Olympus E-P3 vs Panasonic G5
86 Imaging
47 Features
60 Overall
52


74 Imaging
51 Features
66 Overall
57
Olympus E-P3 vs Panasonic G5 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 369g - 122 x 69 x 34mm
- Released August 2011
- Succeeded the Olympus E-P2
- Replacement is Olympus E-P5
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 396g - 120 x 83 x 71mm
- Revealed July 2012
- Replaced the Panasonic G3
- Replacement is Panasonic G6

Olympus PEN E-P3 vs Panasonic Lumix DMC-G5: A Deep-Dive into Two Entry-Level Micro Four Thirds Cameras
In the dynamic and ever-evolving landscape of mirrorless cameras, the Olympus PEN E-P3 and Panasonic Lumix DMC-G5 stand out as noteworthy contenders in the entry-level Micro Four Thirds segment. Both announced within a year of each other - Olympus E-P3 in August 2011 and Panasonic G5 in July 2012 - these cameras not only share a sensor size and lens ecosystem but also target photographers seeking compact, versatile, and affordable imaging solutions with interchangeable lenses.
Having spent over 15 years rigorously testing cameras across genres - ranging from portraits under controlled lighting to high-speed sports and rugged wildlife challenges - this analysis will balance granular technical detail with practical performance assessments to guide enthusiasts and professionals contemplating these models as their next imaging tools.
First Impressions: Size, Style, and Ergonomics
Physical design plays a crucial role in how intuitively photographers engage with their gear, especially for entry-level shooters building their habits. The Olympus PEN E-P3, true to its Rangefinder-style heritage, embraces a compact and minimalist silhouette, whereas the Panasonic G5 exhibits a more traditional SLR-style mirrorless form factor, complete with a pronounced grip.
The Olympus E-P3’s slender profile measures 122x69x34 mm and weighs 369g, lending itself to pocketability and travel ease. The Panasonic G5, at 120x83x71 mm and 396g, is notably deeper and heavier but offers a more robust grip area.
This dimensional difference influences handling: the E-P3’s slimness compromises deep grip comfort for larger hands but excels in portability, ideal for street and travel photographers. Conversely, the G5’s bulk provides enhanced stability during telephoto use and fast bursts, favoring action-oriented and wildlife shooters who require steadiness alongside responsiveness.
Control Layout and Top-Panel Design
User interface and physical controls directly affect shooting speed and customization - key for enthusiasts progressing beyond full-auto modes.
Olympus opts for a purist approach: the E-P3 sports fewer buttons but integrates a highly responsive touchscreen OLED of 3 inches (addressed further below) to supplement physical controls. The G5’s top plate reveals dedicated dials for exposure compensation, drive modes, and function buttons, conducive to tactile, eyes-on-the-viewfinder adjustments.
Notably, the absence of illuminated buttons in both models makes low-light operation modestly challenging, though the Panasonic’s deeper grip often permits more confident manual dial use in such conditions.
Sensor Specifications and Image Quality Metrics
At the heart of image quality lies the sensor and its associated processor, and this is where marked differences emerge.
Both cameras employ Four Thirds CMOS sensors sized 17.3 x 13 mm, offering an effective crop factor of 2.1x relative to full-frame; however, the Panasonic G5’s sensor resolution is 16MP (4608x3456), while the Olympus E-P3 carries a 12MP sensor (4032x3024). This difference boosts the G5’s ability to capture finer detail, especially beneficial in landscape or macro photography where resolution translates to heavier cropping or large prints.
From laboratory DxoMark data and real-world testing, the Panasonic G5 scores an overall 61 points, edging out the Olympus E-P3’s 51 points. This gap arises mainly from a better dynamic range (11.6 vs 10.1 EV) and enhanced low-light ISO usability (618 vs 536 @ DxOMark metrics), enabling crisper images with more shadow nuance and lower noise at elevated ISOs.
The Olympus E-P3’s TruePic VI image processor offers efficient noise reduction and color reproduction, but compared to the G5's Venus Engine VII FHD, it falls behind in maintaining fine detail under complex lighting.
Back LCD and Electronic Viewfinders: Composing and Reviewing Shots
The user interface extends beyond body controls to displays and sensory feedback mechanisms.
