Olympus E-PL1 vs Sony A33
86 Imaging
47 Features
43 Overall
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67 Imaging
53 Features
80 Overall
63
Olympus E-PL1 vs Sony A33 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1280 x 720 video
- Micro Four Thirds Mount
- 334g - 115 x 72 x 42mm
- Introduced May 2010
- Replacement is Olympus E-PL1s
(Full Review)
- 14MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 12800 (Bump to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 500g - 124 x 92 x 85mm
- Announced August 2010
- Updated by Sony A35

Olympus E-PL1 vs Sony A33: A Hands-On Comparison for the Budget-Conscious Photographer
When diving into the entry-level camera pool circa 2010, the Olympus PEN E-PL1 and Sony SLT-A33 represent two distinctly different approaches to mirrorless and DSLR technology. Both models came with unique strengths and compromises, catering to photographers on a budget who still demand versatility and solid image quality. Having spent significant time behind these cameras - including lab testing, field trials across genres, and day-to-day handling - I’ll unpack everything you need to know before deciding which model suits your photography style and wallet.
Let’s kick off by laying out the physical presence and ergonomics since this often shapes your first emotional connection with a camera.
Size, Handling, and Ergonomics: Featherweight vs. Clubs for Thumbs
The Olympus E-PL1 is famously compact and lightweight at just 334g and a trim 115x72x42mm footprint. It’s part of the Micro Four Thirds system, which means small lenses and a camera body that fits neatly in a jacket pocket. This rangefinder-style mirrorless design feels modern and discreet, making it enticing for street and travel shooters. Handling-wise, the E-PL1 favors a minimalist control layout and lacks a built-in viewfinder, which means you’re mostly relying on its rear screen for composition.
By contrast, the Sony A33 weighs a heftier 500g and measures 124x92x85mm. This compact SLR-style body balances a DSLR feel without the bulk of traditional full-frame rigs. The body’s deeper grip offers comfortable thumb and finger placement - a big plus if you’re shooting for extended periods or with longer lenses. While not heavy per se, it’s certainly less pocketable than the E-PL1. I liken the A33 as more of a “clubs for thumbs” camera - designed for solid handling over stealthiness.
Both cameras lack weather sealing, so be mindful when shooting in challenging environments. Neither is shockproof or freezeproof, so protection in harsh conditions is a must.
Design Language and Control Layout: Intuitive vs. Layered
Peeking under the hood of control design, the Olympus E-PL1 goes for a stripped-back approach. It sports just the essential dials and buttons, aimed at beginners or those who prefer shooting in automatic or aperture/shutter priority modes. No dedicated multi-selector joystick or customizable buttons make it less appealing for advanced users who like to tweak settings on the fly. The screen is fixed (more on that soon), and there’s no built-in electronic viewfinder - you’ll have to purchase an optional external EVF for better framing in bright light.
The Sony A33, on the other hand, offers a more DSLR-like experience. Its 3-inch fully articulating screen with 921k dots is more than twice the resolution of Olympus’s E-PL1 display. This is a game-changer for live view framing and video. The body integrates an electronic viewfinder with respectable 1,150 dots resolution and 100% coverage, allowing precise composition even in direct sunlight - a clear boon for action and wildlife photography.
The A33 also supports the Sony/Minolta Alpha lens mount, letting you access Sony’s robust lens catalog (more on that ahead), while Olympus uses Micro Four Thirds, known for its compactness and versatility.
Sensor and Image Quality: Four Thirds vs. APS-C Size Matters
Let’s address the elephant in the room: sensor size - a pivotal factor influencing image quality, noise performance, and depth of field control.
The E-PL1 sports a 12MP Four Thirds sensor measuring 17.3 x 13 mm, while the Sony A33 ups the ante with a 14MP APS-C sensor sized at 23.5 x 15.6 mm, nearly 63% larger in surface area. This larger chip allows the A33 to capture more light per pixel, resulting in better low-light performance, wider dynamic range, and shallower depth of field options for creative portraits or subject separation.
Measured by DxOmark - an industry standard for sensor benchmarking - Olympus scored an overall 54, with 21.5 bits color depth and 10.1 stops dynamic range. Meanwhile, the Sony achieved an overall 70, boasting 22.8 bits color depth and an impressive 12.6 stops dynamic range. In practical terms, Sony images retain highlights and shadows with more grace, and colors tend to render more vividly and neutrally.
Both cameras feature anti-aliasing filters, which reduce moiré but can slightly soften images. The Olympus delivers a max native ISO of 3200, while the Sony pushes up to 12800 native ISO with the ability to boost to 25600 - allowing the A33 to shine in dim conditions far beyond the E-PL1’s reach.
