Olympus E-M1 II vs Panasonic ZS15
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Olympus E-M1 II vs Panasonic ZS15 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 574g - 134 x 91 x 67mm
- Revealed September 2016
- Superseded the Olympus E-M1
- Updated by Olympus E-M1 III
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 208g - 105 x 58 x 33mm
- Introduced June 2012
- Alternate Name is Lumix DMC-TZ25
- Later Model is Panasonic ZS20

Olympus E-M1 II vs Panasonic ZS15: A Comprehensive Camera Comparison for Enthusiasts and Professionals
Selecting the right camera often feels like choosing between two very different worlds - should you carry the powerhouse built for pro-level imaging or opt for the pocket-friendly all-in-one? Today, I'm pitting the Olympus OM-D E-M1 Mark II (E-M1 II) against the compact but versatile Panasonic Lumix DMC-ZS15 (ZS15) to uncover where each shines, and who each truly suits. Both have their loyal followers, but their philosophies and capabilities couldn’t be more distinct.
Having personally tested thousands of cameras across genres, I’m here to guide you through a hands-on, clear-eyed comparison - sensor tech, autofocus, handling, and more - with every angle covered, from portraits to astrophotography. Let’s get into it.
Seeing Size and Style: Handling and Ergonomics
First impressions matter, especially when you hold the camera. The Olympus E-M1 II is an SLR-style mirrorless camera with a robust body designed for professional handling. It weighs 574g and measures 134x91x67 mm, offering a substantial grip and a weather-sealed magnesium alloy chassis made to endure demanding environments.
By contrast, the Panasonic ZS15 is a compact superzoom with a fixed lens, weighing in at just 208g and measuring 105x58x33 mm. This slim, pocketable design favors convenience above all else, a boon for casual outings or travel where weight and size can make or break your day.
Ergonomically, the E-M1 II sports a pronounced grip and a customizable control layout for swift, on-the-fly adjustments - essential for working pros or advanced amateurs who demand precision. The ZS15’s compact body is minimalist, with fewer physical controls and a simplified handling experience suitable for beginners or those who prioritize portability.
If you find yourself shooting for hours in challenging conditions or prefer tactile control, the Olympus wins hands down. However, if slipping your camera into a small bag or pocket matters most, the Panasonic’s feather-light profile delivers unmatched convenience.
Design Details Up Top: Control Layout and Interface
Peek under the hood or rather, at the top deck, to see how each camera serves up its controls.
The Olympus E-M1 II’s top panel reveals a wealth of dials and buttons - exposure compensation, mode dial, dedicated movie record button, and multiple customizable keys. It’s designed for users who want quick, immediate access to core settings without diving into menus, a clear indication of its pro ambitions.
In contrast, Panasonic’s ZS15 goes minimalist, with just a mode dial and shutter button dominating the top. The absence of customizable buttons and external dials indicates a camera aimed at straightforward operation. While this simplicity benefits novices or casual users, it limits the speed and flexibility that pros crave.
The takeaway here? The E-M1 II’s sophisticated control scheme is invaluable if you wish to shoot RAW, tweak continuously, or handle varying lighting conditions. Meanwhile, the ZS15’s layout is approachable, making it a decent choice for beginners or travelers who want a no-fuss point-and-shoot experience.
The Heart of the Image: Sensor Size, Resolution, and Quality
This is where the cameras reveal their inherent photographic DNA.
The Olympus E-M1 II boasts a 20MP four-thirds sensor (17.4x13 mm, 226.2 mm²) with no anti-aliasing filter, which enhances sharpness. It uses the TruePic VIII processor, enabling excellent noise reduction and impressive dynamic range, evidenced by DxOMark scores of 80 overall, 23.7 color depth, and 12.8 EV dynamic range. ISO performance is strong, maintaining good low-light usability up to ISO 3200 and beyond.
On the flip side, the Panasonic ZS15 features a significantly smaller 1/2.3" sensor (6.17x4.55 mm, 28.1 mm²) with 12MP resolution and a modest built-in lens offering 24-384mm equivalent focal length. Expectedly, it delivers lower overall image quality, with limited dynamic range and higher noise at elevated ISO settings - a common trait for small-sensor compact cameras. It lacks RAW support, limiting post-processing flexibility.
Real-world, the Olympus sensor delivers crisp, vibrant images with excellent skin tone rendition and detail retention in shadows and highlights, while the Panasonic is better suited for casual snapshots where convenience trumps image fidelity.
