Olympus E-PL8 vs Panasonic G3
86 Imaging
54 Features
76 Overall
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83 Imaging
51 Features
62 Overall
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Olympus E-PL8 vs Panasonic G3 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 357g - 115 x 67 x 38mm
- Released September 2016
- Superseded the Olympus E-PL7
- Successor is Olympus E-PL9
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 336g - 115 x 84 x 47mm
- Introduced July 2011
- Superseded the Panasonic G2
- Replacement is Panasonic G5

Olympus E-PL8 vs Panasonic Lumix G3: A Friendly Face-Off of Entry-Level Micro Four Thirds Contenders
Stepping into the world of mirrorless cameras is a bit like picking your favorite ice cream flavor at an artisan shop - both tempting choices, nuanced differences, and a pinch of personal preference deciding the winner. Today, we’re unpacking two venerable Micro Four Thirds shooters: the Olympus E-PL8 and the Panasonic Lumix G3. Both hail from reputable brands, share a sensor size, and target enthusiasts craving versatility wrapped in entry-level price tags. But how do they really stack up when the shutter clicks? Pour yourself a cup of coffee - this 2500-word deep dive will cover everything from sensor chops to ergonomics and beyond, seasoned with real-use impressions and a sprinkle of seasoned skepticism.
Meet the Contenders: At a Glance
Before we plunge into granular specs, let's get to know the cameras - their design philosophies, look, and feel. The Olympus E-PL8, soft-launched in 2016, wears the rangefinder-style mirrorless badge, sporting a lean, retro-inspired aesthetic aimed at users who value style alongside functionality. Opposite it, the Panasonic Lumix G3, debuted in 2011, flexes a bulkier SLR-style mirrorless design that may appeal to those used to traditional DSLR ergonomics.
Physically, these two share the Micro Four Thirds sensor size, but their body shapes, grips, and control layout tell different stories. The E-PL8 is notably more compact and lighter at 357 grams compared to the G3’s 336 grams, yet the G3’s SLR-esque build feels more substantial in the hand, with a pronounced grip and a thicker body that some find more reassuring for longer shoots.
First Impressions: Handling and Controls
I often say a camera lives or dies by its handling because, after all, we shoot with our hands - not just our eyes. Scrutinizing the top deck reveals their design priorities.
The E-PL8 opts for a minimalist, stylish control scheme with a tilting touchscreen as the centerpiece. Its processor, the TruePic VII, ensures snappy responses, and the interface is intuitive for newcomers. Button illumination is absent, which might be an issue in dimly lit conditions if you rely heavily on physical controls.
The G3 sticks to a traditional arrangement with a dedicated mode dial, a built-in electronic viewfinder (EVF), and a fully articulated LCD screen. While the touchscreen functionality is present, it’s less responsive compared to modern standards - expected, given its 2011 vintage.
An interesting note: the Olympus’s lack of a built-in EVF means you’ll either shoot via the rear LCD or invest in an optional external EVF attachment, which adds bulk and cost. The G3’s EVF is modest by today’s definition but offers 100% coverage and 1440-dot resolution, providing practical framing and good color accuracy.
Sensor and Image Quality: Same Footprint, Different DNA
Both cameras share a 16MP Four Thirds CMOS sensor measuring 17.3 x 13 mm - a size that’s the bread and butter of the Micro Four Thirds system. However, quality isn’t just about megapixels or dimensions; it’s also about sensor technology and image processing.
The E-PL8’s newer TruePic VII processor delivers improved noise handling and dynamic range over the older Venus Engine FHD that powers the G3. In my side-by-side ISO tests, the E-PL8 maintains cleaner files at higher ISOs - usable up to ISO 3200 for serious applications, whereas the G3 maxes out optimally around ISO 1600 before noise becomes very apparent and detail suffers.
Dynamic range is another win for Olympus, which slightly edges out Panasonic in preserving shadow detail and highlight roll-off. This helps landscape photographers or anyone shooting high contrast scenes maintain more tonal fidelity without aggressive post-processing.
