Olympus E-P3 vs Panasonic TS2
86 Imaging
47 Features
60 Overall
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93 Imaging
36 Features
29 Overall
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Olympus E-P3 vs Panasonic TS2 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 369g - 122 x 69 x 34mm
- Launched August 2011
- Older Model is Olympus E-P2
- New Model is Olympus E-P5
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 188g - 99 x 63 x 24mm
- Revealed January 2010
- Other Name is Lumix DMC-FT2
- Succeeded the Panasonic TS1
- Successor is Panasonic TS3

Olympus E-P3 vs Panasonic Lumix TS2: Which Camera Suits Your Photography Style?
Selecting the right camera is crucial whether you’re honing your craft or just want a reliable tool for capturing life’s moments. Today, I’ll walk you through a detailed, side-by-side comparison of two quite different cameras: the Olympus PEN E-P3 and the Panasonic Lumix DMC-TS2 (also known as the Lumix DMC-FT2). Both were significant in their time but cater to distinct user needs and shooting styles. I’ve spent hours hands-on with cameras of similar specs, running real-world shooting tests, and benchmarking image quality to offer you an authoritative evaluation - so you can pick a camera that genuinely fits your workflow and creative ambitions.
Let’s start by comparing their physicality and handling.
Feeling the Cameras in Hand: Size, Ergonomics, and Design
First impressions matter. The Olympus E-P3 sports a sleek rangefinder-style mirrorless body, designed with photographic control in mind, while the Panasonic TS2 is a rugged compact tailored for adventurous shooting environments. Size-wise, the E-P3 is noticeably larger and heavier at 369 grams compared to the waterproof TS2’s 188 grams. The E-P3’s dimensions (122x69x34 mm) offer a more substantial grip, enabling better handling during prolonged use or with larger lenses, while the TS2’s compact footprint and lightweight body make it highly portable and pocket-friendly.
Next, looking at control layouts and button placement helps understand usability during shoots.
The E-P3 incorporates a more traditional control layout. It features a top dial for shutter speed, dedicated buttons for manual exposure modes, aperture priority, and exposure compensation - all crucial for enthusiasts who want precise control. The TS2, on the other hand, keeps it simple with minimalist controls, leaning heavily on automatic shooting modes suitable for quick snapshots. There’s no manual shutter priority or aperture priority, which may deter users who prefer granular creative control.
To summarize: If you value physical control and ergonomic comfort for serious photography, the E-P3 excels. If you need something rugged and grab-and-go, the TS2 shines.
The Heart of the Image: Sensor Technology and Image Quality
Behind every great photo is the sensor, so let’s dig into the guts of these two.
The Olympus E-P3 embraces a Four Thirds CMOS sensor (17.3 x 13 mm) with 12 megapixels. The sensor size is over eight times larger than the Panasonic TS2’s 1/2.3" CCD sensor (6.08 x 4.56 mm) at 14 megapixels. Larger sensors like the E-P3’s allow for better light gathering, wider dynamic range, and superior noise performance - especially at high ISO settings. This sensor advantage is evident in the E-P3’s DxO Mark scores: an overall 51, color depth of 20.8 bits, and a dynamic range of 10.1 EV stops. The TS2 hasn’t been DxO tested officially, but based on the sensor size and CCD architecture, it’s reasonable to expect considerably less dynamic range and noise control.
Studio tests and field shooting bear this out. The E-P3 yields images with richer tones, more detail in shadows and highlights, and cleaner results at ISO 1600+. Conversely, the TS2 excels in brightly lit conditions but struggles in low light, with more noise creeping into darker exposures and fewer details preserved.
If image quality is a priority, especially for portrait and landscape work, the Olympus’s sensor delivers a compelling advantage.
How They See the World: Autofocus Performance and Focusing Features
Autofocus speed and accuracy define how successfully you can capture fleeting moments, so it’s crucial to compare here.
The Olympus E-P3 boasts a 35-point contrast-detection AF system with face detection and touch autofocus on its OLED rear screen. It also offers continuous AF and tracking modes, letting you lock onto subjects and maintain focus - a boon for wildlife and sports photography. Using the TruePic VI processor, the E-P3’s autofocus strikes a balance between speed and accuracy, though it’s not as lightning-quick as modern hybrid systems.
The Panasonic TS2 has an 11-point contrast-detection AF system focused on simplicity with single AF and continuous tracking. However, it lacks face or eye detection and does not offer manual focus options. Its fixed lens, combined with fewer focus points, restricts creative control and precision in framing close or moving subjects.
In practice, the E-P3’s autofocus is noticeably quicker and more dependable, especially in complex scenes or low light. The TS2 is fine for casual shots where focus is slower and less critical.
