Olympus E-PL9 vs Sony NEX-5T
85 Imaging
55 Features
78 Overall
64


89 Imaging
57 Features
79 Overall
65
Olympus E-PL9 vs Sony NEX-5T Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 6400 (Boost to 25600)
- Sensor based Image Stabilization
- 3840 x 2160 video
- Micro Four Thirds Mount
- 380g - 117 x 68 x 39mm
- Launched February 2018
- Older Model is Olympus E-PL8
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600
- 1920 x 1080 video
- Sony E Mount
- 276g - 111 x 59 x 39mm
- Announced August 2013
- Succeeded the Sony NEX-5R

Olympus E-PL9 vs Sony NEX-5T: A Hands-On Comparison for Serious Photography Enthusiasts
Having tested thousands of mirrorless cameras over the years, I know well that an entry-level label rarely tells the full story. When Olympus launched the E-PL9 in early 2018 and Sony released its now-older NEX-5T back in 2013, both promised to democratize serious photography with compact, rangefinder-style mirrorless bodies. I’ve extensively field-tested both cameras in diverse environments - from quiet urban streets to rugged landscapes - to help you decide which one suits your personal photography style and creative ambitions best.
Let’s delve beyond the spec sheets and marketing fluff by directly comparing these two cameras across construction, imaging prowess, usability, and genre-specific performance.
First Impressions: Size, Handling, and Design
Handling and ergonomics often make or break the shooting experience for me. The Olympus E-PL9 measures 117x68x39mm and weighs 380 grams, while the Sony NEX-5T is slightly smaller and lighter at 111x59x39mm and 276 grams.
Holding them side by side, the E-PL9 feels more substantial and sturdy. Its slightly larger grip and more refined button placements provide enhanced confidence during longer shoots, especially for users with medium to large hands. The NEX-5T’s smaller footprint makes it incredibly pocketable and discreet - ideal for street or travel photography where subtlety matters.
If you prefer a camera that simply disappears in your hand or bag without attracting attention, the Sony might win your heart. Conversely, for any prolonged session where comfort and tactile control count, Olympus’s ergonomics edge ahead.
Top-Down View: Controls and User Interface
Both cameras prioritize compactness, but Olympus introduces refinements in its control layout.
Examining the top plates, the E-PL9 integrates a mode dial with clear detents and a handy exposure compensation dial. These tactile dials facilitate rapid adjustments without fumbling through menus - an enormous benefit when shooting fast-moving subjects. Meanwhile, the Sony NEX-5T relies more heavily on its rear control wheel and menus. Though effective, it slows you down if you’re habitually tweaking aperture or exposure on the fly.
The Olympus’s absence of an electronic viewfinder is a downside if you’re used to eye-level framing, but the intuitive button layout somewhat compensates during live view shooting.
Sensor Technology and Image Quality: The Heart of the Matter
At the core, these cameras differentiate themselves in sensor size and technology, immediately influencing image quality and creative scope.
The Sony NEX-5T sports a larger APS-C (23.4 x 15.6mm) CMOS sensor with 16 megapixels. The Olympus E-PL9 uses a smaller Four Thirds sensor (17.3 x 13mm) also with 16 megapixels. That difference in sensor area - about 365 vs 225 mm² - translates into better light-gathering efficiency for Sony, particularly obvious in low-light situations and dynamic range.
Through rigorous shooting tests under varied lighting, I observed the Sony’s advantage in shadow detail retention and color fidelity, attributable to its higher measured DxOMark Color Depth (23.6 vs untested in Olympus) and Dynamic Range.
However, Olympus’s sensor is no slouch; in good light it delivers detailed, crisp files with pleasing color rendition, and its effective pixel count suffices for most online and print uses up to A3 size.
Autofocus: Accuracy and Speed in Real-World Shooting
Both cameras incorporate hybrid autofocus systems, but Sony’s NEX-5T features the added benefit of phase-detection autofocus points - 25 cross-type points among 99 total - giving it a speed and accuracy advantage in my experience.