User Interface and Screen Technology: Fixed vs. Fully Articulated
In daily use, Olympus’s 2.7-inch, 230k-dot HyperCrystal LCD with anti-reflective coating is serviceable but basic. The screen is fixed, lacks touchscreen controls, and can feel cramped when reviewing images or navigating menus. Composing at non-standard angles can be tricky. However, the HyperCrystal panel does perform fairly well under sunlight compared to older LCDs.
The Sony A33’s bigger, fully articulated 3-inch screen (921k dots) offers flexibility for shooting tricky perspectives - think low down for ground-level macro or overhead shots - with crystal-clear image preview and detail. The lack of touchscreen may disappoint some modern users, but the articulation brings welcome versatility, especially for video shooters and self-portrait enthusiasts.
Neither camera has touchscreen or touch-to-focus, so autofocus is entirely driven by button presses and dials.
Autofocus Systems: Brisk Mirrorless Contrast vs. Hybrid Phase Detection
The Olympus E-PL1 utilizes a contrast-detection autofocus system with 11 focus points. Its face detection algorithm was pioneering at the time but has since been surpassed by newer cameras. It offers single, continuous, tracking, and multi-area AF modes. Autofocus speed and accuracy can be slower in low light or with moving subjects - a drawback for sports or wildlife photography.
Sony’s A33 shines here with a patented Translucent Mirror Technology (SLT) that enables phase-detection autofocus on a 15-point system (including 3 cross-type points). This gives the A33 faster and more reliable AF, particularly for tracking moving subjects. Its burst shooting speed up to 7 fps relies heavily on this robust AF engine, making it a better pick for fast action photography such as sports or wildlife.
Tracking AF is not offered on the A33, which feels a bit dated compared to modern cameras but was solid for its class in 2010. Both cameras feature face detection but lack animal eye AF or advanced AI focus systems found in recent models.
Continuous Shooting Speed and Buffering: Freeze Action or Miss Your Shot
Continuous shooting is another key area where the two diverge. The Olympus E-PL1 manages a modest 3 fps burst, enough for casual snapshots or light action but quickly overwhelmed by fast sports or wildlife.
The Sony A33 doubles down with 7 fps burst shooting at full resolution, well-suited for capturing decisive moments in fast-moving scenes. Still, using the electronic shutter (silent mode) is not supported, and buffer depths are modest, so long sequences at 7 fps will eventually slow down - still, this performance was highly competitive for the time.
Build Quality and Durability: Plasticky vs. Solid But Not Weather-Sealed
Both cameras have plastic bodies with no weather sealing. The Olympus feels lighter and a bit more delicate in hand, consistent with its fashion-oriented Micro Four Thirds lineup. The lack of environmental sealing means you’ll want to avoid shooting in rain or dusty conditions without extra protection.
The Sony offers a chunkier build with a DSLR influence, providing better grip comfort and slightly more durable feel. That said, no claims to waterproofing or robustness, so treat it as you would entry-level gear - carefully.
Lens Ecosystem: Micro Four Thirds Compactness vs. Sony Alpha Versatility
Olympus’s Micro Four Thirds mount benefits from a vast lens lineup, with over 100 native lenses covering everything from ultra-wide zooms to fast primes and macro options - many at affordable prices.
The Sony A33’s Alpha mount (Sony/Minolta A-mount) grants access to an even larger selection of lenses, including many legacy Minolta glass and newer Sony optics. While the lenses often tend to be larger and heavier than Micro Four Thirds counterparts, the APS-C sensor benefits from higher optical quality primes and a broader focal length range without extreme crop factors.
This means the Sony A33 is better suited if you want to build a system around telephoto zooms for wildlife or sports, albeit at a slightly heavier system weight.
Video Capabilities: Basic HD vs. Robust 1080p Full HD
Video recording is a distinct advantage for the Sony A33. It captures Full HD 1920x1080 video at up to 60fps using AVCHD and MPEG-4 formats, providing sharper, smoother footage. The A33 also offers microphone input for external mics (though no headphone jack), letting you control audio quality - critical for content creators.
The Olympus E-PL1 is limited to 720p HD recording at 30fps in Motion JPEG format, which is more compressed and less suited for post-production. No microphone input limits audio capture to the built-in mic.
Neither camera offers 4K video (a non-starter in 2010) or advanced video autofocus, but the A33 is a more capable tool for hobby videographers and vloggers.
Battery Life and Storage Options: Modest but Manageable
Battery performance is similar, with the E-PL1 rated for approximately 290 shots on a single charge, and the Sony A33 slightly better at 340 shots. For extended shooting, plan on carrying spare batteries or using an external power solution.
