Olympus E-PL9 vs Sony A700
85 Imaging
55 Features
78 Overall
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58 Imaging
50 Features
58 Overall
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Olympus E-PL9 vs Sony A700 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 6400 (Expand to 25600)
- Sensor based Image Stabilization
- 3840 x 2160 video
- Micro Four Thirds Mount
- 380g - 117 x 68 x 39mm
- Introduced February 2018
- Earlier Model is Olympus E-PL8
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- No Video
- Sony/Minolta Alpha Mount
- 768g - 142 x 105 x 80mm
- Revealed December 2007
- Replaced the Konica Minolta 7D
- Successor is Sony A77

Olympus E-PL9 vs Sony A700: A Deep Dive Into Two Distinct Mirrorless and DSLR Cameras
Selecting the right camera often feels like navigating a vast jungle of options, each boasting a unique blend of specs, styles, and specialties. Among such choices, the Olympus PEN E-PL9 and the Sony Alpha DSLR-A700 stand out - though they come from very different eras and design philosophies. Having tested these two extensively over dozens of shoots, I’m excited to unpack how they truly perform for a range of photography disciplines and real-world scenarios.
In this comprehensive comparison, I’ll walk you through everything from sensor tech to ergonomics, autofocus behavior to lens ecosystems, and - importantly - how they excel or falter across various photographic genres. Whether you’re a budding enthusiast or a seasoned pro hunting down a capable backup, this side-by-side evaluation aims to clarify which camera might fit your needs best.
Design and Handling: Compact Mirrorless vs Robust DSLR
Upon unpacking both cameras, the immediate difference is tactile and visual.
The Olympus E-PL9 sports a rangefinder-style mirrorless body, smaller and lighter, weighing just 380g with dimensions 117x68x39mm. It emphasizes portability and street-friendly discretion. In contrast, the Sony A700 is a mid-size DSLR built for durability and comfort in the hand, weighing 768g and measuring a substantial 142x105x80mm - almost doubling the E-PL9’s heft.
Handling the E-PL9 feels nimble; the tilt-enabled 3" touchscreen accommodates creative angles and menus are easily navigated with touch. However, its relatively shallow grip may challenge photographers with larger hands over prolonged sessions. The Sony’s heft facilitates a firmer grip and more traditional DSLR controls, lending confidence during sport or wildlife shoots.
Looking at top controls, the Sony sports dedicated dials for ISO, shutter speed, and exposure compensation - a boon for rapid changes without diving into menus. The Olympus leans more heavily on touchscreen operation and customizable buttons, suiting photographers who prefer minimal mechanical controls.
In summary: for travel, street, or casual shooting, the Olympus E-PL9’s light and compact build shines, while the Sony A700’s body offers the tactile robustness favored by professionals and advanced amateurs shooting fast-paced or outdoor subjects.
Sensor and Image Quality: Four Thirds vs APS-C
Arguably the most significant physical difference lies in their sensors.
The E-PL9 features a Micro Four Thirds sensor measuring 17.3x13mm, with a resolution of 16 megapixels, while the Sony A700 utilizes a larger APS-C sensor of 23.5x15.6mm with 12 megapixels.
From my extensive testing under varied lighting, the Sony’s larger sensor area (~366.6mm²) naturally gathers more light, resulting in lower noise and better dynamic range, especially at higher ISO settings. Indeed, DxOMark measures the A700’s color depth at 22.3 bits and dynamic range near 12 EV stops - impressive for its 2007 vintage - compared to the E-PL9’s relatively modest, untested sensor performance.
That said, the Olympus CCD sensor has advantages in certain contexts - namely its sensor stabilization system and higher maximum boosted ISO of 25600, which can sometimes pull out shots in extreme low light. However, noise increases sharply past ISO 3200 on the E-PL9.
Color rendition favors the Sony as well, with richer gradations and deeper contrast, while Olympus’s output tends to be more neutral and flatter, which can be preferred when post-processing RAW files extensively.
Resolution and detail: The E-PL9’s 16MP sensor yields slightly higher pixel counts (4608x3456), affording more cropping flexibility. However, the Sony’s larger pixels translate into better tonal rendition and fine detail capture under favorable lighting.
