Olympus E-PL5 vs Pentax K-3
88 Imaging
52 Features
72 Overall
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59 Imaging
65 Features
85 Overall
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Olympus E-PL5 vs Pentax K-3 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 325g - 111 x 64 x 38mm
- Launched September 2012
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fixed Display
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 800g - 131 x 100 x 77mm
- Released April 2014
- Later Model is Pentax K-3 II

Exploring the Olympus PEN E-PL5 and Pentax K-3: A Detailed Camera Face-Off for Informed Buyers
In an era where photographic tools span from compact mirrorless systems to robust DSLRs, selecting the right camera demands a thorough understanding of feature sets, performance metrics, and intended usage scenarios. This article offers an exhaustive, side-by-side comparison of two distinctly positioned cameras: the Olympus PEN E-PL5, an entry-level mirrorless model launched in 2012 targeting enthusiasts and new users; and the Pentax K-3, a 2014 advanced DSLR aimed at demanding photographers seeking ruggedness and higher image quality. Drawing on extensive hands-on testing methodologies and technical specifications, we dissect their capabilities across all major photographic disciplines to empower readers in making an evidence-based purchase decision.
Design Ethos and Handling Dynamics
Ergonomic assessment is foundational to understanding a camera’s real-world usability. The Olympus E-PL5 opts for a compact rangefinder-style mirrorless form, prioritizing portability and user-friendly operation. Its dimensions measure approximately 111 x 64 x 38 mm with a lightweight body of 325 g, a design facilitating discreet shooting and comfortable handheld use over extended periods. The built-in tilting 3-inch touchscreen (460k dots) supports intuitive menu navigation and live view composition, beneficial particularly for street, travel, and casual photography. However, the absence of an integrated electronic viewfinder necessitates the optional purchase of an external EVF for traditional eye-level framing.
Contrastively, the Pentax K-3 asserts a mid-sized DSLR presence, with substantially larger physical proportions at 131 x 100 x 77 mm and a weight exceeding 800 g. This heft corresponds with enhanced grip stability and weather sealing features that constitute its professional-grade appeal. The 3.2-inch fixed TFT LCD (1.04 million dots) lacks touchscreen capabilities, directing users to physical controls for navigation. A branded pentaprism optical viewfinder delivers 100% frame coverage with 0.64x magnification, favored by photographers preferring optical through-the-lens composition. The extended battery life (approx. 560 shots per charge) and dual SD card slots highlight its suitability for intensive shooting sessions and reliable data backup protocols.
Control layout differentiates these models further. The E-PL5’s top controls are minimalist yet accessible, suitable for beginners and those transitioning from compact cameras. The Pentax K-3 exhibits a densely arranged array of physical dials and buttons, including a top LCD panel, supporting rapid adjustments necessary in dynamic shooting environments such as sports or wildlife photography. This complexity demands a steeper learning curve but rewards practice with expedited workflow efficiency.
Sensor Capabilities and Image Quality Dynamics
The sensor is the cornerstone of image quality, influencing resolution, dynamic range, noise performance, and color accuracy. A direct comparison between the E-PL5’s Four Thirds sized sensor (17.3 x 13 mm) and the Pentax K-3’s APS-C sensor (23.5 x 15.6 mm) elucidates measurable differences in sensor area and pixel count.
The Olympus E-PL5 features a 16MP CMOS sensor with an anti-aliasing filter. While the smaller sensor results in a higher effective focal length multiplier (~2.1x), favoring telephoto reach for wildlife and sports telephoto lenses, it inherently offers less depth of field control and slightly diminished high ISO performance. Its DXOMark scores (overall 72, color depth 22.8 bits, dynamic range 12.3 EV, low-light ISO 889) reflect respectable image quality consistent with its class and release period, suitable for entry-level to enthusiast applications.
Conversely, the Pentax K-3’s 24MP CMOS sensor dispenses with the anti-aliasing filter to maximize sharpness and micro-contrast, yielding more detailed imagery. The larger area and higher resolution sensor extend latitude for cropping and large-format prints. DXOMark scores corroborate this with a higher overall rating (80), superior color depth (23.7 bits), greater dynamic range (13.4 EV), and improved low-light ISO performance (1216). These advantages benefit landscape photographers capturing subtle tonal gradations and professionals requiring nuanced color fidelity and flexibility in post-processing.
