Olympus E-PL1 vs Samsung NX11
86 Imaging
46 Features
43 Overall
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80 Imaging
54 Features
50 Overall
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Olympus E-PL1 vs Samsung NX11 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 334g - 115 x 72 x 42mm
- Announced May 2010
- Replacement is Olympus E-PL1s
(Full Review)
- 15MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 3200
- 1280 x 720 video
- Samsung NX Mount
- 499g - 123 x 87 x 40mm
- Revealed December 2010
- Earlier Model is Samsung NX10
- Newer Model is Samsung NX20
Samsung Releases Faster Versions of EVO MicroSD Cards Olympus E-PL1 vs Samsung NX11: An Expert Hands-On Comparison for Photography Enthusiasts
In early 2010, the mirrorless camera market was still dipping its toes into mainstream waters, with manufacturers experimenting boldly to capture the growing appetite for compact system cameras. Among the early contenders were the Olympus PEN E-PL1 - a stylish, accessible entry-point into the Micro Four Thirds system - and Samsung’s NX11, a more traditional amateur-focused model aiming to impress with its APS-C sensor and SLR-style handling.
Nearly 14 years later, evaluating these two cameras side-by-side doesn’t just offer nostalgia; it provides keen insights into how foundational design choices - in sensor size, ergonomics, autofocus, and beyond - shape real-world user experience. Having tested thousands of cameras, I can attest that the devil is in the details, and these cameras demonstrate very different priorities despite overlapping release windows and market categories.
Let’s dive deep - from sensor tech to ergonomics, and from autofocus prowess to video features - to help you understand which option best fits your photographic inclinations, or simply to appreciate how camera tech has evolved over the last decade.
A Tale of Two Designs: Size, Handling, and Overall Build
When I first placed the Olympus E-PL1 and the Samsung NX11 side by side, the most obvious difference was their physical form factor and how they feel in hand. The Olympus opts for a rangefinder-style mirrorless design - sleek, compact, with minimalist lines. In contrast, the Samsung goes full SLR-style, sporting a pronounced grip and heftier body.

At just 115x72x42 mm and 334 grams, the Olympus E-PL1 is incredibly lightweight and compact - comfortably pocketable with a pancake lens, notably minimizing fatigue during extended shooting sessions. The slim profile resonates with enthusiasts who prefer discretion, making it a joy for street and travel photography.
The Samsung NX11, meanwhile, measures 123x87x40 mm and weighs 499 grams, a noticeable step up in bulk and heft. It feels more like a traditional DSLR in grip and presence, which some photographers find reassuring because it promises better balance with larger lenses and easier manual control.
Turning to factory ergonomics, the E-PL1’s minimal button layout reflects its entry-level intent. Controls are raised but modest, and some (like the tiny dial and shutter button) felt slightly cramped to my fingers during long, dynamic shoots. The NX11, aided by that larger grip and more extensive top-plate real estate, boasts a more natural, confident handhold and quicker access to exposure parameters.
Speaking of control layout...

The NX11's top plate features a mode dial with clearly listed options, a dedicated exposure compensation dial, and thumb-wheel controls. This design supports photographers who like to interact with settings directly without diving into menus - a boon during event and sports scenarios.
The Olympus relies more on menu navigation and fewer physical dials, signaling a camera made for enthusiasts still learning manual exposure or primarily shooting in automatic or aperture priority modes.
Both cameras eschew weather sealing and robust environmental protection - no surprises there given their price points and era. For adventurers, this means additional care is needed when shooting in rain or dusty environments.
Sensor and Image Quality: More Than Megapixels
Let’s talk about the heart of every camera - the sensor. The Olympus E-PL1 sports a 12 MP Four Thirds-sized CMOS sensor measuring 17.3 x 13 mm (sensor area ~224.9 mm²), while the Samsung NX11 packs a larger 15 MP APS-C CMOS sensor at 23.4 x 15.6 mm (about 365 mm²).