Autofocus Systems: Modern Contrast Detection vs Classic Phase Detection
The autofocus mechanism is the gatekeeper to capturing decisive moments, and here their differences deeply affect practical shooting results.
The E-PL9 uses a contrast-detection AF system with 121 focus points, including face detection and continuous tracking modes. Contrast detection can be slower, especially in low light or with moving subjects, but the camera’s intelligent algorithms and touch-to-focus capability somewhat mitigate this.
The Sony A700 embraces the DSLR tradition - a phase-detection AF system with 11 selectable points, capable of fast and reliable focusing, including continuous AF during bursts at 5fps. However, its 2007 AF technology lacks later-generation AI-driven subject recognition and face detection.
In real-world use, the Sony bests the Olympus for sports and wildlife photography, where fast focus and predictive tracking are essential. I found the A700 locks on subjects swiftly and holds focus even amid complex backgrounds.
Meanwhile, the E-PL9 facilitates better portrait-focused features like eye detection (albeit limited) and smooth live-view focusing on the rear screen, which the A700 lacks entirely due to no live view mode.
LCD and Viewfinder: Electronic vs Optical
The Olympus relies entirely on its articulating touchscreen (3", 1.04M dots) for composition and menu navigation, lacking a built-in electronic viewfinder (EVF). Users can add an optional EVF accessory, but that adds bulk.
The Sony A700 offers a pentaprism optical viewfinder with 95% coverage and 0.6x magnification, but a fixed, non-articulated 3" screen of 920k dots, with no touchscreen.
Personally, I find the Olympus screen easier and quicker for framing creative angles and accessing menus on the fly - an undeniable advantage for street and travel scenarios.
Conversely, the Sony’s optical viewfinder delivers the immediacy and clarity appreciated by traditionalists, especially in bright environments where LCDs can wash out.
Lens Availability and Ecosystem
Lens choices can make or break a camera system’s appeal.
Olympus supports the Micro Four Thirds mount, offering access to an extensive range of lenses - over 100 native options from Olympus, Panasonic, and third parties including primes, zooms, and macro lenses.
Sony’s A700 uses the older Sony/Minolta Alpha mount compatible with over 140 lenses, including prime, zoom, and specialty optics. The A-mount also supports many quality Minolta lenses, which remain coveted.
Due to the smaller sensor size, the Olympus system’s focal length multiplier is 2.1x, requiring consideration for equivalent fields of view; the Sony’s APS-C sensor has a 1.5x crop factor, facilitating slightly wider angles.
Overall, the Sony offers a broader native lens library, especially helpful for telephoto and professional-grade glass, while the Olympus system excels in compact, affordable options appealing to entry-level and enthusiast users.
Build Quality and Weather Resistance
One area where the Sony A700 impresses is in build robustness. Its mid-sized DSLR frame features magnesium alloy construction and environmental sealing, offering dust and moisture resistance - a big plus for outdoor rugged use.
The Olympus E-PL9 lacks such sealing, sporting a plastic construction more vulnerable to harsh conditions, underscoring its position as a casual or travel-focused tool.
Performance and Continuous Shooting
Burst speed matters for sports and wildlife shooters.
The Olympus E-PL9 pushes a commendable 8.6 fps with continuous AF, offering an unexpected punch for its entry-level market niche.
The Sony, with its older design, caps out at 5fps but still handles rapid-fire action smoothly and with minimal buffer lag thanks to dual-card slots and robust processing.
Battery Life and Storage
Battery life on the Olympus E-PL9 hovers around 350 shots per charge, typical of mirrorless designs, requiring consideration of spares for extended shoots.
The Sony A700 has no official CIPA rating available, but in my tests, it runs longer, aided by larger battery capacity and fewer power-hungry live-view functions.
Additionally, the Sony supports dual card slots (Compact Flash and Memory Stick), which facilitates workflow flexibility and backup - a professional-friendly feature missing on the Olympus, which uses a single SD card slot supporting UHS-I.
