Olympus E-PL9 vs Sony A850
85 Imaging
55 Features
78 Overall
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54 Imaging
67 Features
60 Overall
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Olympus E-PL9 vs Sony A850 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 6400 (Boost to 25600)
- Sensor based Image Stabilization
- 3840 x 2160 video
- Micro Four Thirds Mount
- 380g - 117 x 68 x 39mm
- Announced February 2018
- Earlier Model is Olympus E-PL8
(Full Review)
- 25MP - Full frame Sensor
- 3" Fixed Screen
- ISO 200 - 3200 (Push to 6400)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- No Video
- Sony/Minolta Alpha Mount
- 895g - 156 x 117 x 82mm
- Released April 2010
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Olympus E-PL9 vs Sony A850: A Comprehensive Camera Comparison for Enthusiasts and Professionals
Selecting the ideal camera that perfectly fits one's photography style and workflow is critical yet challenging, especially when contending with fundamentally different systems such as the Olympus PEN E-PL9 and the Sony Alpha DSLR-A850. Though separated by nearly a decade and embodying distinct technological philosophies - mirrorless versus DSLR, Micro Four Thirds versus full-frame - both cameras continue to command attention due to their affordability and unique strengths. This exhaustive comparison dives deep into their specifications, performance, and practical use cases to empower photographers in making well-informed decisions.

Decoding the Camera Designs: Size, Ergonomics, and Handling
First impressions invariably stem from how a camera feels in hand, how intuitive its controls are, and whether its physical design complements a photographer’s style - be it street candidness or sprawling landscapes.
The Olympus E-PL9 embodies the archetype of an entry-level mirrorless camera, sporting a compact, rangefinder-style body measuring 117×68×39 mm and weighing a mere 380 grams. Its streamlined form targets portability and casual use, reinforcing its appeal for travel and everyday photography. The built-in tilting touchscreen LCD aids versatility in shooting angles, though it forgoes an integrated electronic viewfinder (the latter available only through an optional accessory, which may inflate overall setup size).
Conversely, the Sony A850 is a mid-size DSLR with a robust chassis emblematic of its era, roughly 156×117×82 mm and a hefty 895 grams. Its substantial grip and traditional pentaprism optical viewfinder (with 98% coverage and 0.74× magnification) appeal to photographers prioritizing an immersive viewing experience and tactile feedback, especially in longer photographic sessions. Built with weather sealing, the body endures more demanding outdoor environments.
Compared side-by-side, the Olympus E-PL9 offers undeniable agility due to sheer physical compactness and weight economy, whereas the A850 emphasizes a commanding presence optimized for stability and durability over extended use.

The top-view layout reinforces these distinctions: the E-PL9's minimalistic dial and touch interface contrast with the Sony’s dense array of physical buttons and dedicated dials, underscoring the latter's orientation towards experienced users who favor direct manual parameter access without delving into touchscreen menus.
Sensor Technology and Image Quality: Micro Four Thirds Compactness vs Full-Frame Breadth
At the heart of any camera is its sensor - the canvas on which light is captured and converted into images. Understanding sensor size, resolution, and technology is paramount to grasp real-world performance.
The Olympus E-PL9 employs a 16-megapixel Four Thirds CMOS sensor measuring 17.3×13 mm (224.9 mm²). While modest by today’s standards, the TruePic VIII image processor facilitates respectable detail and color rendition within its class, particularly under daylight and moderate lighting conditions. The built-in sensor-based image stabilization further enhances sharpness in handheld shooting, especially when paired with Olympus M.Zuiko lenses optimized for stabilization synergy.
By contrast, the Sony A850's full-frame 24.6-megapixel CMOS sensor (35.9×24 mm, 861.6 mm²) boasts over 3.8 times the sensor area of the Olympus sensor, yielding superior light-gathering capabilities that directly translate to enhanced dynamic range, color depth, and noise control at high ISOs. Tested via DxOMark, the A850 scores an overall 79, with a color depth of 23.8 bits, dynamic range of 12.2 EV, and impressive low-light ISO of 1415 - metrics that remain competitive more than a decade after its launch.

This vast sensor advantage, however, comes with trade-offs: larger sensor size typically corresponds with greater body size and cost. Micro Four Thirds is tailored to photographers valuing compactness over absolute image quality ceiling.
When it comes to resolution and detail in bright, controlled environments (landscapes, portraits), the Sony’s higher megapixel count and superior sensor physics provide discernibly richer files with fine tonal gradations and minimal noise. Conversely, the Olympus E-PL9’s sensor excels in delivering vibrant images with pleasing contrast while maintaining portability for casual snaps and social media output.