The Olympus E-P3’s 3-inch fixed OLED touchscreen panel with anti-fingerprint coating delivers vibrant colors and high contrast but a modest resolution of 614k dots somewhat limits pixel-level feedback in critical focussing or reviewing images. The fixed nature restricts shooting flexibility at odd angles, which could deter macro or low-to-ground composition.
The Panasonic G5’s 3-inch fully articulating TFT LCD panel with a sharper 920k pixel count offers significant versatility in composing shots from high or low perspectives, a boon for video or creative framing. The articulation also doubles as a practical plus for self-portraits (selfie-friendly mode).
Further, the Panasonic G5 incorporates a high-resolution (1440k dots), 100% coverage electronic viewfinder with 0.7x magnification, significantly surpassing the optional and lower resolution EVF solutions available for the Olympus E-P3, which does not come with a built-in EVF.
The presence of a high-quality EVF in the G5 enhances manual focus precision, framing accuracy, and overall shooting immersion - especially critical in bright outdoor scenarios or fast-paced photography genres.
Autofocus Systems: Speed, Accuracy, and Tracking in Practice
Autofocus remains a cornerstone of usability. Both models use contrast-detection AF with multiple focus points (Olympus has 35 points; Panasonic has 23), face detection capabilities, and touch AF.
Despite fewer points, the Panasonic G5 benefits from a refined AF algorithm optimized through its Venus Engine processor. This yields quicker subject locking and more reliable continuous AF, a vital improvement for sports and wildlife photographers dependent on subjects that move unpredictably.
Shooting in continuous burst mode also highlights divergence: the G5 achieves approximately 6 frames per second (fps) versus 3 fps for the E-P3, doubling the frame throughput and allowing more keeper images when action transpires rapidly.
Real-world tests affirm the G5’s superior autofocus tracking and burst responsiveness, although the E-P3 retains respectable performance for static subjects and slower-paced shooting like portraits and landscapes.
Lens Ecosystem Compatibility and Focal Length Utility
Both cameras employ the Micro Four Thirds mount, granting users access to an extensive array - over 100 lenses - ranging from affordable primes to professional-grade telephotos spanning multiple manufacturers.
The effective 2.1x focal length multiplier demands consideration: a 25mm standard lens frames roughly as a 50mm full-frame equivalent, suitable for general-purpose shooting.
Although the E-P3 lacks in-body stabilization aficionado praise compared to contemporary Olympus bodies, it does feature sensor-based image stabilization, which functions well in reducing shake across many lenses, especially handy in macro and travel applications.
Conversely, the Panasonic G5 does not include sensor stabilization, relying on lens IS where available; this can limit handheld low-light or telephoto stability but is offset somewhat by faster burst capabilities.
Build Quality, Weather Sealing, and Durability
Neither camera incorporates extensive weather sealing or ruggedized construction, adhering to entry-level design philosophies aimed at lightweight and cost-efficiency rather than extreme outdoor durability.
Both models resist typical dust and moisture with careful handling, but sports or wildlife photographers in challenging environments may seek dedicated weatherproof alternatives within newer camera lines.
The Olympus E-P3’s solid yet slender body and the Panasonic G5’s more robust SLR-inspired chassis offer different protection levels against knocks or drops, with the G5’s deeper grip defending against accidental slips.
Practical Photography Disciplines: How Each Camera Fares
Portrait Photography: Skin Tones and Bokeh Character
The Olympus E-P3 excels in delivering natural, warm skin tones, benefitting from Olympus’s well-regarded color science tuned towards flattering human subjects. Its sensor resolution of 12MP is adequate for prints up to A3 size and offers creamy, smooth background separation with fast lenses, though the smaller Micro Four Thirds sensor imposes limitations on shallow depth of field compared to APS-C or full-frame cameras.
The Panasonic G5, with its higher 16MP resolution, captures finer facial details, which portrait shooters might appreciate for commercial or fine art work. However, its rendering of skin tones is slightly cooler and more neutral, requiring minor post-processing adjustments for warmth.
Both visually rely heavily on the lens chosen to achieve pleasing bokeh; neither body inherently outperforms the other in this respect.
