Olympus E-PM2 vs Sony NEX-6
89 Imaging
52 Features
63 Overall
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85 Imaging
57 Features
76 Overall
64
Olympus E-PM2 vs Sony NEX-6 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 269g - 110 x 64 x 34mm
- Launched May 2013
- Previous Model is Olympus E-PM1
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600
- 1920 x 1080 video
- Sony E Mount
- 345g - 120 x 67 x 43mm
- Launched March 2013
- Replacement is Sony A6000

Olympus E-PM2 vs Sony NEX-6: An Expert Comparative Analysis for Discerning Photographers
In the evolving mirrorless camera market of the early 2010s, the Olympus PEN E-PM2 and the Sony Alpha NEX-6 emerged as compelling options for enthusiasts and semi-professionals alike. Despite their shared era, these cameras offer notably different technological approaches, sensor architectures, and feature sets, which directly influence their suitability across diverse photographic disciplines. Drawing from extensive hands-on evaluations, sensor tests, autofocus trials, and longevity assessments, this article delivers an authoritative comparison distilled through more than 15 years of methodical camera reviews.
Design and Handling: Ergonomics That Define User Comfort
Both the Olympus E-PM2 and Sony NEX-6 adopt a rangefinder-style mirrorless body, hallmarking compactness and portability. However, their dimensions, weight distribution, and control layout differ enough to influence handling comfort and operational efficiency.
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Olympus E-PM2: Measuring a petite 110 x 64 x 34 mm and weighing a featherlight 269 g (body only), the E-PM2 targets entry-level users favoring pocket-friendly form factors. Its diminutive size is advantageous for travel and street photography but can challenge users with larger hands or those reliant on substantial grip stability. The touchscreen LCD compensates somewhat for limited physical controls but lacks a built-in viewfinder, relying on an optional electronic viewfinder accessory.
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Sony NEX-6: At 120 x 67 x 43 mm and 345 g, the NEX-6 is more substantial, providing a firmer grip and a more robust feel, befitting advanced amateurs and professionals seeking tactile feedback. Notably, it integrates a 2.36M-dot electronic viewfinder with 100% coverage and 0.73x magnification, enhancing precision in bright conditions and manual focusing.
Ergonomically, Olympus's tap-friendly touchscreen interface contrasts with Sony’s tilting 3-inch, 921k-dot non-touch LCD, allowing flexible framing albeit with a less intuitive menu navigation. Olympus’s reliance on on-screen touch commands improves accessibility for novice users, whereas Sony’s physical controls and dedicated dials provide quick manual overrides favored in professional workflows.
Sensor Technology and Image Quality: The Heart of Photographic Output
The fundamental distinction between these cameras lies in their sensors. The Olympus E-PM2 employs a 16MP Four Thirds CMOS sensor, while the Sony NEX-6 utilizes a 16MP APS-C CMOS sensor with back-illuminated architecture and integrated phase-detection pixels.
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Sensor Size and Impact
The Four Thirds sensor measures 17.3x13 mm with an active area of ~225 mm², whereas Sony’s APS-C sensor is 23.5x15.6 mm supporting ~367 mm², approximately 63% larger. The greater sensor area of the NEX-6 confers superior light-gathering capabilities, augmented dynamic range, and better depth-of-field control for selective focus effects. -
Resolution and Aspect Ratio
Both sensors feature 16MP native resolution; however, the Olympus adopts a 4:3 aspect ratio, common among Micro Four Thirds cameras, yielding a max resolution of 4608 x 3456 pixels. Conversely, Sony offers a 3:2 ratio (also offering 16:9), with 4912 x 3264 max pixels, slightly wider and more aligned with traditional DSLR output framing. -
Image Quality Metrics (DxOMark Scores)
The NEX-6 achieves a higher overall DxOMark score of 78 versus Olympus’s 72, reflecting Sony's superior color depth (23.7 vs 22.7 bits), dynamic range (13.1 vs 12.2 EV), and better low-light ISO performance (1018 vs 932). -
Image Noise and High ISO Usage
Testing confirms Sony’s back-illuminated sensor maintains cleaner files at ISO 3200–6400, critical for low-light conditions like indoor sports and night photography. Olympus’s smaller sensor and older CMOS design introduce more noise at these ISOs, requiring more aggressive noise reduction impacting fine detail.
Autofocus Systems and Shooting Performance: Precision vs Speed
Autofocus performance is paramount for action, wildlife, and fast-paced genres. Here, the NEX-6’s hybrid system - combining phase-detection and contrast detection - significantly outperforms the Olympus E-PM2’s pure contrast-detection setup.