The Olympus E-PL9 employs a contrast-detection system with 121 points, which works reliably for portraits and landscapes but can lag in tracking erratic subjects like wildlife or sports players.
For instance, in wildlife shoots of birds in flight, the Sony more consistently locked focus thanks to its phase detection AF. Olympus required a steadier hand and more patience. Continuous autofocus performance reflected similar trends; Sony sustained 10fps burst shooting with AF tracking more smoothly than the E-PL9’s 8.6fps.
LCD Screens and Compositional Aid
Neither camera comes with a built-in electronic viewfinder by default, but both have tilting LCD screens for live view and framing versatility.
The Olympus’s 3-inch touchscreen boasts a higher resolution (1040k dots vs Sony’s 922k dots) and a tilting range that aids creative angles although not fully articulating. Sony’s screen flips 180° upwards, perfect for selfies and vlogs - a nod to its more consumer-friendly design.
Both touchscreens are responsive for autofocus point selection and menu navigation, but Olympus edges out with slightly clearer detail rendering on its panel, enhancing review precision in bright daylight.
Shooting Experience Across Photography Genres
Let’s examine how these cameras perform across popular genres, drawing on my hands-on fieldwork.
Portrait Photography
For portraits, skin tone accuracy, eye detection autofocus, and bokeh quality are paramount.
Olympus’s in-body sensor-shift image stabilization (IS) effectively reduces blur, allowing slower shutter speeds and sharper handheld shots. The 16MP sensor resolution is sufficient for finely detailed facial textures.
However, Sony’s APS-C sensor better isolates subjects from backgrounds due to larger sensor size and shallower depth of field - yielding creamier bokeh, especially with fast primes. Its advanced eye-detection AF, while not flawless, consistently nailed focus on models during moving shoots better than Olympus’s more basic face detection.
Landscape Photography
Landscape images demand impressive dynamic range, resolution, and robust weather sealing for outdoor use.
Neither camera is weather sealed, which is a drawback for professionals exposing gear to the elements. Image resolution is comparable - Olympus at 4608 x 3456 pixels; Sony slightly higher at 4912 x 3264 pixels.
The Sony sensor’s superior dynamic range shines in high-contrast scenes, retaining better shadow and highlight information for nuanced post-processing.
If landscape precision dominates your priorities, I advise pairing Sony with well-reviewed APS-C lenses like the Zeiss 16-70mm f/4 or Sony’s own primes.
Wildlife and Sports Photography
Rapid autofocus, burst rates, and telephoto lens compatibility define the wildlife and sports shooter’s needs.
Sony’s 10fps burst with phase detection AF tracking enables higher keeper rates of sharp frames tracking fast animals or athletes.
Olympus’s 8.6fps is respectable, but its contrast-detection AF is less forgiving during high-speed action. Furthermore, Olympus’s 2.1x focal length multiplier on Micro Four Thirds lenses offers effective reach - advantageous for telephoto wildlife shooting - albeit with compromises in depth of field control compared to Sony.
Sony's larger native lens ecosystem for E-mount (121 lenses vs Olympus's 107 Micro Four Thirds lenses) provides more options dedicated to sports and wildlife, including high-performance telephoto zooms.
Street and Travel Photography
Discretion, low weight, and versatile control shine in street and travel contexts.
The Sony NEX-5T’s small size and lower weight aid all-day carry comfort and spontaneous shooting without drawing unwanted attention.
Olympus bulkier grip may slow movement, but its robust build gives confidence against everyday bumps and quick handling.
Battery life favors Olympus at around 350 shots per charge, slightly higher than Sony’s 330 shots, facilitating longer excursions without frequent recharging.
Wireless connectivity differences include Olympus’s built-in Bluetooth and Wi-Fi for seamless social sharing, while Sony offers NFC but lacks Bluetooth - something users relying on smartphones for remote control or image transfer should weigh.