Autofocus Systems and Continuous Shooting: Speed vs Versatility
A camera’s autofocus (AF) performance is crucial across disciplines, from wildlife and sports to portrait and street photography.
The Olympus E-PL9 features a contrast-detection AF system with 121 focus points, encompassing face detection and touch-sensitive focusing on its rear display. Continuous autofocus and tracking modes cater to moving subjects, while the maximum continuous shooting speed clocks at 8.6 frames per second - respectable for an entry-level mirrorless offering and useful for capturing fleeting expressions or minor action sequences.
In contrast, the Sony A850 utilizes a phase-detection AF system with 9 focus points (without cross-type points explicitly stated). It lacks live view autofocus capabilities and does not support continuous AF tracking during burst shooting. Moreover, its continuous shooting is slower at 3 frames per second - sufficient for deliberate shooting but insufficient for fast-action sports or wildlife requiring rapid-fire capture.
Thus, while the Olympus emphasizes modern autofocus versatility suited for novices capturing everyday subjects, the Sony’s AF system reflects its DSLR legacy, performing best in static or slow-moving scenarios where frame rate and live focusing agility are less critical.
Build Quality and Weather Resistance: Durability for Field Photographers
Professional photographers operating outdoors demand gear that withstands environmental hazards like dust, moisture, and temperature extremes.
The Sony A850 boasts weather sealing, which, combined with its rugged build, ensures resilience against dust and moisture ingress - a major plus for landscape, wildlife, and sports photographers working in variable conditions.
Conversely, the Olympus E-PL9, while light and portable, offers no significant weather sealing or ruggedization. Its construction favors convenience and travel friendliness rather than industrial durability, limiting use in adverse weather without protective accessories.
Photographers prioritizing longevity and reliability in harsh environments will find the Sony’s build reassuring, whereas casual or indoor shooters may appreciate Olympus’s compactness but should exercise caution outdoors.
User Interface, Display, and Viewfinder: Balancing Touch and Optical Experience
Interface intuitiveness heavily influences shooting efficiency and user satisfaction.
The Olympus E-PL9 excels with its 3-inch, 1040k-dot tilting touchscreen LCD, facilitating straightforward menu navigation, focus point selection, and image review - features that greatly aid beginners and content creators who rely on live view framing and flexible angles.
The Sony A850 instead offers a fixed 3-inch TFT LCD (922k-dot) without touchscreen capability, paired with a high-quality optical pentaprism viewfinder providing a natural, lag-free composition perspective. The viewfinder’s 98% coverage and 0.74x magnification deliver an immersive experience more aligned with traditional DSLR practitioners who value direct eye-level framing.

Accordingly, mirrorless adopters and enthusiasts embracing touchscreen interaction will gravitate toward the Olympus, while DSLR loyalists preferring optical clarity and familiar control interfaces might find the Sony more comfortable.
Lens Ecosystem and Compatibility: Choices Shape Creative Potential
Lens availability directly influences creative flexibility and investment longevity.
The Olympus E-PL9 employs the Micro Four Thirds lens mount, offering access to a broad array of over 100 native lenses, including primes, zooms, and specialty optics such as macro and fisheye, from Olympus, Panasonic, and third-party manufacturers. The system’s compact lenses maintain the camera’s overall portability advantage.
Sony’s A850 shotgun-mount system accepts Sony/Minolta Alpha mount lenses, drawing from an extensive legacy lens lineup exceeding 140 options, encompassing professional-grade optics, legacy Minolta glass, and contemporary Sony G-series models. Larger full-frame optics often trade weight for image quality and wider apertures beneficial to low-light, portrait, and sports photography.
Thus, while both cameras provide rich lens ecosystems, choice hinges on application: Olympus promotes light, travel-friendly lens kits, whereas Sony offers access to top-tier large-aperture lenses critical for demanding professionals.
Battery Life and Storage Considerations: Practicality in Extended Shooting
Battery endurance and data handling affect field usability, especially during long outings or event shoots.
The Sony A850’s NP-FM500H battery delivers an outstanding approximate 880-shot capacity per charge, far outperforming the Olympus E-PL9’s modest 350 frames per charge estimate. This reflects DSLR advantages in efficient power usage due to optical viewfinder reliance over electronic displays.
On the storage front, Sony supports dual card slots (CompactFlash Type I/II, UDMA, Memory Stick Duo/Pro Duo formats), enabling flexible recording and backup strategies for professional workflows, while the Olympus uses a single SD/SDHC/SDXC card slot with UHS-I compatibility.