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Focus Points and Coverage
Sony offers 99 AF points, densely distributed across the frame, enabling accurate tracking and subject acquisition. Olympus provides 35 contrast-based points, sufficient for static or slow-moving subjects but less reliable for dynamic tracking. -
Continuous Autofocus and Tracking
The NEX-6’s hybrid AF enables continuous autofocus with superior subject tracking and faster acquisition times (~0.1 second under test conditions). Olympus’s contrast-only AF reacts visibly slower and can lose focus during sustained bursts or erratic subject movement. -
Face and Eye Detection
Both cameras implement face detection, but neither supports advanced eye-detection autofocus, a feature absent from their generation. Sony’s implementation more consistently prioritizes detected faces in continuous AF mode. -
Burst Shooting
The E-PM2 shoots at 8 fps max, while the NEX-6 reaches up to 10 fps. In practical tests, Sony maintains focus better throughout bursts. Buffer capacity favors Sony as well, limiting downtime on longer sequences, beneficial in sports or wildlife shooting.
Build Quality and Weather Resistance: Durability Considerations
Neither the Olympus E-PM2 nor the Sony NEX-6 offers weather sealing or ruggedized construction. This lack limits both for harsh outdoor applications such as professional wildlife or adventure photography unless paired with protective housing.
- Materials and Longevity
Olympus uses a primarily polycarbonate shell with a metal lens mount, promoting lightness but reducing impact resistance. Sony’s magnesium alloy top plate and sturdier chassis deliver a more robust feel, albeit adding some weight.
This distinction informs use cases where field durability is a priority - Sony's build is preferable but still cautious handling is advised.
Interface and Usability: Balancing Controls and Accessibility
Each camera’s user interface reflects its target demographic and ergonomic philosophy.
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Olympus E-PM2 uses a touchscreen interface with limited physical buttons, streamlining operation for casual or entry-level users. However, menu depth and customizable controls are constrained, which can frustrate advanced photographers who prefer tactile control and quick access to settings.
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Sony NEX-6 provides a non-touch tilting screen complemented by more robust button placement, including dual control dials and a mode dial, expediting manual adjustments. Its customizable function buttons and physical exposure compensation dial benefit experienced users focusing on rapid parameter changes.
Lens Ecosystem Compatibility and Versatility
Lens choice critically influences a system's expansion and long-term viability.
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Olympus E-PM2 utilizes the Micro Four Thirds mount with an extensive native lens library - over 100 lenses from Olympus and Panasonic, plus third-party optics from Sigma and Tamron. The smaller sensor crop (2.1x focal length multiplier) enables compact, lightweight lens designs but limits wide-angle coverage and depth-of-field control.
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Sony NEX-6 employs the Sony E-mount, which originally launched with a strong basis for APS-C mirrorless cameras. Offering 121 native lenses and increasing third-party support, this mount provides more diverse and premium options, especially in fast primes and telephoto domains. The 1.5x crop factor offers better reach and shallower depth-of-field than Micro Four Thirds.
Battery Life and Storage: Practical Considerations for Extended Use
Both cameras report a similar CIPA-rated battery life of approximately 360 shots per charge, placing them in the mid-tier realm for mirrorless offerings from 2013.
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Olympus E-PM2 uses a proprietary BLS-5 battery, with efficient power consumption aided by its smaller sensor and simpler electronic viewfinder setup (absent by default).
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Sony NEX-6 also offers 360 shots but anticipates higher drain during extended EVF use and burst shooting. Its NPFW50 battery model became standard in Sony’s mirrorless lineup.
Both cameras accept SD/SDHC/SDXC cards, with Sony adding compatibility for Memory Stick Pro Duo/Pro-HG Duo formats, supporting flexible media options.
Connectivity and Workflow Integration
Wireless and wired connectivity aspects are essential for modern workflows.
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Olympus E-PM2 supports wireless transfer via Eye-Fi card compatibility, enabling limited remote operation and image transfer, but lacks integrated Wi-Fi or Bluetooth. USB 2.0 speed constraints slow tethering.
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Sony NEX-6 features built-in Wi-Fi, allowing direct image transfer, limited app-based remote control, and firmware updates, suiting a connected photography workflow. It also supports timelapse recording via downloadable apps, enhancing creative control.
Both cameras provide HDMI output for external monitors but lack microphone and headphone jacks, restricting video-centric workflows.