Right from practical experience, sensor size manifests in several ways: dynamic range, low-light handling, bokeh potential, and fine detail resolution. The NX11’s APS-C sensor provides a noticeably larger surface area, yielding a few substantial benefits.
Measured by DxOMark overall scores, the NX11 scores 63 points compared to the E-PL1's 54 - a difference that feels meaningful in hands-on work. Flash detail highlights include:
- Color depth: NX11 leads at 22.7 bits vs. Olympus’s 21.5 bits, delivering richer colors and smoother gradations.
- Dynamic range: 10.8 EV for the Samsung against 10.1 EV for the Olympus, meaning more detail retained in shadows and highlights.
- Low-light ISO: The Samsung maintains better signal-to-noise ratio to ISO 553 (DxOMark low-light ISO metric), slightly above the Olympus’s 487, which shows up in cleaner images at higher ISOs.
Of course, megapixels alone don’t tell the whole story. The Olympus’s Micro Four Thirds lens ecosystem is incredible and offers exceptional optics with native image stabilization on the sensor that can save you from undesirable blur in low light.
Meanwhile, the NX11’s native Samsung NX mount had fewer lenses available (~32 vs. Olympus’s 107), but the larger sensor and a richer APS-C lens lineup, including some glass from third parties via adapters, enable impressive image quality in the right hands.
Viewing the World: Displays and Viewfinders
Looking through the camera is almost as important as pressing the shutter button. Both cameras eschew traditional optical viewfinders, but the Samsung NX11 includes a built-in electronic viewfinder (EVF), while the Olympus relies on its LCD screen only, with an optional external EVF.
The displays are of note:
Olympus E-PL1: 2.7-inch HyperCrystal LCD with 230k-dot resolution - somewhat dim and low in resolution by modern standards, but serviceable for framing and basic menu navigation.
Samsung NX11: 3-inch Active Matrix OLED screen, 614k dots - bright, vibrant, and with better viewing angles.

While neither is touchscreen, the NX11’s higher-res screen offers more accurate preview, better color rendition, and easier focus confirmation. The Olympus screen’s lower brightness made daylight shooting a bit more frustrating for me, often requiring ducking into shade to review shots effectively.
The built-in EVF on the NX11, covering 100% of the frame at 0.57x magnification, is a significant advantage for composing in bright environments or with fast-moving subjects. The Olympus’s optional EVF lacks resolution data and wasn't included in my testing kit, but in practice, the lack of a built-in EVF means you stare more at the limited rear screen or awkwardly at an add-on.
In sum, for photographers who value eye-level composition, the NX11’s viewfinder is a clear standout.
Autofocus Systems: Speed, Accuracy, and Usability
Autofocus has always been the make-or-break feature for dynamically captured moments - wildlife, sports, street candid shots. Both cameras rely on contrast-detection autofocus (CDAF), with no phase-detection pixels onboard, a common limitation for their time.
- Olympus E-PL1: 11 focus points, with face detection and tracking capabilities.
- Samsung NX11: 15 focus points, also with face detection but no continuous tracking.
In hands-on use, I found the Olympus's autofocus to be a bit slower but steadier, especially in good light. The sensor-based image stabilization helps compensate slightly when the focus hunts, but sluggish AF in dim environments could lead to missed shots.
The Samsung NX11’s autofocus felt peppier and marginally more reliable for quick acquisition of static subjects, although it struggled with continuous tracking of erratic moving subjects - like birds in flight or active kids. The higher point count gave it a slight edge in focus area flexibility, though the lack of phase-detection autofocus meant neither camera excelled in fast action.
Both models support single AF, continuous AF, and tracking, but don’t expect silky smooth precision at speed like modern hybrid AF systems.
Still-Life Portraits, Landscapes, and Macro Work: What Suits What?
For portraiture, the E-PL1’s smaller sensor and Micro Four Thirds lens compatibility delivers compelling results with excellent native options for creamy bokeh. The smaller sensor means an effective 2.1x crop factor, helping telephoto reach but penalizing wide-angle framing - which could limit artistic flexibility for some.
