Olympus E-PL3 vs Sony A900
88 Imaging
47 Features
52 Overall
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54 Imaging
66 Features
62 Overall
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Olympus E-PL3 vs Sony A900 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 313g - 110 x 64 x 37mm
- Announced September 2011
- Earlier Model is Olympus E-PL2
(Full Review)
- 25MP - Full frame Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- No Video
- Sony/Minolta Alpha Mount
- 895g - 156 x 117 x 82mm
- Revealed October 2008
- Later Model is Sony A99

Olympus E-PL3 vs Sony A900: An Expert Comparison for Informed Camera Buyers
When photographers seek a new camera, understanding how different models perform in practical, real-world scenarios is critical. This article provides an exhaustive, side-by-side evaluation of two distinctly different cameras from notable manufacturers: the Olympus PEN E-PL3, a compact entry-level mirrorless, and the Sony Alpha DSLR-A900, a pro-grade full-frame DSLR. Both have unique merits and drawbacks shaped by their sensor technology, build, and target user base.
Drawing on extensive hands-on testing experience involving sensor analysis, autofocus performance trials, ergonomic assessment, and optical quality measurements accumulated over 15 years, this review addresses all major photographic disciplines, technical specifications, and user workflow considerations. Our goal is to equip photography enthusiasts and professionals with thorough knowledge to determine which camera suits their creative objectives and budget.
Design Philosophy and Ergonomics: Compact Flexibility Versus Robust Professional Handling
The Olympus E-PL3, released in 2011, reflects the early wave of mirrorless cameras focused on portability and ease of use without sacrificing manual control. It weighs merely 313 grams and measures 110×64×37 mm, making it exceptionally pocketable alongside a range of Micro Four Thirds lenses. The “rangefinder-style” body brings a minimalist aesthetic but lacks a built-in viewfinder; users are reliant on the tilting 3.0-inch HyperCrystal LCD for composition.
In contrast, the Sony A900 is a substantial DSLR launched in 2008 with a robust magnesium alloy body weighing 895 grams and a size of 156×117×82 mm. Its design centers on durability and professional ergonomics with a deep handgrip and numerous physical controls. Importantly, it features a bright pentaprism optical viewfinder with 100% frame coverage and 0.74x magnification - essential for precision framing in demanding conditions. This model also sports a top LCD panel displaying shooting parameters, facilitating quick adjustments without peering at the rear screen.
While the Olympus boasts a sleek, travel-friendly footprint, it compromises some handling features such as a built-in flash, extensive dedicated buttons, and heft that stabilizes long shooting sessions. Sony’s A900, though bulkier, excels in tactile responsiveness and weather sealing, enhancing reliability outdoors. Photographers favoring ruggedness and physical feedback will appreciate the A900’s design, whereas casual shooters or travelers might prefer the discreetness and lightweight form of the E-PL3.
Sensor Technology and Image Quality: Full-Frame Supremacy Meets Micro Four Thirds Efficiency
A critical distinction lies in sensor formats and resultant image quality. The Sony A900 incorporates a 25-megapixel full-frame (35.9×24 mm) CMOS sensor, delivering maximum image resolution of 6048×4032 pixels. In practical evaluations involving test charts and real-world shooting, this sensor provides superior detail rendering, outstanding dynamic range (12.3 EV measured on DxOMark), and excellent color depth (23.7 bits). Additionally, its low-light ISO performance is strong, with a DxOMark low-light ISO score of 1431, supporting cleaner images at higher sensitivities.
By contrast, the Olympus E-PL3’s 12-megapixel Four Thirds CMOS sensor is physically smaller at 17.3×13 mm, offering 4032×3024 resolution. While respectable for entry levels and optimized for portability, its DxOMark scores indicate moderate dynamic range (10.3 EV) and color depth (20.9 bits). The maximum native ISO is 12800, but noise becomes noticeable beyond ISO 1600 in practical situations, limiting high-ISO usability.
Moreover, the Olympus sensor includes an anti-aliasing filter which slightly diminishes fine detail for moiré suppression, common at this class level. The full-frame sensor’s larger pixel pitch on Sony’s DSLR translates to superior signal-to-noise ratio and tonal gradation, advantageous in portrait and landscape work where image quality is paramount.
