Olympus E-PL5 vs Panasonic LX3
88 Imaging
52 Features
72 Overall
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91 Imaging
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40 Overall
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Olympus E-PL5 vs Panasonic LX3 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 325g - 111 x 64 x 38mm
- Announced September 2012
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-60mm (F2.0-2.8) lens
- 265g - 109 x 60 x 27mm
- Introduced November 2008
- Successor is Panasonic LX5

Olympus E-PL5 vs Panasonic Lumix DMC-LX3: A Deep-Dive Comparison for Photography Enthusiasts
In the ever-evolving landscape of digital cameras, capturing the perfect image hinges on matching your gear to your creative intent and shooting conditions. Today, we dissect two distinct yet venerable models from Olympus and Panasonic - the Olympus E-PL5, a Micro Four Thirds mirrorless contender released in 2012, and the Panasonic LX3, a compact fixed-lens enthusiast camera launched back in 2008.
While each targets different segments and employs divergent design philosophies, both hold appeal for photographers aiming for high-quality images without venturing into the full-frame realm or sprawling DSLR formats. Drawing from rigorous hands-on testing and technical benchmarking, this comprehensive comparison guides enthusiasts and pros alike through the essential facets - from sensor performance to ergonomics - equipping you with factual insights to guide your next gear investment.
First Impressions: Size, Build, and Ergonomics
Before diving into pixels and processor cores, it’s illuminating to examine how these cameras feel in hand, as this profoundly influences shooting comfort and usability.
Olympus E-PL5 (left) versus Panasonic LX3 (right) - size and grip differences clearly evident.
The Olympus E-PL5 wears its rangefinder-style mirrorless lineage comfortably on its modestly sized body measuring 111 x 64 x 38 mm and weighing 325 grams including battery. Its thicker heft owes partly to its interchangeable lens mount system (Micro Four Thirds), which adds versatility at the cost of bulk. The E-PL5's more pronounced grip and customizable control layout make it easier for longer handheld sessions, a vital advantage in portrait, wildlife, or sports scenarios where steadiness enhances results.
By contrast, the Panasonic LX3 epitomizes pocket portability, compact at 109 x 60 x 27 mm and weighing a featherlight 265 grams. Its rangefinder-like design is robust for a compact, yet arguably lacks the assured ergonomics needed for extended shooting or one-handed operation, especially with manual controls. This small footprint makes the LX3 an ideal street and travel companion where discretion and speed to capture matter more than extended handling comfort.
Body construction on both cameras is solid but neither offers weather sealing, a shortcoming for outdoor landscape or wildlife photographers who demand durability in adverse conditions. The E-PL5's interchangeable glass provides more protection versatility, as premium rugged lenses can compensate somewhat here.
Control Layout and User Interface: Intuitive Operation Meets Customizability
When capturing decisive moments, a well-thought-out control scheme and responsive interface can't be overstated.
Top view illustrates Olympus's more complex control layout - multiple dedicated dials and buttons versus Panasonic’s simpler design.
Olympus clearly leans into tactile feedback and control granularity on the E-PL5. An array of dedicated dials for exposure compensation, mode selection, and ISO adjustment are complemented by a rear dial, affording enthusiasts granular manual control that speeds up workflow substantially in fast-shooting conditions like sports or wildlife photography.
The Panasonic LX3 adopts a simplified approach, with fewer physical controls, reflecting its compact heritage and targeting users more comfortable with automated modes or still using manual modes sparingly. While Olympus provides a tilting touchscreen LCD for quick touch-focus and menu navigation, the LX3 offers a fixed non-touchscreen interface, which might slow down certain workflows, such as focus point selection or reviewing images on the fly.
For videographers, the Olympus's more sophisticated interface paired with a touchscreen offers a clear operational edge during recording and leveling manual adjustment, despite neither camera excelling in advanced video features.
Sensor Technology and Image Quality: The Heart of the Matter
Arguably the most crucial factor dictating photographic quality is the sensor itself - both in resolution, size, and inherent sensitivity.
Sensor sizes depicted with relative framing - Olympus maintains a significantly larger sensor than Panasonic's compact.
The Olympus E-PL5 sports a 16-megapixel Four Thirds CMOS sensor sized at 17.3 x 13 mm, providing a sensor area of about 225 mm². This is substantially larger than the Panasonic LX3’s 10-megapixel 1/1.63" CCD sensor measuring 8.07 x 5.56 mm with an area of 44.87 mm². This size discrepancy of roughly five times leads to a pronounced advantage in low-light performance, dynamic range, and depth of field control for the Olympus.