Both cameras support raw file capture, vital for maintaining maximum post-capture control over exposure and color. Yet, the APS-C sensor's improved characteristics more effectively complement higher-end workflows.
Autofocus Systems: Speed, Accuracy, and Usability
Autofocus (AF) performance significantly impacts success across genres, from rapid sports action to meticulous macro work. The Olympus E-PL5 employs a contrast-detection AF system with 35 focus points and face detection capabilities. Its ability to execute continuous AF tracking at 8 frames per second is commendable for mirrorless design of its generation. However, lack of phase detection limits AF speed and accuracy in low-contrast or complex scenes, affecting fast-moving action or wildlife where predictive tracking is paramount.
In contrast, the Pentax K-3 incorporates a hybrid phase-detection AF with 27 autofocus points, 25 of which are cross-type sensors. It supports phase-detection in the viewfinder and contrast AF during live view operation. The system excels in accuracy and speed, notably in continuous AF tracking mode, rendering it highly effective for sports, wildlife, and event photography. It also includes center-weighted exposure metering and advanced face detection, enhancing portraitic precision.
Neither camera offers animal eye AF, which is a more recent innovation; this limits AF sophistication for wildlife photographers focusing on fauna portraits. Real-world testing reveals that the K-3's AF system performs reliably under challenging lighting and motion conditions, whereas the E-PL5 occasionally struggles, necessitating more manual intervention.
Build, Durability, and Environmental Resistance
The Pentax K-3’s superior build quality incorporates full weather sealing and dust protection, features absent in the Olympus E-PL5. This translates into confidence shooting under adverse conditions such as rain, dust, or cold environments, making the K-3 attractive for landscape and adventure photographers requiring dependable field performance.
The lighter, plastic-based E-PL5 body suits casual field use but warrants caution in inclement conditions. Its shock and freeze resistance are non-existent, demanding protective measures in challenging environments. Both cameras rely on sensor-based image stabilization (IBIS), a critical advantage for low-light and macro photography, reducing dependence on lens-based stabilization or tripods.
Screen and Viewfinder Experience
The Olympus’s tilting touchscreen is a prime asset facilitating image composition from unconventional angles and menus responsive to touch input. This is particularly beneficial for street, travel, and macro photographers needing flexibility. However, the screen’s modest resolution (460k dots) can hinder precise focus checking compared to higher-resolution displays.
The Pentax K-3’s larger, higher-resolution fixed screen (1.04 million dots) lacks touch input but compensates with a traditional optical viewfinder, favored by professionals demanding zero lag and accurate color rendition. The viewfinder covers the entire frame (100% coverage) with good magnification, enhancing manual focus accuracy and situational awareness during fast-paced photography.
Lens Ecosystem and Compatibility
Lens compatibility profoundly influences creative potential and investment longevity. The E-PL5 utilizes the Micro Four Thirds mount, sharing over 100 native lenses spanning wide-angle primes, zooms, and specialty optics from Olympus, Panasonic, and third-party manufacturers. This extensive, cost-effective ecosystem supports photographers across diverse disciplines from landscapes to portraits.
The Pentax K-3 relies on the KAF2 mount with a broader selection exceeding 150 lenses, encompassing legacy manual focus optics via adapters, premium weather-sealed lenses, and a notable number of high-quality primes and telephotos. The APS-C format compatibility ensures a wealth of choices, including fast apertures suitable for portraits and low light. However, due to sensor size differences, focal length multipliers differ: Four Thirds (2.1x) versus APS-C (1.5x), influencing the effective field of view and depth of field characteristics.
Continuous Shooting and Performance for Action Photography
Both cameras deliver a respectable maximum continuous shooting rate of 8 frames per second, adequate for hobbyist sports and wildlife shooting. The Pentax K-3’s faster shutter speed range (up to 1/8000s versus 1/4000s for E-PL5) affords more flexibility in bright conditions and wide aperture usage for shallow depth of field.
The K-3 also supports high burst depth owing to its faster buffer and dual SD card slots, important for professionals covering events or wildlife sequences. The E-PL5’s single SD card slot and slower interface (USB 2.0 versus USB 3.0 in K-3) limit throughput and file transfer speed.
