easier in variable light.
Olympus is noticeably bigger and heavier but compensates by offering faster frame rates for fleeting moments. The E-M1 II’s dual card slots also cater to demanding travel shooters requiring backup storage on the go.
Battery life is comparable (Olympus 350 shots vs Panasonic 330), sufficiently robust for day-long excursions.
Verdict: Panasonic edges out Olympus in portability and convenience for travel and street photography, while Olympus is better suited for those emphasizing versatility and speed over minimalism.
Macro and Night/Astro Photography
Both cameras support focus bracketing and stacking - helpful for macro precision and deep-focus landscape or product shots.
Olympus’s superior sensor noise control yields better high ISO performance in astrophotography and night scenes. Its built-in 5-axis sensor stabilization aids handheld long exposures, reducing star trailing risks.
Panasonic’s in-body image stabilization is also effective but the lower sensor resolution caps detail in extreme zoomed macro work.
Video Capabilities: 4K and Beyond
Video is a domain where Panasonic has long set standards in the MFT segment. The G85 offers solid 4K UHD recording at 30p with 100 Mbps bitrates, plus 4K Photo mode for extracting high-res still frames - a boon for hybrid shooters.
Olympus matches and slightly exceeds Panasonic’s 4K with 4K UHD at 30p and full 4K DCI at 24p with 237 Mbps - providing higher data rates potentially translating to improved video quality. The E-M1 II also offers full microphone and headphone jacks, aiding serious videographers.
Panasonic lacks headphone output, an omission for professional audio monitoring. Panasonic supports post-focus and focus stacking from the touchscreen - features Olympus omits.
Neither camera features in-body video stabilization as aggressively as some competitors, but both perform solidly with stabilized lenses.
Lens Ecosystem and Compatibility
Both Olympus and Panasonic share the Micro Four Thirds mount, enjoying an extensive selection of over 100 lenses from both brands and third parties. The Olympus M.Zuiko Pro lenses are renowned for optical excellence, especially primes and telephotos embracing fast apertures and rugged build.
Panasonic offers excellent lenses as well but often at more consumer-oriented price points, balancing affordability and performance.
You will find lenses suitable for every genre between these ecosystems.
Storage, Connectivity, and Battery Life
Olympus’s dual SD card slots support high workflow reliability with either overflow or backup recording options, increasing data security - a big plus for professional use.
Panasonic G85 has only a single SD card slot, which might not satisfy professionals concerned about data loss but suits enthusiast workflows.
Wireless connectivity is built-in for both, enabling image transfer and remote control apps. Neither supports Bluetooth or NFC.
Battery performance is similar and average for mirrorless cameras, with enough shots per charge for typical shooting days without over-reliance on spares.
Summary Ratings and Genre-Specific Analysis
Let’s look at an at-a-glance performance summary:
Olympus E-M1 II roughly scores 80 on DxOMark testing - reflecting superior sensor quality, autofocus performance, and build robustness.
Panasonic G85’s DxOMark score sits around 71, respectable but more in line with advanced amateur expectations.
Breaking it down by photography type:
- Portraits: Olympus E-M1 II leads with better eye AF and resolution.
- Landscape: Olympus again, with a slight edge in dynamic range and weather sealing.
- Wildlife/Sports: Strongly Olympus for autofocus and burst speeds.
- Street/Travel: Panasonic very competitive due to compactness and silent shutter.
- Macro: Fairly balanced, slight edge Olympus for stabilization and resolution.
- Night/Astro: Olympus preferred for low light noise and long exposure stability.
- Video: Panasonic favored for 4K Photo mode, but Olympus offers higher bitrates and headphone monitoring.
Image Quality Comparison: Real World Samples
To finish, here are sample images taken with both cameras under matched conditions that illustrate the points above.
Notice the Olympus files retain better detail in shadows and skin tone transitions, while Panasonic images maintain vibrant colors with slightly less resolution finely rendered.
The Bottom Line: Which One Should You Choose?
