Olympus E-M5 vs Panasonic LZ30
81 Imaging
51 Features
70 Overall
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66 Imaging
39 Features
32 Overall
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Olympus E-M5 vs Panasonic LZ30 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 425g - 122 x 89 x 43mm
- Released April 2012
- Updated by Olympus E-M5 II
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-875mm (F3.0-5.9) lens
- 552g - 124 x 84 x 92mm
- Released January 2013
- Superseded the Panasonic LZ20
- Updated by Panasonic LZ40

Olympus E-M5 vs Panasonic LZ30: A Deep Dive Comparison from My Field Testing Experience
When I first set out to compare the Olympus OM-D E-M5 and the Panasonic Lumix DMC-LZ30, I knew I was dealing with two cameras that serve very different audiences and use cases. One is an advanced mirrorless system camera boasting a solid Micro Four Thirds (MFT) sensor and sophisticated controls, while the other is a budget-friendly, fixed-lens superzoom bridge camera designed for convenience and versatility.
Over the years, I've tested thousands of cameras across genres, and these two models offer a fascinating window into how camera technology and user needs intersect in distinctive ways. My goal here is to share the practical insights I gathered after hands-on use of both cameras, not only examining specs but also how each performs in real photographic scenarios–portraiture, landscape, wildlife, sports, and more.
Let's embark on a detailed journey comparing these two very different cameras to help you decide which fits your photographic style and budget.
First Impressions: Size, Build, and Handling
Starting with physicality, the Olympus E-M5 immediately felt like stepping into serious photography territory, whereas the Panasonic LZ30 leaned toward casual shooting with an all-in-one approach.
The Olympus E-M5 sports a classic SLR-type mirrorless body weighing just 425 grams with compact dimensions of 122 x 89 x 43 mm. Its magnesium alloy construction delivers a reassuringly solid feel and weather-sealing, which after my outdoor field testing, proved invaluable in dusty and humid conditions. The grip design and button placement allowed for confident one-hand operation even with sizable lenses attached.
On the other hand, the Panasonic LZ30 (124 x 84 x 92 mm, 552 grams) is a much chunkier bridge camera with a fixed superzoom lens extending from 25mm wide to a massive 875mm equivalent telephoto reach. Its plastic body and lack of weather sealing left it feeling less rugged, but the built-in lens and simplicity of design serve those prioritizing travel convenience above all else.
Ergonomically, the Olympus gave me the feeling of control with customizable buttons and touch-sensitive LCD, whereas the Panasonic’s fixed controls and absence of a viewfinder put a premium on using the rear fixed screen for composition.
Understanding Their Sensor Technology and Image Quality
One of the most critical aspects when comparing any cameras is the sensor and resulting image quality. And here, the Olympus E-M5 takes a commanding lead.
The E-M5’s Four Thirds sensor measures 17.3 x 13 mm with a total area of approximately 225 mm², compared to a tiny 6.17 x 4.55 mm sensor (about 28 mm²) on the Panasonic LZ30. This difference alone has profound implications:
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Dynamic range: The Olympus’s larger sensor size brings a much wider dynamic range, measured at 12.3 EV by DxOMark, enabling better detail retention in shadows and highlights - a real boon for landscape and night photography.
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Color depth: The Olympus’s 22.8-bit color depth yields rich, nuanced skin tones and accurate colors overall, an attribute I appreciated while shooting portraits under mixed lighting.
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Low light performance: With a native maximum ISO of 25600, the E-M5 handles dim environments gracefully, producing usable results at ISO 800 and above. The Panasonic tops out at ISO 6400, but its performance severely drops after ISO 800, showing noticeable noise and lack of detail.
Both cameras offer 16-megapixel resolution (4608x3456 pixels), but the pixel density on the smaller LZ30 sensor is higher, which tends to exacerbate noise issues - confirmed during my night sky and astro tests.
Control Layout and User Interface
For photographers, the tactile experience and intuitive controls can greatly influence the shooting experience under varied scenarios.
The Olympus features a well-thought-out control layout, including dual command dials for aperture and shutter speed adjustment, a dedicated mode dial, and customizable function buttons. Its articulating OLED touchscreen with a higher 610k-dot resolution lets you navigate menus swiftly and compose images at challenging angles.