From rigorous DXOMark benchmark analyses, the E-PL5 scores 72 overall with a color depth of 22.8 bits and a dynamic range of 12.3 stops. Its low light ISO rating stands at 889, indicating solid usability in challenging lighting. By contrast, the LX3 achieves an overall score of 39, with 19.6 bits of color depth, 10.8 stops dynamic range, and a drastically lower low-light ISO of 94, highlighting its weakness in dim environments.
Practically, this translates to the Olympus delivering cleaner, more detailed images with richer tonal gradations, excellent for landscapes or portraits where subtlety in skin tones and shadow detail matters most. The LX3, while capable of sharp daylight images, struggles significantly at higher ISO settings, introducing noise and limiting creative latitude after sunset or indoors.
The LX3's smaller sensor is balanced somewhat by a bright f/2.0-2.8 lens with a 24-60mm equivalent range, assisting in low-light scenarios where optical speed can pull some weight. However, without interchangeable optics, it cannot match the versatility Olympus opens through its Micro Four Thirds lens ecosystem.
Autofocus Systems: Speed, Accuracy, and Sophistication
Autofocus (AF) capability is integral for capturing sharp images, especially when shooting moving subjects or working in dynamic environments.
The Olympus E-PL5 uses a contrast-detection AF system with 35 points, face detection, tracking, and continuous AF options. While lacking the more modern hybrid phase-detect components, the E-PL5's system, combined with on-sensor phase detection improvements in later models, delivers reliably fast and accurate focusing for its class, particularly when using native Micro Four Thirds lenses optimized for speed and precision.
Face detection autofocus works admirably on the E-PL5, aiding portrait photographers and casual shooters alike in ensuring crisply focused eyes and balanced compositions. Continuous AF and tracking make it reasonably effective for casual sports and wildlife work, though it falls behind advanced phase-detection mirrorless or DSLR systems in speed and tracking reliability under erratic motion.
Conversely, the Panasonic LX3 is limited to a relatively simplified contrast-detection single-point AF system without face detection or tracking capabilities. Manual focus, though possible, is best reserved for deliberate compositions or macro shots at close distance, owing to slow focus acquisition and lack of AF point selection flexibility.
In real-world use, Olympus’s AF system makes it superior for applications demanding focus responsiveness - from street photography to intermittent fast action - whereas the LX3 requires a more deliberate, patient approach to focusing.
Image Stabilization: Sensor-Based vs Optical Solutions
Both cameras incorporate image stabilization but via different technological approaches, which influences handling and shooting possibilities, particularly in low light.
The E-PL5 employs sensor-shift stabilization (in-body image stabilization, IBIS), stabilizing the sensor itself rather than relying on lens elements. This approach offers broad lens compatibility benefits, stabilizing any attached lens regardless of its design or optical stabilization features. It provides around 3-4 stops of shake reduction, according to lab tests and user reports, markedly aiding handheld shooting at slower shutter speeds.
The LX3 benefits from lens-based optical image stabilization (OIS), integrated into its fixed lens. While the Panasonic's OIS also offers substantial shake compensation for a compact, it is limited by the lens design and cannot be adapted to other lenses - a non-factor here since the LX3 is a fixed-lens camera.
In practical terms, Olympus's IBIS grants more flexible, reliable stabilization for diverse shooting conditions including low-light and macro, while Panasonic’s OIS works efficiently within the camera’s limited zoom range but cannot extend beyond it.
LCD Screens and Viewfinders: Composition and Playback Experiences
Quality of the rear LCD and viewfinder availability significantly impact usability in various lighting and shooting conditions.
Olympus with tilting touchscreen vs Panasonic’s fixed, non-touchscreen LCD.
The Olympus E-PL5 advances the user experience with a 3.0-inch tilting touchscreen LCD of 460k-dot resolution. This articulating screen facilitates high- or low-angle shooting, indispensable for dynamic composition in street or wildlife photography, and allows intuitive touch focusing and menu navigation. The lack of a built-in electronic viewfinder (EVF) is a noticeable omission; however, an optional external EVF can be mounted if desired.
On the other hand, the Panasonic LX3 features a 3.0-inch fixed LCD of identical resolution, but with no touchscreen capabilities and no viewfinder. This limitation hinders usability in bright daylight where screen glare can obstruct framing and reviewing images, a common challenge in compact cameras lacking EVFs.
For users prioritizing rich interface interaction and versatile shooting angles, Olympus holds a clear advantage. Although the E-PL5's absence of a built-in EVF is less ideal for bright outdoor use or prolonged compositions, the articulating touchscreen partially compensates by adjusting framing angles without awkward body positions.
Lens Ecosystem and Compatibility: Optical Versatility
One cannot overstate the importance of lens availability and quality on overall camera system capability.
