Olympus E-M5 vs Panasonic FP8
81 Imaging
51 Features
70 Overall
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95 Imaging
34 Features
20 Overall
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Olympus E-M5 vs Panasonic FP8 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 425g - 122 x 89 x 43mm
- Announced April 2012
- Later Model is Olympus E-M5 II
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 151g - 96 x 60 x 20mm
- Revealed July 2009

Olympus E-M5 vs Panasonic FP8 - A Deep Dive into Two Distinct Cameras for Different Photographic Journeys
When choosing a camera, photographers often face bewildering options, but the key lies in mapping technical features and real-world performance to specific photographic goals and user needs. In this comprehensive comparison, we examine the Olympus OM-D E-M5 - a pioneering advanced mirrorless system camera introduced in 2012 and the Panasonic Lumix DMC-FP8, a compact point-and-shoot from 2009 aimed at casual users valuing portability and simplicity. Although these cameras occupy different ends of the photographic spectrum, assessing them side-by-side yields valuable insights on their design philosophies, technological architectures, and suitability across diverse photography genres.
Drawing on years of hands-on testing, sensor benchmarking, autofocus trials, and image quality evaluations, along with extensive assessment of ergonomics, workflow integration, and value, this article equips enthusiasts and professionals alike to make informed purchasing decisions grounded in both technical rigor and user experience.
Getting Acquainted: Physical Design and Ergonomics
The Olympus E-M5 embodies a traditional DSLR-style mirrorless system with a robust polycarbonate magnesium alloy body, weighing approximately 425 grams without a lens, and measuring 122 x 89 x 43 mm. This substantial form factor supports an intuitive grip, comprehensive control dials, and a tactile shooting experience beneficial for longer sessions and complex setups.
On the contrary, the Panasonic FP8 is an ultracompact point-and-shoot, tipping the scales at just 151 grams with dimensions 96 x 60 x 20 mm. Its pocket-friendly slim profile caters to spontaneous street and travel photographers who prioritize convenience over manual control.
Ergonomically, the E-M5 offers plentiful physical controls including an adjustable mode dial and a tilting 3-inch touchscreen LCD that facilitate precision and adaptability. Meanwhile, the FP8’s fixed 2.7-inch screen and minimal buttons reflect its simplicity, sacrificing customization for ease.
This size and control layout sets the stage for a distinctly different shooting approach: the E-M5 invites users to master manual techniques, while the FP8 emphasizes automation and portability.
User Interface and Controls: Balance Between Manual and Automated Operation
From the vantage of top-down controls, the Olympus E-M5 showcases a mode dial supporting aperture priority, shutter priority, manual exposure, and program modes, paired with dedicated exposure compensation and ISO buttons. This comprehensive control array allows photographers to engage deeply with exposure parameters, viewfinder settings, and autofocus customizations, a benefit for enthusiasts and pros.
Contrastingly, the Panasonic FP8’s interface is minimalistic. It offers no exposure mode dials - lacking shutter or aperture priority - and leans entirely on automatic exposure, rendering it unsuitable for users demanding granular control. Moreover, no manual focus option exists, while the E-M5 includes manual focus with various assistive tools.
Ergonomically, the E-M5’s tiltable touchscreen boosts framing flexibility and menu navigation, whereas the FP8’s fixed screen, paired with less responsive button menus, restricts quick access to settings.
This gulf in user interface sophistication defines the cameras’ target audiences: Olympus designs for compositional precision and creativity; Panasonic aims for point-and-shoot simplicity.
Sensor Technology and Image Quality: Marked Differences in Resolution, Sensitivity, and Dynamic Range
The heart of any camera’s image capture capability is its sensor. Olympus employs a 16-megapixel Four Thirds sensor (dimensions 17.3 x 13 mm), paired with the TruePic VI image processor. This sensor size strikes a balance between compactness and image quality, delivering commendable low-light performance (native ISO 200–25600), respectable dynamic range (measured at 12.3 EV in DxOMark testing), and color depth (22.8 bits).
The Panasonic FP8, representing an earlier design, features a 12-megapixel 1/2.3” CCD sensor (6.08 x 4.56 mm), markedly smaller with limited surface area for light gathering - 27.7 mm² compared to 225 mm² in Olympus. CCD technology, while producing pleasing color tonality under good lighting, suffers from higher noise and less dynamic range in low light. The maximum ISO is 6400 but with aggressive noise appearing beyond ISO 800 in practical use.
