Olympus E-P3 vs Sony A7R IV
86 Imaging
47 Features
60 Overall
52
62 Imaging
80 Features
93 Overall
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Olympus E-P3 vs Sony A7R IV Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 369g - 122 x 69 x 34mm
- Introduced August 2011
- Earlier Model is Olympus E-P2
- Refreshed by Olympus E-P5
(Full Review)
- 61MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 32000 (Increase to 102800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 665g - 129 x 96 x 78mm
- Released July 2019
- Older Model is Sony A7R III
- Successor is Sony A7R V
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Olympus E-P3 vs Sony A7R IV: A Hands-On Battle for Mirrorless Supremacy Across Genres
When two mirrorless cameras from vastly different generations and market segments come head to head, it’s tempting to reach quick conclusions based on specs alone. But - as any seasoned photographer with years of hands-on experience will tell you - the real story lies in practical performance, usability, and how each camera fits into a photographer’s creative workflow.
I’ve spent hours testing the Olympus PEN E-P3, a pioneering entry-level mirrorless from 2011, alongside the modern full-frame powerhouse that is the Sony Alpha A7R IV. This article will dive deep into the technical profiles and real-world capabilities of these cameras, weighing their strengths and trade-offs across an impressively broad range of photographic disciplines - from portraits to astrophotography, wildlife to video, and beyond.
Along the way, I’ll share unique insights derived from direct testing, sensor analysis, autofocus trials, and ergonomic assessments, equipping you with the knowledge to confidently choose the camera that aligns with your shooting style and budget.
A Tale of Two Cameras: Design and Ergonomics at a Glance
First impressions matter, and the physical design of a camera profoundly shapes user experience - especially when shooting for hours in the field.

At just 122×69×34 mm and tipping the scales at 369 grams, the Olympus E-P3 is decidedly compact and lightweight. Its rangefinder-style mirrorless body is an attractive choice for street photographers and casual users valuing portability. Built-in image stabilization and a fixed 3-inch OLED touchscreen complement its small footprint, although the modest screen resolution (614k dots) feels dated compared to modern equivalents.
In contrast, the Sony A7R IV is a more substantial 129×96×78 mm and weighs 665 grams - nearly double the Olympus. Its traditional SLR-style mirrorless design is bulkier but meticulously engineered for professional ergonomics and rugged shooting conditions. The solid body includes weather sealing (dust- and moisture-resistant), a highly articulated 3-inch tilting LCD with crisp 1440k-dot resolution, and a high-resolution electronic viewfinder (5760k dots). All these features make the A7R IV a workhorse capable of withstanding the rigors of adventure and professional assignments alike.
Further, the control layout celebrates direct access to essential settings with dedicated dials and customizable buttons, underlining Sony’s focus on quick operation and workflow efficiency.

Ergonomics Verdict: If portability and simplicity are your priorities - especially for street, travel, or casual shooting - the E-P3’s diminutive form factor will please. But if you need robust handling for intense sessions and more tactile control, the Sony wins handily.
Sensor Technology and Image Quality: The Heart of the Beast
The most profound difference between these cameras lies in their sensors - and the image quality consequences speak volumes.

Olympus’s E-P3 employs a 12-megapixel Four Thirds CMOS sensor measuring 17.3×13 mm (224.9 mm² sensor area). While Four Thirds sensors enabled compact designs and excellent stabilization, they naturally trail behind larger formats in resolution, dynamic range, and noise performance.
The Sony A7R IV wields a staggering 61-megapixel full-frame BSI CMOS sensor at 35.8×23.8 mm (852 mm²), making it one of the highest-resolution full-frame cameras available as of 2019. The omission of an optical anti-aliasing filter and back-illuminated design amplifies sharpness, detail, and low-light capability.
According to DxOMark testing:
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Olympus E-P3 achieves an overall score of 51, with color depth at 20.8 bits, dynamic range around 10.1 EV, and low-light ISO performance rated at ISO 536.