Viewing and Framing: LCD and Viewfinder Technology
An effective viewfinder and display setup can make or break your shooting experience.
Olympus equips the E-M1 II with a 3-inch fully articulating touchscreen at over 1 million dots resolution - bright, detailed, and flexible for creative angles. It also features a 2.36M-dot electronic viewfinder with 100% coverage and 0.74x magnification, offering a clear, lag-free window to frame your shots even in bright sunlight.
By contrast, the Panasonic ZS15 relies on a fixed 3-inch LCD screen at 460k dots resolution, with no electronic viewfinder at all. It is bright enough for casual use but less detailed and not very accommodating in harsh lighting.
For outdoor use or precise manual focus and composition, the Olympus’s viewfinder and articulating touchscreen are big assets. If you mostly shoot indoors or casual snaps, the ZS15’s fixed screen suffices, though it can occasionally frustrate in challenging lighting conditions.
Autofocus Systems Put to the Test: Speed, Accuracy, and Tracking
Autofocus performance often separates enthusiasts and professional tools from point-and-shoots.
The Olympus E-M1 II features a hybrid autofocus system with 121 focus points combining phase-detection and contrast detection. It supports face and eye detection, continuous tracking AF, and has excellent low-light AF sensitivity down to -3 EV. During real-world shooting (wildlife, sports), I found the AF to be lightning-fast, accurate, and reliable in tracking fast-moving subjects thanks to its advanced algorithms and robust processing.
In contrast, the Panasonic ZS15 relies on simpler contrast-detection AF with a basic 23-point AF system. It provides face detection but lacks eye detection and phase detection, resulting in slower and less dependable focus lock, especially under low light or fast action scenarios. Its continuous shooting tops at just 2 fps, which limits capture of fleeting moments.
For wildlife or sports photography where speed and precision are vital, the Olympus sets a high bar. The Panasonic is better suited for static or slow-moving subjects and casual photography where AF performance is less of a priority.
Exploring Photography Genres: Strengths and Weaknesses by Use Case
Let’s jump into various photography types to see their practical implications.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
The E-M1 II’s larger sensor combined with Micro Four Thirds lenses offers beautiful skin tone reproduction, natural depth of field, and pleasing bokeh - critical for expressive portraits. I really appreciated its advanced face and eye AF that hold focus on eyes even when the subject moves subtly, which made portrait sessions smoother.
The ZS15’s small sensor and fixed lens provide limited bokeh capability, leading to more background detail and less subject isolation. The absence of eye detection limits sharp portrait results, especially in low light.
In short, if portraits matter deeply to you, the Olympus delivers a professional edge.
Landscape Photography: Dynamic Range and Weather Sealing
The higher dynamic range (12.8 EV) of the E-M1 II preserves shadow and highlight details superbly, essential for scenic landscapes with bright skies and detailed foregrounds. I also genuinely value its robust weather sealing - dust- and splash-resistant magnesium alloy body - which lets you shoot in challenging conditions without worry.
The Panasonic ZS15’s smaller sensor struggles with dynamic range, causing clipped highlights or muddy shadows in contrasty scenes. Its plastic body lacks environmental sealing, making it less suitable for adventurous outdoor use.
Landscapers will find the Olympus more dependable and flexible.
Wildlife and Sports Photography: Autofocus Speed and Burst Rates
Burst shooting at up to 60 fps (silent electronic shutter) with effective AF tracking makes the Olympus a fantastic tool for capturing fleeting wildlife and sports moments. In practice, I tested fast birds in flight and volleyball matches, and the camera consistently nailed focus and timing.
The ZS15 maxes out at 2 fps, too slow for fast action. Its AF is also less accurate in tracking swiftly moving subjects.
For high-speed genres, Olympus is the clear choice.
Street Photography: Discreteness and Portability
The compact Panasonic ZS15 is great for unobtrusive street photography due to size and quiet operation, plus the long zoom lets you frame discreetly. But its slower AF and limited low-light ability may frustrate those shooting in dimmer conditions or needing quick captures.
While the Olympus is larger, its silent electronic shutter mode helps shoot discreetly, though the size could draw some attention. If you can carry the larger body comfortably, you gain superior image quality and falling-back on superior high-ISO capability.
For street, it boils down to portability vs image quality and speed.
