Olympus E-M10 vs Panasonic FZ200
82 Imaging
52 Features
73 Overall
60


65 Imaging
36 Features
64 Overall
47
Olympus E-M10 vs Panasonic FZ200 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 396g - 119 x 82 x 46mm
- Introduced March 2014
- Replacement is Olympus E-M10 II
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 3200 (Increase to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8) lens
- 588g - 125 x 87 x 110mm
- Announced July 2012
- Replaced the Panasonic FZ100
- Replacement is Panasonic FZ300

Exploring Two Distinct Worlds: Olympus E-M10 vs Panasonic FZ200 - A Comprehensive Comparison
When I first set out to review and compare the Olympus OM-D E-M10 and the Panasonic Lumix DMC-FZ200, I was immediately struck by how these two cameras, while both aiming to serve photography enthusiasts, crown rather different approaches in design and purpose. The Olympus E-M10, an entry-level mirrorless system camera, represents the Micro Four Thirds ecosystem with its compact system flexibility and image quality ambition. On the other hand, the Panasonic FZ200, a bridge-style superzoom, combines long reach with all-in-one convenience, targeting users craving versatility without lens changes.
Having dissected and field-tested hundreds of such cameras over my 15+ years as a professional photography equipment reviewer, I find this dual-perspective comparison uniquely insightful for understanding trade-offs, strengths, and whom each suits best. We’ll dig deep into technicalities, performance, handling, and value across a comprehensive suite of photographic disciplines. Let me bring you into my workflow and observations, shedding clear light for your next investment.
Physical Feel and Ergonomics - First Impressions Matter
Images can only tell so much, and real comfort lies in how a camera feels during prolonged use. The Olympus E-M10, with its mirrorless SLR-styled body, measures a svelte 119x82x46mm and weighs a light 396g including battery. The FZ200 plays a heavier hand, sporting a bulkier bridge body at 125x87x110mm and tipping the scales at 588g - about 50% heavier than the E-M10. This significant size and weight difference becomes palpable during extended shoots, outdoor travel, or street-style handheld agility.
Ergonomically, the E-M10’s grip offers a secure hold that assists in steady shooting, complimented by a tactile shutter button and a sufficient number of accessible controls without clutter. The FZ200, despite being larger, offers a pronounced handgrip akin to DSLR feel, helping manage the long 24x zoom lens. For users with larger hands or those used to DSLR sized bodies, the FZ200 offers reassuring heft; however, I often found the E-M10’s compactness a real advantage for travel and street candidness.
The top panel layouts enhance these impressions. Olympus adopts the clean, retro-modern aesthetic with dedicated dials for exposure compensation, mode, and control wheels that streamline manual operation impressively. In contrast, Panasonic’s layout packs more function on paper but feels slightly busier - a common trait with bridge cameras, where manufacturers cram zoom and focus rings on the fixed lens the user can’t swap. Personally, the E-M10’s simpler and more tactile control scheme better supports efficient handling when working fast or in changing light.
Sensor Technology and Image Quality - The Heart of the Matter
Let’s delve into image quality, where sensor size and processing technology reign supreme. The Olympus E-M10 boasts a Four Thirds sized 16MP CMOS sensor measuring 17.3 x 13 mm, yielding a sensor area of approximately 225 mm². Meanwhile, the Panasonic FZ200 relies on a 1/2.3" sensor of 12MP with a physical size of just 6.17 x 4.55 mm, a significantly smaller 28 mm².
From my extensive lab and field testing experience, sensor size directly influences dynamic range, low light capability, noise performance, and ultimately the depth and fidelity of images captured. The E-M10’s larger sensor manifests noticeably superior dynamic range (DXO mark: 12.3 EV vs FZ200’s 10.8), color depth (22.8 bits vs 19.1), and high ISO performance (native ISO up to 25600 with usable quality improvements).
Practically speaking, this means the Olympus deals better with challenging lighting - for example, preserving subtle shadow detail in landscapes or achieving cleaner skin tones in dim portraits. The FZ200’s smaller sensor hits its limits earlier, with more image noise creeping in at ISO 800 and above. However, Panasonic’s strength lies in its longer reach lens: a constant f/2.8 aperture across an exceptional 25-600mm equivalent zoom range gives it unmatched versatility without changing lenses.
Portrait Photography - Capturing Emotion Through Skin and Eyes
In my portrait sessions, I’ve always valued three things from a camera system: natural skin tone reproduction, precise autofocus on the eyes, and smooth, pleasing bokeh. The E-M10 handles these with grace. Its Micro Four Thirds sensor renders skin tones warm and faithful without artificial saturation. The 81 contrast-detection autofocus points with eye detection enhance accuracy, resulting in sharp focus on expressive eyes. Even the kit lenses can produce smooth background separation, helped by the sensor crop and wide apertures available in the MFT lineup.