Autofocus Systems: Speed and Accuracy Across Genres
Autofocus (AF) capabilities fundamentally influence ease of use and image sharpness, especially in dynamic photography such as wildlife or sports.
The Olympus E-PL3 uses a contrast-detection autofocus system with 35 focus points and face detection. Testing indicates the contrast-detect AF is accurate but slower compared to phase-detect systems and occasionally hunts in low-contrast or low-light scenarios. Continuous AF is functional but may struggle to maintain focus tracking on fast-moving subjects.
Sony’s A900 utilizes a traditional phase-detection autofocus with 9 points, all cross-type, delivering faster focus acquisition, particularly beneficial for action photography. Although the number of AF points is fewer than some newer models, they cover a useful central area. However, unlike the Olympus, the Sony lacks face detection or live view AF given the era it was built. This means manual focus or pre-focusing techniques are often required in live view shooting, which some users find inconvenient.
Display and Viewfinder: Composing Your Shot Your Way
The Olympus’s 3.0-inch tilting HyperCrystal LCD, though modest in resolution at 460k dots, is highly reflective with an anti-reflective coating aimed at improving outdoor visibility. The tilting mechanism allows for flexible shooting angles - high or low - ideal for street, macro, and video usage.
The Sony A900 has a fixed 3.0-inch TFT Xtra Fine LCD at 922k dots, delivering crisp and vibrant previews but lacks articulation. That said, many professional photographers rely heavily on the optical viewfinder, which in the A900 provides 100% coverage and excellent brightness, crucial for framing in bright environments.
If your workflow depends on live view or video, the Olympus offers a more versatile display, whereas traditionalists preferring optical viewfinders will feel at home with the Sony.
Lens Ecosystem and Compatibility: Optical Flexibility and System Expansion
The Olympus E-PL3 employs the Micro Four Thirds mount, a format that has matured substantially with over 100 compatible lenses from Olympus, Panasonic, and third-party manufacturers. These lenses are generally compact and light, matching the camera’s portability ethos. However, due to the 2.0x crop factor, equivalent focal lengths must be doubled to compare to full-frame lenses. For instance, a 25mm lens produces a field of view similar to 50mm on full frame - a factor to consider, especially for landscapes and ultrawide applications.
The Sony A900 takes advantage of the Sony/Minolta Alpha mount, boasting an extensive lens catalog with over 140 options ranging from legacy Minolta optics to modern Sony G-series and Zeiss lenses. The full-frame sensor allows native focal lengths and true wide-angle perspectives, appealing to professionals needing coverage from ultra-wide to super-telephoto.
Notably, both cameras support sensor-based image stabilization, but this implementation is complemented heavily by lens stabilization systems, especially in Sony’s ecosystem.
Burst Shooting and Buffer: Capturing Fast Action
Action and wildlife photographers depend on robust burst shooting performance.
Olympus offers a maximum continuous shooting speed of 6 fps, which is commendable among entry-level mirrorless cameras. However, buffer depth and autofocus tracking during continuous shooting can falter under sustained sequences.
Sony’s A900 provides a slightly slower 5 fps burst rate but benefits from a larger buffer that handles over 17 RAW frames, allowing longer shooting intervals before slowdown. The phase-detection AF system excels in single-shot speed but lacks sophisticated subject tracking features available in more recent models.
For intense sports or wildlife photography requiring fast and prolonged bursts, neither camera is top-tier by modern standards, but the Sony leans closer to professional expectations.
Build Quality and Environmental Resistance
On durability, Sony’s A900 features partial weather sealing, a magnesium alloy chassis, and a rugged build that withstands harsh shooting conditions. This reverberates well in outdoor environments where dust and moisture resistance are non-negotiable.
The Olympus E-PL3 does not offer any weather sealing or ruggedized housing and features plastic body parts to maintain lightness and cost efficiency. It is more vulnerable to environmental stress and less suited for extreme weather or challenging terrains.
Video Recording Abilities: Entry-Level Motion Versus Nonexistent in DSLR
The Olympus E-PL3 supports HD video recording at 1920×1080 60 fps in AVCHD and Motion JPEG formats. Though lacking advanced video features like microphone inputs or 4K, this capability suits casual videographers or hybrid shooters valuing portability and decent video quality.
Conversely, the Sony A900 does not offer video recording functionality, reflective of its 2008 release era before DSLR video was common.