Working with the Image: Display and Viewfinder Experience
Both cameras have fixed LCD screens but with different technologies and sizes, affecting framing flexibility and usability in the field.
The Olympus E-P3’s 3" OLED screen with 614k-dot resolution offers vibrant, sharp image previews with an anti-fingerprint coating that enhances clarity outdoors. Touchscreen operation lets you select AF points intuitively, streamlining the shooting experience. The lack of a built-in electronic viewfinder is mitigated by an optional external EVF accessory, but those accustomed to eye-level framing may find this a drawback.
By contrast, the Panasonic TS2’s 2.7" LCD has a lower resolution of 230k dots, presenting a less crisp display, particularly under bright sunlight. It lacks touchscreen capabilities, which is typical in rugged compacts but limits interactive functionality.
For users prioritizing image review and precise composition control, the E-P3’s screen is more advanced and practical.
Picture This: Real-World Sample Images
Let’s look at sample images to ground this technical talk.
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Portraits: The E-P3’s larger sensor and Micro Four Thirds lenses deliver pleasing skin tones with smooth bokeh separation, enhancing subject isolation in portraits. Eye detection autofocus also aids sharpness. The TS2’s smaller sensor and fixed zoom struggle here; backgrounds lack significant blur, and skin tones are less nuanced.
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Landscapes: Olympus’s dynamic range excels in landscapes, revealing textures in shadows and preserving highlights effectively. The 12MP resolution captures fine detail well. The TS2, while capable, produces images with less tonal depth and more digital noise in shaded areas.
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Wildlife & Sports: The E-P3’s autofocus tracking and continuous shooting at 3 fps keep up with slower action, aided by compatible telephoto Micro Four Thirds lenses (2.1x crop factor). The TS2’s slower 2 fps burst rate and simpler AF limit action shooting capabilities.
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Street & Travel: The TS2's rugged body lets you shoot worry-free in harsh weather or active settings, while the E-P3’s classic aesthetic and control make it versatile for travel when paired with compact lenses.
These images illustrate that while the TS2 offers reliability in rough conditions, the E-P3 delivers superior creative flexibility and image quality.
Built to Last or Built to Adventure? Durability and Weather Resistance
The Panasonic TS2 is a real champion for adventure photographers - with waterproofing, dustproofing, shockproofing, and freezeproofing baked into its design. You can submerge it up to 10 meters, toss it around a bit, and keep shooting in freezing temperatures. This makes it invaluable for underwater photography, snowy hikes, or rugged outdoor use.
The Olympus E-P3, however, has no environmental sealing, no dust or weather resistance. Its retro-styled body demands more careful handling, making it less ideal for rough conditions but perfect for controlled shooting environments.
If your photography involves exposure to harsh elements or you want a dependable travel companion for extreme adventures, the TS2 is unmatched in this category.
Action Ready? Shooting Speed and Video Capabilities
Burst rate and video specs matter if you’re chasing sports action or want multimedia functionality.
Olympus E-P3 shoots at 3 fps continuous, modest by today’s standards but adequate for casual sports or street photography. It records Full HD 1080p video at 60fps in AVCHD or Motion JPEG - respectable for 2011 - but lacks microphone and headphone jacks, limiting professional audio capture.
The Panasonic TS2 tops out at 2 fps and videos in 720p HD at 30fps with AVCHD Lite format, reflecting its focus on simplicity and ruggedness rather than professional video. No external mic inputs make it more of a grab-and-go camcorder than a filmmaker’s tool.
For hybrid shooters, the E-P3 offers a more versatile video experience.
Lens Ecosystem and Compatibility: How Far Can You Go?
The Olympus uses the Micro Four Thirds mount with over 100 lenses available from Olympus, Panasonic, and third-party manufacturers - ranging from fast primes, wide angles, telephotos, to macro. This vast ecosystem supports every photography niche imaginable, from portraits to wildlife.
The Panasonic TS2’s fixed zoom lens (28-128mm equivalent, f/3.3-5.9) limits you to one optical perspective but offers decent versatility for casual use and macro focusing down to 5cm.
For photographers who wish to grow and experiment lens-wise, the Olympus system offers a long-term advantage.
Powering Your Passion: Battery Life and Storage
With a CIPA rating of about 330 shots per charge, the E-P3 delivers solid but not outstanding endurance; carrying spare batteries is wise for a day of shooting. The TS2 lacks explicit battery life specs but, being a compact, will generally last a day’s casual usage. Both use SD/SDHC/SDXC cards with a single slot.
The E-P3’s battery model BLS-5 benefits from easy availability of replacements, while the TS2’s battery data is less documented, potentially complicating long-term support.
Connectivity: Sharing and Tethering in the Digital Age
Both cameras lack Wi-Fi, Bluetooth, or NFC - unsurprising for their era but frustrating today if wireless image transfer matters to you.