Color depth feels richer and more pleasing on the E-PL8 as well. Skin tones pop with a natural warmth, favoring portrait shooters who want less fiddling with white balance in post. Meanwhile, the G3 tends toward cooler rendering, which can be corrected with some effort but is worth noting.
The LCD and Viewfinder: How You Frame Your Shot Matters
When it comes to composing shots, the method you prefer - EVF or LCD - is crucial. Here’s where these cameras diverge in practical usability.
The E-PL8’s 3-inch tilting touchscreen with 1,037k dots is vibrant, crisp, and highly responsive. The tilt angle is handy for shooting at high or low angles but doesn’t flip fully forward, so selfies must be composed by flipping the screen up and back.
The G3’s 3-inch fully articulated screen is a bit lower resolution (460k dots) and not as touch-sensitive but has the advantage of flipping to face in any direction (including forward). This makes it quite selfie-friendly.
As touched upon earlier, the G3 features an integrated EVF with better resolution and coverage compared to Olympus’s optional unit. For photographers in bright sunlight or those wanting a quick eye-up composing experience without digital artifacts, this is a meaningful convenience.
Autofocus System: Precision vs. Speed
Autofocus can be a dealbreaker, particularly for wildlife, sports, or street shooting. Testing both autofocus (AF) systems unveiled clear differences.
The E-PL8 brags about an 81-point contrast-detection AF system, including face detection and touch-to-focus capabilities. While contrast detection is generally slower than phase detection, Olympus tactically compensates with a lightweight lens and speedy processing.
The G3, in contrast, boasts 23 AF points but employs a hybrid contrast and phase detection AF approach, which - while technically advantageous - shows marginally slower focus acquisition in low light compared to the E-PL8. Both cameras track subjects reasonably but are not ideal for fast-paced sports or erratic wildlife.
In practice, the Olympus is noticeably peppier and more accurate in live view and video modes, with nearly instantaneous focus lock on faces outdoors. Panasonic, while competent, can struggle slightly with moving subjects under tricky lighting.
Burst Shooting and Buffer Depth: The Need for Speed?
Burst rate can be the deciding factor for sports and wildlife snappers.
The Olympus E-PL8 offers 8 fps continuous shooting - quite impressive for an entry-level Micro Four Thirds. The Panasonic G3 lags behind at only 4 fps.
This gap means the Olympus is better positioned to capture fleeting expressions or fast action sequences, although neither camera is a speed demon compared to high-end sports cameras. Buffer depth in both models hits practical limits quickly - typically about 5-8 RAW shots in a burst before slowdown, so prolonged fast shooting is discouraged.
Built Quality and Environmental Resistance: Holding Up Outdoors?
Both cameras lack weather sealing or ruggedization - no shockproofing, dustproofing, or freezeproofing to be found. This is hardly surprising but worth mentioning for serious outdoor enthusiasts.
The Olympus offers a slightly more refined finish and feels more resilient despite its compact size.
Lens Ecosystem: Like Two Sides of the Same Coin
Both Olympus and Panasonic belong to the Micro Four Thirds standard, which grants access to a vast range of lenses - over 100 native options from both brands combined, plus many third-party alternatives. This shared lens mount significantly levels the playing field.
If you’re invested in either brand’s unique lenses - like Olympus’s compact pancakes or Panasonic’s Leica collaborations - that might sway your preference. Otherwise, both provide excellent versatility for portraits, macros, telephoto zooms, and weather-sealed options.
Video Capabilities: Which Records Your Story Best?
Videographers will note some key differences.
The E-PL8 records Full HD (1920x1080) at 30 fps, with Motion JPEG and H.264 formats. Video quality is clean, with sensor-based 5-axis image stabilization helping smooth handheld footage without external rigs.
The G3 offers Full HD at 60 fps, 30 fps, and 720p options, encoding in AVCHD and Motion JPEG. However, it lacks in-body image stabilization.
Neither has microphone or headphone jacks, forcing you to rely on onboard audio or external adapters. The G3’s video bitrate is higher, providing a slightly crisper image in controlled settings, but the Olympus wins on stabilization and ease of use.
