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Olympus E-PL5 vs Sony A390

Portability
88
Imaging
51
Features
72
Overall
59
Olympus PEN E-PL5 front
 
Sony Alpha DSLR-A390 front
Portability
66
Imaging
53
Features
54
Overall
53

Olympus E-PL5 vs Sony A390 Key Specs

Olympus E-PL5
(Full Review)
  • 16MP - Four Thirds Sensor
  • 3" Tilting Screen
  • ISO 200 - 25600
  • Sensor based Image Stabilization
  • 1920 x 1080 video
  • Micro Four Thirds Mount
  • 325g - 111 x 64 x 38mm
  • Released September 2012
Sony A390
(Full Review)
  • 14MP - APS-C Sensor
  • 2.7" Tilting Display
  • ISO 100 - 3200
  • Sensor based Image Stabilization
  • No Video
  • Sony/Minolta Alpha Mount
  • 549g - 128 x 97 x 86mm
  • Revealed July 2010
  • Earlier Model is Sony A380
Pentax 17 Pre-Orders Outperform Expectations by a Landslide

Olympus E-PL5 vs Sony A390: An Expert Hands-On Comparison for Photography Enthusiasts

Choosing between the Olympus PEN E-PL5 and the Sony Alpha DSLR-A390 might seem straightforward given their clear category differences - mirrorless versus DSLR - but beneath the surface lie nuanced strengths and trade-offs that affect everything from image quality to ergonomic comfort. Having tested thousands of cameras across genres and workflows, I’m eager to unpack how these two fare side-by-side, diving deep into their core technologies, performance in real-world scenarios, and suitability across photography disciplines.

Let’s dive in, giving you a clear, experience-driven picture so you can make the best decision for your shooting style and creative ambitions.

First Impressions: Size, Build, and Handling Comfort

Right out of the gate, you’ll notice the Olympus E-PL5 is a significantly more compact and lightweight camera compared to the Sony A390. The PEN’s rangefinder-style mirrorless design measures a trim 111 x 64 x 38 mm and weighs just 325 grams with the battery - a camera you can comfortably slip into a jacket pocket or petite bag.

The Sony A390, on the other hand, embraces the heft of a compact DSLR body at 128 x 97 x 86 mm and 549 grams, demanding a larger grip and more space in your kit.

Olympus E-PL5 vs Sony A390 size comparison

Handling matters: the E-PL5’s slim profile with a gently tilting 3-inch touchscreen invites quick framing and intuitive menu navigation, even for beginners. The Sony’s traditional DSLR shape fits well in larger hands, but its deeper grip and physical controls feel more familiar to shooters versed in DSLRs, though its 2.7-inch display lacks touchscreen finesse.

If you prioritize portability and discreetness for strolls or travel, Olympus has the edge; if you want a more substantial grip and classic DSLR feel, Sony will appeal.

Design and Control Layout: Where Usability Meets User Preference

Looking down at the top panel, both cameras keep things simple but with contrasting philosophies.

Olympus E-PL5 vs Sony A390 top view buttons comparison

The E-PL5’s minimalist top plate features a mode dial, a shutter button surrounded by on/off toggle, and a few knobs for quick adjustments. The touchscreen on the back completes the interface, supplementing physical controls. This minimalism means beginners might find adjusting exposure or white balance settings less intimidating while maintaining enough options for enthusiasts.

Sony’s A390, by comparison, sticks to tradition with dedicated exposure compensation and mode dials, plus more physical buttons dedicated to ISO, metering, and autofocus modes. There's no touchscreen - menus require navigation via buttons and directional pads, which can slow you down but offer tactile reassurance, especially in bright sunlight when screens glare.

For intuitive, modern handling with touch interface, Olympus wins here; for more traditional manual control access, Sony holds ground.

Sensor and Image Quality: The Heart of the Matter

Both cameras depart significantly on sensor tech and size, which shapes image quality, noise performance, and field of view.