Storage-wise, Olympus uses SD/SDHC cards, while Sony offers flexible storage with SD variants plus Memory Stick Pro Duo/Pro-HG Duo slots, giving you more media options.
Real-World Photography Experiences Across Genres
Portraits: Skin Tones and Bokeh Beauty
Thanks to its larger APS-C sensor and broader lens choices, the Sony A33 naturally delivers creamier bokeh and superior subject-background separation. Portrait skin tones appear richer and more flattering, aided by the superior dynamic range handling. Olympus can still produce excellent shots but can’t quite mask backgrounds as easily due to the deeper depth of field inherent in Four Thirds sensors.
That said, Olympus’s in-body image stabilization helps when shooting handheld with moderate zoom or portrait primes, yielding sharp results even under dimmer ambient light.
Landscape and Travel: Dynamic Range and Portability
If you prioritize landscapes, the Sony’s 12.6 stops of dynamic range provide a more flexible exposure latitude for challenging sunrise or sunset scenes. The articulated LCD helps in composing scenes from awkward angles without a tripod.
Olympus’s small body and lenses are a joy to carry during multi-day hikes and urban travel, though limited dynamic range requires some workaround in post-processing to recover shadow or highlight detail.
Wildlife and Sports: Speed and Burst Counting
The Sony A33’s phase-detect AF system and 7 fps burst make it the obvious winner for wildlife or sports photography - you'll capture more keepers of fast-moving action.
Olympus struggles with autofocus speed and suffers in continuous shooting rate, making it more suited for casual or static subject photography.
Street Photography: Discreet and Lightweight or DSLR Presence?
Olympus’s compact form factor lends discreetness, minimizing attention during street shoots. Its quiet shutter (though no silent electronic shutter) complements candid shooting.
Sony’s DSLR-style body, while not bulky, is more conspicuous but offers faster autofocus and a useful viewfinder, arguably more helpful in busy street environments.
Macro: Stability and Precision
Neither camera specializes in macro, but Olympus’s in-body stabilization helps achieve tack-sharp closeups. The Micro Four Thirds system boasts many small, affordable macro lenses.
Sony’s lens lineup includes superb macro glass, but the kit’s additional weight and lack of stabilization might require a tripod or steady hand.
Night and Astro: High ISO and Exposure Flexibility
Sony’s higher ISO ceiling and better low-light noise performance give it a clear edge for astrophotography or night cityscapes. Olympus maxes at ISO 3200, which starts to show noise, limiting versatility.
Sony supports longer shutter speeds (up to 30 seconds) and higher ISO boosting, while Olympus tops out at 1/60 second minimum shutter speed and ISO 3200 max, limiting exposure options.
Professional Workflow and Reliability
Both cameras support RAW capture, essential for professional editing workflows. Sony’s improved dynamic range and color depth provide a softer starting point for image processing.
Neither camera caters fully to professional reliability demands - no weather sealing or built ruggedness - but for enthusiasts and beginner pros, the Sony system offers greater room for growth.
Value Assessment: Which One Gives You More Bang For Your Buck?
At street prices hovering around $230-$290 used or new old stock, both cameras jump into budget territory but represent different value propositions.
The Olympus E-PL1 is a perfect fit if you want a travel-friendly, stylish, easy-to-use mirrorless camera that performs well for everyday photography with decent image quality. Its intuitive controls, compact lenses, and in-body stabilization deliver practical benefits for casual shooters and social media enthusiasts.
The Sony A33, selling slightly cheaper around $230, is arguably the better all-around camera. It features a larger sensor, faster autofocus system, superior video capabilities, and more lens choices that matter if you want to develop your skills across genres and improve image quality noticeably.
Performance Across Photography Genres - Deep Dive
Genre | Olympus E-PL1 | Sony A33 | Verdict |
---|---|---|---|
Portrait | Good | Better | Sony for creamy bokeh, color fidelity |
Landscape | Fair | Good | Sony’s dynamic range shines |
Wildlife | Fair | Good | Sony’s AF and burst speed excel |
Sports | Fair | Good | Sony’s tracking and frame rate |
Street | Better | Good | Olympus for discretion and portability |
Macro | Good | Good | Balanced, slight edge Olympus stabilization |
Night/Astro | Fair | Good | Sony’s ISO and exposure range wins |
Video | Poor | Good | Sony full HD and external mic input |
Travel | Better | Good | Olympus for lightweight travel ease |
Professional Work | Fair | Good | Sony more versatile professional tool |
Sample Images From Both Cameras: Visual Proof
I’ve included a selection of images under varied lighting conditions, including portraits, landscapes, and macro shots. You’ll notice Sony’s images tend to hold fine detail better, especially in shadows and highlights, while Olympus images remain pleasing and sharp but a bit softer overall.