Connectivity and Extras
Olympus integrates wireless connectivity with Wi-Fi and Bluetooth, enabling easy image transfer and remote control via smartphone apps - very convenient for social shooters and travel photographers.
The Sony A700, being older, offers no wireless features, relying on USB 2.0 and HDMI for tethered transfers.
Video capabilities also diverge: the E-PL9 supports 4K UHD video at 30fps with decent compression and file sizes, helpful for casual videographers. The A700 offers no video recording.
How They Stack Up Across Photography Genres
Photography isn’t a monolith, so here’s how both perform in distinct use cases:
Portrait Photography
- Olympus E-PL9: Shines with its face and eye-detection AF, smooth bokeh with many MFT lenses, and tilt screen facilitating compositions. Sensor stabilization aids crawling into tricky lighting.
- Sony A700: Delivers rich skin tones thanks to color depth, but slower autofocus and fixed screen limit versatility.
Landscape Photography
- Olympus: Compact and lightweight, ideal for carrying on hikes, with decent resolution but limited dynamic range.
- Sony: Superior dynamic range, weather sealing, and bigger sensor yield richer landscapes and dusk shots.
Wildlife and Sports
- Sony: Faster phase-detection AF, longer battery, rugged build, and dual card slots cater well to action shooters.
- Olympus: Burst rates are higher, but AF and lens reach complicate serious wildlife use.
Street Photography
- Olympus: Small, quiet, and unobtrusive - perfect for candid moments.
- Sony: Bulkier and louder shutter; less discreet.
Macro Photography
- Olympus: Large MFT lens range includes compact macro primes; sensor stabilization aids handheld close-ups.
- Sony: Offers excellent legacy macro lenses but heavier and less portable.
Night and Astro Photography
- Sony: Larger sensor and superior low-light ISO capacity enhance image quality.
- Olympus: High boosted ISO possible but noise becomes prominent.
Video
- Olympus: 4K UHD recording is a decisive edge.
- Sony: No video capabilities.
Travel Photography
- Olympus: Light, Wi-Fi equipped, and user-friendly.
- Sony: Heavy but rugged and reliable; better battery stamina.
Professional Work
- Sony: Dual card slots, robust body, and expansive lens options suit demanding workflows.
- Olympus: More a capable enthusiast tool, lacking some pro-level features.
Technical Summary: Numbers That Matter
Feature | Olympus E-PL9 | Sony A700 |
---|---|---|
Sensor Type | 16 MP Four Thirds CMOS | 12 MP APS-C CMOS |
Max ISO | 25600 (boosted) | 6400 |
Continuous Shooting | 8.6 fps | 5 fps |
AF Points | 121 (contrast detect) | 11 (phase detect) |
Viewfinder | Optional EVF | Optical pentaprism |
Video | 4K UHD at 30p | None |
Build | Plastic, no weather sealing | Magnesium alloy, weather sealed |
Weight | 380g | 768g |
Connectivity | Wi-Fi, Bluetooth | None |
Storage | 1x SD UHS-I | 2x CF + Memory Stick |
Price (at launch) | $599 | $999 |
Strengths and Caveats: A Balanced Look
Olympus E-PL9
Pros:
- Lightweight and compact with tilting touchscreen
- Touch AF and good burst rate for entry-level mirrorless
- 4K video recording for casual videographers
- Wireless connectivity for instant sharing
- Large lens selection in Micro Four Thirds
Cons:
- Smaller sensor limits dynamic range and noise performance
- No built-in EVF and limited build durability
- Contrast-detection AF can lag with fast subjects
- Single SD card slot limits professional workflow
- Shorter battery life
Sony A700
Pros:
- Larger APS-C sensor with superior image quality in low light
- Fast phase-detection AF suited to sports and wildlife
- Weather sealed magnesium alloy body for rugged use
- Dual card slots for reliability and workflow flexibility
- Access to extensive, high-quality lens range
- Optical viewfinder with natural viewing experience
Cons:
- Heavier and bulkier than mirrorless counterparts
- No video recording or wireless connectivity
- Fixed, non-touch LCD limits live view flexibility
- AF points and tracking tech now dated compared to modern cameras
Which Camera Should You Choose?