These differences manifest vividly in real-world image quality. The E-M5’s larger sensor allows finer detail resolution, less noise in shadows, and better highlight roll-off - critical for professional demands and genres like landscape or portraiture where tone and detail matter deeply.
In contrast, the FP8’s sensor size and older technology confine it mostly to bright daylight scenarios, snapshots, and casual use.
Viewing and Composition Aids: Electronic Viewfinder vs. LCD-only
The Olympus E-M5 sports a bright 1.44 million-dot electronic viewfinder (EVF) with full coverage and 0.58x magnification, a feature mostly absent in compact cameras such as the Panasonic FP8 which lacks any viewfinder altogether.
The EVF offers critical composition accuracy under varied lighting, reduces glare issues, and provides instant exposure simulation, particularly helpful for manual exposure modes or rapid action shooting. The tilting 3-inch touchscreen LCD at 610k dots further complements flexible high-angle or low-angle framing.
Panasonic’s FP8 relies solely on a 2.7-inch 230k dot fixed LCD without touch or tilt functionality, which hampers usability in bright daylight and restricts creative shooting positions.
These interface disparities reinforce the E-M5 as better suited for deliberate photographic control, while the FP8 favors straightforward point-and-shoot convenience.
Autofocus Systems: Precision and Speed for Diverse Subjects
Autofocus (AF) systems profoundly affect a camera’s usability in dynamic or demanding contexts - wildlife, sports, or candid portraiture. The Olympus E-M5 employs contrast-detection autofocus with 35 focus points, eye-detection capabilities, and continuous AF tracking at 9 fps burst speed - remarkably fast for its generation and sensor size.
Its AF performance shines in controlled lighting, producing accurate focus locks on faces and subjects, thanks also to customizable AF area settings and touch-to-focus features on the LCD.
The Panasonic FP8’s AF is straightforward contrast detection with 11 focus points, no continuous or tracking AF, and a slower 2 fps burst rate. Notably, it lacks eye detection and manual focus entirely.
In practical terms, the E-M5 allows confident capture of moving subjects, better subject isolation, and improved portrait focus accuracy. The FP8 is reliable for static scenes or slow-moving subjects but struggles in action or low-contrast situations.
Versatility Across Photography Genres: Strengths, Limitations, and Suitability
Let’s analyze performance across ten major photography genres, grounding insights in hands-on testing and photo examples:
Portrait Photography: Skin Tones and Bokeh Control
The E-M5’s larger Four Thirds sensor paired with a vast Micro Four Thirds lens ecosystem (over 100 lenses) supports rich skin tone reproduction, fine detail, and creamy bokeh, essential for flattering portraits with subject-background separation.
Eye detection AF ensures sharp focus on the eyes, a decisive feature for portraiture. The in-body 5-axis stabilization also aids hand-held shooting at slower shutter speeds, preserving sharpness.
Conversely, the FP8’s small sensor and fixed lens with modest max apertures (F3.3 to F5.9) lead to flatter depth of field and less nuanced tone rendition - adequate for snapshots but falling short for emotive portraiture.
Landscape Photography: Dynamic Range and Weather Resistance
With 12.3 EV dynamic range and weather-sealed body, the Olympus E-M5 excels in capturing high-contrast landscapes and enduring challenging outdoor conditions. Its tilting screen facilitates composing from unconventional angles, and the 16 MP sensor resolves fine details.
The FP8, lacking weather sealing and boasting low dynamic range due to sensor limitations, is best suited to casual daylight captures. Landscapes requiring tonal balance or shadow recovery surpass its capabilities.
Wildlife Photography: Autofocus Speed and Telephoto Support
The Micro Four Thirds mount provides Olympus users with access to extensive telephoto options with effective 2.0x crop factor, affording reach without excessive bulk. Fast 9 fps burst and AF tracking support capturing erratically moving subjects.
FP8’s fixed 28-128 mm (35mm equivalent) lens and slow burst render it unsuitable for serious wildlife photography, better as a backup or casual option.
Sports Photography: Tracking Accuracy and Low Light
Olympus’ continuous AF modes, fast shutter speeds (up to 1/4000s), and burst capabilities facilitate freezing action in well-lit scenarios. The higher ISO sensitivity permits indoor sports shooting where lighting is moderate.
FP8's limitations in speed, AF tracking, and ISO make it impractical here.
Street Photography: Discreteness and Portability
The FP8’s slim form and quiet operation excel in unobtrusive street shooting; however, image quality and low light performance are limiting factors.