The NX11’s larger APS-C sensor naturally produces shallower depth of field, giving portraits a more pleasing subject separation and more natural skin tone rendition, thanks in part to superior color depth.
For landscape photographers, the NX11’s higher resolution and wider dynamic range matter. Capturing subtle gradations in sky and shadow is easier on the Samsung, as confirmed by side-by-side RAW files. Of course, weather sealing is absent on both, so pack the rain cover and watch your step.
Macro fans might lean towards the Olympus with its rugged Micro Four Thirds lens array, some of which feature excellent close-focusing distances and image stabilization. The NX11 can focus a bit closer with certain lenses but stabilization absence requires extra support for tack-sharp results.
Burst Rates, Sports, and Wildlife Applications
Neither model dazzles in burst shooting, holding steady at 3 FPS continuous shooting. For casual sports or wildlife use, this isn’t ideal but manageable with careful timing and focus locking.
Low-light tracking and capture further emphasize the NX11’s advantage, thanks to cleaner high ISO performance and more accurate autofocus in dim conditions. However, the Olympus’s on-sensor stabilization does afford longer shutter speeds handheld, often offsetting limitations.
None of the cameras include an electronic first-curtain shutter or silent shooting modes, which may limit candid or discreet shooting opportunities.
Video Performance: Modest but Serviceable
Video on both cameras is limited by their 2010-era tech.
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Olympus E-PL1: shoots 1280x720 at 30 fps in Motion JPEG format. The lack of progressive HD video standard compression, coupled with the codec choice, results in large files and modest image quality.
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Samsung NX11: also records 720p at 30 fps, but crucially in H.264 format - providing significantly better compression efficiency and quality at similar bitrates.
Neither camera possesses microphone or headphone jacks, which constrain audio capabilities. Stabilization during video is limited to Olympus’s sensor-shift system, which moderately smooths handheld footage but cannot fully substitute gimbal or lens stabilization.
Battery Life, Connectivity, and Media Handling
Battery capacity differs meaningfully - the NX11’s 400-shot rating comfortably surpasses the Olympus’s 290 shots per charge (measured per CIPA standards). In practice, I found the Samsung more reliable for longer shooting days without packing extra batteries - a critical consideration for events or travel.
Both cameras accept SD/SDHC cards via a single slot. USB 2.0 and HDMI out enable tethering and external viewing, but neither offers Wi-Fi, Bluetooth, or NFC connectivity - hardly surprising for their vintage.
No GPS on Olympus, but the NX11 offered optional GPS accessory support, useful if geotagging while hiking or urban exploration appeals.
Lenses and System Longevity: What’s the Ecosystem Outlook?
Olympus’s adherence to the Micro Four Thirds standard presents a tremendous lens ecosystem advantage - over 100 native lenses from Olympus, Panasonic, and third parties. This variety spans ultra-wide primes, fast portraits lenses, and specialized macro glass.
Samsung’s NX mount, sadly, never gained broad third-party adoption. At launch, only about 32 lenses were available, limiting choices for those aiming to craft a versatile kit. Adapters exist, but they introduce complexity or autofocus compromises.
For someone planning long-term system growth, the Olympus lineage is more promising, as both the PEN brand and Micro Four Thirds remain active today - although mirrorless systems like Sony E-mount have largely eclipsed them.
Comprehensive Scoring and Performance Insights
In objectively scored metrics, the Samsung NX11 holds an edge, especially in:
- Image quality (color depth and dynamic range)
- Battery life
- Viewfinder presence and quality
- Display resolution and technology
While the Olympus wins in:
- Portability and weight
- On-sensor image stabilization
- Lens selection size
Who Should Buy the Olympus E-PL1?
If you prize compactness, ease of use, and a broad lens lineup, the Olympus E-PL1 remains a charming, practical choice. It’s especially suited for:
- Travel photographers valuing lightweight gear
- Street shooters needing discreet operation
- Macro photography enthusiasts who benefit from the native lens options and stabilization
- Beginners stepping into interchangeable-lens cameras without being overwhelmed
Who Will Appreciate the Samsung NX11 More?