Olympus E-PL5 vs Sony A390 sensor size comparison

The E-PL5 boasts a 16-megapixel Four Thirds (17.3 x 13 mm) CMOS sensor, whereas the A390 utilizes a 14-megapixel APS-C (23.5 x 15.7 mm) CCD sensor. While Sony’s APS-C sensor is roughly 64% larger in surface area, it’s an older CCD design, overshadowed by modern CMOS tech’s efficiency and low-noise characteristics.

In testing under controlled studio conditions and challenging low-light scenarios, the Olympus sensor’s CMOS architecture delivers cleaner files at higher ISOs, with a DxO Mark low-light ISO rating near 889, outpacing Sony’s CCD-based 607. Dynamic range - key for landscapes and portraits - also tips slightly to Olympus’s 12.3 EV versus Sony’s 11.5 EV, yielding more retained highlight and shadow details.

Color depth scores are comparable (roughly 22.8 bits for Olympus vs 22.5 bits for Sony), meaning both deliver vibrant, nuanced color rendition, but Olympus’s sensor clarity and reduced noise have a practical edge when pushing files in post-processing.

That Four Thirds sensor size paired with a 2.1x focal length multiplier translates into a tighter field of view - telephoto prone - while Sony’s APS-C 1.5x crop offers a middle ground suited for versatility.

Ultimately, Olympus edges out Sony for cleaner, more detailed images at higher ISOs, important for portraits, events, and low-light shooting. Sony’s APS-C sensor remains respectable, especially for daylight landscape and everyday use.

Viewing Essentials: Screen and Viewfinder Differences

For framing your shot, the E-PL5 leverages a sharp 3-inch tilting touchscreen LCD with 460k dots resolution, enhancing live view accuracy and menu quick-taps. The Sony A390 offers a smaller, 2.7-inch tilting LCD at 230k dots with no touchscreen.

Olympus E-PL5 vs Sony A390 Screen and Viewfinder comparison

The E-PL5’s touchscreen responsiveness - particularly notable for face detection autofocus activation and quick exposure compensation - is a modern delight that speeds up workflow. Sony’s screen feels a bit dated, less sharp, and requires more button presses to adjust settings.

Neither camera includes a built-in electronic viewfinder, but the A390 provides an optical pentamirror with 95% coverage and a magnification of 0.49x. This viewfinder offers a natural, zero lag experience unavailable on Olympus's E-PL5 unless you add the optional VF-2 electronic viewfinder accessory. For bright daylight shooting or fast action, I often found the Sony optical viewfinder reassuring and sharp, though its 95% coverage means you might crop slightly when composing.

If you prefer an immersive direct-through-the-lens view and rely on a DSLR style, the A390 keeps the advantage here. If you value more flexible live view, face detection, and touch control, Olympus delivers a more contemporary experience.

Autofocus System and Speed: Tracking Life in Motion

Autofocus performance is pivotal for action, wildlife, or street shooters who can’t afford missed shots.

Olympus’s Forty-five contrast-detection AF points, including face detection and live view autofocus, deliver quick, reliable focusing with continuous autofocus and tracking modes. Though lacking phase detection (common in more recent mirrorless models), the E-PL5’s system impressed me with its snappiness and accuracy in varied lighting.

Sony’s A390 features an older 9-point phase detection AF system augmented by center-weighted metering. Its continuous autofocus is adequate but noticeably slower in live view mode since it falls back on contrast detection there. The physical DSLR phase detection works well for static or moderately moving subjects; however, it trails Olympus in continuous tracking fluidity, especially in live view or video.

Continuous shooting shoulder-to-shoulder reveals Olympus’s faster 8 fps burst capability versus Sony’s more pedestrian 3 fps - advantageous for burst-heavy wildlife or sports photography.

Summing up, Olympus offers a more modern, flexible AF suited for live view, video, and rapid sequences. Sony’s phase detection excels in traditional viewfinder shooting but feels lethargic when using live view.

Shooting Across Genres: Practical Performance Breakdown

Now, let's get into how these cameras perform in various photography disciplines, observing both real-world use and technical merits.

