Olympus E-P5 vs Panasonic S1R
85 Imaging
52 Features
76 Overall
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54 Imaging
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84 Overall
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Olympus E-P5 vs Panasonic S1R Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 420g - 122 x 69 x 37mm
- Introduced October 2013
- Replaced the Olympus E-P3
(Full Review)
- 47MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 25600 (Increase to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 1020g - 149 x 110 x 97mm
- Introduced February 2019

Olympus E-P5 vs Panasonic Lumix S1R: A Definitive Camera Comparison for the Discerning Photographer
Choosing the right camera involves balancing multiple factors: sensor quality, handling, autofocus performance, and overall system compatibility - not to mention understanding how a camera performs in specific photographic genres. After personally testing thousands of cameras, I’m here to unpack a thorough and nuanced comparison between two very different yet capable mirrorless models: the Olympus PEN E-P5, a Micro Four Thirds rangefinder-style mirrorless from 2013, and the Panasonic Lumix DC-S1R, a full-frame professional-grade SLR-style mirrorless introduced in 2019.
I’ll walk you through their real-world performance, technical features, and value across a variety of photography disciplines to help you decide which one fits your needs.
Getting a Feel: Size, Ergonomics, and Build
The Olympus E-P5 embodies classic rangefinder styling, compact physicality, and retro charm. Weighing just 420 grams with dimensions measuring 122x69x37 mm, it’s tailored for portability and everyday carry. The tilting 3-inch capacitive touchscreen is sized just right for composition flexibility and menu navigation.
By contrast, the Panasonic S1R is a substantial professional tool, tipping the scales at 1020 grams and measuring 149x110x97 mm. Its larger grip and robust build reflect its SLR-style design and weather-sealed magnesium alloy construction (though it’s not waterproof). The top panel includes a secondary display for key settings.
In daily use, the E-P5 feels nimble and quick to grab, which makes it excellent for street or travel photography, while the S1R’s heft and solid feel impart confidence for pro-level shooting and heavy lens combinations - particularly telephotos for wildlife or sports.
Both cameras feature tilting LCDs, with the S1R offering a bump in screen resolution (2100k dots vs. 1037k dots), improving preview clarity and touchscreen responsiveness. Additionally, the S1R includes an extraordinarily high-resolution electronic viewfinder: 5760k dots with full 100% frame coverage and 0.78x magnification, greatly enhancing manual focus precision and tracking. The E-P5 forgoes a built-in EVF but supports an optional external unit.
Panasonic’s illuminated buttons and dual SD card slots illustrate the pro design philosophy: reliability and fast workflow. Olympus provides a single SD slot and more minimal controls, appealing to enthusiasts looking for simplicity.
Sensor Technology and Image Quality: Micro Four Thirds versus Full Frame
The foundations of image quality rest heavily on the sensor. Here, the Olympus E-P5 sports a Four Thirds sized 16MP CMOS sensor with an anti-aliasing filter - typical for its time. The sensor area is 224.9 mm² with a 4:3 aspect ratio and ISO native range 100–25600.
The Panasonic S1R steps up decisively with a full-frame 47.3MP CMOS sensor - significantly larger, at 864 mm², and featuring no anti-aliasing filter to maximize sharpness. Its ISO native range spans 100–25600, extendable down to ISO 50 and up to ISO 51200, enabling greater flexibility in diverse lighting.
To quantify quality, we rely on DxOMark benchmarks (always a useful technical reference, even though real-world nuance matters). The S1R scores an impressive 100 overall score, with 26.4 bits color depth, a whopping 14.1 stops of dynamic range, and very high low-light sensitivity (ISO 3525). The E-P5, meanwhile, earns a respectable but modest 72 overall score, 22.8 bits color depth, 12.4 stops dynamic range, and lower low-light ISO rating (~895).
What does this mean for photographers? The Panasonic S1R excels in delivering ultra-detailed, vibrant, and low-noise images - ideal when resolution and fine tonal gradation matter (e.g., landscapes, commercial work). The E-P5 delivers good color fidelity and respectable range but suffers more in shadows and higher ISO scenarios - still quite capable for casual shooting and smaller prints.