The Samsung NX11 suits photographers who want:
- Better image quality through a larger APS-C sensor
- Higher resolution and dynamic range for landscapes and portraits
- An integrated electronic viewfinder for composed shooting outdoors
- Longer battery life to cover event or travel sessions
Its traditional SLR-style handling may also appeal to users transitioning from DSLRs or preferring a tactile shooting experience.
Final Thoughts: Holding onto Legacy Cameras and Lessons Learned
Both cameras have their caveats - limited autofocus speed and tracking capabilities, moderate burst rates, and video confined to 720p HD by today’s standards. Yet, they remain excellent examples of how design philosophies impact photographic workflows.
Personally, I still keep a Micro Four Thirds system in my bag for travel simplicity, pairing it with stabilized primes for sharp, handheld results. At the same time, the appeal of APS-C sensors for critical image quality remains compelling.
If you’re eyeing vintage mirrorless from this era, think about what matters most for your style - portability and versatility or image quality and traditional ergonomics.
In closing, whether you side with Olympus’s compact PEN family or Samsung’s APS-C NX line, you’re getting a capable, thoughtfully engineered camera that reflects the early promise of mirrorless innovation - an opportunity well worth exploring for anyone intrigued by photographic heritage and practical storytelling.
Happy shooting!
Olympus E-PL1 vs Samsung NX11 Specifications
| Olympus PEN E-PL1 | Samsung NX11 | |
|---|---|---|
| General Information | ||
| Make | Olympus | Samsung |
| Model type | Olympus PEN E-PL1 | Samsung NX11 |
| Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
| Announced | 2010-05-17 | 2010-12-28 |
| Physical type | Rangefinder-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Powered by | Truepic V | DRIM Engine |
| Sensor type | CMOS | CMOS |
| Sensor size | Four Thirds | APS-C |
| Sensor measurements | 17.3 x 13mm | 23.4 x 15.6mm |
| Sensor surface area | 224.9mm² | 365.0mm² |
| Sensor resolution | 12 megapixel | 15 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Full resolution | 4032 x 3024 | 4592 x 3056 |
| Max native ISO | 3200 | 3200 |
| Minimum native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 11 | 15 |
| Lens | ||
| Lens mount type | Micro Four Thirds | Samsung NX |
| Number of lenses | 107 | 32 |
| Crop factor | 2.1 | 1.5 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen size | 2.7 inch | 3 inch |
| Screen resolution | 230 thousand dots | 614 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen tech | HyperCrystal LCD AR (Anti-Reflective) coating | Active Matrix OLED screen |
| Viewfinder Information | ||
| Viewfinder | Electronic (optional) | Electronic |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.57x |
| Features | ||
| Slowest shutter speed | 60s | 30s |
| Maximum shutter speed | 1/2000s | 1/4000s |
| Continuous shooting rate | 3.0 frames per sec | 3.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 10.00 m | 11.00 m |
| Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-eye, Fill-in, 1st/2nd Curtain, Smart Flash, Manual |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Maximum flash synchronize | 1/160s | 1/180s |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1280x720 | 1280x720 |
| Video data format | Motion JPEG | H.264 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | Optional |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 334g (0.74 lb) | 499g (1.10 lb) |
| Dimensions | 115 x 72 x 42mm (4.5" x 2.8" x 1.7") | 123 x 87 x 40mm (4.8" x 3.4" x 1.6") |
| DXO scores | ||
| DXO All around rating | 54 | 63 |
| DXO Color Depth rating | 21.5 | 22.7 |
| DXO Dynamic range rating | 10.1 | 10.8 |
| DXO Low light rating | 487 | 553 |
| Other | ||
| Battery life | 290 photographs | 400 photographs |
| Type of battery | Battery Pack | Battery Pack |
| Battery ID | BLS-1 | BP1130 |
| Self timer | Yes (2 or 12 sec) | Yes (2 sec to 30 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC card | SD/SDHC |
| Card slots | 1 | 1 |
| Pricing at launch | $288 | $626 |