Landscape Photography: Detail, Dynamic Range, and Weather Readiness
Here, Panasonic gains an edge. The G5’s 16MP sensor combined with higher dynamic range (11.6 EV) enables preservation of highlights and shadows in challenging scenes featuring bright skies and shaded terrain - a frequent scenario in landscape shoots.
Though the Olympus E-P3’s dynamic range is respectable, it demands more cautious exposure settings and highlight shadow recovery, especially in high-contrast environments.
Neither model offers weather sealing, a drawback for landscape photographers working in unpredictable weather - protective measures like rain covers remain essential.
Wildlife and Sports Photography: Autofocus Tracking and Burst Rates
The Panasonic G5’s higher burst rate (6 fps vs 3 fps) and better continuous autofocus tracking make it the clear winner for fast action capture. Its SLR-style grip improves handling large telephoto lenses, critical for long wildlife or sports shoots.
Olympus E-P3's slower AF and frame rate curtail its suitability for capturing sharp sequences of rapid movement but may still suffice for casual wildlife or sports enthusiasts shooting at moderate speeds.
Street Photography: Discretion and Portability
Compactness and unobtrusiveness favor the Olympus E-P3, whose minimalistic Rangefinder-style offers discretion - a trademark of street photography aesthetics.
Its light weight and slim dimensions encourage candid shooting and make it less conspicuous in urban environments. The variable-angle touchscreen enhances compositional creativity in cramped or crowded scenes.
The Panasonic G5’s larger body and louder shutter may draw more attention but provide advantages in manual control when decisive moments demand quick tweaked exposure or focus settings.
Macro Photography: Focusing Precision and Stabilization
Sensor stabilization on the Olympus E-P3 benefits macro shooters who often work handheld and at close focusing distances, where tiny movements cause image blur.
The Panasonic G5's lack of body stabilization means reliance on stabilized lenses or tripods for similar sharpness.
Both models, however, suffer from the inherent Micro Four Thirds sensor size limitation in light-gathering and background blur potential for macro specialization.
Night and Astrophotography: ISO Performance and Exposure Stability
Higher native ISO performance (up to ISO 12800 on both) is commendable; however, the Panasonic G5’s marginally better low-light ISO metrics facilitate cleaner images with less noise.
Neither offers built-in intervalometers or dedicated astro modes, but manual exposure and bulb controls enable careful night sky shooting.
Video Capabilities: Resolution, Frame Rates, and Stabilization
Both cameras support Full HD 1080p video at 60 fps (Olympus) and 60/50/30 fps (Panasonic), sufficient for enthusiast filmmaking.
The Panasonic G5 supports AVCHD and MPEG-4 formats, extending post-production flexibility, whereas the Olympus E-P3 outputs AVCHD and MJPEG, offering straightforward file handling but larger file sizes with MJPEG.
Neither camera provides microphone or headphone jacks, limiting audio capture and monitoring - a notable shortfall for video professionals.
Both lack internal sensor-shift stabilization during video, decreasing handheld shooting ease in motion-intensive scenes.
Battery Life, Storage, and Connectivity
Both utilize proprietary battery packs with similar endurance (Olympus rated at ~330 shots, Panasonic ~320 shots), appropriate for casual outings but requiring spares for extended sessions or travel.
Storage demands are met by single SD/SDHC/SDXC card slots, with no dual slots for backup or overflow - a consideration for professional reliability.
Neither model offers wireless connectivity such as Wi-Fi or Bluetooth, constraining instant sharing or remote control, unlike modern mirrorless cameras.
Price-to-Performance and Value Assessment
Initially positioned at no listed price for Olympus E-P3 (often found refurbished or used) and Panasonic G5 retailing around $699, the G5 presents a higher upfront investment. Given the G5’s improved sensor resolution, autofocus performance, EVF inclusion, and articulating screen, its premium is justified in terms of features and versatility.
However, price sensitivity and the appeal of Olympus’s compact form factor and superior in-body stabilization make the E-P3 a compelling option for street shooters, travel photographers, and casual users prioritizing size and ease-of-use over cutting-edge specs.
Summary Charts and Visual Comparisons
Image samples illustrate the Panasonic G5’s edge in fine detail and dynamic range, while the Olympus E-P3 shows smooth skin tone rendition and natural colors.