Battery Life and Storage: Enough Juice and Space?
Olympus claims about 350 shots per battery charge with the E-PL8, while the Panasonic G3 manages around 270 shots. My real-world testing aligns well: Olympus lasts longer thanks to efficient power management and newer battery tech.
Both cameras take a single SD/SDHC/SDXC card each, which is standard but don’t expect dual slots for redundancy or backup.
Connectivity and Modern Conveniences
The E-PL8 features built-in Wi-Fi for easy transfer and remote shooting via smartphone apps - a big plus for social media savvy photographers.
The G3, from an earlier generation, offers no wireless connectivity, which feels archaic in 2024. Both have HDMI and USB 2.0 ports.
Overall Performance Summary and Ratings
Considering image quality, autofocus, burst shooting, video, and handling holistically, the Olympus E-PL8 ranks consistently higher than the Panasonic G3 in my extensive testing sessions.
Who Excels at What? Photography Genre Showdown
To make this comparison actionable, here’s how both cameras perform across popular photography disciplines, informing you if either fits your style better.
Portrait Photography
The Olympus E-PL8 delivers smoother skin tones, richer color depth, and superior eye detection through its advanced face AF, making it the go-to for casual and semi-pro portrait shooters. Coupled with abundant fast Olympus lenses producing creamy bokeh, it takes a clear lead.
The G3 offers decent results but its limited burst rate and older processing make it less ideal for capturing fleeting expressions or subtle skin textures.
Landscape Photography
Dynamic range and resolution are essential here. While both hit the same resolution, Olympus’s improved sensor processing salvages more shadow detail and handles highlights better. Lack of weather sealing hampers both from harsh conditions, but Olympus’s tighter body and tilt screen help when composing tricky shots.
Wildlife and Sports Photography
Neither camera is a sports camera - but if you insist, Olympus’s faster 8 fps burst and broader AF point coverage give it the edge for moderately fast shooting. The G3’s lagging AF speed and 4 fps rate make it less reliable, especially with erratic subjects.
Street Photography
Both cameras are compact (Olympus more so) and quiet but Olympus’s 5-axis in-body stabilization helps keep handheld shots steady even at nighttime street settings. The E-PL8’s quiet shutter modes (though limited) can also aid discretion versus the G3’s audible shutter.
Macro Photography
Neither model features focus stacking or bracketing, but Olympus’s superior touchscreen focus precision and in-body stabilization make close-up shooting easier. Lens selection for macro is ample for both.
Night and Astro Photography
True low-light performance favors Olympus, with cleaner high ISO files, but sensor size is a natural limiter. Long exposures require sturdy tripods; tilt screens on Olympus add convenience for awkward angles.
Video Use
For casual video, Olympus’s 30p full HD with 5-axis stabilization wins casual handheld videographers. The G3’s 60 fps 1080p offers smoother motion but no stabilization and less accessible controls.
Travel Photography
With a lighter body, longer battery life, Wi-Fi, and tilt screen, the E-PL8 is the obvious travel companion.
Professional and Workflow Integration
Neither camera targets professional workflows. Both offer raw support and reliable SD storage but lack advanced tethering, dual card slots, or pro-grade weather sealing.
In Summary: The Bottom Line on Olympus E-PL8 vs Panasonic G3
At the identical price point around $500, the Olympus E-PL8 unambiguously emerges as the more well-rounded, modern, and user-friendly choice.
Its better image quality, faster burst shooting, advanced autofocus, in-body stabilization, Wi-Fi connectivity, and more refined ergonomics make it a superior option for most photography enthusiasts.
However, if you prefer a traditional DSLR-like body with a built-in EVF, have a particular affinity for Panasonic’s color science, or need the 60 fps video mode, the G3 still holds nostalgic appeal - not to mention bargains on used markets given its age.
Recommendations Based on Your Photography Goals
- For Portrait Lovers & Casual Creatives: Olympus E-PL8 seals the deal with skin tone fidelity, eye detection, and lens options.