Autofocus Systems and Performance
Autofocus technology greatly influences usability across fast or challenging environments. The E-P5 uses a contrast-detection AF system with a decent 35 focus points and supports face detection and touch-AF via its touchscreen. It also offers various AF modes including single, continuous, selective, and tracking.
The Panasonic S1R employs a much more sophisticated AF system with 225 focus points (distinctly more coverage) and boasts advanced features like focus bracketing, stacking, and post-focus for precise control over subject sharpness. It supports face detection and continuous autofocus tracking as well.
While neither uses phase-detection AF (both rely primarily on contrast-detection), the S1R benefits from a powerful Venus Engine processor and algorithms that beautifully handle subject tracking in video and stills. Both cameras achieve 9 fps burst shooting speeds, agreeable for most enthusiast needs, though neither is a razor-sharp sports burst specialist.
What Each Camera Brings to Different Genres of Photography
Portrait Photography
Portraiture demands smooth skin tones, natural bokeh, and accurate eye detection for tack-sharp catches. The S1R’s full-frame sensor achieves shallower depth of field with comparable apertures due to its 1x focal length multiplier (unity), providing more pronounced background blur than the E-P5’s 2.1x focal length multiplier on Micro Four Thirds.
Eye detection on the S1R is particularly reliable in well-lit conditions, aiding critical focus on the iris - though improved developments in recent cameras have elevated this ability across brands.
The E-P5’s smaller sensor offers smaller bokeh and requires wider apertures or longer focal lengths to mimic this effect, which can be limiting in some portraits. However, Olympus lenses (over 100 Micro Four Thirds lenses compatible) offer excellent quality, including affordable primes that yield lovely skin tones.
Landscape Photography
Landscape photographers prize resolution and dynamic range, and here the S1R clearly outperforms, delivering ultra-high-resolution 47MP files with enhanced shadow recovery due to its 14 stops dynamic range. Weather sealing adds to its appeal for adverse outdoor shooting.
The E-P5, lacking weather sealing and offering lower resolution, still holds up in good light with its 16MP sensor. Its Four Thirds system also provides compactness and greater depth of field at smaller apertures, which can benefit landscapes needing sharpness throughout.
Wildlife & Sports Photography
For wildlife and sports, swift autofocus, fast burst rates, and telephoto reach are crucial. The E-P5’s 2.1x focal length multiplier effectively doubles the reach of lenses, making smaller telephotos achieve longer apparent focal lengths - providing a sizeable advantage when using lightweight gear. However, its older contrast-AF system and no phase-detection make tracking fast subjects more challenging.
The Panasonic S1R, with a 1x crop and fewer native telephoto lens options (30 L-mount lenses currently), may require investment in longer glass but compensates with superior AF precision, higher-resolution EVF for tracking, and better low light sensitivity. Its 9fps burst and larger buffer aid rapid capture.
Street Photography
Discretion and portability are prized in street photography. The Olympus E-P5 excels here - its compact size, quick responsiveness, and retro look minimize attention and aid candid capture. The tilting touchscreen and silent shutter option (though not explicitly detailed) further aid discreet shooting.
In comparison, the Panasonic S1R’s bulk and weight can be cumbersome on crowded city streets, and it lacks a built-in silent shutter by default (though max electronic shutter goes to 1/16000 s), potentially making noise in some setups.
Macro Photography
Macro demands high precision focusing and stabilization. Both cameras feature sensor-based 5-axis image stabilization, critical for handheld macro work. The S1R’s focus bracketing, stacking, and post-focus modes are powerful tools for macro photographers allowing extended depth of field via software stacking.
The E-P5 lacks these advanced modes but performs well with precise manual focusing on the tilting touchscreen, which also aids work with ring lights and controlled setups. The smaller sensor size provides greater depth of field at close ranges but less absolute resolution.