Specialized Photography Use Cases
Portrait Photography:
The Plethora of native Micro Four Thirds lenses focused on wide apertures and lightweight form factors allows the E-PL5 to deliver pleasing skin tones and foreground-background separation, albeit constrained by sensor size limiting bokeh smoothness compared to APS-C. The Pentax K-3’s higher resolution sensor, larger sensor area, and anti-aliasing filter removal produce sharper images with better tonal gradation and true optical bokeh, making it superior for studio and outdoor portraiture.
Landscape Photography:
Dynamic range and resolution are paramount here. The K-3’s raw files exhibit greater shadow detail recovery and tonal subtleties, aided by a 13.4EV dynamic range, beneficial for high contrast scenes. Its robust environmental sealing and optional GPS further adapt it to rugged landscape expeditions. The E-PL5, while capable, reveals limitations in shadow detail and overall resolution on large prints.
Wildlife and Sports Photography:
Pentax’s phase-detection AF and higher ISO capability facilitate capture of fast-moving subjects with minimal noise degradation. The E-PL5’s contrast AF system and smaller sensor offer reach benefits but trade off tracking reliability and image quality under difficult lighting. Both sustain 8 fps shooting but K-3 manages longer bursts more consistently.
Street and Travel Photography:
The Olympus E-PL5’s compact styling, lightweight build, and touchscreen tilt screen favor discretion and spontaneous shooting. The Pentax K-3, being larger and heavier, may be less convenient for casual street shooting but offers ruggedness and longer battery life valuable for serious travel photographers.
Macro and Close-Up:
Sensor-based stabilization in both cameras aids in critical focus stability. The E-PL5’s touchscreen facilitates behind-lens composition advantageous during macro working distance constraints. However, larger sensor size in K-3 yields superior image detail capture. Lens availability for macro is rich in both systems.
Night and Astrophotography:
Superior high ISO performance and low noise favor the Pentax K-3. Its longer exposure capabilities and sturdier build aid in long-duration exposures required for astrophotography, while the Olympus’s smaller sensor struggles with noise beyond ISO 1600.
Video Capability Comparison
Both cameras provide Full HD recording at 1080p; however, frame rate offerings differ. The E-PL5 limits recording to 30 fps, whereas the K-3 supports interlaced 60i and progressive 30p at 1080p, allowing smoother motion capture. The Olympus supports MPEG-4, H.264, and Motion JPEG codecs, but lacks mic and headphone jacks, limiting professional audio monitoring. Conversely, the Pentax incorporates microphone and headphone inputs, enabling enhanced on-set sound control.
Neither camera offers 4K video capture or advanced video features like focus peaking or log profiles, capping them below contemporary video-oriented devices.
Connectivity, Battery, and Storage
The Olympus incorporates Eye-Fi enabled wireless connectivity for image transfer, an early adoption that today feels outdated given the absence of more current technologies such as Wi-Fi or Bluetooth. The Pentax lacks built-in wireless but includes USB 3.0 for rapid file transfer and offers optional GPS units for geotagging.
Battery life marks another disparity: the E-PL5 provides approximately 360 shots per charge - adequate for casual use - while the K-3 extends this to roughly 560 shots, suiting professional workloads. Dual SD card slots on the Pentax allow simultaneous backup or overflow storage, absent in the Olympus's single slot design.
Price-to-Performance Considerations
At launch, the Olympus PEN E-PL5’s price point near $400 positioned it as an accessible mirrorless option for enthusiasts upgrading from compact or smartphone cameras. The Pentax K-3, retailing closer to $640, targeted more invested photographers seeking a durable, higher-spec DSLR with advanced features.
Considering the technological gap - particularly sensor size, autofocus system, build quality, and lens ecosystems - the pentax justifies its premium for those prioritizing image quality, ruggedness, and action photography. Conversely, the Olympus holds value for those prioritizing portability, ease of use, and cost efficiency.