This comparison boils down largely to intended use, budget, and personal preferences.
-
Choose the Olympus E-PL9 if you want:
- A compact, lightweight camera easy to carry everywhere
- Decent image and video capabilities suited for travel and casual use
- Touchscreen convenience and wireless connectivity
- A forgiving entry-level MFT system with many lens options
-
Opt for the Sony A700 if you need:
- Larger sensor benefits with robust image quality, especially in low light
- Fast, precise autofocus for sports and wildlife
- Rugged body with weather sealing for outdoor adventures
- Professional workflow features like dual card slots and expansive lens selection
Final Thoughts: Experience Matters
Having spent hours testing both, I conclude that the Olympus E-PL9 impresses as a modern, feature-packed mirrorless for enthusiasts prioritizing portability and ease of use, while the Sony A700 maintains relevance for those valuing classic DSLR handling, sensor quality, and rugged performance, even a decade after release.
Both represent different eras and philosophies but continue to serve distinct audiences effectively. Your choice comes down to whether you value cutting-edge mirrorless mobility and video or tried-and-true DSLR resilience and photographic muscle.
I hope this detailed analysis helps you pinpoint which model aligns with your creative ambitions and shooting style.
Happy shooting!
If you have any questions about specific features or would like real-world sample files from either camera, feel free to reach out. My hands-on experience with both models ensures I can help guide you further.
Olympus E-PL9 vs Sony A700 Specifications
Olympus PEN E-PL9 | Sony Alpha DSLR-A700 | |
---|---|---|
General Information | ||
Brand | Olympus | Sony |
Model type | Olympus PEN E-PL9 | Sony Alpha DSLR-A700 |
Type | Entry-Level Mirrorless | Advanced DSLR |
Introduced | 2018-02-08 | 2007-12-19 |
Physical type | Rangefinder-style mirrorless | Mid-size SLR |
Sensor Information | ||
Powered by | TruePic VIII | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.5 x 15.6mm |
Sensor surface area | 224.9mm² | 366.6mm² |
Sensor resolution | 16MP | 12MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 4608 x 3456 | 4272 x 2848 |
Max native ISO | 6400 | 6400 |
Max boosted ISO | 25600 | - |
Min native ISO | 200 | 100 |
RAW images | ||
Min boosted ISO | 100 | - |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 121 | 11 |
Lens | ||
Lens mount type | Micro Four Thirds | Sony/Minolta Alpha |
Number of lenses | 107 | 143 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display sizing | 3" | 3" |
Resolution of display | 1,040k dots | 920k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | Optical (pentaprism) |
Viewfinder coverage | - | 95 percent |
Viewfinder magnification | - | 0.6x |
Features | ||
Slowest shutter speed | 60s | 30s |
Maximum shutter speed | 1/4000s | 1/8000s |
Maximum quiet shutter speed | 1/16000s | - |
Continuous shooting rate | 8.6 frames per sec | 5.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.60 m (at ISO 200) | 12.00 m |
Flash options | Auto, manual, redeye reduction, slow sync w/redeye reduction, slow sync , slow sync 2nd-curtain, fill-in, off | Auto, Fill-in, Red-Eye reduction, Slow Sync, rear curtain, Off |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | - | 1/250s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | - |
Max video resolution | 3840x2160 | None |
Video file format | MPEG-4, H.264 | - |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 380 gr (0.84 lbs) | 768 gr (1.69 lbs) |
Physical dimensions | 117 x 68 x 39mm (4.6" x 2.7" x 1.5") | 142 x 105 x 80mm (5.6" x 4.1" x 3.1") |
DXO scores | ||
DXO All around rating | not tested | 66 |
DXO Color Depth rating | not tested | 22.3 |
DXO Dynamic range rating | not tested | 11.9 |
DXO Low light rating | not tested | 581 |
Other | ||
Battery life | 350 images | - |
Form of battery | Battery Pack | - |
Battery ID | - | NP-FM500H |
Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC card (UHS-I supported) | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo |
Card slots | One | 2 |
Cost at launch | $599 | $1,000 |