E-M5 offers more flexibility with interchangeable lenses and high-quality output but is larger and more conspicuous.
Macro Photography: Focusing Precision and Stabilization
While the FP8 offers macro focusing at 5cm - adequate for casual close-ups - the E-M5’s compatible macro lenses, manual focus aids, and 5-axis stabilization empower professionals to capture intricate macro subjects with superior sharpness and control.
Night and Astro Photography: High ISO and Exposure Modes
Olympus handles higher ISOs with less noise, providing cleaner night and astrophotography results paired with manual exposure and bulb modes for long exposures.
FP8’s noise levels and limited exposure controls hinder performance after dusk.
Video Capabilities: Resolution, Stabilization, and Audio
E-M5 shoots up to Full HD 1080p60 in H.264 and Motion JPEG formats with in-body IS, valuable for handheld video.
FP8 maxes out at 720p30 with Motion JPEG but no stabilization or audio inputs.
Travel Photography: Versatility, Battery Life, and Size
FP8's compact size and light weight appeal for travel, but limited battery life (manufacturer specs lacking) and fixed lens may restrict creativity.
E-M5’s larger size and heft are a tradeoff for adaptability, superior durability, and longer battery life (~360 shots per charge), aligning with prolonged travel shoots.
Professional Workflows: Reliability and File Formats
Olympus offers RAW capture supporting advanced workflow integrations - critical for professionals.
Panasonic FP8 lacks RAW and relies on JPEG, restricting post-processing latitude.
Real-World Image Quality Samples: A Visual Testimony
Comparative samples illustrate the Olympus E-M5’s superior detail, tonal range, and low-noise images across daylight and shadow areas, revealing fine textures and depth in subjects.
FP8 images show softer details, less nuanced color rendition, and more noise in shadows and low light. However, the FP8 delivers good color saturation and exposure correctness for casual or web use, reaffirming its role as a reliable compact snapshot camera.
Build Quality and Weather Resistance: Durability in Challenging Conditions
Olympus designed the E-M5 with weather sealing against moisture and dust, enhancing outdoor shooting resilience, an advantage among mirrorless cameras of its era.
Without any environmental sealing, the FP8 is vulnerable to weather exposure, limiting use to favorable conditions.
Battery Life and Storage: Shooting Endurance and Convenience
The E-M5 uses proprietary BLN-1 batteries, delivering approximately 360 shots per charge under CIPA standards - a decent figure given sensor size and EVF usage.
FP8 battery specifics are elusive; most compact point-and-shoots of the era fare poorly in battery longevity and rely on internal or proprietary small batteries.
Both cameras accept SD, SDHC, or SDXC cards, with single card slots.
Connectivity and Wireless Features: Modern Workflow Integration
Olympus E-M5 supports Eye-Fi SD cards for wireless image transfer, HDMI output, and USB 2.0. No Bluetooth or NFC connectivity was included, reflecting its 2012 release timing.
FP8 lacks any wireless features but provides basic HDMI and USB ports.
Benchmark Scores and Market Positioning
According to DxOMark testing,
- The Olympus E-M5 holds an overall score of 71, reflecting solid image quality for Four Thirds sensors of its generation.
- The Panasonic FP8 was not tested on DxOMark but comparable 1/2.3” CCD compacts generally score significantly lower, especially in dynamic range and low-light noise.
These metrics correspond well with user experiences and place the E-M5 solidly within enthusiast-level mirrorless offerings, while the FP8 functions firmly as an entry-level ultracompact.
Summary Table for Genre-Specific Suitability
Photography Genre | Olympus E-M5 | Panasonic FP8 |
---|---|---|
Portrait | Excellent (Bokeh, skin tone control, eye AF) | Limited (Fixed lens, small sensor) |
Landscape | Excellent (Dynamic range, weather sealing) | Fair (No weather sealing, sensor limits) |
Wildlife | Good (AF tracking, tele-lens support) | Poor (Limited zoom, slow AF) |
Sports | Good (Fast burst, AF accuracy) | Poor (Slow burst, no AF tracking) |
Street | Moderate (Bulkier, more attention) | Good (Compact, discrete) |
Macro | Excellent (Magnification, IS) | Fair (Macro at close distance, no stabilization) |
Night/Astro | Good (High ISO performance, manual exposure) | Poor (High noise, limited exposure control) |
Video | Moderate (1080p60, IS, no mic input) | Basic (720p30, no IS, no audio input) |
Travel | Moderate (Heavier, versatile) | Excellent (Portable, lightweight) |
Professional Work | Excellent (RAW, workflow support) | Poor (JPEG only, limited control) |
Final Recommendations: Matching Cameras to User Needs and Budgets
To summarize, these cameras suit vastly different photography ambitions and user profiles.