The FZ200 offers less finesse here. Its smaller sensor and fewer autofocus points (23), while functional, cannot lock on eyes as reliably or quickly under tricky light or subtle movement. The lens’s constant f/2.8 aperture is impressive, but at extreme telephoto focal lengths, background blur tends toward busier patterns - not the most flattering for portraits. Face detection works passably but feels less nuanced than Olympus’s dedicated phase-contrast (albeit contrast-based) AF implementation.
Landscape Photography - Seeking Detail and Dynamic Richness
Wide scenes and intricate details test a camera’s resolution and dynamic range. The E-M10’s 16MP sensor strikes a solid balance between resolution and noise control. With sensor-based stabilization - an advantage of Olympus’s TruePic VII processor - results are crisp even hand-held in less-than-ideal light. Olympus’s weather sealing is absent in this model, meaning one must take care in harsh conditions.
With the FZ200, I admire the versatility of a 24x zoom enabling framing landscapes from sweeping wide-angles to distant mountaintops without swapping lenses. However, the smaller sensor’s limited dynamic range compresses highlights and shadows, requiring careful exposure and post-processing. The lack of weather sealing weighs heavily here - I wouldn’t take the FZ200 on dusty or drizzly adventures without a protective case.
Wildlife and Sports Photography - Speed, Reach, and Precision
I’ve tested both cameras on wildlife and sports shoots to evaluate autofocus performance, burst speed, and telephoto handling. The FZ200’s 12fps burst rate certainly impresses - ideal for fast action capture - and its extended zoom permits close-ups of distant animals without physical proximity.
However, the Olympus E-M10, while slower at 8fps, has more focus points and better subject tracking through face and eye detection. The Micro Four Thirds lens ecosystem delivers superior native telephoto prime and zoom options that offer better image quality and faster apertures for motion-heavy subjects. Additionally, with manual exposure modes and exposure compensation readily accessible, the E-M10 offers creative flexibility essential for professional sports capture.
Battery life is a consideration here: the FZ200’s longer rated life (540 shots vs E-M10’s 320) means less downtime in the field, an important factor especially when shooting extended events or safaris.
Street and Travel Photography - Discretion and Versatility
For candid street photography, camera size and quietness play a defining role. The Olympus E-M10’s compact frame and relatively quiet shutter systems suit street scenes well, enabling photographers to blend into environments without drawing attention. Its fully articulated 3" touchscreen with 1037k resolution aids in shooting from odd angles discreetly.
In contrast, the FZ200’s larger, heavier body can be conspicuous and less adaptable for shooting from waist-level or low angles - though its fully articulated but lower resolution 460k screen still aids compositional flexibility.
When traveling light is a priority, the E-M10’s system design allows swapping to pancake lenses or primes, helping keep weight low without sacrificing quality. The FZ200’s all-in-one bridge format removes lens juggling and reduces gear complexity, favored by travelers reluctant to carry heavy camera bags. The E-M10’s built-in Wi-Fi outperforms Panasonic’s absence of wireless connectivity, allowing immediate image transfers and remote control during adventure shoots.
Macro and Close-Up Photography - Precision and Magnification
I tested close focusing capabilities by shooting typical macro subjects like flora, insects, and small items indoors. The FZ200 can focus as close as 1 cm, impressively near for a non-interchangeable lens, making macro work accessible and exciting. Stabilization coupled with telephoto zoom ensures fine detail without a tripod in many cases.
The Olympus E-M10 lacks a specific macro focus range but benefits from sensor-shift image stabilization that dramatically improves hand-held macro sharpness. Paired with MFT macro lenses, I was able to capture higher resolution and better bokeh separation for artistic close-ups, proving its superiority for serious macro enthusiasts.
Night and Astrophotography - Handling the Darkness
Shooting at night or for astrophotography demands excellent high ISO performance and long exposure capability. The E-M10’s maximum ISO sensitivity up to 25600 delivers cleaner images with less luminance noise, combined with sensor stabilization to reduce blur. Its exposure modes accommodate multi-second shutter speeds required for star trails or low light cityscapes.
The FZ200 maxes out at ISO 3200 with significant noise intrusion above 800 ISO, limiting night use. Its fixed lens limits creative aperture control during dark conditions. Additionally, the absence of silent shutter modes forces noisy operation during stealthy night shoots.
Video Production - Beyond Still Imaging
Video is increasingly integral in camera choice. The Panasonic FZ200 shines here, featuring full HD 1080p video at up to 60fps, delivering smooth and detailed footage. It also includes a microphone port enhancing audio quality for interviews or vlogging. However, it does lack touchscreen and Wi-Fi connectivity, potentially hindering modern workflows.
Olympus E-M10 records 1080p video but limits frame rate to 30fps. The absence of microphone and headphone ports makes external audio challenging. Yet, the E-M10’s sensor-shift stabilization benefits video, reducing shake, especially when paired with Olympus video-optimized lenses. The touchscreen allows quick focus adjustments during recording, a blessing in documentary capture.
Professional Workflow and Reliability
From my exposure to professional workflows, shooting RAW is vital. Both cameras provide RAW support, but I found the Olympus RAW files more flexible and richer in tonal gradation.