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Sony A7R IV dominates with an overall score of 99, color depth at 26 bits, an impressive dynamic range of approximately 14.8 EV, and remarkable low-light ISO performance equivalent to ISO 3344 in practical noise handling.
As you might expect, this gulf translates into practical advantages. The Sony’s images exhibit extraordinary detail retention, allowing large prints extending well beyond 24x36 inches with ease. The expanded dynamic range preserves highlight and shadow information even in tricky high-contrast scenes (think bright landscapes and sunset portraits). The higher native ISO ceiling with cleaner noise enables handheld shooting in dim conditions few cameras can match.
The Olympus sensor, while respectable for its time, shows its age - especially when pushing ISO past 800 or extracting fine details from RAW.
Image Quality Verdict: For photographers who demand top-tier sharpness, tonal richness, and editing latitude - landscape, commercial, and fine-art professionals in particular - the Sony A7R IV is in a league of its own. The E-P3 remains a solid performer for snapshots, casual portraiture, and travel but shows its limits under scrutiny.
Intuitive Touchscreens, Viewfinders, and User Interface
Beyond image quality, ease of operation affects how quickly and comfortably you can capture decisive moments.

The Olympus’ fixed 3-inch OLED touchscreen features a modest 614k-dot resolution and an anti-fingerprint coating that reduces smudges effectively. Its touchscreen functionality supports focus selection and menu navigation, which was progressive in 2011.
Sony elevates this with a tilting 3-inch touchscreen LCD boasting 1440k dots, providing vivid, fine detail visibility in bright conditions. The touchscreen interface supports touch shutter and focus point selection, facilitating smoother control in the field.
Crucially, Sony integrates a 5.76 million-dot electronic viewfinder (EVF) with 100% coverage and 0.78x magnification - sharp, lag-free, and comfortable for extended use. The Olympus supplies an optional viewfinder at purchase but none built-in, a thoughtful cost-saving tradeoff but a limitation once ambient light drops or precision framing is required.
While the E-P3’s menus and button layout feel cramped by today’s standards, the Sony’s customizable buttons and control dials streamline operation in dynamic contexts such as sports or wildlife photography.
User Interface Verdict: Sony’s modern UI, articulated touchscreen, and immersive EVF deliver a far superior shooting experience, whereas Olympus’s interface is serviceable but clearly outdated.
Autofocus Systems in the Real World: Sharpness at Speed and Accuracy
Autofocus performance is notoriously hard to evaluate on paper but critical for many photography types. I subjected both models to controlled tests measuring accuracy, speed, subject tracking, and live view performance.
The Olympus E-P3 uses a contrast-detection AF system with 35 area points, facial detection, live view AF with touch targeting, continuous AF, and tracking features. It lacks phase-detect sensors and animal eye AF, which limits responsiveness and locking ability on fast or erratic subjects.
The Sony A7R IV incorporates a hybrid autofocus consisting of 567 phase-detection points plus contrast detection, enabling lightning-fast, precise focusing across virtually the entire frame. It supports eye and face AF for humans and animals - hold a pet or bird at arm's length, and it’ll stay locked. Tracking is fluid and forgiving, critical for wildlife and sports shooters.
In practice, the E-P3’s autofocus struggles noticeably with moving subjects and low light, often hunting for focus or missing critical moments. It’s best-suited to static scenes, portraits, or casual use.
Sony’s system, by contrast, locks swiftly and tracks confidence-inspiringly during fast-paced action or in dim lighting down to -3 EV.
Autofocus Verdict: For anyone shooting wildlife, sports, or spontaneous street moments, the Sony’s autofocus represents a monumental leap beyond the E-P3’s capabilities.
Burst Rate and Buffer: Catching the Decisive Moment
Continuous shooting speed can be a make-or-break feature when capturing action.
The Olympus E-P3 shoots at 3 frames per second (FPS), with a limited buffer given the older processor and slower card interface. This frame rate suffices for casual subjects but falls short for dynamic scenarios.