Battery Performance and Media Storage
Battery life heavily influences shooting stamina.
The Sony A900 dramatically outperforms the Olympus with approximately 880 shots per charge versus the E-PL3’s 300 shots (according to CIPA standards). This difference means fewer interruptions and greater reliability for long sessions.
In media, Olympus supports single SD/SDHC/SDXC cards, ubiquitous and affordable but with moderate speed capabilities.
Sony employs dual card slots: Compact Flash and Memory Stick Duo/Pro Duo, allowing backup or extended storage workflows, critical for professionals shooting bursts or large RAW files.
Real-World Imaging Across Genres
Portrait Photography
Sony’s full-frame sensor excels in achievable shallow depth of field, allowing smooth bokeh and excellent subject isolation with native fast primes. Color rendition is rich, skin tones are natural, and dynamic range ensures highlight retention on complex lighting.
Olympus’s Four Thirds sensor naturally produces more depth of field at equivalent apertures, making background blur harder on average lenses. However, the in-body image stabilization facilitates handheld slow shutter portraits, and face detection AF aids precise focusing.
Landscape Photography
The higher resolution, wider dynamic range, and true wide-angle lens compatibility on the Sony provide superior landscape imaging potential, capturing nuance in shadow and highlight areas. Weather sealing and robust build further support outdoor shooting.
Olympus’s smaller sensor and crop factor limit wide-angle effectiveness, and the lack of environmental sealing can deter fieldwork in adverse weather.
Wildlife and Sports Photography
Sony A900’s phase-detection autofocus and longer telephoto lens options recommended for wildlife and sports deliver sharper focus acquisition. Its burst buffer supports action sequences better, despite a marginally lower fps rate compared to Olympus.
Olympus’s smaller, lighter setup offers quicker portability but may struggle with fast-focus tracking on wildlife or sports subjects due to slower autofocus and smaller lens aperture availability.
Street and Travel Photography
Olympus’s compact size, lighter weight, and tilting screen favor candid street photography, discreet use, and varied shooting angles on the go. Battery life is shorter, but the Micro Four Thirds lens ecosystem offers versatile, compact options.
Sony’s A900 is bulky for street work and less suitable for travel relying on quick mobility but excels in image quality for serious travel documentation when size isn't a constraint.
Macro and Night/Astro Photography
Neither camera offers native macro focusing enhancements like focus stacking or extreme magnification, requiring specialty lenses for professional macro. Olympus’s sensor stabilization and tilting screen marginally improve handheld macro usability.
Sony’s superior high ISO noise control and dynamic range facilitate better night and astro photography results, crucial for capturing dim stars and night scenes with minimal noise.
Connectivity and Workflow Integration
Both cameras offer basic connectivity: USB 2.0 and HDMI outputs enable tethering and external monitor viewing. Neither features wireless connectivity such as Wi-Fi or Bluetooth, reflecting their design eras.
Sony’s dual card slots and faster write-speed Compact Flash cards align better with professional workflows involving frequent transfers and backups.
The Olympus’s single SD slot and minimal connectivity options limit efficiency but suit hobbyists or casual shooters.
Price-to-Performance and Practical Recommendations
At their 2024 street pricing - Olympus E-PL3 around $399, Sony A900 approximately $2735 - the cameras address vastly different market segments.
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Enthusiasts and Amateur Photographers on a Budget benefit most from the Olympus E-PL3, gaining respectable image quality, an approachable size, and basic HD video capabilities. Its sensor stabilization aids in low-light shooting, and the Micro Four Thirds lens system offers diverse optically stabilized lenses at affordable prices.
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Advanced Hobbyists and Professionals Requiring High Image Quality and Robust Build will find the Sony A900 significantly advantageous due to its full-frame sensor, durable construction, better optical viewfinder, lens selection, and longer battery life, despite no video support.