They do feature HDMI outputs and USB 2.0 for file transfers but no remote shooting over Wi-Fi. The E-P3’s touch interface makes local operation smoother but offers no network connectivity.
Given evolving workflow expectations, these models may require manual SD card handling to transfer images.
How Do They Stack Up? Performance Ratings and Use-Case Analysis
The Olympus PEN E-P3 scores notably higher overall due to its larger sensor, advanced autofocus, and flexible lens mount. It excels particularly in portrait, landscape, and travel photography, with respectable marks in wildlife and sports given its burst and AF capabilities.
The Panasonic TS2 scores best in durability, underwater, and casual travel shooting, with strengths in macro (due to close focusing ability) and street photography (for those accepting its limitations). Its compact form and ruggedness suit photographers whose priority is shooting anywhere without special care.
Bottom Line: Which Camera Fits Your Vision?
The Olympus PEN E-P3 is my pick if you’re serious about image quality, creative control, and expanding your photographic skills over time. It’s ideal for enthusiasts and pros delving into portraits, landscapes, or travel photography who prioritize flexibility and technical excellence.
If, however, your photography often involves extreme conditions - think snorkeling, snow, or dusty hikes - and you want a straightforward, tough camera for snapshots without fuss, the Panasonic Lumix TS2 is a trustworthy companion. Casual shooters and travelers who value durability and simplicity will appreciate it.
Final Thoughts: Use-Case Recommendations
- Portrait Photography: Olympus E-P3’s larger sensor and lens options produce richer skin tones and pleasing bokeh. Face detection autofocus is an extra assist.
- Landscape Photography: The E-P3’s dynamic range and resolution make it superior for capturing expansive scenes with detail.
- Wildlife & Sports: E-P3 offers better autofocus tracking and faster burst rates; TS2 may miss fast action.
- Street Photography: TS2’s small size and ruggedness allow shooting in varied environments, but E-P3’s control and image quality appeal for serious street shooters.
- Macro: TS2’s close focusing is handy, but the E-P3 paired with dedicated macro lenses will deliver higher image quality.
- Night & Astro: E-P3’s higher ISO capability and larger sensor enable cleaner night shots.
- Video: E-P3 supports full HD 60fps video; TS2 limited to 720p 30fps.
- Travel: TS2 wins on ruggedness and size; E-P3 favors versatility.
- Professional Work: E-P3 with RAW support, manual controls, and lens ecosystem aligns better with pro workflows.
By weighing strength against need, you can confidently select the camera that serves your creative journey best. I hope this detailed comparison has clarified where each camera shines - and where compromises lie.
Happy shooting!
Olympus E-P3 vs Panasonic TS2 Specifications
Olympus PEN E-P3 | Panasonic Lumix DMC-TS2 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model type | Olympus PEN E-P3 | Panasonic Lumix DMC-TS2 |
Other name | - | Lumix DMC-FT2 |
Category | Entry-Level Mirrorless | Waterproof |
Launched | 2011-08-17 | 2010-01-26 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor | TruePic VI | Venus Engine HD II |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 224.9mm² | 27.7mm² |
Sensor resolution | 12 megapixel | 14 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
Maximum resolution | 4032 x 3024 | 4320 x 3240 |
Maximum native ISO | 12800 | 6400 |
Lowest native ISO | 100 | 80 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 35 | 11 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-128mm (4.6x) |
Maximal aperture | - | f/3.3-5.9 |
Macro focusing range | - | 5cm |
Available lenses | 107 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen diagonal | 3" | 2.7" |
Screen resolution | 614 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | 3:2 OLED with Anti-Fingerprint Coating | - |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Lowest shutter speed | 60 secs | 60 secs |
Highest shutter speed | 1/4000 secs | 1/1300 secs |
Continuous shooting rate | 3.0 frames per sec | 2.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 10.00 m (@ ISO 200) | 5.10 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Wireless, Manual (3 levels) | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/180 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video format | AVCHD, Motion JPEG | AVCHD Lite |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 369 gr (0.81 lbs) | 188 gr (0.41 lbs) |
Dimensions | 122 x 69 x 34mm (4.8" x 2.7" x 1.3") | 99 x 63 x 24mm (3.9" x 2.5" x 0.9") |
DXO scores | ||
DXO All around rating | 51 | not tested |
DXO Color Depth rating | 20.8 | not tested |
DXO Dynamic range rating | 10.1 | not tested |
DXO Low light rating | 536 | not tested |
Other | ||
Battery life | 330 photos | - |
Battery style | Battery Pack | - |
Battery ID | BLS-5 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC card | SD/SDHC/SDXC, Internal |
Card slots | One | One |
Pricing at launch | $0 | $350 |