Olympus E-M10 III vs Sony A9
80 Imaging
55 Features
75 Overall
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65 Imaging
73 Features
93 Overall
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Olympus E-M10 III vs Sony A9 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Micro Four Thirds Mount
- 410g - 122 x 84 x 50mm
- Released August 2017
- Replaced the Olympus E-M10 II
- Later Model is Olympus E-M10 IV
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 51200 (Bump to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 673g - 127 x 96 x 63mm
- Introduced April 2017
- New Model is Sony A9 II

Olympus E-M10 Mark III vs Sony A9: A Deep Dive into Two Worlds of Mirrorless Photography
When comparing cameras like the Olympus OM-D E-M10 Mark III and Sony Alpha A9, we’re essentially looking at two very different beasts addressing distinct segments of the mirrorless market. One is an approachable, entry-level Micro Four Thirds system camera, and the other is a professional-grade full-frame powerhouse. Despite their apparent divergence, evaluating them side-by-side illuminates how far modern mirrorless technology has come and helps clarify the right choice for various kinds of photographers.
In this comprehensive comparison, I’ll unpack everything from sensor technology and autofocus systems to ergonomics and video features. Drawing on years of hands-on testing with thousands of cameras, I’ll ground this review in real-world usage and measurable performance - far beyond spec sheets and marketing claims.
Let’s first set the stage by quickly sizing up these two contenders physically and ergonomically.
A Tale of Two Designs: Ergonomics & Handling
Photography begins with how a camera feels in your hands. It’s your first point of tactile connection and impacts both comfort and shooting efficiency.
Right away, you can see the Olympus E-M10 III is considerably more compact and lightweight at 410g versus the heavier, chunkier Sony A9 at nearly 673g. The Olympus’s Micro Four Thirds format underpins its smaller size, making it ultra-portable - an inviting choice for everyday carry or travel.
The Sony A9, on the contrary, prioritizes a robust grip and a larger body, reflective of its professional ambitions. This heft translates into stability especially when pairing with hefty telephoto lenses for wildlife or sports. The physical presence of the A9 evokes confidence - the kind you want if you’re shooting fast-paced assignments under pressure.
Examining the top view controls reveals complementary philosophies. The A9’s buttons and dials feel purpose-built for seasoned shooters: fast access to custom functions, dual card slots, and an advanced EVF status readout. Olympus offers a more simplified layout, but still includes essentials like a tilting touchscreen and customizable dials.
For someone transitioning from a DSLR or starting in mirrorless, Olympus’s user interface immediately feels accessible; meanwhile, the Sony invites a learning curve but retains controls for nuanced quick adjustments.
Sensor Technology & Image Quality
At the heart of any camera is its sensor - and here lies a fundamental differentiation.
The Sony A9 sports a 24MP full-frame BSI-CMOS sensor with an area nearly 4x larger than the E-M10 III’s 16MP Four Thirds sensor. This difference alone significantly impacts resolution potential, dynamic range latitude, and noise performance.
Putting these sensors through our standardized lab tests, the A9 unsurprisingly delivers outstanding image quality in terms of color depth and dynamic range, scoring an impressive DxOMark rating of 92. Its ability to retain highlight and shadow details in extreme lighting conditions is impactful, especially for landscape and commercial photography demanding high fidelity.
The E-M10 Mark III, while lacking official DxOMark scores, shares the smaller micro four thirds sensor footprint common to Olympus’s entry-level line. While it cannot match the latitude of the A9, it still produces pleasantly sharp, vibrant images suitable for social sharing, family portraits, and casual travel photography. The built-in 5-axis sensor stabilization compensates somewhat for its technical limits.
Autofocus Systems: Speed, Accuracy, and Tracking
If image quality is the canvas, autofocus is the brush that paints your subject in focus, especially in changing or difficult environments.
The Sony A9 boasts a sophisticated hybrid AF system with 693 phase-detection points covering 93% of the frame, complemented by contrast detection. Impressively, it features advanced Real-time Eye AF for both humans and animals - a game-changer if your work involves wildlife or portraiture relying on tight focus on eyes. The frame rate of 20 fps with full AF/AE tracking is unmatched, making it the go-to for sports, action, and fast wildlife photography.
Conversely, the Olympus E-M10 III uses a contrast-detection AF system with 121 focus areas. Its autofocus speed and accuracy are commendable for its class, but it noticeably trails the Sony in continuous tracking scenarios. Eye detection is available for faces but lacks the refinement and reliability of Sony’s advanced algorithms.
In my field tests capturing fast birds in flight and street racing scenes, the A9 remained locked on the subject through unpredictable movement, whereas the Olympus occasionally hesitated or missed focus acquisition in low light or busy backgrounds.
Viewfinders and Rear Screens: Visualizing Your Shot
The electronic viewfinder (EVF) and rear LCD screen are vital for composing and reviewing images.
The Sony A9 features a 3” tilting screen with 1.44 million dots and a high-resolution 3.68M-dot OLED EVF. Its crispness and color fidelity are impressive, making it easy to judge focus and exposure precisely. The EVF magnification of 0.78x provides a roomy, immersive viewing experience comparable to professional DSLRs.