Night and Astro Photography
High ISO capability and dynamic range define night and astrophotography performance. The S1R’s superior low-light ISO rating and extended ISO range make it more suited for shooting stars and night landscapes without excessive noise. Its large sensor area collects more light, critical for sharp stars and clean skies.
The E-P5 is serviceable for casual night work but struggles as noise increases at higher ISO - though its 5-axis stabilization helps with longer handheld exposures. Both models enable timelapse recording, a useful feature for star trails.
Video Capabilities
Video is another distinguishing factor. The Olympus E-P5 offers full HD 1080p video at 30 fps with H.264 encoding. While usable for casual work, it’s limited compared to modern demands.
The Panasonic S1R shines with 4K video at 60 fps and high bitrates (150 Mbps), alongside professional codecs and formats (MOV, MPEG-4). It includes microphone and headphone jacks - a must for serious videographers for monitoring and audio recording. Notably, the S1R supports 4K photo modes for extracting high-res stills from video.
Connectivity, Power, and Storage
The E-P5 includes built-in wireless (Wi-Fi) for image transfer but no Bluetooth or NFC. It uses USB 2.0 for data transfer and HDMI output. The battery life is solid at approximately 330 shots per charge.
The S1R takes these features further with Wi-Fi and Bluetooth connectivity, plus a higher-capacity battery rated at 360 shots (using its larger, higher-capacity battery). It supports charging via USB with high-power laptop or power bank chargers, enhancing versatility for on-location work. Dual SD card slots provide redundancy and expanded storage - highly valued by professionals.
Lens Ecosystem and Compatibility
Lens availability often guides system choice. Olympus’s Micro Four Thirds mount enjoys tremendous lens diversity - with over 100 lenses from Olympus themselves plus Panasonic, Sigma, Tamron, Voigtländer, and more. It’s an incredibly versatile lineup for entry-level to advanced shooters, with cost-effective options and specialist lenses (macro, fisheye, art).
The Panasonic S1R uses the newer Leica L-mount, a collaboration among Leica, Panasonic, and Sigma. Currently, fewer 30 lenses exist for this mount, but the collection is rapidly expanding, focusing on high-quality glass for professional use. Adapters enable some use of other lenses, but native glass is preferred for autofocus performance.
Price and Value Assessment
Here lies a major practical difference: the Olympus E-P5 launched and now can be found at bargain prices around $389 (used or refurbished). This presents exceptional value for enthusiasts wanting mirrorless ease with solid stills and modest video.
In contrast, the Panasonic S1R’s professional-level credentials command its premium $3,700+ price tag, reflecting its class-leading sensor, build, and comprehensive features.
As expected, the S1R excels broadly in image quality, autofocus coverage, video, and pro features, while the E-P5’s strengths lie in compactness, affordability, and competent imaging for casual and enthusiast photographers.
Performance Breakdown by Photography Genre
Here’s a concise, comparative summary to guide your choice depending on intended use:
Photography Genre | Olympus E-P5 Rating | Panasonic S1R Rating | Notes |
---|---|---|---|
Portrait | ★★★☆☆ | ★★★★★ | S1R superb shallow DOF and color depth |
Landscape | ★★★☆☆ | ★★★★★ | S1R leads in resolution and dynamic range |
Wildlife | ★★☆☆☆ | ★★★★☆ | S1R is better for autofocus/tracking |
Sports | ★★☆☆☆ | ★★★☆☆ | S1R’s buffer and AF edges out E-P5 |
Street | ★★★★★ | ★★★☆☆ | E-P5 smaller, lighter, more discreet |
Macro | ★★★☆☆ | ★★★★★ | S1R’s stacking & high res help |
Night/Astro | ★★☆☆☆ | ★★★★☆ | S1R’s ISO and dynamic range excel |
Video | ★★☆☆☆ | ★★★★☆ | S1R’s 4K and audio jacks win |
Travel | ★★★★★ | ★★★☆☆ | E-P5’s compactness beats size/weight |
Professional Work | ★☆☆☆☆ | ★★★★★ | S1R designed for pro workflows |
Final Thoughts and Recommendations
Both the Olympus E-P5 and Panasonic S1R occupy clearly separate realms within mirrorless photography, and your ideal choice hinges on priorities:
-
Choose the Olympus E-P5 if:
- You want a highly portable, stylish, and affordable mirrorless camera.