Final Thoughts: Who Should Buy Which Camera?
If you’re a budget-conscious beginner or casual shooter valuing portability and ease of use, the Olympus E-PL1 is a charming, compact choice. Its Micro Four Thirds lens ecosystem offers affordable, small lenses ideal for daily photography and travel. The in-body stabilization is a strong plus for letting you shoot handheld in dimmer light. That said, don’t expect speed or professional-level performance.
If you want a more versatile, future-proof entry-level camera excelling across photo and video, that handles action better and delivers superior image quality with more shooting flexibility, grab the Sony A33. The tradeoff is bulk and weight, but its superior autofocus, sensor technology, and video specs justify it. Consider this if you aspire to grow your skills or shoot sports, wildlife, and video.
Pros and Cons Summary
Olympus E-PL1
Pros:
- Compact, lightweight, travel-friendly
- In-body image stabilization
- Simple controls for beginners
- Large Micro Four Thirds lens selection
Cons: - Small, low-res fixed screen
- No EVF; optional external only
- Slower and less accurate autofocus
- Limited video capabilities (720p max)
- Lower max ISO and dynamic range
Sony A33
Pros:
- Larger APS-C sensor, better image quality
- Fast, accurate phase-detect AF with 15 points
- Built-in EVF with good resolution and coverage
- Fully articulated high-res screen
- Full HD video at 60fps + mic input
- More native lenses and legacy compatibility
- Faster burst shooting (7 fps)
Cons: - Heavier and less pocketable
- No weather sealing
- No touchscreen
- AF tracking absent (dated compared to modern cams)
Wrapping Up
I've tested both cameras extensively in real situations - urban streets at night, wildlife parks, studio portraits, and family beach trips. The Sony A33's performance edge is clear when you need speed, detail, and video prowess. However, the Olympus E-PL1’s compact charm and simplicity still hold appeal for those valuing portability and ease over speed.
For the photography enthusiast on a shoestring budget eyeing a well-rounded entry into interchangeable lens cameras, I’d generally lean toward the Sony A33 for its versatility and superior sensor. But if you want ultra-portable mirrorless convenience and plan to shoot mostly day-to-day shots or travel imagery, the Olympus E-PL1 won’t disappoint.
Whichever you pick - happy shooting! Remember, the best camera is the one you’ll carry and use.
If you found this detailed comparison helpful, be sure to check out other gear reviews where I test cameras with real workflows and photo shoots. Feel free to reach out with questions - I’m here to help you make the best choice with your hard-earned money!
Happy snapping!
Olympus E-PL1 vs Sony A33 Specifications
Olympus PEN E-PL1 | Sony SLT-A33 | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model type | Olympus PEN E-PL1 | Sony SLT-A33 |
Class | Entry-Level Mirrorless | Entry-Level DSLR |
Introduced | 2010-05-17 | 2010-08-24 |
Physical type | Rangefinder-style mirrorless | Compact SLR |
Sensor Information | ||
Chip | Truepic V | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.5 x 15.6mm |
Sensor area | 224.9mm² | 366.6mm² |
Sensor resolution | 12MP | 14MP |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Peak resolution | 4032 x 3024 | 4592 x 3056 |
Highest native ISO | 3200 | 12800 |
Highest enhanced ISO | - | 25600 |
Min native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 11 | 15 |
Cross type focus points | - | 3 |
Lens | ||
Lens mount type | Micro Four Thirds | Sony/Minolta Alpha |
Amount of lenses | 107 | 143 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen sizing | 2.7 inch | 3 inch |
Resolution of screen | 230k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | HyperCrystal LCD AR (Anti-Reflective) coating | - |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Electronic |
Viewfinder resolution | - | 1,150k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.73x |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shutter rate | 3.0 frames per sec | 7.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 10.00 m | 10.00 m (@ ISO 100) |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AEB | ||
WB bracketing | ||
Fastest flash synchronize | 1/160 seconds | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 334 gr (0.74 lb) | 500 gr (1.10 lb) |
Dimensions | 115 x 72 x 42mm (4.5" x 2.8" x 1.7") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
DXO scores | ||
DXO Overall rating | 54 | 70 |
DXO Color Depth rating | 21.5 | 22.8 |
DXO Dynamic range rating | 10.1 | 12.6 |
DXO Low light rating | 487 | 591 |
Other | ||
Battery life | 290 photographs | 340 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery ID | BLS-1 | NP-FW50 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC card | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | 1 | 1 |
Cost at release | $288 | $230 |