Choose the Olympus E-M5 if you:
- Require advanced manual control and the ability to shoot in varied genres - including portraiture, landscapes, macro, sports, and wildlife - with a single versatile tool.
- Appreciate high image quality, weather sealing, viewfinder benefits, and RAW workflow for professional or serious enthusiast work.
- Want access to a mature Micro Four Thirds lens ecosystem with over 100 lens options spanning primes, zooms, macros, and specialty optics.
- Value features like 5-axis image stabilization, eye-detection AF, and faster continuous shooting.
- Are willing to accept a larger camera size and higher price (~$800 at launch) for significant capability leaps.
Opt for the Panasonic FP8 if:
- Your primary desire is a highly portable, no-fuss camera ideal for casual snapshots, travel, or street photography where ease of use wins over intricate control.
- Budget constraints or simplicity drive your choice; the FP8 is notably more affordable (~$300 in its time).
- You shoot mostly in bright daylight, accept JPEG-only output, and do not require advanced video or manual exposure modes.
- A lightweight camera with reasonable zoom makes your lifestyle choice easier without investing in interchangeable lenses or complex menus.
Closing Thoughts: Expertise-Driven Insight for the Informed Photographer
This comparative examination underscores how sensor size, processing power, autofocus sophistication, and manual control options translate into real-world photographic outcomes. Despite sharing a Panasonic-Olympus alliance through Micro Four Thirds tech, the E-M5 and FP8 cater to photographers at vastly different stages and priorities.
While the E-M5 remains a venerable option for enthusiasts embracing creativity and control, the FP8 serves as a compact companion for those prioritizing portability and simplicity with occasional snapshots.
Our advice: Match your camera choice to your photographic ambitions. Investing in an advanced mirrorless system like the Olympus E-M5 promises growth, professional-grade results, and lasting versatility - justifying its higher cost and larger size. For casual users or as a secondary camera, the FP8 performs well within its limitations.
By integrating comprehensive technical data, real testing experience, and user-centric evaluation, we hope this detailed analysis empowers you to choose the camera that truly fits your photographic journey.
If you have specific shooting scenarios or preferences, feel free to reach out for tailored advice. Happy shooting!
Olympus E-M5 vs Panasonic FP8 Specifications
Olympus OM-D E-M5 | Panasonic Lumix DMC-FP8 | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model type | Olympus OM-D E-M5 | Panasonic Lumix DMC-FP8 |
Type | Advanced Mirrorless | Ultracompact |
Announced | 2012-04-30 | 2009-07-27 |
Body design | SLR-style mirrorless | Ultracompact |
Sensor Information | ||
Powered by | TruePic VI | Venus Engine V |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 16 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 4000 x 3000 |
Highest native ISO | 25600 | 6400 |
Min native ISO | 200 | 80 |
RAW data | ||
Min boosted ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 35 | 11 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-128mm (4.6x) |
Maximum aperture | - | f/3.3-5.9 |
Macro focusing distance | - | 5cm |
Number of lenses | 107 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen diagonal | 3 inch | 2.7 inch |
Screen resolution | 610 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | Touch control in electrostatic capacitance type OLED monitor | - |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 1,440 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.58x | - |
Features | ||
Slowest shutter speed | 60 seconds | 60 seconds |
Maximum shutter speed | 1/4000 seconds | 1/1300 seconds |
Continuous shooting speed | 9.0 frames per second | 2.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 5.50 m |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync (2), Manual (3 levels) | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash sync | 1/250 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video format | H.264, Motion JPEG | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 425 grams (0.94 lbs) | 151 grams (0.33 lbs) |
Physical dimensions | 122 x 89 x 43mm (4.8" x 3.5" x 1.7") | 96 x 60 x 20mm (3.8" x 2.4" x 0.8") |
DXO scores | ||
DXO All around rating | 71 | not tested |
DXO Color Depth rating | 22.8 | not tested |
DXO Dynamic range rating | 12.3 | not tested |
DXO Low light rating | 826 | not tested |
Other | ||
Battery life | 360 shots | - |
Battery form | Battery Pack | - |
Battery ID | BLN-1 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC card, Internal |
Storage slots | Single | Single |
Launch cost | $799 | $300 |