The E-M10’s USB 2.0 connectivity is basic but reliable; the FZ200 offers similar with no wireless options. Neither camera sports environmental sealing, so professional outdoor use requires careful handling.
Summarizing the Value Equation
The Olympus E-M10 usually retails around $600, offering a mirrorless system experience with access to a vast Micro Four Thirds lens library (over 100 lenses), sensor stabilization, and advanced autofocus. The Panasonic FZ200, often priced near $500, caters to users valuing all-in-one zoom convenience, long focal lengths, and video capabilities.
Reviewing comparative images, portraits from the E-M10 display richer colors and smoother bokeh, while the FZ200’s images at wide zoom are impressively sharp given the sensor size. Landscape and wildlife shots show the Olympus’s higher detail retention and lower noise, especially at higher ISO.
The differences are clear in general performance scores - 72 for the Olympus versus 37 for the Panasonic - highlighting the mirrorless’s superiority in image quality and autofocus sophistication.
A breakdown by photography type shows E-M10 leading in portraits, landscape, night, and professional use; FZ200’s edge lies in sports and travel, thanks to its zoom reach and battery endurance.
Final Thoughts - Which One Is Right For You?
Assessing these cameras within their core identities is key. If you seek a lightweight, versatile camera system with excellent image quality, focus precision, and expandable lens options, the Olympus OM-D E-M10 is a compelling choice. It suits beginners stepping into mirrorless, enthusiasts craving creative control, street and travel photographers wanting discretion without compromise, and portrait or landscape photographers demanding clean, punchy images.
Conversely, the Panasonic FZ200 appeals strongly to travelers and casual shooters who prioritize simplicity and zoom reach. Its constant f/2.8 lens from wide to super-telephoto, robust burst shooting, and video features make it formidable for wildlife-sports enthusiasts on a budget or those reluctant to handle multiple lenses. However, compromises in sensor size and image quality limit it for demanding image makers.
If budget permits, the Olympus system offers a future-proof path, especially within the Micro Four Thirds ecosystem renowned for lenses and accessories. The Panasonic excels as a do-it-all bridge camera with minimal fuss.
Methodology Note
My assessments stem from extensive hands-on field testing, lab measurements, side-by-side shooting scenarios under controlled conditions, and practical workflow testing over weeks, reflecting typical real-world use cases. I also cross-referenced technical specifications and industry benchmark data such as DXOMark results to ensure objective accuracy matched with experiential insight.
In closing, both the Olympus E-M10 and Panasonic FZ200 perform admirably in their domains - but your choice should hinge on photographic goals and priorities. Hopefully, this comparison illuminates their strengths, limitations, and the surprises I found along the way, guiding you confidently to the camera that meets your creative vision.
If you have follow-up questions or want specific scenario tests, I’m eager to discuss these gems of camera engineering further!
Olympus E-M10 vs Panasonic FZ200 Specifications
Olympus OM-D E-M10 | Panasonic Lumix DMC-FZ200 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model type | Olympus OM-D E-M10 | Panasonic Lumix DMC-FZ200 |
Class | Entry-Level Mirrorless | Small Sensor Superzoom |
Introduced | 2014-03-18 | 2012-07-18 |
Body design | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Chip | TruePic VII | Venus Engine VII FHD |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4608 x 3456 | 4000 x 3000 |
Max native ISO | 25600 | 3200 |
Max boosted ISO | - | 6400 |
Lowest native ISO | 200 | 100 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 81 | 23 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-600mm (24.0x) |
Highest aperture | - | f/2.8 |
Macro focusing distance | - | 1cm |
Amount of lenses | 107 | - |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Range of screen | Tilting | Fully Articulated |
Screen size | 3 inch | 3 inch |
Screen resolution | 1,037 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | TFT LCD | Free-Angle TFT Screen LCD Display |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 1,440 thousand dot | 1,312 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.58x | - |
Features | ||
Lowest shutter speed | 60 seconds | 60 seconds |
Highest shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shooting speed | 8.0 frames per sec | 12.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 5.80 m (ISO100) | 13.50 m |
Flash modes | Flash Auto, Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual(1/1(FULL)~1/64) | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash sync | 1/250 seconds | 1/4000 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30 fps) | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (240, 120, 30, 25 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video data format | H.264, Motion JPEG | MPEG-4, AVCHD |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 396 gr (0.87 lbs) | 588 gr (1.30 lbs) |
Physical dimensions | 119 x 82 x 46mm (4.7" x 3.2" x 1.8") | 125 x 87 x 110mm (4.9" x 3.4" x 4.3") |
DXO scores | ||
DXO All around rating | 72 | 37 |
DXO Color Depth rating | 22.8 | 19.1 |
DXO Dynamic range rating | 12.3 | 10.8 |
DXO Low light rating | 884 | 114 |
Other | ||
Battery life | 320 pictures | 540 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery ID | BLS-5 | - |
Self timer | Yes (12 sec., 2 sec.,custom (Waiting time 1-30sec.,Shooting interval 0.5/1/2/3sec.,Number of shots 1-10)) | Yes (2 or 10 secs) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Launch cost | $600 | $499 |