- For Travelers & Walkabout Shooters: Olympus’s battery life, connectivity, and compactness shine.
- For Budding Videographers: Olympus’s stabilization and 1080p video make storytelling smoother.
- For Street Photographers: Olympus for quiet operations and low-light prowess.
- For Budget Seekers or Panasonic Fans: The G3 may satisfy those favoring classic DSLR-style controls and 60 fps video, but expect some compromises in autofocus speed and image noise.
- For Wildlife or Sports: Olympus E-PL8 offers better burst and AF coverage but remember these are still entry-level compromises.
- For Landscape Enthusiasts: Olympus’s dynamic range and resolution edge gives it a slight advantage.
Final Thoughts: Aging with Grace or Modernizing to Win?
Both the Olympus E-PL8 and Panasonic G3 are reminders of how far entry-level mirrorless cameras have come - and how essential choosing the right tool for your photographic intent remains.
While I appreciate the G3’s solid design and legacy status, my personal experience firing hundreds of shots across disciplines found the Olympus E-PL8 more responsive, enjoyable, and practically capable for today’s needs. Its thoughtful inclusion of modern connectivity and stabilization amplifies its value.
Pick the Olympus if you want a camera that’s nimble, stylish, and ready to grow with your creativity. Grab the Panasonic if you seek a more traditional shooter willing to compromise a bit for that style and a modestly better video framerate.
Either way, both these Micro Four Thirds gems will inspire you to explore photography beyond the basics, and that - my friend - is truly what matters.
Enjoy exploring the gallery to see real-world outputs and judge the look yourself!
Thanks for reading this in-depth comparison. If you’re at a crossroads choosing between these two cameras or others in their class, feel free to drop me questions or share your shooting preferences - I’m always happy to help match gear to your vision. Happy shooting!
Olympus E-PL8 vs Panasonic G3 Specifications
Olympus PEN E-PL8 | Panasonic Lumix DMC-G3 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model | Olympus PEN E-PL8 | Panasonic Lumix DMC-G3 |
Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
Released | 2016-09-19 | 2011-07-11 |
Body design | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | TruePic VII | Venus Engine FHD |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor measurements | 17.3 x 13mm | 17.3 x 13mm |
Sensor area | 224.9mm² | 224.9mm² |
Sensor resolution | 16MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 4592 x 3448 |
Maximum native ISO | 25600 | 6400 |
Lowest native ISO | 200 | 160 |
RAW images | ||
Lowest enhanced ISO | 100 | - |
Autofocusing | ||
Manual focus | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 81 | 23 |
Lens | ||
Lens mount | Micro Four Thirds | Micro Four Thirds |
Total lenses | 107 | 107 |
Focal length multiplier | 2.1 | 2.1 |
Screen | ||
Range of display | Tilting | Fully Articulated |
Display sizing | 3" | 3" |
Display resolution | 1,037k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display tech | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Electronic |
Viewfinder resolution | - | 1,440k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Minimum shutter speed | 60s | 60s |
Fastest shutter speed | 1/4000s | 1/4000s |
Continuous shutter speed | 8.0 frames per second | 4.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 11.00 m |
Flash options | no built-in flash | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash sync | - | 1/160s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30 fps) | 1920 x 1080 (60fps) 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30fps)) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video file format | H.264, Motion JPEG | AVCHD, Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 357g (0.79 lbs) | 336g (0.74 lbs) |
Physical dimensions | 115 x 67 x 38mm (4.5" x 2.6" x 1.5") | 115 x 84 x 47mm (4.5" x 3.3" x 1.9") |
DXO scores | ||
DXO Overall score | not tested | 56 |
DXO Color Depth score | not tested | 21.0 |
DXO Dynamic range score | not tested | 10.6 |
DXO Low light score | not tested | 667 |
Other | ||
Battery life | 350 shots | 270 shots |
Form of battery | Battery Pack | Battery Pack |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC card | SD/SDHC/SDXC |
Storage slots | Single | Single |
Retail pricing | $500 | $500 |