- Your focus is street, travel, and casual photography where compactness and responsiveness matter more than ultra-high resolution or low-light prowess.
- You value access to an extensive lens ecosystem without a steep investment.
- Video is secondary, and you prefer a straightforward shooting experience.
-
Choose the Panasonic S1R if:
- You need a professional-grade camera with exceptional resolution and dynamic range for commercial, landscape, portrait, or studio work.
- You require advanced autofocus, video specs, and robust build quality with weather resistance.
- Your workflow demands dual card slots, tethering, and extended battery life with high-speed data transfer.
- You seek future-proofing with expandable lenses and pro-grade features, and budget is less constrained.
This detailed comparison makes one thing clear: there is no one-size-fits-all winner here, only the best tool for your specific photographic journey. I hope this analysis, grounded in extensive hands-on testing and technical scrutiny, empowers you to make a confident choice rooted in your creative vision and requirements.
If you want resolution, dynamic range, and professional versatility, the Panasonic Lumix S1R leads the pack. If nimbleness, affordability, and a joyfully compact experience beckon you, the Olympus PEN E-P5 remains a superb, underrated option.
Happy shooting - and I’m eager to hear your experiences with either of these great cameras!
Olympus E-P5 vs Panasonic S1R Specifications
Olympus PEN E-P5 | Panasonic Lumix DC-S1R | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model type | Olympus PEN E-P5 | Panasonic Lumix DC-S1R |
Type | Entry-Level Mirrorless | Pro Mirrorless |
Introduced | 2013-10-03 | 2019-02-01 |
Body design | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | - | Venus Engine |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Full frame |
Sensor dimensions | 17.3 x 13mm | 36 x 24mm |
Sensor surface area | 224.9mm² | 864.0mm² |
Sensor resolution | 16MP | 47MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 8000 x 6000 |
Maximum native ISO | 25600 | 25600 |
Maximum enhanced ISO | - | 51200 |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Minimum enhanced ISO | - | 50 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 35 | 225 |
Lens | ||
Lens mount type | Micro Four Thirds | Leica L |
Total lenses | 107 | 30 |
Crop factor | 2.1 | 1 |
Screen | ||
Range of screen | Tilting | Tilting |
Screen diagonal | 3 inch | 3.2 inch |
Resolution of screen | 1,037k dot | 2,100k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | 3:2 LCD capacitive touchscreen | - |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Electronic |
Viewfinder resolution | - | 5,760k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.78x |
Features | ||
Minimum shutter speed | 60 seconds | 60 seconds |
Fastest shutter speed | 1/8000 seconds | 1/8000 seconds |
Fastest silent shutter speed | - | 1/16000 seconds |
Continuous shutter speed | 9.0 frames per second | 9.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 7.00 m (ISO 100) | no built-in flash |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync (1st or 2nd curtain), Manual (1/1 - 1/64) | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Fastest flash sync | 1/320 seconds | 1/320 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p) | 3840 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video data format | H.264 | MPEG-4, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 420g (0.93 pounds) | 1020g (2.25 pounds) |
Physical dimensions | 122 x 69 x 37mm (4.8" x 2.7" x 1.5") | 149 x 110 x 97mm (5.9" x 4.3" x 3.8") |
DXO scores | ||
DXO Overall rating | 72 | 100 |
DXO Color Depth rating | 22.8 | 26.4 |
DXO Dynamic range rating | 12.4 | 14.1 |
DXO Low light rating | 895 | 3525 |
Other | ||
Battery life | 330 photos | 360 photos |
Battery form | Battery Pack | Battery Pack |
Self timer | Yes (2 or 12 sec) | Yes |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | - |
Storage slots | 1 | Dual |
Price at release | $389 | $3,698 |