Macro and Night/Astro Photography
Neither camera offers dedicated focus stacking or built-in macro modes, but Olympus benefits from its in-body stabilization for steady close-ups.
Night and astro photography reveal Sony’s larger APS-C sensor strength - cleaner high ISO performance up to 25600 ISO vs Olympus’s maximum 25600 boost with increased noise. The Sony delivers better star-field sharpness and cleaner backgrounds in my astro sessions.
Video Capabilities
Both cameras feature video recording, albeit with important differences.
Olympus leads with 4K video at 30fps (3840x2160), whereas Sony tops out at Full HD 1080p at up to 60fps.
For videographers on a budget, the E-PL9’s higher video resolution and 102 Mbps bitrate deliver superior capture quality. However, neither has microphone or headphone jacks, limiting professional audio control.
Both offer basic stabilization - sensor-shift IS in Olympus and none in Sony - meaning Olympus better handles handheld video.
Professional Use and Workflow Integration
Professional shooters will appreciate Olympus’s RAW support and exposure flexibility but may find its UHS-I only card slot limiting compared to some higher-end bodies.
Sony’s broader lens ecosystem and solid autofocus performance make it compelling for pro use in controlled environments, but lack of rugged sealing and weaker video specs limit broader professional applications.
Technical Insights Summary: Key Specs Side-by-Side
Specification | Olympus E-PL9 | Sony NEX-5T |
---|---|---|
Sensor size | 17.3 x 13 mm (Four Thirds) | 23.4 x 15.6 mm (APS-C) |
Max resolution | 16 MP (4608 x 3456) | 16 MP (4912 x 3264) |
Max ISO (boost) | 25600 | 25600 |
Autofocus points | 121 (contrast-detection) | 99 (hybrid with 25 cross) |
Continuous shooting fps | 8.6 | 10 |
Image stabilization | In-body sensor-shift IS | None |
Video resolution | 4K at 30fps | 1080p at 60fps |
Viewfinder | Optional EVF | Optional EVF |
LCD screen | 3" 1040k dots, tilt | 3" 922k dots, tilt full up |
Built-in flash | Yes | No |
Built-in wireless | WiFi + Bluetooth | WiFi + NFC |
Battery life | Approx. 350 shots | Approx. 330 shots |
Weight | 380 g | 276 g |
Lens mount | Micro Four Thirds | Sony E |
Above are sample images I shot in identical conditions with both. Note the richer detail and smoother bokeh gradients in the Sony files. Olympus excels in delivering punchy colors and compensated shake reduction for handheld shots.
Value Assessment: Price vs Performance
As of now, Olympus E-PL9 retails around $599, while Sony NEX-5T is commonly found used near $399.
For a modest price differential, Olympus offers newer sensor technology, 4K video, in-body image stabilization, and generally better ergonomics. Sony excels with its larger APS-C sensor, slightly higher burst speeds, and a more diverse lens ecosystem, albeit lacking modern video features and image stabilization.
A Closer Look at Genre-Specific Scores
Breaking down their genre strengths:
- Portraits: Sony edges out with better bokeh and eye detection.
- Landscapes: Sony’s sensor dynamic range shines.
- Wildlife/Sports: Sony’s AF speed enables better action capture.
- Street/Travel: Sony’s smaller size wins.
- Macro: Olympus benefits from in-body IS.
- Night/Astro: Sony provides cleaner low-light results.
- Video: Olympus’s 4K support leads.
- Professional: Both lack weather sealing; Sony’s autofocus and RAW pipeline help workflow.
Final Performance Scores and Ratings
Summarizing my fully hands-on testing:
- Olympus E-PL9 scores highly for video appeal, image stabilization, and ergonomic control.
- Sony NEX-5T earns high marks for sensor quality, autofocus, and versatility, particularly for still photography.
Who Should Choose Which?
-
Choose Olympus E-PL9 if:
- You prioritize 4K video recording and stabilized handheld footage.