Olympus’s E-M10 III also offers a tilting 3” touchscreen with 1.04 million dots and a 2.36M-dot EVF - adequate but clearly a step down in brightness and resolution. The 0.62x magnification feels somewhat limited for critical manual focusing but is true for an entry-level mirrorless.
Both systems incorporate touch focus and menu navigation seamlessly, although the Sony offers more extensive customization and workflow controls on screen.
Lens Ecosystems and Compatibility
The choice of lenses can ultimately make or break your photography versatility.
The Olympus E-M10 III uses the Micro Four Thirds mount, supported by a venerable system boasting over 100 native lenses from Olympus, Panasonic, and third-party manufacturers. The form factor of these lenses is generally compact and affordable, superb for travel and casual shooting.
Sony’s E-mount has dramatically expanded since the A9’s launch, now featuring 121 lenses ranging from compact primes to professional-grade telephoto zooms. The full-frame sensor allows access to premium optics delivering top image quality and shallow depth of field - critical for portraits and specialist disciplines.
Importantly, full-frame lenses tend to be bulkier and pricier, while Micro Four Thirds optics maintain a pocketable character. In short, Olympus offers breadth with modest investments; Sony offers peak quality and professional-grade glass at a higher price.
Battery Life & Storage
Professional reliability extends to endurance on shoots. The Sony A9 impresses with a rated battery life of approximately 650 shots per charge (CIPA standard), aided by a large NP-FZ100 battery. Additionally, dual SD card slots support UHS-II cards, ensuring both backup and high-speed write reliability - critical in pro workflows.
Olympus’s E-M10 III clocks in at around 330 shots per battery, approximately half the Sony’s stamina, reflecting smaller battery capacity. Single SD card slot options support UHS-I/UHS-II, but absence of backup lanes may deter professionals.
In long outdoor sessions or travel, Sony’s combination translates into fewer battery swaps and more secure storage; Olympus demands more attention to power management.
Weather Sealing and Build Quality
The Sony A9 benefits from professional-grade weather sealing, enabling it to resist dust and moisture - indispensable for outdoor shooting in challenging conditions like rain or dusty environments.
The Olympus E-M10 III lacks any environmental sealing, meaning it’s best reserved for controlled or fair-weather shooting. Although Olympus manufactures weather-sealed bodies higher in their lineup, this entry-level model is not ruggedized.
For photographers chasing landscapes or wildlife in the field, Sony’s durability is a reassuring factor.
Video Capabilities
Both cameras can shoot 4K UHD video at 30p, but their video priorities differ.
The E-M10 III offers solid 4K capture at a respectable bitrate up to 102 Mbps. Its 5-axis sensor stabilization benefits handheld shooting, while its smaller sensor depth of field limits cinematic bokeh but aids autofocus accuracy. However, it lacks microphone and headphone jacks for professional audio monitoring, restricting serious video use.
The Sony A9 supports 4K 30p video as well, with higher bitrates and superior codecs suited for professional video workflows (MPEG-4, AVCHD, H.264). Crucially, it includes both microphone and headphone ports, allowing real-time audio monitoring and adjustment - a big plus for videographers. The sensor stabilization further aids steady footage. The A9’s video capabilities align more closely with hybrid shooters and professionals.
Genre-Specific Performance: Finding Your Perfect Match
Photography covers diverse needs. Let’s briefly survey where each camera shines.
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Portraiture: Sony edges ahead with superior eye-detection AF, full-frame sensor for creamy bokeh, and color rendition suited to natural skin tones. Olympus suffices for casual portraits but can’t match the A9’s creamy backgrounds or focusing reliability.
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Landscape: Sony’s fuller dynamic range and higher resolution yield more detailed and tonal-rich landscapes. Olympus’s sensor stabilization and smaller system size encourage handheld shooting - excellent for travel landscapes on the go.
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Wildlife: Sony’s blazing continuous AF, fast burst, and better tele lens options make it the clear pro choice. Olympus can capture stationary subjects with ease but lacks buffer speed and tracking prowess.
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Sports: Sony’s 20 fps shooting and precise AF tracking make it a favorite of sports professionals. Olympus’s sub-10 fps frame rate is more suited to slower action.
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Street Photography: Olympus’s compactness and quiet shutter favor stealthy shooting. Sony is bulkier but compensates with exceptional AF and image quality in varied lighting.
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Macro: Olympus benefits from sensor stabilization aiding handheld macro, plus a thriving selection of affordable macro lenses. Sony’s higher resolution sensor thrives on detail but requires more investment in macro glass.
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Night/Astro: Sony’s high ISO performance and dynamic range dominate starry sky photography. Olympus can manage casual long exposures but struggles beyond ISO 3200.
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Video: As noted, Sony offers robust professional video features; Olympus is reliable for casual content creators.
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Travel: Olympus’s compact size, lens system, and stabilization are perfect for lightweight travel kits, while Sony’s professional robustness suits serious travel-documentary work.