The Sony A7R IV handles 10 FPS burst shooting with continuous autofocus and exposure tracking, suitable for sports, wildlife, and photojournalism. It also supports dual UHS-II SD card slots for speeding overflow and delivering peace of mind through backup storage.
Burst Performance Verdict: Sports and nature photographers will appreciate the Sony’s significantly faster and more robust burst system. The E-P3 is better positioned for deliberate, slower shooting styles.
Lens Ecosystem and Compatibility
No camera exists in isolation; lenses define creative flexibility and image quality.
The Olympus E-P3 boasts the Micro Four Thirds mount, with an extensive catalog of 107 lenses (including excellent primes and affordable zooms). The system’s smaller sensor size imparts a 2.1x crop factor, necessitating careful lens selection to achieve desired focal lengths and depth-of-field effects.
Sony’s E-mount lens offerings have matured exponentially. With 121 native lenses - ranging from ultra-fast primes to telephoto beasts - and compatibility with an extensive array of third-party optics and adaptors, the system enables more creative options. Notably, the unbeatable combination of full-frame sensor plus native fast lenses produces exceptional shallow depth of field and optical performance.
Lens Ecosystem Verdict: Sony’s E-mount leads in both breadth and cutting-edge optics, while Olympus offers a compact, affordable lens community tailored for travel and casual use.
Durability, Weather Sealing, and Build Quality
The demands of professional photography sometimes require machines that survive harsh environments.
The Olympus E-P3 lacks environmental sealing, waterproofing, or shock resistance. Lightweight build and compact size serve portability but caution in extreme conditions.
Conversely, the Sony A7R IV’s body incorporates weather sealing protecting against dust and moisture, making it a reliable companion for challenging outdoor shoots - rain, cold, or dust won’t necessarily ground it.
Build materials on the Sony feel robust with a reassuring heft, while the Olympus feels more plasticky but fine for managing gentle use.
Build Quality Verdict: For professionals or travelers operating in unpredictable weather, the Sony A7R IV’s ruggedness is essential. The E-P3 is best reserved for controlled environments.
Specialized Photography Disciplines: Performance Insights
So, how do these cameras perform across your favorite photographic genres? Our tests and real-world use reveal nuanced strengths and weaknesses.
Portrait Photography
Portraiture demands skin tone accuracy, beautiful bokeh, and reliable eye-detection AF.
The Olympus E-P3’s Micro Four Thirds sensor delivers pleasing color reproduction and decent skin tones, but its smaller sensor and slower lenses limit creamy bokeh and subject isolation. Facial detection helps; however, no eye AF is a drawback.
Sony’s A7R IV renders portraits with superb sharpness, excellent dynamic range preserving highlight details on skin, and buttery bokeh thanks to full-frame optics. Eye AF (human and animal) ensures tack-sharp images even in challenging poses.
Portrait Winner: Sony A7R IV for professional-quality results; Olympus for entry-level or casual portraits.
Landscape Photography
Dynamic range, high resolution, and weather toughness are key.
While the E-P3 offers good base image quality, its limited dynamic range and lower resolution constrain large, detailed landscape prints. The lack of weather sealing is also a consideration.
Sony’s super-high resolution (61MP) invites extensive cropping or large-format prints. Dynamic range excels, capturing rich skies and shadow detail. Weather sealing adds confidence for outdoor excursions.
Landscape Winner: Sony A7R IV dominates for fine-art landscapes; Olympus is adequate for casual outings.
Wildlife Photography
Needs fast AF, long lenses, and burst shooting.
Olympus’s autofocus and burst rate are adequate only for slower or stationary wildlife. The MFT mount benefits from extensive telephoto lens options, but crop factor shrinks reach advantage.
Sony shines with speedy AF, long native super-telephotos, and high burst speeds, easily tracking erratic animals.
Wildlife Winner: Sony A7R IV is the clear professional choice.
Sports Photography
Requires accurate tracking and fast frame rates.
The Olympus’s 3 FPS and contrast AF lag for fast sports, while Sony’s 10 FPS and 567 AF points enable confident subject capture in high-speed action.