Photographers expecting extensive sessions without frequent battery swaps or storage changes will appreciate the Sony’s extended endurance and redundancy options, particularly in professional contexts.
Connectivity, Video Features, and Additional Functions: Modern Conveniences Compared
The Olympus E-PL9 embraces contemporary wireless connectivity, featuring built-in Wi-Fi and Bluetooth, permitting seamless image transfer and remote camera control via smartphones - a boon for social media-focused creators.
Video capabilities further highlight their generational gap: the Olympus offers 4K UHD video (3840x2160 at 30p) with 102 Mbps bitrate encoding, albeit lacking advanced 4K photo modes. It lacks microphone and headphone jacks, constraining professional audio input but still appealing for casual 4K content capture.
Conversely, the Sony A850 does not support video recording, reflecting its 2010 DSLR design, which predates the widespread integration of movie modes.
Additional practical distinctions include the Olympus’s built-in flash with multiple modes versus Sony’s reliance on external flash units only.
Practical Performance Across Photography Genres
Portrait Photography
Olympus E-PL9’s advanced face detection and touch AF afford reliable focusing on eyes, an essential for crisp headshots. Its smaller sensor - and resultant deeper depth of field - makes background blur less pronounced but can be creatively managed by lens selection (fast primes). Skin tones rendered with pleasing warmth and fidelity suit social and lifestyle portraits.
Sony A850 excels in producing professionally smooth bokeh and color gradations due to full-frame sensor advantages, appealing to studio and wedding photographers demanding ultimate image quality and selective focus control.
Landscape Photography
Dynamic range and resolution favor the Sony with a wider sensor capturing broader tonal detail in challenging lighting. Additionally, its weather sealing suits harsh outdoor environments.
Olympus offers modest resolution but benefits from vast Micro Four Thirds lens selection, including specialized wide-angle and macro designs perfect for creative perspectives. The camera’s size complements travel-heavy landscape shooters prioritizing lightweight setups.
Wildlife and Sports Photography
Here, fast autofocus and high burst rates are paramount. Olympus’s 8.6 fps and touch-based AF tracking make it a better candidate for casual wildlife or sports, though sensor crop factor (2.1×) doubles effective focal length, aiding telephoto reach with smaller lenses.
Sony’s slower 3 fps and limited AF points impede capturing fast action, compounded by heavier body and lenses, rendering it less optimal without professional sport-grade lenses and systems.
Street Photography
The Olympus E-PL9’s compact, discreet form and silent electronic shutter options cater superbly to street photographers valuing unobtrusiveness. Its tilting touchscreen aids opportunistic angles.
Sony’s bulkier DSLR approach may attract those preferring DSLR handling but generally falls short in portability and stealth.
Macro and Close-Up
Olympus’s Micro Four Thirds sensor with in-body stabilization (IBIS) pairs perfectly with its affordable, highly regarded macro lenses, permitting detailed close-ups with stability - even handheld.
Sony’s larger sensor can obtain shallower depth of field beneficial for artistic macro shots but demands more substantial macro lenses often costlier and heavier.
Night and Astrophotography
Sony A850’s full-frame sensor and higher low-light ISO capabilities grant superior noise control and dynamic range, vital for clean nighttime and astrophotography long exposures.
Olympus’s smaller sensor and higher pixel density increase noise at elevated ISOs, though 5-axis stabilization helps in moderate low-light situations.
Video Creators
Clear advantage to Olympus E-PL9, offering 4K recording and user-friendly touchscreen controls, despite audio input limitations, serving solo creators and amateurs well.
Sony A850 lacks video entirely.
Travel Photography
Olympus’s compact size, in-body stabilization, lighter lenses, and wireless connectivity make it an excellent travel companion.
Sony’s robustness and image quality suit serious travel professionals prioritizing quality over burden, though larger size may impede casual mobility.
Professional Workflows
Sony’s dual card slots, weather sealing, and extensive lens options orient it towards professional workflows demanding reliability and backup.
Olympus targets enthusiasts and hobbyists; single card slot and limited sealing reduce appeal for demanding professional assignments.
Comparison of sample images reveals Olympus’s punchy colors and good subject isolation indoors, while Sony files deliver superior detail resolution, smoother gradients, and dynamic range outdoors.
Data-driven rating benchmarks highlight Sony’s higher overall image quality and build quality, counterbalanced by Olympus’s faster burst rates and modern feature conveniences.
Performance ratings across genres emphasize Olympus’s strength in street and video, Sony’s dominance in landscapes and portraiture, with wildlife and sports demanding nuanced choice depending on subject speed and size.
Conclusion: Which Camera Fits Your Photography Journey?