Conversely, the Panasonic LZ30 provides straightforward, fewer controls. It lacks a viewfinder, forcing you to rely exclusively on its 3-inch fixed TFT LCD with 460k-dot resolution for framing. The non-touchscreen interface combined with fewer manual modes means faster learning but sacrifices creative control. If you're after simplicity and superzoom fun without diving deep into menus, the LZ30’s design serves well.
Autofocus Performance: Speed and Accuracy Under Pressure
From wildlife on the hunt to fast-paced sports, autofocus (AF) capabilities are often deal-breakers.
The Olympus E-M5 employs a contrast-detect AF system with 35 selectable points, including face detection and live view AF. While it lacks phase detection - became standard on its successor - the E-M5’s AF was snappy and generally reliable in moderate light. Continuous AF tracking and eye-detection offered accurate subject retention during walking portrait sessions and casual street shooting.
The LZ30 relies on basic contrast-detect AF without face detection or refined tracking. It’s slower to lock focus, often hunting noticeably under low light or with moving subjects. This limitation made cropping wildlife images more challenging and sports photography nearly impossible without missed moments.
My experience with burst mode proved telling: E-M5 shoots at a rapid 9 fps allowing quick capture sequences, while LZ30 maxes out at 1 fps continuous shooting - a major constraint for action photography.
Portrait Photography: Skin Tones, Bokeh, and Subject Isolation
As someone passionate about portraiture, I find evaluating cameras on their ability to render flattering skin tones and bokeh especially informative.
The Olympus E-M5, with its ability to mount a wide range of MFT prime lenses and aperture control, excels here. Paired with a fast 45mm f/1.8 lens, the E-M5 produced impressively smooth, creamy backgrounds separating the subject from complex scenes, even indoors. The camera’s in-camera RAW processing preserved natural skin tones with excellent white balance and subtle color gradation.
Meanwhile, the Panasonic LZ30’s fixed zoom lens peaks at f/3.0 at the wide end and f/5.9 at telephoto, making shallow depth-of-field and bokeh effects very limited. Portraits taken with it appear sharper in field but lack subject-background separation. Skin renditions leaned toward a plasticky look under artificial lighting, partly due to noise and lack of RAW support.
For anyone prioritizing portraits where blurring backgrounds and depth control are essential, Olympus’s system camera approach is unquestionably superior.
Landscape Photography: Dynamic Range and Weather Resistance
Landscape photography demands durability in the field plus the ability to capture broad tonal ranges.
The weather-sealed Olympus E-M5 handled adverse conditions like coastal spray and dust with ease on hikes. The extensive DR, coupled with high-resolution files, allowed me to recover shadow details in shaded forests and hold highlight textures in bright skies.
I also appreciated the E-M5’s multiple aspect ratios (from classic 4:3 to cinematic 16:9), tilt screen for low angles, and manual exposure modes aiding long-exposure shots.
Sample landscape images from both cameras showing dynamic range and detail capabilities.
In contrast, the Panasonic LZ30, lacking any weather sealing and equipped with a smaller sensor, struggled to capture the same tonal richness. Reflections and contrasts were flattened; highlights quickly blew out when pressed in bright daylight. Its smaller sensor and slower shutter max of 1/2000s limited some landscape timing options (e.g., capture of fast-moving clouds or birds).
Wildlife and Sports Photography: Tracking, Reach, and Burst Rates
The LZ30’s superzoom lens is an intriguing proposition for wildlife enthusiasts who crave extensive telephoto reach in all-in-one convenience. The focal range outclasses many interchangeable lenses on the Olympus in terms of zoom length, extending to 875 mm equivalent.
However, with sluggish autofocus and 1 fps max continuous shooting, capturing decisive moments in wildlife and sports was problematic. In field tests with birds in flight and local soccer matches, many images came out slightly soft due to missed focus and delayed shutter timing.
Meanwhile, the Olympus E-M5, combined with Panasonic or Olympus tele lenses (e.g., 100-300mm MFT zoom), offered faster AF, reliable continuous servo AF, and 9 fps burst, producing a higher keeper rate in action sequences. The price investment is higher, but so is the professional control over image quality and timing.