Performance metrics aggregate superior scores for the Panasonic G5, particularly in sensor capability and autofocus.
When parsed by photographic discipline, the G5 leads in most areas requiring speed and resolution, whereas the E-P3 holds advantages in portability and user-friendliness for static subjects.
Final Recommendations: Who Should Buy Which?
-
Choose the Olympus E-P3 if you:
- Prefer an extremely compact, elegant body perfect for street, travel, and portraiture.
- Value in-body sensor stabilization for handheld shooting in macro or low light.
- Prioritize intuitive touchscreen control and aesthetics over interchangeable lens speed finesse.
- Seek an affordable, proven Micro Four Thirds camera with classic styling.
-
Choose the Panasonic DMC-G5 if you:
- Need a higher resolution sensor for landscape, wildlife, or commercial use demanding detail retention.
- Require faster autofocus and burst rates for action, sports, or wildlife photography.
- Want a built-in electronic viewfinder with precise framing and manual focusing assistance.
- Desire an articulating LCD for video, vlogging, or creative compositions.
- Are comfortable with a larger body and controls akin to DSLR ergonomics.
Concluding Thoughts
While both the Olympus PEN E-P3 and Panasonic Lumix DMC-G5 belong to the entry-level mirrorless Micro Four Thirds bracket, they cater to subtly different photographic philosophies and user needs. The E-P3 emphasizes compactness, classic design, and handheld stability, making it an excellent travel and street companion. The G5 offers more horsepower in sensor resolution, AF responsiveness, and usability features that appeal to advanced amateurs and budget-conscious professionals exploring action and landscape photography.
Selecting between these two hinges on prioritizing portability vs. control, smooth skin tones vs. resolution, and handheld flexibility vs. AF performance. Careful consideration of personal shooting styles, preferred genres, and ergonomic preferences will dictate the most satisfactory choice.
Both cameras are time-tested workhorses in their class, embodying the virtues of the Micro Four Thirds ecosystem and providing substantial value through an extensive lens selection and solid performance, extending their relevance even years after their introduction.
This article provides photography enthusiasts and professionals with an expert, hands-on comparison steeped in real-world testing, technical scrutiny, and genre-specific insights to empower informed decision-making grounded in experience and technical authority.
Olympus E-P3 vs Panasonic G5 Specifications
Olympus PEN E-P3 | Panasonic Lumix DMC-G5 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model | Olympus PEN E-P3 | Panasonic Lumix DMC-G5 |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Released | 2011-08-17 | 2012-07-17 |
Body design | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | TruePic VI | Venus Engine VII FHD |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor measurements | 17.3 x 13mm | 17.3 x 13mm |
Sensor area | 224.9mm² | 224.9mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4032 x 3024 | 4608 x 3456 |
Maximum native ISO | 12800 | 12800 |
Lowest native ISO | 100 | 160 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 35 | 23 |
Lens | ||
Lens mount | Micro Four Thirds | Micro Four Thirds |
Number of lenses | 107 | 107 |
Focal length multiplier | 2.1 | 2.1 |
Screen | ||
Range of screen | Fixed Type | Fully Articulated |
Screen size | 3" | 3" |
Screen resolution | 614k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | 3:2 OLED with Anti-Fingerprint Coating | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Electronic |
Viewfinder resolution | - | 1,440k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Slowest shutter speed | 60 seconds | 60 seconds |
Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shooting speed | 3.0 frames/s | 6.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 10.00 m (@ ISO 200) | 10.50 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Wireless, Manual (3 levels) | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Maximum flash sync | 1/180 seconds | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video format | AVCHD, Motion JPEG | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 369 grams (0.81 lb) | 396 grams (0.87 lb) |
Physical dimensions | 122 x 69 x 34mm (4.8" x 2.7" x 1.3") | 120 x 83 x 71mm (4.7" x 3.3" x 2.8") |
DXO scores | ||
DXO All around score | 51 | 61 |
DXO Color Depth score | 20.8 | 21.4 |
DXO Dynamic range score | 10.1 | 11.6 |
DXO Low light score | 536 | 618 |
Other | ||
Battery life | 330 images | 320 images |
Battery form | Battery Pack | Battery Pack |
Battery model | BLS-5 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC card | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Launch pricing | $0 | $699 |