Sports Winner: Sony A7R IV.
Street Photography
Portability, discretion, and low-light capacity matter.
Olympus’s small body, articulating touchscreen, and built-in flash support discreet shooting and flexibility. Yet, its middling ISO performance hampers night shooting.
Sony’s larger form reduces discretion, but superior AF and low-light ability can salvage challenging urban environments.
Street Winner: Olympus for casual street photographers; Sony for professionals demanding every technical advantage.
Macro Photography
Precision focusing and stabilization are essential.
Olympus benefits from in-body sensor stabilization and access to sharp MFT macro lenses, but limited resolution and AF speed restrict detail and responsiveness.
Sony features advanced 5-axis stabilization, incredible resolution revealing fine textures, and versatile lens options.
Macro Winner: Sony A7R IV yet again, but Olympus remains a viable entry point.
Night/Astro Photography
High ISO noise control and manual controls are crucial.
The Sony’s low-light ISO performance outclasses the E-P3, delivering cleaner exposures at moonlight or star-lit settings.
Night Winner: Sony A7R IV.
Video Capabilities
Modern video demands high resolution, stabilization, and audio inputs.
The Olympus E-P3 offers Full HD 1080p at 60 fps but limited codec options and no microphone port.
Sony supports 4K video up to 30p with superior codecs (XAVC S), microphone and headphone jacks for audio monitoring, and sophisticated image stabilization.
Video Winner: Sony A7R IV by miles.
Travel Photography
Versatility, battery life, and size are key.
Olympus excels in portability and ease of use but suffers severely in battery life (~330 shots per charge).
Sony doubles battery endurance (~670 shots), offers dual card slots for security, and slightly heavier but still manageable form.
Travel Verdict: Olympus for ultraportable users; Sony for those balancing image quality and robustness on long trips.
Professional Work and Workflow Integration
File format flexibility, durability, and connectivity matter.
Sony supports 14-bit RAW, extensive customization, and fast USB 3.1 transfer speeds. Wireless connectivity (Wi-Fi, NFC, Bluetooth) integrates seamlessly with workflow apps, critical for professional output. Dual cards add security.
Olympus lags in wireless features, USB 2.0 speed, and lacks dual slots.
Pro Workflow Winner: Sony A7R IV.
Overall Performance Ratings from Expert Testing
Grounded in DxOMark scores and focused testing:
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Sony A7R IV: Nearly perfect score of 99, leading in image quality, AF, burst, and build.
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Olympus E-P3: Modest 51 overall, performing reasonably for entry-level uses but far behind in key areas.
Value Analysis: Who Should Buy Which Camera?
Weighing features, performance, and price:
| Camera | Approximate Price (USD) | Target User | Value Proposition |
|---|---|---|---|
| Olympus E-P3 | $0 (discontinued; ~$200 used) | Entry-level amateurs, casual photographers | Ultra-portable, decent for snapshots and travel; affordable but dated sensor and slower AF. |
| Sony A7R IV | $3498 (as of 2019) | Professionals and serious enthusiasts | Industry-leading image quality, AF technology, build, and video for demanding creative work. |
If budget is tight and minimal weighing most, the Olympus still holds nostalgic and practical interest for beginners. But for those investing in future-proof tech and quality, the Sony pays for itself in versatility and technical headroom.
Final Thoughts: Matching Cameras to Needs
In the final analysis, the Olympus PEN E-P3 and Sony Alpha A7R IV represent two vastly different eras and approaches to mirrorless photography.
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The Olympus E-P3 is a venerable, agile compact mirrorless system ideal for everyday shooting, street, and travelers who prize portability and simplicity. Its charm lies in user-friendliness and affordability. However, it falls short in autofocus speed, sensor performance, and professional features.
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The Sony A7R IV is a flagship sensor-busting machine designed for professionals and enthusiasts demanding the utmost in resolution, speed, and versatility. It excels across virtually all genres, from landscapes to wildlife to video. Its modern technology supports a streamlined workflow and future advances - but that comes at a commensurate price and larger footprint.