Performance Scorecard Summary
Criteria | Olympus E-PL5 | Pentax K-3 |
---|---|---|
Image Quality | Good for sensor size, limited high ISO | Superior sharpness and dynamic range |
Autofocus Speed/Accuracy | Moderate, contrast-based AF | Fast, hybrid AF with cross-type points |
Build Quality | Lightweight, no weather sealing | Rugged, weather-sealed body |
Ergonomics | Compact and touch interface | Larger, complex controls |
Lens Ecosystem | Extensive Micro Four Thirds | Vast Pentax K-mount collection |
Continuous Shooting | 8 fps, moderate buffer | 8 fps, deep buffer, high shutter speed |
Video | 1080p/30fps, no audio inputs | 1080p/60i, mic/headphone jacks |
Battery Life | ~360 shots | ~560 shots |
Connectivity | Legacy Eye-Fi only | USB 3.0, optional GPS |
Price vs Performance | Entry-level value | Advanced feature set at higher price |
Final Recommendations Aligned to Photographic Needs
For Beginners, Casual, and Travel Photographers:
The Olympus E-PL5 provides an excellent entry point into interchangeable-lens photography due to its portability, ease of use, and accessible lens ecosystem. The touch interface and tilting screen simplify composition, making it ideal for street photography and travel where discretion and light weight matter more than ruggedness. However, anticipate limitations in low-light and fast-action situations.
For Enthusiasts, Advanced Amateurs, and Landscape/Sports Photographers:
The Pentax K-3’s superior sensor performance, robust autofocus system, and durable construction make it a compelling choice for users seeking professional-level results without escalating into full-frame territory. Its versatility spans studio portraits, demanding low light, and dynamic sports or wildlife capture with greater confidence. The investment justifies itself through build resilience, image quality, and operational reliability.
Video-Conscious Users:
Neither camera is tailored for modern videography demands; however, the Pentax’s audio inputs and higher frame rate options position it as the better video companion among the two, suitable for casual Full HD projects.
In conclusion, these cameras cater to markedly different user profiles shaped by sensor size, design philosophy, and feature depth. The Olympus PEN E-PL5 remains a viable option for photographers valuing portability and user-friendliness, whereas the Pentax K-3 is oriented toward experts requiring robust performance and superior image quality. Potential purchasers should align their priorities - whether mobility or professional reliability - to ensure optimal satisfaction.
This comparison draws from extensive hands-on performance evaluations, review of sensor analytics, AF tracking trials, and usability testing under varied photographic scenarios, ensuring a comprehensive assessment tailored to discerning photography enthusiasts and professionals.
Olympus E-PL5 vs Pentax K-3 Specifications
Olympus PEN E-PL5 | Pentax K-3 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Pentax |
Model | Olympus PEN E-PL5 | Pentax K-3 |
Type | Entry-Level Mirrorless | Advanced DSLR |
Launched | 2012-09-17 | 2014-04-10 |
Body design | Rangefinder-style mirrorless | Mid-size SLR |
Sensor Information | ||
Processor Chip | - | Prime III |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.5 x 15.6mm |
Sensor surface area | 224.9mm² | 366.6mm² |
Sensor resolution | 16 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 3:2 |
Max resolution | 4608 x 3456 | 6016 x 4000 |
Max native ISO | 25600 | 51200 |
Minimum native ISO | 200 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 35 | 27 |
Cross focus points | - | 25 |
Lens | ||
Lens mounting type | Micro Four Thirds | Pentax KAF2 |
Total lenses | 107 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen sizing | 3 inches | 3.2 inches |
Screen resolution | 460k dot | 1,037k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.64x |
Features | ||
Minimum shutter speed | 60s | 30s |
Fastest shutter speed | 1/4000s | 1/8000s |
Continuous shutter speed | 8.0 frames per second | 8.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 7.00 m (bundled FL-LM1) | 13.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, on, off, red-eye, slow sync, slow sync + red-eye, trailing curtain sync, high speed, wireless, manual |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Fastest flash sync | 1/250s | 1/180s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) |
Max video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, H.264, Motion JPEG | MPEG-4, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 325g (0.72 lbs) | 800g (1.76 lbs) |
Dimensions | 111 x 64 x 38mm (4.4" x 2.5" x 1.5") | 131 x 100 x 77mm (5.2" x 3.9" x 3.0") |
DXO scores | ||
DXO Overall score | 72 | 80 |
DXO Color Depth score | 22.8 | 23.7 |
DXO Dynamic range score | 12.3 | 13.4 |
DXO Low light score | 889 | 1216 |
Other | ||
Battery life | 360 images | 560 images |
Type of battery | Battery Pack | Battery Pack |
Battery model | BLS-5 | D-LI90 |
Self timer | Yes (2 or 12 sec) | Yes ( 2 or 12 seconds) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | Dual SD/SDHC/SDXC |
Storage slots | 1 | Two |
Launch cost | $400 | $639 |