The Olympus E-PL5 employs the Micro Four Thirds (MFT) mount, compatible with over 107 native lenses and numerous adapted third-party options. This ecosystem spans from ultra-wide to super-telephoto zooms, fast primes for portraits, macro lenses, and creative specialty optics - offering unparalleled flexibility for enthusiasts evolving their photography styles.
The Panasonic LX3 is constrained to its fixed 24-60mm (equivalent) lens with a bright f/2.0-2.8 aperture. While the fast lens performs admirably for general photography and moderately close macro work (focusing down to 1cm), it cannot match MFT’s optical range and upgradeability. Photographers limited to the LX3 must rely heavily on cropping or accept framing limitations, less ideal for wildlife or sports photography demanding extensive telephoto reach.
Consequently, the E-PL5 is preferred for photographers seeking system growth and lens-tailored image control, while the LX3 suits those prioritizing an all-in-one, travel-friendly solution.
Burst Shooting and Video Capabilities
Fast continuous shooting and video quality remain increasingly decisive in modern cameras, influencing usability for action and multimedia creators.
The Olympus E-PL5 offers 8 frames per second (fps) continuous shooting, a solid rate for its era and sensor class, well suited to capturing fleeting action in sports or wildlife. Video-wise, it records Full HD 1080p at 30fps in H.264 format but lacks advanced video features such as microphone or headphone jacks and 4K capabilities. Its stabilization aids hand-held video, yet video-centric users may find certain omissions limiting.
In contrast, the Panasonic LX3 provides a slower burst rate of 3 fps, reflecting its more compact, fixed-lens design focused on stills. Video recording maxes out at 720p HD at 24fps, with MPEG-4 and Motion JPEG codecs. Again, no external audio input or stabilization options exist beyond the optical image stabilization. Consequently, the LX3 is less suitable for demanding video work or fast continuous shooting requirements.
Battery Life and Connectivity
In-field endurance and connectivity options impact how long and effectively photographers can shoot without interruptions.
The Olympus E-PL5 achieves around 360 shots per charge using its BLS-5 lithium-ion battery, which is respectable for mirrorless cameras of its generation. It supports SD, SDHC, and SDXC storage cards, offering ample capacity for extended shoots. Wireless connectivity is limited to Eye-Fi card compatibility, with no built-in Wi-Fi or Bluetooth - something to consider for instant sharing or remote control.
The Panasonic LX3 lacks official battery life specs but, as a smaller compact, generally manages fewer shots per charge - often under 300. Storage supports SD, MMC, and SDHC cards plus internal memory, but wireless features are absent. Connectivity options target basic USB2.0 transfers, and there's no HDMI output, limiting immediate display options.
Beginners and travelers might therefore find Olympus’s better battery performance and richer media support more dependable for all-day shooting.
Real-World Photography Applications: Strengths and Limitations
Beyond specs, how do these cameras fare in the field across key photographic disciplines? Below is a breakdown illuminated by practical experience and sample testing.
Comparative sample images illustrating dynamic range, detail, and color rendition differences.
Portrait Photography
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Olympus E-PL5: The larger Four Thirds sensor delivers richer skin tones and smoother bokeh characteristics, although its 2.1x focal length multiplier necessitates longer lenses to achieve tight headshots. Its face-detection AF improves focus on eyes, and in-body stabilization assists in handholding slower apertures.
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Panasonic LX3: Produces decent color but limited subject separation due to small sensor and modest maximum zoom. No face detection or eye AF, so manual focus or patience is needed for sharp portraits.
Landscape Photography
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E-PL5: Excels due to larger sensor, 16MP resolution, and dynamic range enabling detailed shadows and highlights. Tilting screen aids composition from challenging angles. No weather sealing reduces rugged use.
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LX3: Smaller sensor constrains dynamic range and noise handling, but compact size and bright lens offer compositional convenience. Fixed wide end is beneficial but limited focal range.
Wildlife and Sports Photography
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E-PL5: 8fps burst and continuous AF suffice for casual wildlife and sports but lag behind modern phase-detect systems in tracking erratic movement. Interchangeable telephoto lenses avail longer reach.
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LX3: 3fps burst and slower AF limit capability. Fixed 24-60mm lens barely competes in telephoto needs.
Street Photography
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E-PL5: Bulkier; tilting LCD helpful for candid low-angle shots. Silent shutter unavailable.
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LX3: Pocket-sized, discreet, quick to activate; bright lens aids low light. Limited manual AF slowing spontaneous shots.
Macro Photography
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E-PL5: Supports macro lenses and benefits from in-body stabilization, enabling sharp close-ups.
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LX3: Impressive minimum focus distance (1 cm) delivers notable close-up results directly from the fixed lens.
Night and Astrophotography
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E-PL5: Larger sensor and higher max ISO (25600) allow more flexibility in low light, albeit with noise trade-offs at extremes.