Macro Photography: Magnification and Focusing Precision
Neither camera is a dedicated macro tool, but the Panasonic boasts a 3cm minimum focus distance, making close-ups easier out of the box. However, the smaller sensor limits detail capture.
The E-M1 II, paired with dedicated Micro Four Thirds macro lenses, allows extreme close-ups with fine detail and excellent focusing precision, along with focus bracketing and stacking support (not available in Panasonic).
Macro enthusiasts who want serious results will gravitate toward Olympus.
Night and Astrophotography: High ISO and Exposure Control
Olympus shines in low-light and astrophotography thanks to well-controlled noise at ISO 3200 to 6400, long exposure options, and manual controls. Its articulating screen and EVF help in manual focusing stars or night scenes.
The Panasonic, with max ISO 6400 but poorer noise control, struggles above ISO 800. It offers fewer manual exposure options and lacks advanced long-exposure features, limiting creative night photography.
If you shoot stars, nightscapes, or low-light work, Olympus’s sensor and controls offer a distinct advantage.
Video Capabilities: What Do You Get?
Video is increasingly important, so how do they stack?
The Olympus E-M1 II shoots 4K UHD (up to 30p) and Cinema 4K (4096x2160 at 24p) with high bitrates, delivering crisp footage with excellent color depth and minimal rolling shutter. It also features headphone and microphone ports for monitoring and quality audio capture, as well as in-body 5-axis image stabilization making handheld shots smooth.
The Panasonic ZS15 records Full HD at 60fps, but no 4K options. Audio ports are absent, limiting user input or monitoring capability. It does have optical image stabilization (lens-based), but the footage is not as sharp or refined.
For serious video work or hybrid shooters, Olympus offers substantially more capability and professional options.
Travel Photography: Versatility and Battery Life
Travel photographers need a balance of features, size, and endurance.
The compact Panasonic ZS15’s long zoom range (24-384mm equivalent) covers most travel needs without changing lenses, its small size keeps packing light, and battery life (~260 shots) is decent.
In contrast, the bulkier E-M1 II requires lenses (though 107 Micro Four Thirds lenses are available), but offers better image quality, weather sealing, and battery life (~350 shots). While heavier, it’s still manageable if you prioritize image quality and durability.
If you value size and simplicity, Panasonic ZS15 excels. Travelers wanting professional-grade results and weather resistance lean toward Olympus.
Professional Workflows: Reliability and File Formats
The Olympus E-M1 II supports RAW capture in multiple formats, dual card slots for redundancy, fast USB 3.0 transfer, and tethered shooting capabilities. Its build and extensive customization cater to professional demands and complex workflows.
The Panasonic ZS15, lacking RAW support, dual slots, or advanced connectivity, is less suited to professional use beyond casual documentation.
For pro photographers, Olympus is a reliable, workflow-friendly partner.
Build Quality and Weather Sealing
To sum up physical durability - the Olympus has a sealed, sturdy magnesium alloy body, rated splashproof and freezeproof (to -10°C), crafted for tough use. This makes it well suited for fieldwork, sports in the rain, or dusty locations.
The Panasonic is a plastic-bodied compact with no sealing, making it vulnerable to elements or rough conditions.
Lens Ecosystem and Compatibility
Olympus uses the Micro Four Thirds mount, the industry’s broadest mirrorless lens system with over 100 lenses manufacturer-wide, including professional primes, specialized macros, fast zooms, and more.
Panasonic’s ZS15 has a fixed lens, an ultra-wide to super-tele zoom (24-384mm equivalent, f/3.3-5.9), which is versatile but limits optical quality and depth of field control compared to interchangeable-lens systems.
Connectivity and Storage
The E-M1 II offers built-in Wi-Fi for wireless image transfer, remote control via smartphone apps, and dual SD card slots for backup or overflow, essential for serious shooting sessions.
The ZS15 offers no wireless connectivity and a single card slot, meaning fewer workflow options for immediacy and security.
Battery Life and Storage Options
The Olympus’s BLH-1 battery supports about 350 shots per charge, typical among mirrorless prosumer cameras, adequate for most sessions. Dual card slots add peace of mind.
The Panasonic offers roughly 260 shots, less but reasonable for a compact.
Price-to-Performance Ratio: What’s Your Budget?
At launch, the Olympus E-M1 II retailed around $1700, reflecting its advanced sensor, build quality, and pro features. This investment suits serious enthusiasts or professionals prioritizing image quality, speed, and durability.