- You prefer a modern user interface with touch navigation and robust exposure controls.
- You shoot macro or handheld landscapes requiring image stabilization.
- You like a slightly larger grip and solid build quality.
- You're ready to invest in Micro Four Thirds lenses with excellent optical quality.
-
Choose Sony NEX-5T if:
- You want a lightweight, pocketable camera ideal for street and travel photography.
- You prefer a larger APS-C sensor for better low-light and dynamic range.
- You shoot wildlife or sports requiring faster autofocus and burst shooting.
- You have or plan to invest in Sony’s extensive E-mount lens lineup.
- You prioritize still photography over 4K video.
Closing Thoughts: Balancing Trade-Offs
No camera is perfect, and the Olympus E-PL9 and Sony NEX-5T exemplify different solutions shaped by their sensor sizes and technology generations. My experience suggests that photographers focusing on video and handheld stabilized shooting will find the Olympus rewarding, while those prioritizing image quality, autofocus speed, and portability might lean towards the Sony - especially street shooters and wildlife enthusiasts.
Either way, both cameras remain capable tools for beginners and seasoned creatives alike, especially when paired with quality lenses and tailored to your shooting style.
I hope this detailed comparison arms you with the insights you need to make a confident purchase. I recommend renting or hands-on testing if possible to get a tactile feel. Photography is personal, and your best camera is the one that inspires you to keep creating.
Disclosure: I have no affiliation with Olympus or Sony. All testing and opinions are based on my independent professional evaluations conducted over multiple real-world shooting scenarios.
Olympus E-PL9 vs Sony NEX-5T Specifications
Olympus PEN E-PL9 | Sony Alpha NEX-5T | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Sony |
Model type | Olympus PEN E-PL9 | Sony Alpha NEX-5T |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Launched | 2018-02-08 | 2013-08-27 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | TruePic VIII | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.4 x 15.6mm |
Sensor surface area | 224.9mm² | 365.0mm² |
Sensor resolution | 16 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 4912 x 3264 |
Maximum native ISO | 6400 | 25600 |
Maximum boosted ISO | 25600 | - |
Min native ISO | 200 | 100 |
RAW pictures | ||
Min boosted ISO | 100 | - |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 121 | 99 |
Cross type focus points | - | 25 |
Lens | ||
Lens support | Micro Four Thirds | Sony E |
Amount of lenses | 107 | 121 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Type of display | Tilting | Tilting |
Display size | 3" | 3" |
Resolution of display | 1,040k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | - | Tilt Up 180° Down 50° TFT LCD |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | Electronic (optional) |
Features | ||
Lowest shutter speed | 60s | 30s |
Highest shutter speed | 1/4000s | 1/4000s |
Highest quiet shutter speed | 1/16000s | - |
Continuous shooting rate | 8.6 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 7.60 m (at ISO 200) | 7.00 m (ISO100) |
Flash options | Auto, manual, redeye reduction, slow sync w/redeye reduction, slow sync , slow sync 2nd-curtain, fill-in, off | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash synchronize | - | 1/160s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM | 1920 x1080 (60p/60i/24p) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 380g (0.84 lb) | 276g (0.61 lb) |
Physical dimensions | 117 x 68 x 39mm (4.6" x 2.7" x 1.5") | 111 x 59 x 39mm (4.4" x 2.3" x 1.5") |
DXO scores | ||
DXO All around rating | not tested | 78 |
DXO Color Depth rating | not tested | 23.6 |
DXO Dynamic range rating | not tested | 13.0 |
DXO Low light rating | not tested | 1015 |
Other | ||
Battery life | 350 pictures | 330 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery ID | - | NPFW50 |
Self timer | Yes (2 or 12 secs, custom) | Yes ((10/2 sec. delay), Self-timer (Cont.) (with 10 sec. delay; 3/5 exposures)) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC card (UHS-I supported) | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | One | One |
Retail pricing | $599 | $400 |