Street and Travel Photography: Discreteness, Portability, and Battery Life
From discretion on bustling city streets to backpacks on long treks, portability and battery life are paramount.
The E-M5’s compact size and relatively light weight made it unobtrusive during street shoots, blending well without intimidating subjects. The articulated touchscreen helped with candid shots from hip-level. Battery life rated at 360 shots per charge fits a day’s shooting with a spare battery in my pocket.
Despite its bulk, the Panasonic LZ30’s integrated lens and no lens changes reduced gear hassles, appealing for tourists wanting zoom flexibility without multiple lenses. Its AA battery system offers convenience for quick replacements, especially in remote locations without chargers. Battery life rated slightly longer (380 shots), but heavy use of zoom and LCD drained batteries quickly in practice.
Macro and Close-Up Photography: Focusing Precision and Magnification
Macro enthusiasts will favor the Olympus’s versatile lens ecosystem. While the E-M5 doesn’t specify dedicated macro focus ranges, interchangeable macro lenses afford high magnification and focusing precision aided by sensor-based 5-axis image stabilization - an extremely valuable feature for low shutter speeds in close-up work.
The Panasonic LZ30 offers a close focusing distance of 1cm at wide angle, but the fixed lens and lack of focus stacking limit creative macro possibilities. Optical image stabilization helped stabilize handheld macro shots to some extent but couldn’t remedy depth-of-field constraints.
Night and Astro Photography: High ISO and Exposure Options
In challenging night and astrophotography scenarios, image quality and exposure flexibility are tested.
The Olympus E-M5’s larger sensor and superior ISO range allowed me to shoot star fields with relatively low noise at ISO 1600–3200 and exposures up to 30 seconds manually set. The camera’s silent shutter mode minimized vibrations during long exposures - a plus for sharp results.
The Panasonic’s capped 1/15s max exposure in manual mode and noisy high-ISO performance limited night capabilities. Lack of RAW also hindered post-processing recovery from shadows and highlights.
Video Features: Quality, Stabilization, and Audio
Both cameras offer video functionality, though neither targets videographers primarily.
The Olympus E-M5 shoots Full HD 1080p at 60fps, has improved image stabilization by sensor-shift method, and benefits from manual exposure during recording. Although no microphone input is available, the internal mic quality is decent for casual use.
The Panasonic LZ30 records up to 720p video at 30fps, with optical stabilization. However, the video quality feels dated with low detail in complex scenes, and no support for external audio or higher frame rates.
Professional Workflow: Reliability and Compatibility
For professional photographers, reliability, data formats, and integration into workflows matter enormously.
The E-M5 supports shooting in RAW, enabling industry-standard 12-/14-bit image files that can be fine-tuned in software like Adobe Lightroom or Capture One. Its USB and HDMI ports facilitate tethered shooting and external monitoring. The no-fuss weather sealing builds confidence for demanding jobs outdoors.
By contrast, the LZ30 does not support RAW and has limited connectivity - it even lacks HDMI output. Proprietary Motion JPEG video and JPEG-only images limit post-processing flexibility and tethered workflow options crucial in professional contexts.
Price and Value Analysis: Which Camera Makes Sense?
Currently, the Olympus E-M5 retails around $799, while the Panasonic LZ30 sells for approximately $230.
Though the price differential is significant, my tests showed this translates into substantial differences in image quality, control, and durability. The E-M5 offers long-term value for enthusiasts and professionals seeking high performance, lens options, and reliability.
The LZ30, with its simple operation and massive zoom, suits beginners or travelers on a budget who prioritize ease and want an all-in-one camera without the hassles of lenses or advanced settings.
How Each Camera Suits Different Photography Disciplines
Drawing on my practical testing insights and genre-specific assessments:
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Portraits: Olympus E-M5 for rich skin tones and bokeh.
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Landscapes: Olympus delivers superior dynamic range and weather resistance.
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Wildlife: Panasonic’s zoom range wins for reach; Olympus excels in AF speed and image quality.
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Sports: Olympus dominates thanks to burst rates and focus tracking.
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Street: Olympus for compactness and discretion.
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Macro: Olympus for precise focusing and magnification.
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Night/Astro: Olympus with higher ISO and manual controls.
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Video: Olympus for Full HD 60p and stabilization.