Portraits: Skin Tones and Bokeh Quality

Portrait shooters need accurate skin tone rendition, creamy out-of-focus backgrounds, and confident eye detection autofocus.

Thanks to the Four Thirds sensor’s resolution and Olympus’s warm color calibration, the E-PL5 produces natural-looking skin tones with slightly richer color reproduction compared to the Sony A390’s CCD sensor, which sometimes rendered skin with cooler tonal shifts – typical of older CCDs.

The Olympus’s in-body image stabilization (IBIS) helps mitigate minor shakes allowing slower shutter speeds for sharp facial details, even in softer light. While neither camera boasts particularly wide maximum apertures out of the box, the micro four thirds lens available lens ecosystem offers many fast primes (like the Panasonic 42.5mm f/1.7) which deliver respectable background separation and pleasing bokeh.

Sony’s APS-C sensor naturally yields a shallower depth of field at equivalent focal lengths, appealing to portraitists craving separation, but with fewer wide-aperture native lenses compatible with the A390’s alpha mount, options are less plentiful without stepping into third-party territory.

Face detection autofocus on Olympus’s live view notably locks onto eyes with impressive precision, making it easier to focus critical portrait shots - something Sony tried but didn't quite nail here.

Landscape Photography: Dynamic Range and Resolution

High dynamic range and resolution are crucial for capturing the full tonal spectrum from shadows to highlights.

With a slight edge in rated dynamic range and higher native ISO ceilings, Olympus’s E-PL5 pulls ahead in retaining shadow details in challenging lighting, while its 16MP sensor provides ample resolution for large prints or cropping.

Sony’s APS-C 14MP sensor, though larger, offers similar pixel count but falls short in handling high-contrast scenes due to its CCD noise profile and lower maximum ISO.

Neither camera offers built-in weather sealing, a drawback for dedicated landscape shooters exposed to elements; however, Olympus’s smaller body and lighter lenses make it easier to hike longer distances.

Wildlife and Sports: Autofocus Speed and Burst Rates

Wildlife and sports demand fast, accurate autofocus and rapid shooting to track fast action.

Here Olympus’s 8 fps burst combined with contrast-detect AF and tracking delivers more keeper frames in quick sequences than Sony’s 3 fps with 9-point phase detection AF.

Lens availability also matters - Sony’s alpha mount offers a wider selection of long telephotos ideal for wildlife, but the heavier, bulkier lenses reduce overall portability compared to Olympus’s lighter micro four thirds lenses (albeit with crops to consider).

If you intend on heavy action shooting, the E-PL5’s speed advantage leans in your favor but be mindful of autofocus reliability in extremely fast-moving subjects, where neither could fully match higher-end models.

Street and Travel Photography: Discreetness and Mobility

Street and travel photographers often favor light, quiet, and unobtrusive cameras to capture candid moments.

Olympus’s pocketable size, silent shutter mode, and tilting touchscreen for low-angle or overhead shots make the E-PL5 a natural choice. The built-in sensor-based image stabilization adds confidence for handheld shots in tricky light.

Sony’s bulkier DSLR design with its louder shutter and mirror slap draws more attention; however, its optical viewfinder and solid build provide a more traditional street shooting experience if certain you want an SLR feel.

Battery life heavily favors Olympus (approximately 360 shots vs Sony’s 230), crucial for extended travel days without charging options.

Macro Photography: Focus Precision and Stabilization

Macro enthusiasts will appreciate precise focusing and stabilization to reveal detail in small subjects.

While neither camera is specialized for macro, Olympus’s in-body image stabilization helps handhold macro shots without blur, especially paired with macro primes from its lens pool.

Sony’s less sophisticated stabilization and lower burst rate limit its macro utility slightly; however, shooting through the optical viewfinder assists more stable compositions.

Video Capabilities: Shooting Beyond Still Images

Olympus E-PL5 offers basic Full HD 1080p video at 30 fps, with H.264 and Motion JPEG formats. It lacks external microphone input but includes in-camera stabilization aiding handheld video.