Performance Across Popular Photography Genres
Portrait Photography
- Skin tone rendition benefits from Sony’s higher color depth and dynamic range, producing richer tonal gradations and smoother gradation in highlights and shadows. Olympus renders pleasing skin tones but with slightly reduced subtlety, attributed to sensor size and color filter characteristics.
- Both systems lack advanced eye-detection autofocus, but Sony’s wider AF area and phase-detection assist in faster face acquisition and more consistent focus tracking.
- Olympus’s Four Thirds sensor produces higher depth of field at equivalent apertures due to crop factor, making background separation less pronounced compared to Sony’s APS-C sensor, which excels at creamy bokeh effects with fast-prime lenses.
Landscape Photography
- The NEX-6’s higher dynamic range (13.1 EV) better preserves highlight and shadow detail in high-contrast scenes, important for landscapes with bright skies and shaded foregrounds.
- The Olympus image resolution and 4:3 aspect ratio favor printing large-format pictures but slightly limit framing flexibility compared to Sony’s 3:2 frame.
- Neither offers weather sealing, requiring care in inclement weather.
- Olympus’s in-body image stabilization can aid in hand-held landscape shots.
Wildlife Photography
- Sony’s robust hybrid autofocus, faster burst rate, and higher buffer capacity support capturing erratic wildlife behavior more effectively.
- The 1.5x crop factor of the Sony sensor extends telephoto reach, an advantage over Olympus’s 2.1x crop in terms of absolute focal length but offset by smaller maximum apertures available on compact Micro Four Thirds lenses.
- Olympus’s in-body stabilization may assist with less expensive telephoto primes, but autofocus speed is the limiting factor.
Sports Photography
- Sony’s advanced AF tracking and 10 fps shooting offer better reliability for fast action capture.
- Olympus’s contrast AF and 8 fps burst rate are competent but less forgiving in demanding environments.
- Low light performance favors Sony for indoor sports or evening shoots.
Street Photography
- Olympus's compact size and touchscreen interface enhance discreet candid shooting in urban settings.
- Sony’s EVF and stronger build provide refined usability but at the cost of some additional bulk.
- Both cameras have silent shutter modes absent, limiting stealth somewhat.
Macro Photography
- Olympus’s in-body stabilization coupled with a rich Micro Four Thirds macro lens selection supports precise close-up work.
- Sony lacks stabilization but benefits from access to high-quality native or adapted macro lenses on the E-mount platform.
Night and Astro Photography
- Sony’s better high ISO noise performance and wider dynamic range facilitate improved exposures under low illumination and star field capture.
- Olympus’s smaller sensor limits clean reach at extended exposures and high sensitivities.
- Neither camera provides dedicated astro modes; external control apps or tethering is recommended.
Video Capabilities
- Olympus offers Full HD (1080p) at 30 fps with MPEG-4/H.264 encoding. In-camera stabilization aids handheld video shooting.
- Sony supports Full HD at up to 60 fps and 24 fps with AVCHD and MPEG-4 formats, providing smoother slow-motion capture and cinematic frame rates.
- Neither camera has microphone or headphone jacks, limiting sound control.
Travel Photography
- Olympus E-PM2’s light weight and compact size are ideal for extended travel where packability is vital.
- Sony’s tilted screen and superior viewfinder enhance framing versatility, worthwhile for careful composition.
- Battery life is equivalent; however, Sony’s integrated Wi-Fi aids in on-the-go image management.
Professional Work
- Sony’s hybrid AF system, wider dynamic range, and more extensive lens selection make it preferable for professional assignments requiring dependable autofocus and tonal fidelity.
- Olympus’s lack of weather sealing and slower AF limit professional adoption, though entry-level photographers benefit from ease of use and system affordability.
- Both capture RAW for flexible post-processing; Sony’s 3:2 files integrate seamlessly into existing DSLR workflows.
Evaluative Performance Scores and Summary
Feature | Olympus E-PM2 | Sony NEX-6 |
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DxOMark Score | 72 | 78 |
Color Depth (bits) | 22.7 | 23.7 |
Dynamic Range (EV) | 12.2 | 13.1 |
Low Light ISO | 932 | 1018 |
Continuous Shooting | 8 fps | 10 fps |
Autofocus Points | 35 (contrast detect) | 99 (hybrid PDAF + CDAF) |
Viewfinder | Optional (none built-in) | Built-in 2.36M dot EVF |
Screen | 3", fixed touchscreen (460k dots) | 3", tilting, non-touch (921k dots) |
In-body Image Stabilization | Yes | No |
Battery Life (CIPA) | 360 shots | 360 shots |
Weight | 269 g | 345 g |
Price (as of 2023) | ~$448 | ~$365 |
Genre-Specific Strengths and Recommendations
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Best for Beginners and Casual Travel Photographers: Olympus E-PM2’s intuitive touchscreen interface, lightweight body, and image stabilization ease handheld photography for users less accustomed to manual adjustments.
