Olympus E-M5 III vs Panasonic SZ3
80 Imaging
61 Features
88 Overall
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96 Imaging
39 Features
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Olympus E-M5 III vs Panasonic SZ3 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 414g - 125 x 85 x 50mm
- Introduced October 2019
- Replaced the Olympus E-M5 II
- Newer Model is OM System OM-5
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.1-5.9) lens
- 126g - 95 x 56 x 22mm
- Revealed January 2013
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Olympus E-M5 III vs Panasonic SZ3: An In-Depth Camera Comparison for Serious Buyers
Choosing your next camera can be quite the journey, especially when models span such different categories as Olympus’s venerable micro four thirds mirrorless E-M5 III and Panasonic’s compact zoom-friendly SZ3. I’ve put both through their paces extensively to help you cut through the specs and marketing hype. Whether you prioritize image quality, portability, or ease of use, this comparison will give you a clear-eyed view from behind the viewfinder.
Let’s dive in.
First Impressions: Build and Ergonomics That Set the Tone
From the moment you pick them up, these two cameras couldn’t be more different.
The Olympus E-M5 III is a traditional SLR-style mirrorless camera with a robust, weather-sealed body designed for serious enthusiasts and professionals who demand durability and tactile control. At 125 x 85 x 50 mm and 414 grams, it feels solid yet manageable in hand. Its advanced ergonomics, including a deep grip and plentiful buttons, are designed to be operated intuitively with one hand, even when you’re changing settings on the fly.
Meanwhile, the Panasonic SZ3 is pocket-friendly and designed as a grab-and-go compact. With its slim profile at 95 x 56 x 22 mm and just 126 grams, it’s built for utmost portability. The fixed lens eliminates lens changes, reducing bulk and weight dramatically.
Let me show you the size and handling contrast:

You can clearly see the physical gulf between these models. The E-M5 III caters to photographers who want a versatile, customizable tool. The SZ3 targets casual shooters or travelers who want something simple that doesn’t get in their way.
Design and User Interface: Control at Your Fingertips or Simplified Snapshot?
Moving to the top view layout reveals more about intended users.

The Olympus E-M5 III presents a commanding array of dials and buttons - shutter speed, exposure compensation, ISO control, drive mode, and a top panel LCD for key settings readouts. Its two control dials let you fine-tune aperture and shutter speed without diving into menus. The fully articulating 3-inch touchscreen LCD (1040k dots) doubles as a high-resolution electronic viewfinder (EVF) with an impressive 2.36 million dot resolution, offering eye-level framing with 100% coverage and 0.68x magnification.
In marked contrast, the Panasonic SZ3’s controls are minimalist. It has a few buttons for mode switching and zoom, relying mainly on its simple menu system for adjustments. Its fixed 2.7-inch LCD at 230k dots is non-touch, and there is no EVF. This setup is understandable since the camera is aimed at point-and-shoot ease rather than manual operation or fast response.
If you cherish manual control and responsive tactile feedback, the Olympus’s design philosophy will speak to you loud and clear. If you’re after straightforward simplicity, the SZ3 keeps it fuss-free.
Sensor and Image Quality: The Heart of Any Camera
This is where the divide becomes technically substantial.
The Olympus E-M5 III sports a Four Thirds MOS sensor measuring 17.4 x 13 mm with 20 megapixels. It offers a native ISO range of 200-25600, expandable down to ISO 64 (boosted). This sensor size and tech strike a balance between portability and respectable image quality, especially when paired with Olympus’s TruePic VIII processor.
The Panasonic SZ3, by comparison, incorporates a much smaller 1/2.3-inch CCD sensor (just 6.08 x 4.56 mm), delivering 16 megapixels. Its native ISO caps at 6400, but you’ll want lower ISOs for better quality given the inherent noise in smaller sensors.
Here’s a visual sensor size comparison to illustrate:

The Olympus sensor offers roughly 8 times the surface area of the Panasonic’s. This difference translates directly into better light gathering, dynamic range, and noise control in the E-M5 III.
Hands-on testing confirms the Olympus’s superior image quality, especially in low light and high-contrast scenes that challenge dynamic range. The SZ3 is adequate for casual daylight shots but struggles with noise and detail loss beyond ISO 400.
Breaking Down Photographer Use-Cases
Portrait Photography: Skin Tones and Beautiful Bokeh
Portrait shooters care about natural colors, sharp eyes, and creamy background blur. The Olympus E-M5 III, with its larger sensor and Micro Four Thirds lens ecosystem (over 100 lenses available!), shines here. Its in-body 5-axis image stabilization helps maintain sharp focus even using longer lenses or moderate apertures. Face and eye detection autofocus is fast and reliable, locking accurately even in challenging light.
The Panasonic SZ3’s fixed zoom lens (25-250 mm equivalent, f/3.1-5.9) has a small maximum aperture, limiting bokeh potential, and no dedicated face or eye detection AF. You can take passable portraits, but don’t expect studio-level finesse or subject separation.