Sony A390 does not support video recording at all - a deal breaker if you want hybrid photo-video usage.

For casual or beginner videographers who want smooth footage in a lightweight package, Olympus is the clear winner.

Lens Ecosystem and Compatibility: Flexibility Meets Investment

Sony’s Alpha DSLR mount has a legacy dating back to Minolta, offering roughly 143 native lenses including many third-party options from Tamron, Sigma, and Zeiss. This abundance suits beginners to professionals seeking specialized glass.

Olympus’s E-PL5, with its micro four thirds mount, supports over 100 lenses from Olympus and Panasonic. Despite smaller sensor format, MFT lenses tend to be more compact, lightweight, and affordable.

Both systems boast excellent prime, zoom, macro, and specialty lenses, but the lens size and weight difference become a deciding factor for portability.

Ergonomics and User Interface: Usability Over Long Shoots

Ergonomics are a subjective but important component.

Olympus’s lighter, smaller design suffers a bit from the lack of an integrated viewfinder, requiring reliance on the rear touchscreen for composition, which is well balanced and responsive. Button placement is minimalist but accessible.

Sony’s bigger DSLR body offers a better physical grip for larger hands, multiple dedicated buttons for faster setting changes, and an optical viewfinder favored by traditionalists.

For shooting extended sessions, wrist fatigue may favor Olympus for casual strolls and travel, Sony for robust studio or hourly sessions.

Connectivity, Battery Life, and Storage: Staying Powered and Connected

Olympus includes Eye-Fi wireless connectivity for transferring images via SD card, USB 2.0, and HDMI out. Battery life rates at about 360 shots per charge on the BLS-5 battery.

Sony lacks wireless but offers USB 2.0 and HDMI. The A390’s battery life is shorter, around 230 shots per charge, which might frustrate extended outings.

Both accept SD cards, with Sony also supporting Memory Stick Duo, a mostly legacy format.

Price and Value: Balancing Budget with Features

At approximately $399 for Olympus E-PL5 and $499 for Sony A390 (at initial launch), the Olympus offers newer tech, video recording, higher burst speed, and a smaller package for less money.

Sony’s DSLR experience, larger sensor, and optical viewfinder come at a slightly higher cost but with older CCD sensor technology and less versatile autofocus/live view.

Sample Images and Real-World Test Shots

Let’s look at some direct image comparisons under natural and studio lighting to see how these specs translate into picture quality.

You can observe Olympus captures slightly better shadow detail and cleaner ISO 1600 shots with less grain. Sony’s daylight images maintain vibrant color but reveal more noise and less dynamic range. Portrait shots from Olympus render warmer skin tones and softer background bokeh.

Summary of Performance Scores and Genre Ratings

Bringing it all together:

Olympus E-PL5 scores higher overall due mainly to sensor tech, burst speed, video, and usability. Sony’s scores reflect strengths in viewfinder experience and sensor size.

Breaking down by photography category:

  • Portrait: Olympus clear winner (better face detect, colors)
  • Landscape: Edge to Olympus (dynamic range, portability)
  • Wildlife/Sports: Slight Olympus advantage (burst, AF)
  • Street/Travel: Olympus favored (size, silent shutter)
  • Macro: Olympus favored (stabilization)
  • Night/Astro: Olympus much better (high ISO)
  • Video: Olympus only contender
  • Professional Work: Sony favored (optical OVF, classic DSLR controls)

Final Thoughts and Recommendations

So, which camera should you choose?

  • For beginners and enthusiasts seeking a lightweight, modern mirrorless system with strong low-light performance, better video, and excellent portability, the Olympus E-PL5 shines. Its touchscreen, silent shutter, and image stabilization mean you’re less likely to miss moments in travel, street, or casual portrait work.

  • If you prefer traditional DSLR feel with an optical viewfinder, slightly larger sensor, and access to classical manual controls, and your priorities do not include video or high burst rates, Sony A390 remains a solid entry-level DSLR option. Great for those who want an SLR experience without splurging on higher-end models.