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LX3: Low-light capacity limited; small sensor results in excessive noise above ISO 400.
Video Capabilities
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E-PL5: Full HD at 30fps with stabilization, reasonable for casual video work.
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LX3: HD 720p at 24fps, limited formats, no stabilization.
Travel Photography
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E-PL5: Weighs more but versatility with lenses and image quality is strong.
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LX3: Ultra portable, excellent for travel snapshots and street scenes.
Performance Ratings: Overall and Genre-Specific Evaluations
The Olympus E-PL5 leads comfortably in most categories, especially image quality and versatility, while the LX3 holds niche appeal in portability.
Conclusion: Which Camera Fits Your Needs?
After an exhaustive comparative analysis, it is clear the Olympus E-PL5 outperforms the Panasonic LX3 across fundamental dimensions: sensor size, image quality, autofocus system versatility, and lens selection. Its design caters well to enthusiasts progressing into creative manual techniques across diverse genres - from portraits through landscapes to wildlife.
Conversely, the Panasonic LX3 delivers a solid value proposition for photographers prioritizing portability, simplicity, and compactness over ultimate image quality or expandability, making it a venerable street and travel camera from its generation.
Recommendation Summary:
User Type | Recommended Camera | Reasoning |
---|---|---|
Beginner casual shooters wanting ease and pocketability | Panasonic LX3 | Lightweight, intuitive fixed-lens compact with bright optics |
Enthusiasts aspiring for creative growth, lens interchangeability | Olympus E-PL5 | Superior sensor, controls, stabilization, and ecosystem |
Portrait and landscape photographers demanding image quality | Olympus E-PL5 | Large sensor, dynamic range, and focusing capabilities |
Street photographers valuing discretion | Panasonic LX3 | Compactness and fast lens |
Wildlife/sports shooters needing speed and reach | Olympus E-PL5 | Higher burst rate, better AF, telephoto lenses compatibility |
Video hobbyists | Olympus E-PL5 | Full HD recording and stabilization |
Final Thoughts
Choosing between these two cameras remains a trade-off between portability and image quality that distinctly aligns with personal photographic priorities. While the Olympus E-PL5 stands up well against many contemporaries for its time, offering a balance of performance and creative freedom, the Panasonic LX3 appeals as a specialist compact that punches above its sensor class in optical speed and macro abilities.
This detailed comparison, grounded in extensive testing and real-world application, hopes to empower your decision-making with transparent insights transcending marketing hype. Your next great photograph starts with informed gear selection - may this guide be your trusted companion on that journey.
For further technical breakdowns, sample galleries, and user workflow tips, join our photography community and explore in-depth reviews matched to your shooting aspirations.
Olympus E-PL5 vs Panasonic LX3 Specifications
Olympus PEN E-PL5 | Panasonic Lumix DMC-LX3 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model type | Olympus PEN E-PL5 | Panasonic Lumix DMC-LX3 |
Type | Entry-Level Mirrorless | Small Sensor Compact |
Announced | 2012-09-17 | 2008-11-04 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/1.63" |
Sensor dimensions | 17.3 x 13mm | 8.07 x 5.56mm |
Sensor area | 224.9mm² | 44.9mm² |
Sensor resolution | 16 megapixels | 10 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 3648 x 2736 |
Maximum native ISO | 25600 | 6400 |
Min native ISO | 200 | 80 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 35 | - |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 24-60mm (2.5x) |
Max aperture | - | f/2.0-2.8 |
Macro focusing distance | - | 1cm |
Total lenses | 107 | - |
Crop factor | 2.1 | 4.5 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display size | 3" | 3" |
Resolution of display | 460k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Min shutter speed | 60 seconds | 60 seconds |
Max shutter speed | 1/4000 seconds | 1/2000 seconds |
Continuous shutter rate | 8.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.00 m (bundled FL-LM1) | 8.30 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/250 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (HD 24 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30fps), 320 x 240 (10fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video format | MPEG-4, H.264, Motion JPEG | - |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 325 gr (0.72 lb) | 265 gr (0.58 lb) |
Dimensions | 111 x 64 x 38mm (4.4" x 2.5" x 1.5") | 109 x 60 x 27mm (4.3" x 2.4" x 1.1") |
DXO scores | ||
DXO Overall rating | 72 | 39 |
DXO Color Depth rating | 22.8 | 19.6 |
DXO Dynamic range rating | 12.3 | 10.8 |
DXO Low light rating | 889 | 94 |
Other | ||
Battery life | 360 photographs | - |
Form of battery | Battery Pack | - |
Battery ID | BLS-5 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | SD/MMC/SDHC card, Internal |
Card slots | Single | Single |
Pricing at release | $400 | $449 |