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Professional use: Sony’s build quality, dual card slots, and advanced features make it the clear professional toolkit camera.
Image Samples and Real-World Outcomes
Nothing beats seeing the output. Here’s a gallery of raw and JPEGs from both cameras illustrating difference in detail, color, dynamic range, and noise at various ISOs.
A side-by-side review confirms the Sony’s superior tonal gradation, shadow detail, and low noise at high ISOs. The Olympus images are sharp and vibrant but exhibit more noise and limited shadow recovery. For social media, travel diaries, or casual prints, Olympus delivers delightfully; for large prints, professional assignments, or demanding post-production, Sony shines.
Comprehensive Performance Ratings
Let’s sum it all up numerically to clarify overall performance:
The Sony A9 scores highly across autofocus, image quality, build, battery, and video, reflecting its professional status. The Olympus E-M10 III performs admirably for an entry-level camera but understandably lags in sensor size, autofocus sophistication, and build toughness.
Final Thoughts and Recommendations
To conclude: these two cameras serve very different masters.
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The Olympus E-M10 Mark III offers excellent value for beginners, enthusiast travelers, and casual shooters seeking a compact, easy-to-use camera with decent image quality and in-body stabilization. It’s a reliable daily driver for portraits, street photography, travel, and modest video projects.
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The Sony A9 is tailored for professionals or serious enthusiasts demanding cutting-edge autofocus, superior image quality, blazing burst rates, and rugged build for sports, wildlife, commercial portraits, and hybrid video work. Its price tag is high but justified by pro-level performance and features.
Here’s a quick buyer’s guide:
User Type | Recommendation |
---|---|
Beginner/Fun shooter | Olympus E-M10 III |
Travel & Street photographers | Olympus E-M10 III for portability |
Hobbyists & Enthusiasts | Olympus, unless demanding professional features |
Professional Sports/Wildlife | Sony A9 |
Commercial/Portrait Shooters | Sony A9 |
Hybrid Photo/Video Professionals | Sony A9 |
In the end, your choice boils down to your workflow, budget, and genre needs. Both cameras have positively contributed to modern mirrorless evolution, each excelling within their intended spheres.
If you’re looking for a compact travel buddy with enough chops for real photography, Olympus will not disappoint. If your passion demands speed, precision, and image excellence in high-stakes environments, the Sony A9 is worth every penny.
Thanks for reading, and happy shooting!
This in-depth comparison is based on extensive hands-on testing, lab measurements, and practical evaluation accumulated over years of professional photography gear reviews.
Olympus E-M10 III vs Sony A9 Specifications
Olympus OM-D E-M10 Mark III | Sony Alpha A9 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Sony |
Model | Olympus OM-D E-M10 Mark III | Sony Alpha A9 |
Category | Entry-Level Mirrorless | Pro Mirrorless |
Released | 2017-08-31 | 2017-04-19 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | TruePic VIII | BIONZ X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Four Thirds | Full frame |
Sensor dimensions | 17.4 x 13mm | 35.6 x 23.8mm |
Sensor surface area | 226.2mm² | 847.3mm² |
Sensor resolution | 16MP | 24MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 6000 x 4000 |
Highest native ISO | 25600 | 51200 |
Highest enhanced ISO | - | 204800 |
Minimum native ISO | 200 | 100 |
RAW pictures | ||
Minimum enhanced ISO | 100 | 50 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 121 | 693 |
Lens | ||
Lens mounting type | Micro Four Thirds | Sony E |
Number of lenses | 107 | 121 |
Crop factor | 2.1 | 1 |
Screen | ||
Display type | Tilting | Tilting |
Display diagonal | 3 inch | 3 inch |
Display resolution | 1,040k dot | 1,440k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360k dot | 3,686k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.62x | 0.78x |
Features | ||
Min shutter speed | 60s | 30s |
Max shutter speed | 1/4000s | 1/8000s |
Max quiet shutter speed | 1/16000s | 1/32000s |
Continuous shutter speed | 8.6fps | 20.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 5.80 m (at ISO 100) | no built-in flash |
Flash modes | Auto, redeye, slow sync, 2nd-curtain slow sync, redeye slow sync, fill-in, manual, off | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Max flash sync | 1/250s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | - |
Highest video resolution | 3840x2160 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 410 grams (0.90 lbs) | 673 grams (1.48 lbs) |
Physical dimensions | 122 x 84 x 50mm (4.8" x 3.3" x 2.0") | 127 x 96 x 63mm (5.0" x 3.8" x 2.5") |
DXO scores | ||
DXO Overall score | not tested | 92 |
DXO Color Depth score | not tested | 24.9 |
DXO Dynamic range score | not tested | 13.3 |
DXO Low light score | not tested | 3517 |
Other | ||
Battery life | 330 photographs | 650 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery model | BLS-50 | NP-FZ100 |
Self timer | Yes (2 or 12 secs, custom) | Yes (2, 5, 10 secs + continuous) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC (UHS-I/II supported) | Dual SD/SDHC/SDXC slots (UHS-II compatible) |
Storage slots | 1 | Two |
Pricing at release | $650 | $4,498 |