Landscape Photography: Resolution, Dynamic Range, and Weather Sealing
Landscape photographers favor high resolution, wide dynamic range to capture highlights and shadows, and weather sealing for shooting in variable conditions. The Olympus E-M5 III provides 20 MP resolution and a durable, weather-sealed magnesium alloy body, ready for rain or dust.
The Panasonic SZ3 offers 16 MP from a small sensor, fixed lens, no weather sealing, and limited exposure control, so it’s not recommended for serious landscape work.
Wildlife and Sports: Autofocus and Burst Performance
High-speed autofocus and robust continuous shooting are critical for these action genres. The Olympus E-M5 III employs 121 contrast and phase detection points with reliable tracking AF including face detection, shooting bursts up to 30 fps (electronic shutter). This keeps up with moderate wildlife or sports action fairly well.
The Panasonic SZ3 offers a measly 1 fps continuous shooting and 23 contrast-detection AF points. It’s essentially a point-and-shoot optimized for static scenes, unsuitable for fast movers.
Street Photography: Discretion Meets Quick Response
Street shooters often juggle portability, low-light performance, and responsiveness. The Panasonic SZ3’s compactness is appealing here, slipping easily into a jacket pocket and weighing only 126 grams. However, in low light, the small sensor struggles with noise and limited manual control.
The Olympus E-M5 III is larger but still compact for a mirrorless system. Its tilting touchscreen and fast AF mean you can react quickly, while weather sealing lets you shoot in varying conditions. Its articulating screen also enables discreet shooting from odd angles.
Macro Photography: Precision Up Close
Macro enthusiasts value precise focusing and stabilization. Olympus supports focus bracketing and stacking, and its impressive 5-axis IBIS keeps shots sharp, even handheld at close distances. Coupled with specialized macro lenses from the MFT lineup, this camera is a strong contender for macro work.
The Panasonic SZ3’s fixed lens offers a modest 5 cm close focus but no focus stacking or manual focus control, limiting precision.
Night and Astro: Low-Light Muscle
Thanks to its Four Thirds sensor, E-M5 III delivers cleaner high ISO performance and longer exposures aided by sensor-based IS to minimize shake. Astro photographers will benefit from manual controls, custom white balance, and full RAW support.
The SZ3’s small sensor shows high noise past ISO 400, limited shutter speeds (max 1/1600), fixed aperture, no RAW support, and no long exposure modes make it a poor choice for night or astro photography.
Video Capabilities: Resolution and Audio
The Olympus records stunning UHD 4K (4096 x 2160) at 24p with H.264 codec and Linear PCM audio input via microphone port. However, it lacks headphone monitoring. Its 5-axis stabilization delivers smooth handheld footage and manual exposure controls enhance creativity.
The Panasonic SZ3 tops out at 720p HD at 30 fps with Motion JPEG encoding, no external audio input, and no stabilization for video. It’s suitable only for casual home videos.
Travel and Everyday Shooting: Size, Versatility, Battery
For travel, I always weigh versatility against bulk and battery life. The Olympus’s weather sealing and comprehensive lens options make it a versatile travel partner, but the larger size and moderate battery life (approx. 310 shots per charge) mean you’ll need to carry extras.
The SZ3 is ultra-compact with decent 10x zoom for varied framing, no lens changes, and longer battery life around 250 shots, making it ideal for minimalist travelers or as a backup.
Professional Work: Reliability and Workflow Integration
Professionals will appreciate the Olympus’s rugged build, extensive manual controls, RAW capture with 12-bit lossless compression, and ecosystem compatibility, including tethering via USB 2.0 or wireless connectivity (Bluetooth built-in).
The SZ3 lacks RAW and tethering, limiting its use as a serious tool.
Control, Connectivity, and Storage
Both cameras rely on SD card storage, with single slots supporting SDXC. The Olympus E-M5 III supports much faster UHS-II cards for rapid writing speeds essential in burst shooting and video.
Connectivity-wise, the E-M5 III offers built-in Wi-Fi and Bluetooth for remote control and instant image sharing, while the SZ3 is basic - no wireless connectivity, just USB 2.0.
Handling in Real-World Tests: Autofocus, Burst, and Image Stabilization
Testing autofocus speed and accuracy, the E-M5 III’s hybrid contrast and phase-detection system and 121 AF points deliver snappy, near-instant focus lock, even in low-light or demanding situations. Its face and eye recognition autofocus serve portrait and event shooters well.
The SZ3’s contrast detect AF system struggles in dimmer conditions and has fewer points to track moving subjects, leading to more hunting and missed focus.
Continuous shooting at 30 fps on the Olympus is impressive, letting you freeze action effectively. The SZ3’s single frame per second is strictly for casual snapshots.
Image stabilization is another Olympus strength, with 5-axis sensor-shift IS working hand-in-hand with stabilized lenses to deliver up to 5 stops of shake reduction. The SZ3 relies on lens-based optical IS but lacks sensor shift, limiting handheld sharpness in tricky conditions.
Image Samples: A Side-by-Side Look
Nothing beats seeing direct image comparisons. Here you can evaluate color reproduction, sharpness, and noise from both cameras under matched conditions.