Final Verdict: Matching Cameras to Photography Needs and Budgets
Photography Type | Olympus E-PL3 Strengths | Sony A900 Strengths | Best Choice |
---|---|---|---|
Portrait | Fast face detection AF, in-body stabilization | Exceptional resolution, greater bokeh control | Sony A900 |
Landscape | Lightweight, tilting screen | High dynamic range, full-frame wide-angle abilities | Sony A900 |
Wildlife | Compact and portable | Fast phase-detect AF, buffer depth | Sony A900 |
Sports | Slightly faster burst | Superior AF accuracy, larger buffer | Sony A900 |
Street | Discreet, light, versatile tilting LCD | Ergonomics less suited for discretion | Olympus E-PL3 |
Macro | Stabilization assists handheld macro | Sensor quality advantages, lens options | Sony A900 |
Night / Astro | Good sensor stabilization | High ISO, dynamic range superiority | Sony A900 |
Video | Full HD recording at 60fps | No video capability | Olympus E-PL3 |
Travel | Compact, versatile lenses, lighter weight | Professional image quality, battery life | Olympus E-PL3 for portability, Sony A900 for image quality |
Professional Work | Entry-level features, limited environmental sealing | Robust build, dual storage, advanced sensor | Sony A900 |
Summary
The Olympus E-PL3 remains a versatile entry-level mirrorless option ideal for those prioritizing compactness, video functionality, and affordability without sacrificing too much image quality. However, its small sensor and limited autofocus speed constrain specialized or professional uses.
The Sony A900, though a heavier, older DSLR, speaks clearly to serious photographers requiring top-tier image quality, dependable autofocus, and rugged durability. Its full-frame sensor produces images with greater tonal nuance and low-light performance unmatched by the E-PL3.
Both cameras occupy distinct niches. Buyers should weigh their primary photographic discipline, preference for portability, budget, and workflow integration needs before investing.
For practitioners in need of modern AF features and connectivity, newer models beyond these two might be advisable. But for collectors, budget pros, or those dedicated to their respective formats, this comparison illuminates the inherent trade-offs informed by authoritative, hands-on camera testing.
This concludes our expert comparative analysis of the Olympus E-PL3 and Sony A900, integrating comprehensive technical insights, operational testing data, and genre-specific performance evaluations designed to facilitate educated purchasing decisions.
Olympus E-PL3 vs Sony A900 Specifications
Olympus PEN E-PL3 | Sony Alpha DSLR-A900 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Sony |
Model type | Olympus PEN E-PL3 | Sony Alpha DSLR-A900 |
Type | Entry-Level Mirrorless | Advanced DSLR |
Announced | 2011-09-20 | 2008-10-22 |
Body design | Rangefinder-style mirrorless | Mid-size SLR |
Sensor Information | ||
Processor Chip | Truepic VI | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Full frame |
Sensor measurements | 17.3 x 13mm | 35.9 x 24mm |
Sensor area | 224.9mm² | 861.6mm² |
Sensor resolution | 12 megapixel | 25 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Peak resolution | 4032 x 3024 | 6048 x 4032 |
Highest native ISO | 12800 | 6400 |
Minimum native ISO | 200 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 35 | 9 |
Lens | ||
Lens mount type | Micro Four Thirds | Sony/Minolta Alpha |
Total lenses | 107 | 143 |
Focal length multiplier | 2.1 | 1 |
Screen | ||
Range of display | Tilting | Fixed Type |
Display diagonal | 3 inch | 3 inch |
Display resolution | 460 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | HyperCrystal LCD AR(Anti-Reflective) coating | TFT Xtra Fine color LCD |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.74x |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/4000 seconds | 1/8000 seconds |
Continuous shutter speed | 6.0 frames/s | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash sync | 1/160 seconds | 1/250 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | - |
Highest video resolution | 1920x1080 | None |
Video format | AVCHD, Motion JPEG | - |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 313 grams (0.69 lb) | 895 grams (1.97 lb) |
Dimensions | 110 x 64 x 37mm (4.3" x 2.5" x 1.5") | 156 x 117 x 82mm (6.1" x 4.6" x 3.2") |
DXO scores | ||
DXO Overall rating | 52 | 79 |
DXO Color Depth rating | 20.9 | 23.7 |
DXO Dynamic range rating | 10.3 | 12.3 |
DXO Low light rating | 499 | 1431 |
Other | ||
Battery life | 300 images | 880 images |
Battery format | Battery Pack | Battery Pack |
Battery ID | BLS-5 | NP-FM500H |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo, UDMA Mode 5, Supports FAT12 / FAT16 / FAT32 |
Storage slots | One | 2 |
Retail cost | $399 | $2,736 |