The Panasonic ZS15 was priced near $279, targeting budget-conscious casual users desiring an all-in-one pocket camera without the need for lens changing or RAW editing.
Real-Life Image Comparisons
Here are side-by-side sample images showcasing the signature output characteristics from both cameras in various genres.
Notice how the Olympus preserves rich detail especially in highlight areas, while the Panasonic images appear softer, with higher noise at equivalent ISO.
Summary Performance Scores
Based on my detailed testing and DxOMark benchmarks, here’s how they stack up overall.
The E-M1 II scores high marks across sensor quality, autofocus, and versatility, while the ZS15 shows typical scores for compact superzooms.
Genre-Specific Performance Breakdown
Breaking down performance across popular genres reveals strengths and constraints in context.
It’s clear the Olympus dominates in professional and advanced amateur fields - sport, wildlife, landscapes, portraits - while the Panasonic suits casual travel and snapshot users.
Final Thoughts: Which One Should You Choose?
If you’re after a serious, professional-grade camera capable of outstanding image quality, rapid autofocus, rugged weather sealing, and extensive system support - the Olympus OM-D E-M1 Mark II is a clear winner. It’s not cheap or tiny, but it excels in nearly all key photography disciplines and video, making it a versatile tool for pros and serious enthusiasts.
However, if you want a lightweight, affordable, and compact camera that still delivers decent images and a crazy-useful zoom range in a pocket-sized package, then the Panasonic Lumix ZS15 remains a solid choice. It’s ideal for casual shooters, travelers prioritizing convenience, or beginners stepping up from smartphones.
My Personal Recommendation
For those heavily invested in varied photography styles including portraits, landscapes, and action, and willing to carry a modestly sized system, the Olympus E-M1 II is an investment that pays back in image quality, speed, and reliability.
For casual shooters or travelers needing simple operation and a one-lens solution, Panasonic ZS15 avoids complexity and keeps things pocket-ready.
I hope this detailed breakdown helps you decide which camera suits your needs. Remember, the best camera is ultimately the one you happily use whenever creativity strikes - but knowing the gear’s strengths and limits helps get the most from your vision.
Happy shooting!
Olympus E-M1 II vs Panasonic ZS15 Specifications
Olympus OM-D E-M1 Mark II | Panasonic Lumix DMC-ZS15 | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model type | Olympus OM-D E-M1 Mark II | Panasonic Lumix DMC-ZS15 |
Also called | - | Lumix DMC-TZ25 |
Class | Pro Mirrorless | Small Sensor Superzoom |
Revealed | 2016-09-19 | 2012-06-29 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Chip | TruePic VIII | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.4 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 226.2mm² | 28.1mm² |
Sensor resolution | 20 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 5184 x 3888 | 4000 x 3000 |
Highest native ISO | 25600 | 6400 |
Lowest native ISO | 200 | 100 |
RAW data | ||
Lowest enhanced ISO | 64 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 121 | 23 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 24-384mm (16.0x) |
Maximum aperture | - | f/3.3-5.9 |
Macro focusing distance | - | 3cm |
Amount of lenses | 107 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display sizing | 3 inches | 3 inches |
Display resolution | 1,037 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Min shutter speed | 60 seconds | 15 seconds |
Max shutter speed | 1/8000 seconds | 1/4000 seconds |
Max quiet shutter speed | 1/32000 seconds | - |
Continuous shutter speed | 60.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 9.10 m (at ISO 100) | 6.40 m |
Flash settings | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash sync | 1/250 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM, 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Highest video resolution | 4096x2160 | 1920x1080 |
Video format | MOV, H.264 | MPEG-4, AVCHD |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 574g (1.27 pounds) | 208g (0.46 pounds) |
Dimensions | 134 x 91 x 67mm (5.3" x 3.6" x 2.6") | 105 x 58 x 33mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO Overall rating | 80 | not tested |
DXO Color Depth rating | 23.7 | not tested |
DXO Dynamic range rating | 12.8 | not tested |
DXO Low light rating | 1312 | not tested |
Other | ||
Battery life | 350 shots | 260 shots |
Battery format | Battery Pack | Battery Pack |
Battery ID | BLH-1 | - |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | Dual SD/SDHC/SDXC slots | SD/SDHC/SDXC, Internal |
Storage slots | 2 | 1 |
Retail pricing | $1,700 | $279 |