Notice the richer color depth, finer detail, and smoother gradients in the Olympus shots, especially at higher ISO settings. The Panasonic images are serviceable in bright light but appear soft and noisy when shadows deepen.
Overall Scores: How Do They Stack Up?
Based on hands-on testing across key criteria - image quality, autofocus, build, video, and user experience - the Olympus E-M5 III leads decisively.
The SZ3’s strengths lie in portability and simplicity rather than performance metrics.
Genre-Specific Performance: Who Will These Cameras Best Serve?
Breaking performance down by photographic genres:
Olympus excels in portrait, landscape, wildlife, sports, macro, night, video, and professional applications, thanks to its sensor quality, controls, and lens flexibility.
Panasonic SZ3 scores well only in casual travel and street scenarios where size and zoom range are prioritized over speed and image fidelity.
Final Verdict: Choosing Your Best Fit
So, which camera wins? Honestly, it depends on your needs.
-
Choose the Olympus E-M5 III if:
You’re a photography enthusiast or professional seeking excellent image quality, manual controls, robust autofocus, 4K video, and a rugged, weather-sealed mirrorless system with a vast lens library. It’s a versatile platform that supports serious photography across all genres from portraits to macro to sports and low-light. -
Choose the Panasonic SZ3 if:
Your main priorities are portability, ease of use, and an all-in-one zoom camera for casual snapshots and travel where convenience trumps image quality or advanced features. Its affordable price point and pocketable size make it an attractive ‘take anywhere’ option for beginners or backup cameras.
Closing Thoughts
Having tested thousands of cameras through varying lenses and workflows, I can attest that the Olympus E-M5 III delivers performance and flexibility befitting serious photography pursuits. Its thoughtful design, advanced tech, and proven system continue to impress even years after release.
The Panasonic SZ3, while dated and less capable, fulfills a niche in ultra-simple, grab-and-shoot photography on a tight budget or for users needing a small camera with long zoom.
No camera is perfect for everyone, but with this detailed comparison, I’m confident you now have the insight to make an informed choice tailored to your photographic ambitions.
Happy shooting!
Feel free to ask if you want a hands-on video comparison or lens recommendations for the Olympus system - I’ve got plenty to share.
Olympus E-M5 III vs Panasonic SZ3 Specifications
| Olympus OM-D E-M5 III | Panasonic Lumix DMC-SZ3 | |
|---|---|---|
| General Information | ||
| Brand | Olympus | Panasonic |
| Model type | Olympus OM-D E-M5 III | Panasonic Lumix DMC-SZ3 |
| Category | Advanced Mirrorless | Small Sensor Compact |
| Introduced | 2019-10-17 | 2013-01-07 |
| Body design | SLR-style mirrorless | Compact |
| Sensor Information | ||
| Chip | TruePic VIII | - |
| Sensor type | MOS | CCD |
| Sensor size | Four Thirds | 1/2.3" |
| Sensor measurements | 17.4 x 13mm | 6.08 x 4.56mm |
| Sensor surface area | 226.2mm² | 27.7mm² |
| Sensor resolution | 20 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
| Peak resolution | 5184 x 3888 | 4608 x 3456 |
| Highest native ISO | 25600 | 6400 |
| Minimum native ISO | 200 | 100 |
| RAW format | ||
| Minimum enhanced ISO | 64 | - |
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 121 | 23 |
| Lens | ||
| Lens support | Micro Four Thirds | fixed lens |
| Lens zoom range | - | 25-250mm (10.0x) |
| Largest aperture | - | f/3.1-5.9 |
| Macro focusing distance | - | 5cm |
| Amount of lenses | 107 | - |
| Focal length multiplier | 2.1 | 5.9 |
| Screen | ||
| Range of screen | Fully Articulated | Fixed Type |
| Screen diagonal | 3 inches | 2.7 inches |
| Screen resolution | 1,040k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen tech | - | TFT LCD |
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Viewfinder resolution | 2,360k dot | - |
| Viewfinder coverage | 100 percent | - |
| Viewfinder magnification | 0.68x | - |
| Features | ||
| Minimum shutter speed | 60 secs | 60 secs |
| Fastest shutter speed | 1/8000 secs | 1/1600 secs |
| Fastest silent shutter speed | 1/32000 secs | - |
| Continuous shutter speed | 30.0 frames per second | 1.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | no built-in flash | 4.10 m |
| Flash settings | Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual | Auto, On, Off, Red-eye, Slow Syncro |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Fastest flash sync | 1/250 secs | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 4096x2160 | 1280x720 |
| Video data format | MPEG-4, H.264 | Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 414 grams (0.91 lbs) | 126 grams (0.28 lbs) |
| Dimensions | 125 x 85 x 50mm (4.9" x 3.3" x 2.0") | 95 x 56 x 22mm (3.7" x 2.2" x 0.9") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 310 images | 250 images |
| Style of battery | Battery Pack | Battery Pack |
| Battery ID | BLN-1 | - |
| Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC (UHS-II supported) | SD/SDHC/SDXC, Internal |
| Storage slots | Single | Single |
| Launch cost | $1,199 | $150 |