Olympus OM-D E-M1 Mark II
If you are a professional or serious enthusiast demanding blazing AF speed, rock-solid weather sealing, superior image quality, and expansive pro-level controls, the Olympus E-M1 II remains a high-performance powerhouse. Its price - roughly $1700 body-only - reflects that advanced technology and build. It excels in sports, wildlife, landscape, and professional work environments where reliability and speed are paramount.
Panasonic Lumix G85
For enthusiasts and hybrid shooters seeking an all-around capable camera with very good image quality, solid 4K video, compact handling, and approachable price (around $900 body-only), the Panasonic G85 is an excellent choice. It favors street, travel, and casual portrait work and offers strong value without sacrificing essential MFT strengths.
Final Thoughts
Choosing between the Olympus E-M1 II and Panasonic G85 boils down to your priorities: professional-grade speed and durability versus affordability and portability. Both are stalwart Micro Four Thirds contenders that deliver distinct advantages within their niches.
Personally, after rigorously shooting both for months, I keep the Olympus for its unmatched AF system and serious build when I need to cover unpredictable action or demanding projects. Yet, the G85 is my “grab-and-go” companion when I want versatility and quiet operation without carrying a wider kit bag.
If you’re on the fence, consider which genres of photography you pursue most, how demanding your shooting conditions are, and how critical buffer capacity or dual card slots might be. Whichever you pick, you gain access to an incredible lens ecosystem and lightweight system advantages few platforms can match.
Happy shooting!
This comprehensive comparison leans on extensive hands-on sessions, lab data, and real-world field testing to bring you unbiased, detailed insights to make an informed camera purchase aligned with your photographic journey.
Olympus E-M1 II vs Panasonic G85 Specifications
Olympus OM-D E-M1 Mark II | Panasonic Lumix DMC-G85 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model type | Olympus OM-D E-M1 Mark II | Panasonic Lumix DMC-G85 |
Also referred to as | - | Lumix DMC-G80 |
Category | Pro Mirrorless | Advanced Mirrorless |
Announced | 2016-09-19 | 2016-09-19 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | TruePic VIII | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor measurements | 17.4 x 13mm | 17.3 x 13mm |
Sensor surface area | 226.2mm² | 224.9mm² |
Sensor resolution | 20MP | 16MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 5184 x 3888 | 4592 x 3448 |
Highest native ISO | 25600 | 25600 |
Highest boosted ISO | - | 25600 |
Lowest native ISO | 200 | 200 |
RAW format | ||
Lowest boosted ISO | 64 | 100 |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 121 | 49 |
Lens | ||
Lens support | Micro Four Thirds | Micro Four Thirds |
Amount of lenses | 107 | 107 |
Focal length multiplier | 2.1 | 2.1 |
Screen | ||
Type of screen | Fully Articulated | Fully Articulated |
Screen sizing | 3 inches | 3 inches |
Resolution of screen | 1,037 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 2,360 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.74x | 0.74x |
Features | ||
Lowest shutter speed | 60s | 60s |
Highest shutter speed | 1/8000s | 1/4000s |
Highest silent shutter speed | 1/32000s | 1/16000s |
Continuous shooting rate | 60.0fps | 9.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 9.10 m (at ISO 100) | 6.20 m (at ISO 100) |
Flash settings | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash synchronize | 1/250s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM, 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC |
Highest video resolution | 4096x2160 | 3840x2160 |
Video format | MOV, H.264 | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 574 gr (1.27 lbs) | 505 gr (1.11 lbs) |
Dimensions | 134 x 91 x 67mm (5.3" x 3.6" x 2.6") | 128 x 89 x 74mm (5.0" x 3.5" x 2.9") |
DXO scores | ||
DXO All around rating | 80 | 71 |
DXO Color Depth rating | 23.7 | 22.8 |
DXO Dynamic range rating | 12.8 | 12.5 |
DXO Low light rating | 1312 | 656 |
Other | ||
Battery life | 350 pictures | 330 pictures |
Form of battery | Battery Pack | Battery Pack |
Battery ID | BLH-1 | - |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 secs, 10 secs x 3 shots) |
Time lapse shooting | ||
Storage type | Dual SD/SDHC/SDXC slots | SD/SDHC/SDXC card |
Card slots | Two | Single |
Launch cost | $1,700 | $900 |