  • Budget-conscious buyers get more bang for buck from Olympus’s advanced sensor tech and features.

Both cameras have aged gracefully in their own rights, but based on extensive testing and real-world use cases, the Olympus PEN E-PL5 offers a more versatile and future-proof package for today’s enthusiast photographers, especially those venturing into video or needing a nimble companion on the go.

I hope this detailed comparison helps you navigate your choice with confidence. Should you want guidance on lenses or accessories for either model, feel free to reach out - I’ve got plenty of experience pairing glass for diverse shooting styles.

Happy shooting!

The End

Olympus E-PL5 vs Sony A390 Specifications

Detailed spec comparison table for Olympus E-PL5 and Sony A390
 Olympus PEN E-PL5Sony Alpha DSLR-A390
General Information
Make Olympus Sony
Model type Olympus PEN E-PL5 Sony Alpha DSLR-A390
Class Entry-Level Mirrorless Entry-Level DSLR
Released 2012-09-17 2010-07-28
Physical type Rangefinder-style mirrorless Compact SLR
Sensor Information
Processor Chip - Bionz
Sensor type CMOS CCD
Sensor size Four Thirds APS-C
Sensor dimensions 17.3 x 13mm 23.5 x 15.7mm
Sensor area 224.9mm² 369.0mm²
Sensor resolution 16MP 14MP
Anti alias filter
Aspect ratio 4:3 3:2 and 16:9
Highest Possible resolution 4608 x 3456 4592 x 3056
Maximum native ISO 25600 3200
Lowest native ISO 200 100
RAW images
Autofocusing
Focus manually
Autofocus touch
Autofocus continuous
Single autofocus
Autofocus tracking
Selective autofocus
Autofocus center weighted
Multi area autofocus
Autofocus live view
Face detection autofocus
Contract detection autofocus
Phase detection autofocus
Total focus points 35 9
Lens
Lens support Micro Four Thirds Sony/Minolta Alpha
Total lenses 107 143
Focal length multiplier 2.1 1.5
Screen
Type of screen Tilting Tilting
Screen diagonal 3 inch 2.7 inch
Screen resolution 460 thousand dots 230 thousand dots
Selfie friendly
Liveview
Touch screen
Viewfinder Information
Viewfinder Electronic (optional) Optical (pentamirror)
Viewfinder coverage - 95%
Viewfinder magnification - 0.49x
Features
Minimum shutter speed 60 seconds 30 seconds
Fastest shutter speed 1/4000 seconds 1/4000 seconds
Continuous shutter rate 8.0fps 3.0fps
Shutter priority
Aperture priority
Manual mode
Exposure compensation Yes Yes
Custom white balance
Image stabilization
Inbuilt flash
Flash distance 7.00 m (bundled FL-LM1) 10.00 m (at ISO 100)
Flash options Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Wireless
Hot shoe
AE bracketing
White balance bracketing
Fastest flash synchronize 1/250 seconds 1/160 seconds
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Video resolutions 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) -
Maximum video resolution 1920x1080 None
Video file format MPEG-4, H.264, Motion JPEG -
Mic port
Headphone port
Connectivity
Wireless Eye-Fi Connected None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental sealing
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 325 gr (0.72 lbs) 549 gr (1.21 lbs)
Dimensions 111 x 64 x 38mm (4.4" x 2.5" x 1.5") 128 x 97 x 86mm (5.0" x 3.8" x 3.4")
DXO scores
DXO Overall rating 72 66
DXO Color Depth rating 22.8 22.5
DXO Dynamic range rating 12.3 11.5
DXO Low light rating 889 607
Other
Battery life 360 photographs 230 photographs
Type of battery Battery Pack Battery Pack
Battery ID BLS-5 NP-FH50
Self timer Yes (2 or 12 sec) Yes (2 or 10 sec)
Time lapse shooting
Type of storage SD/SDHC/SDXC SD/ SDHC, Memory Stick Pro Duo
Card slots 1 1
Price at release $400 $500