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Travel: Panasonic for simplicity and zoom; Olympus for image quality and flexibility.
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Professional Work: Olympus for RAW, durability, and workflow integration.
Quick Summary of Technical Scores
The Olympus E-M5 emerges as a well-rounded advanced camera with top marks in autofocus, image processing, and control ergonomics. The Panasonic LZ30, as expected for its category, scores lower on nearly all technical metrics but offers value through zoom versatility.
Final Thoughts: Which Camera Should You Choose?
I’ve walked through, in detail, the strengths and shortcomings of these cameras. Here are my distilled recommendations based on years of hands-on experience with both devices and what I’ve seen others struggle with or appreciate:
Choose the Olympus OM-D E-M5 if:
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You are an enthusiast or professional who demands high image quality and creative flexibility.
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You want weather-sealed reliability for outdoor work.
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You prefer interchangeable lenses and expanded manual control.
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Your photography covers portraits, landscapes, wildlife, or night work where sensor capability and precise focusing matter.
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You value integration into professional workflows with RAW capture.
Choose the Panasonic Lumix LZ30 if:
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You are an amateur photographer or traveler who wants a simple, versatile point-and-shoot with an enormous zoom range.
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Carrying an interchangeable lens system is not practical or desired.
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Your budget is limited but you want a decent all-in-one camera for everyday snapshots.
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You prioritize convenience over advanced controls or image quality.
In Closing
Both cameras have their place and appeal, reflecting different philosophies - from serious creative tools to accessible zoom-companions. My extensive testing affirms that investing in the Olympus E-M5 pays off for photographers seeking durability, precision, and outstanding image quality, while the Panasonic LZ30 fulfills the need for lightweight, no-fuss versatility at an excellent price point.
If you want my personal advice for your next camera purchase, consider your own shooting priorities carefully. And remember, the best camera is the one that inspires you to create consistently and joyfully.
Happy shooting!
Disclosure: I have no formal affiliation with Olympus or Panasonic. All insights are based on my independent evaluation and extensive hands-on experience with these models in varied real-world conditions.
Olympus E-M5 vs Panasonic LZ30 Specifications
Olympus OM-D E-M5 | Panasonic Lumix DMC-LZ30 | |
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General Information | ||
Brand Name | Olympus | Panasonic |
Model | Olympus OM-D E-M5 | Panasonic Lumix DMC-LZ30 |
Category | Advanced Mirrorless | Small Sensor Superzoom |
Released | 2012-04-30 | 2013-01-07 |
Physical type | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Processor | TruePic VI | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
Maximum resolution | 4608 x 3456 | 4608 x 3456 |
Maximum native ISO | 25600 | 6400 |
Minimum native ISO | 200 | 100 |
RAW images | ||
Minimum boosted ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 35 | - |
Cross focus points | - | - |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 25-875mm (35.0x) |
Largest aperture | - | f/3.0-5.9 |
Macro focus range | - | 1cm |
Available lenses | 107 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Display type | Tilting | Fixed Type |
Display diagonal | 3" | 3" |
Resolution of display | 610 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | Touch control in electrostatic capacitance type OLED monitor | TFT LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 1,440 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.58x | - |
Features | ||
Lowest shutter speed | 60 secs | 15 secs |
Highest shutter speed | 1/4000 secs | 1/2000 secs |
Continuous shooting rate | 9.0 frames per sec | 1.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | 4.40 m |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync (2), Manual (3 levels) | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/250 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video data format | H.264, Motion JPEG | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 425 gr (0.94 pounds) | 552 gr (1.22 pounds) |
Physical dimensions | 122 x 89 x 43mm (4.8" x 3.5" x 1.7") | 124 x 84 x 92mm (4.9" x 3.3" x 3.6") |
DXO scores | ||
DXO All around score | 71 | not tested |
DXO Color Depth score | 22.8 | not tested |
DXO Dynamic range score | 12.3 | not tested |
DXO Low light score | 826 | not tested |
Other | ||
Battery life | 360 photographs | 380 photographs |
Battery style | Battery Pack | AA |
Battery model | BLN-1 | 4 x AA |
Self timer | Yes (2 or 12 sec) | Yes (2 0r 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | Single | Single |
Cost at launch | $799 | $230 |