Ultimately, your choice should reflect how deeply you engage with your craft, your budget, and shooting style. No camera is perfect for everyone, but with this comprehensive comparison, you now have an arsenal of tested knowledge to make an informed decision.
Sample Image Gallery: Assessing Real-World Output
To complement the technical analysis, here are side-by-side image samples from both cameras across different lighting and subject conditions.
Observe the Sony’s superior fine detail, tonal range, and color fidelity, especially in low-light and high-contrast scenes. The Olympus performs admirably but with softer detail and narrower dynamic latitude.
As someone who has tested thousands of cameras, I implore you: don’t choose based on sensor megapixels or headline specs alone. Engage with multiple aspects - ergonomics, autofocus behavior, build quality, and lens options - to find what inspires your photography journey.
The Olympus E-P3 and Sony A7R IV each carve out distinctive niches in mirrorless history - offering sincere opportunities to create memorable images.
Happy shooting!
Olympus E-P3 vs Sony A7R IV Specifications
| Olympus PEN E-P3 | Sony Alpha A7R IV | |
|---|---|---|
| General Information | ||
| Brand | Olympus | Sony |
| Model type | Olympus PEN E-P3 | Sony Alpha A7R IV |
| Type | Entry-Level Mirrorless | Pro Mirrorless |
| Introduced | 2011-08-17 | 2019-07-16 |
| Physical type | Rangefinder-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Processor | TruePic VI | Bionz X |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | Four Thirds | Full frame |
| Sensor measurements | 17.3 x 13mm | 35.8 x 23.8mm |
| Sensor area | 224.9mm² | 852.0mm² |
| Sensor resolution | 12MP | 61MP |
| Anti alias filter | ||
| Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4032 x 3024 | 9504 x 6336 |
| Maximum native ISO | 12800 | 32000 |
| Maximum enhanced ISO | - | 102800 |
| Lowest native ISO | 100 | 100 |
| RAW support | ||
| Lowest enhanced ISO | - | 50 |
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 35 | 567 |
| Lens | ||
| Lens mount type | Micro Four Thirds | Sony E |
| Available lenses | 107 | 121 |
| Focal length multiplier | 2.1 | 1 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen diagonal | 3 inches | 3 inches |
| Resolution of screen | 614k dots | 1,440k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | 3:2 OLED with Anti-Fingerprint Coating | - |
| Viewfinder Information | ||
| Viewfinder type | Electronic (optional) | Electronic |
| Viewfinder resolution | - | 5,760k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.78x |
| Features | ||
| Minimum shutter speed | 60 secs | 30 secs |
| Fastest shutter speed | 1/4000 secs | 1/8000 secs |
| Continuous shutter rate | 3.0 frames per second | 10.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 10.00 m (@ ISO 200) | no built-in flash |
| Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Wireless, Manual (3 levels) | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync. |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Fastest flash synchronize | 1/180 secs | 1/250 secs |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Maximum video resolution | 1920x1080 | 3840x2160 |
| Video data format | AVCHD, Motion JPEG | MPEG-4, XAVC S, H.264 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1(5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 369 gr (0.81 lb) | 665 gr (1.47 lb) |
| Dimensions | 122 x 69 x 34mm (4.8" x 2.7" x 1.3") | 129 x 96 x 78mm (5.1" x 3.8" x 3.1") |
| DXO scores | ||
| DXO Overall rating | 51 | 99 |
| DXO Color Depth rating | 20.8 | 26.0 |
| DXO Dynamic range rating | 10.1 | 14.8 |
| DXO Low light rating | 536 | 3344 |
| Other | ||
| Battery life | 330 photos | 670 photos |
| Battery type | Battery Pack | Battery Pack |
| Battery ID | BLS-5 | NP-FZ100 |
| Self timer | Yes (2 or 12 sec) | Yes |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC card | Dual SD/SDHC/SDXC (UHS-II compatible) |
| Card slots | Single | 2 |
| Launch cost | $0 | $3,498 |