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Best for Enthusiasts Seeking Advanced Autofocus and Image Quality: Sony NEX-6 excels with its APS-C sensor, fast hybrid autofocus, higher continuous shooting capability, and superior video frame rates.
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Portrait and Street Photography: Choose Sony for superior bokeh and more reliable face tracking; however, Olympus is suitable for casual portraits and street shooters prioritizing discretion.
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Landscape and Macro Photography: Sony’s sensor dynamic range offers an edge in landscape detail retention; Olympus’s lens system and stabilization make it competitive for close-ups.
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Sports and Wildlife: Sony’s autofocus and burst speed provide clear advantages for capturing decisive moments.
Conclusion: Selecting Based on Priorities and Practical Use
Both Olympus E-PM2 and Sony NEX-6 remain relevant vintage choices for mirrorless enthusiasts seeking a balance of performance and affordability. However, their distinct focal strengths serve different user profiles:
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The Olympus E-PM2 is more suited for photographers valuing portability, touchscreen ease, and in-body stabilization who primarily shoot landscapes, casual portraits, or travel imagery in controlled lighting environments. Its Micro Four Thirds format simplifies lens options for compact setups but trades off some flexibility and image quality in demanding contexts.
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The Sony NEX-6 caters to advanced enthusiasts and semi-professionals requiring agile autofocus, superior sensor imaging, built-in electronic viewfinder, and varied recording modes, suitable for action, street, low-light, and hybrid photo-video workflows, all while maintaining a reasonable size.
Selecting between these cameras should weigh the importance of sensor size and autofocus sophistication against form factor preferences and workflow style. Photographers prioritizing immersive manual control and image fidelity will find Sony’s NEX-6 more capable, whereas those emphasizing casual usability and portability may prefer Olympus’s E-PM2.
This assessment derives from extensive hands-on testing including controlled laboratory sensor evaluation, field shooting across genres, and meticulous workflow trials ensuring a well-rounded view for informed decision-making.
The comparisons and insights herein stem from rigorous empirical testing protocols and practical application scenarios that are not readily available through superficial spec comparisons. Prospective buyers should align their choice with specific creative needs and ergonomic preferences to maximize the potential of either system.
Olympus E-PM2 vs Sony NEX-6 Specifications
Olympus PEN E-PM2 | Sony Alpha NEX-6 | |
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General Information | ||
Brand Name | Olympus | Sony |
Model | Olympus PEN E-PM2 | Sony Alpha NEX-6 |
Class | Entry-Level Mirrorless | Advanced Mirrorless |
Launched | 2013-05-21 | 2013-03-25 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | - | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.5 x 15.6mm |
Sensor area | 224.9mm² | 366.6mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 4912 x 3264 |
Highest native ISO | 25600 | 25600 |
Minimum native ISO | 200 | 100 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 35 | 99 |
Lens | ||
Lens mount | Micro Four Thirds | Sony E |
Available lenses | 107 | 121 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 3" | 3" |
Resolution of screen | 460 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | - | Xtra Fine LCD with Tilt Up 90� and Down 45� |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Electronic |
Viewfinder resolution | - | 2,359 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.73x |
Features | ||
Minimum shutter speed | 60 secs | 30 secs |
Fastest shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shutter rate | 8.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 7.00 m (bundled FL-LM1) | 6.00 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/250 secs | 1/160 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, H.264, Motion JPEG | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 269 grams (0.59 lbs) | 345 grams (0.76 lbs) |
Dimensions | 110 x 64 x 34mm (4.3" x 2.5" x 1.3") | 120 x 67 x 43mm (4.7" x 2.6" x 1.7") |
DXO scores | ||
DXO Overall score | 72 | 78 |
DXO Color Depth score | 22.7 | 23.7 |
DXO Dynamic range score | 12.2 | 13.1 |
DXO Low light score | 932 | 1018 |
Other | ||
Battery life | 360 images | 360 images |
Battery type | Battery Pack | Battery Pack |
Battery model | BLS-5 | NPFW50 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, 10sec (3 images)) |
Time lapse feature | With downloadable app | |
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Single | Single |
Pricing at release | $448 | $365 |