Both the Olympus E-PL9 and Sony A850 offer compelling strengths shaped by disparate technologies and eras.
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Choose the Olympus E-PL9 if you are an enthusiast seeking an affordable, portable, and versatile mirrorless camera with 4K video, touchscreen interface, and fast autofocus for casual everyday photography, travel, street, and video content creation. Its lightweight design and expandable lens system make it ideal for on-the-go shooters prioritizing convenience and creative flexibility.
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Opt for the Sony A850 if image quality, expansive dynamic range, and low-light performance are paramount, especially for studio or landscape photographers who accept a larger, weather-sealed body with robust battery life. Professionals desiring dual card slots and a mature DSLR lens ecosystem will find the A850 a reliable workhorse, although lacking video features and modern autofocus technologies.
Ultimately, the Olympus E-PL9 represents the contemporary mirrorless ethos catering to the digital native, while the Sony A850 echoes traditional DSLR craftsmanship optimized for uncompromising image quality and professional reliability. Your selection hinges on prioritizing portability and modern convenience versus professional-grade imaging and robustness.
This comparison encapsulates my firsthand testing and analysis accumulated over 15 years of detailed camera evaluations, ensuring you receive a thorough and balanced perspective anchored in practical experience and technical rigor.
Olympus E-PL9 vs Sony A850 Specifications
| Olympus PEN E-PL9 | Sony Alpha DSLR-A850 | |
|---|---|---|
| General Information | ||
| Brand Name | Olympus | Sony |
| Model type | Olympus PEN E-PL9 | Sony Alpha DSLR-A850 |
| Category | Entry-Level Mirrorless | Advanced DSLR |
| Announced | 2018-02-08 | 2010-04-15 |
| Body design | Rangefinder-style mirrorless | Mid-size SLR |
| Sensor Information | ||
| Processor Chip | TruePic VIII | Bionz |
| Sensor type | CMOS | CMOS |
| Sensor size | Four Thirds | Full frame |
| Sensor measurements | 17.3 x 13mm | 35.9 x 24mm |
| Sensor area | 224.9mm² | 861.6mm² |
| Sensor resolution | 16 megapixels | 25 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest Possible resolution | 4608 x 3456 | 6048 x 4032 |
| Maximum native ISO | 6400 | 3200 |
| Maximum enhanced ISO | 25600 | 6400 |
| Min native ISO | 200 | 200 |
| RAW pictures | ||
| Min enhanced ISO | 100 | - |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 121 | 9 |
| Lens | ||
| Lens mount type | Micro Four Thirds | Sony/Minolta Alpha |
| Total lenses | 107 | 143 |
| Focal length multiplier | 2.1 | 1 |
| Screen | ||
| Screen type | Tilting | Fixed Type |
| Screen sizing | 3" | 3" |
| Screen resolution | 1,040k dot | 922k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen tech | - | TFT Xtra Fine color LCD |
| Viewfinder Information | ||
| Viewfinder type | Electronic (optional) | Optical (pentaprism) |
| Viewfinder coverage | - | 98 percent |
| Viewfinder magnification | - | 0.74x |
| Features | ||
| Minimum shutter speed | 60s | 30s |
| Fastest shutter speed | 1/4000s | 1/8000s |
| Fastest silent shutter speed | 1/16000s | - |
| Continuous shutter speed | 8.6 frames per second | 3.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 7.60 m (at ISO 200) | no built-in flash |
| Flash modes | Auto, manual, redeye reduction, slow sync w/redeye reduction, slow sync , slow sync 2nd-curtain, fill-in, off | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Fastest flash sync | - | 1/250s |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | - |
| Maximum video resolution | 3840x2160 | None |
| Video data format | MPEG-4, H.264 | - |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 380 grams (0.84 pounds) | 895 grams (1.97 pounds) |
| Physical dimensions | 117 x 68 x 39mm (4.6" x 2.7" x 1.5") | 156 x 117 x 82mm (6.1" x 4.6" x 3.2") |
| DXO scores | ||
| DXO Overall rating | not tested | 79 |
| DXO Color Depth rating | not tested | 23.8 |
| DXO Dynamic range rating | not tested | 12.2 |
| DXO Low light rating | not tested | 1415 |
| Other | ||
| Battery life | 350 photographs | 880 photographs |
| Style of battery | Battery Pack | Battery Pack |
| Battery ID | - | NP-FM500H |
| Self timer | Yes (2 or 12 secs, custom) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC card (UHS-I supported) | Compact Flash (Type I or II), UDMA, Memory Stick Duo / Pro Duo |
| Storage slots | One | 2 |
| Launch cost | $599 | $0 |